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“Cardboard Grannies Art” Exhibition: Transforming Trash into Treasure to Support Hong Kong’s Unsung Heroes

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An empowering art and social change initiative supported by The Evangelical Lutheran Church Social Services – Hong Kong and YWAM Tuen Mun, featuring artist Go Hung, to raise awareness and funding for Hong Kong’s hardworking elderly recyclers

HONG KONG SAR – Media OutReach Newswire – 3 April 2025 – Despite Hong Kong’s prosperity, nearly one million of the city’s residents live in poverty, and elderly women are among the most vulnerable. Many toil as “Cardboard Grannies,” collecting recyclables for as little as HK$700 a month—without insurance, labor protection, or societal recognition.

Based on NGOs’ statistics, Hong Kong has 4,000 to 7,000 cardboard collectors, and most are elderly women. These “Cardboard Grannies” collectively recycle approximately 138 to 159 metric tons of materials daily.

They are spending more hours and more days each week collecting cardboard, and more elderly individuals are entering the field, as they have few other options, according to NGOs’ survey.

To spotlight their plight and provide tangible support, The Evangelical Lutheran Church Social Service – Hong Kong (ELCSS – HK) and YWAM Tuen Mun present “Cardboard Grannies Art,” a special one-day exhibition featuring meaningful and symbolic artworks by acclaimed Hong Kong artist Go Hung, who transforms cardboard collected by these women into thought-provoking pieces critiquing inequality and waste.

Details of the Exhibition:
Date: 7 April 2025 (Mon)
Time: 12 PM – 9 PM
Venue: M4 Atrium, The Mills, 45 Pak Tin Par St, Tsuen Wan
Featured Artist: Go Hung

How It Works:
This initiative is built on a sustainable three-part model designed to create immediate and lasting change. First, Fair Pay for Labor: Cardboards used in the artworks were collected directly through the cardboard grannies —ensuring that they are compensated well for their tireless work. Next, Art with Purpose: The collected cardboard is handed over to artist Go Hung, whose socially conscious practice breathes new life into discarded materials. Through his creative vision, the grannies’ cardboard is transformed into 25 powerful artworks that challenge perceptions about value, waste, and inequality. Finally, Impact Through Purchase: Every artwork sold at the exhibition will directly benefit the Cardboard Grannies, with the proceeds funding essential support for them, such as food and insurance, to provide them with long-overdue security. By bridging art and activism, this project doesn’t just raise awareness—it creates a tangible and environmentally-friendly cycle of empowerment for the elderly recyclers.

1kgdp

So.Call Mobility


Appendix – About the Artwork

Name & Description Price (HKD)
“I’m a Collector”
“I’m a Collector” was created in response to the hype surrounding “Art Month,” where the spotlight often highlights the exclusivity and glamour of art collecting at fairs. In contrast, this work turns attention to the city’s elderly “cardboard grannies,” who collect cardboard and tin cans to resell, just to make ends meet.
Often well past retirement age, these individuals work outdoors year-round, exposed to harsh weather as they push heavy metal carts loaded with their “collections” through back alleys, steep streets, and traffic-heavy roads. The works shine a light on their quiet resilience, documenting a raw, overlooked reality while questioning societal values around labor, dignity, and what it truly means to “collect.” 		HKD30,000
The Coin Series: “1kgdp”
“1kgdp” highlights the challenges faced by cardboard grannies during periods of economic instability. Inspired by the drop in street-recycled cardboard prices to HK$0.5 per kilogram in previous years, the design captures the impact of external factors such as China’s ban on importing certain types of waste and disruptions in Hong Kong’s wastepaper export industry. Each 50-cent coin weighs 1 kilogram and features a large-scale design with a diameter of 62 centimetres. Like its predecessor, it is crafted using three types of paper—cardboard, A4 paper, and newspaper. It symbolizes the ongoing struggles of the cardboard grannies and the precarious nature of their livelihoods. 		HKD26,000
The Coin Series: “Spare Charge”
“Spare Change” reflects the struggles of Hong Kong’s cardboard grannies, who collect and sell cardboard as a means of survival. The design draws inspiration from the average price of cardboard in earlier years, when it was sold for HK$0.7 per kilogram. To symbolize this, each edition consists of seven 10-cent coins with a total weight of 1 kilogram. Crafted from materials commonly collected and resold by the grannies—cardboard, A4 paper, and newspaper—the coin serves as both a tribute to their daily efforts and a reflection of how seemingly insignificant contributions play a vital role in sustaining livelihoods. 		HKD10,400
“So.call Mobility”
“So.call Mobility” (a play on “social mobility”) features 180 cardboard pillows suspended in six layers. The number 180 symbolizes the maximum days homeless individuals can stay in temporary shelters in Hong Kong, after which they face immense challenges finding housing due to high rents. The increasing gaps between the layers represent the widening wealth gap and diminishing social mobility. 		HKD500 each pillow
“Shelter”
“Shelter” draws inspiration from the intricate nests of weaver birds to explore the concept of home. In nature, nests symbolize safety and stability—the desire for which is a universal instinct shared across species. Yet for humans, particularly in Hong Kong, the idea of home is often overshadowed by challenges such as skyrocketing property prices and economic struggles.
The nests in this installation are crafted from plastic straps commonly used by cardboard grannies to secure and bundle cardboard. These humble materials, repurposed into intricate forms, highlight the resilience and resourcefulness of those on society’s margins.
The installation features 14 “Shelters,” representing the number of government-recognized temporary shelters available for homeless individuals in Hong Kong. It serves as both a reflection on these physical spaces and a call to confront the city’s growing housing crisis. 		HKD24,000
《同人》
《同人》 is a wordplay based on the Cantonese phrase 同人唔同命. Created for Art Month, this piece mimics paintings sold at auction houses by recreating them directly onto cardboard. Once the painted layer is torn off, it reveals the message “Sold for HK$0.5/kg” to the audience—a powerful commentary on the local and global wealth gap. 		HKD4,550-HKD6,550

Hashtag: #CardboardGranniesArt

The issuer is solely responsible for the content of this announcement.

About ELCSS – HK:

Evangelical Lutheran Church Social Service – Hong Kong (ELCSS-HK) is one of the largest non-governmental organizations in Hong Kong, established in 1976. With an innovative, caring, and people-oriented approach, ELCSS-HK provides integrated services to grassroots communities and disadvantaged individuals. Currently, the organization operates more than 60 service units and 50 special projects throughout the territory, serving over two million headcounts annually. ELCSS-HK offers a wide range of services spanning small children, the elderly, families, schools, and the employment sector.

About YWAM Tuen Mun:

YWAM Tuen Mun is a charity dedicated to providing holistic care to the marginalized and neglected in Hong Kong. Their diverse team operates a food bank that supplies food assistance to a large network of charities in the city while also going to the ground to serve the elderly-at-risk, cardboard collectors, and street sleepers. Through interactive programs, the organization promotes social integration, fostering connections and support among vulnerable members of society. Additionally, YWAM Tuen Mun engages local community members through poverty awareness programs and volunteering opportunities, fostering understanding and compassion for those in need and empowering them to serve.

About Go Hung:

Go Hung is a Hong Kong-based artist known for his innovative use of cardboard and other materials collected from the streets. With a background in Digital Arts (BA, MA) from the University of West London and Camberwell College of Arts, he creates thought-provoking sculptures and installations that often return to the streets for public viewing. His works critique consumerist waste while addressing pressing social issues in Hong Kong and beyond. Described as “Hong Kong’s most versatile conceptual artist” and “Hong Kong Warhol,” Go Hung’s art has been exhibited globally, including in Brazil, China, Denmark, Iceland, and the UK.

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Hong Kong Company Formations Surge 40.5% in 2025, Outpacing Regional Competitors

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15/05/2026

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Air Corporate data reveals 9 in 10 founders incorporated in Hong Kong do so remotely, driven by a 20% surge in Middle Eastern entrepreneurs seeking cost-effective operational alternatives to Dubai.

HONG KONG SAR – Media OutReach Newswire – 15 May 2026 – Air Corporate registered a 40.5% increase in Hong Kong incorporations in 2025, with the first quarter of 2026 already up 48% year-over-year. This data indicates that Hong Kong is reasserting itself as the leading Asian jurisdiction for company formation, fueled by a new wave of remote founders from the Middle East, North Africa, and Europe.

The prevailing narrative over the past five years suggested that Singapore was eclipsing Hong Kong; however, recent incorporation volumes challenge this. According to city-wide official figures cited by Vivian, Founder of Air Corporate, approximately 195,000 companies were registered in Hong Kong in 2025, compared to around 77,000 in Singapore.

“There was a lot of fuss about Singapore taking over Hong Kong as preferred jurisdiction over the last few years, but for 2025 alone, around 195,000 companies were formed in HK, vs around 77,000 for Singapore,” said Vivian. While city-wide registrations rose roughly 35% in 2025, incorporations at Air Corporate specifically grew by 40.5%. Vivian added, “With a 35% increase in the number of companies registered in 2025, Hong Kong is definitely back in the game as the top jurisdiction to start a company.”

The reality of Hong Kong company formation is increasingly global, lean, and founder-led. Nine in ten founders incorporated in Hong Kong with Air Corporate do not live there.

Key demographic and operational insights from Air Corporate’s client base include:

  • Approximately 90% of founders operate remotely from abroad, while 10% or less are based in Hong Kong.
  • Entrepreneurs aged 35 to 44 represent the largest age cohort at 38%, demonstrating that Hong Kong attracts founders in their prime career years rather than just younger digital nomads.
  • Serial entrepreneurs make up 60% of Air Corporate’s client mix, utilizing Hong Kong as an operational base for multiple companies, while first-time founders account for the remaining 40%.
  • A total of 89% of new companies are launched by solo founders (58%) or small teams of two to five individuals (31%).
  • Mainland China, Hong Kong, Turkey, India, the UAE, Australia, France, and Morocco rank among the top source markets for these founders.

Furthermore, 73% of new Hong Kong incorporations are directly tied to physical goods trade with China. This consists of e-commerce and dropshipping businesses (38%) and the trading of goods (35%). The recovery of in-person trade flows, including events, such as the Canton Fair and various industrial fairs, is pulling foreign founders back into the Greater China orbit and establishing Hong Kong as the natural entry point and financial layer over the world’s largest manufacturing base.

Air Corporate’s data recorded a 20% year-over-year growth in founders originating from the Middle East. This shift highlights a reverse migration where founders previously incorporated in Dubai are now choosing Hong Kong. Based on Vivian’s observations, founders often arrive in Dubai expecting fast incorporation and low costs, but discover that incorporation and maintenance are significantly more expensive than in Hong Kong, and banking remains difficult. Consequently, many founders move to Hong Kong after 12 to 24 months in the UAE, a trend accelerated by the Hong Kong government’s strategic outreach to the region.

For lean, remote-first businesses, speed-to-market is a critical factor. A founder located anywhere in the world can incorporate in Hong Kong and open a working bank account in approximately 7 days using digital banking partners. Currently, 90% of Air Corporate’s clients utilize these digital banking partners.

“Hong Kong and Singapore are the only places in Asia where you can set up your company, get a corporate account, and be in business in less than a week,” concluded Vivian.

Air Corporate is a service provider facilitating company formation and incorporation in Hong Kong for serial entrepreneurs, first-time founders, and remote-first business owners operating globally.

Media Inquiries
To learn more about Hong Kong company formation, visit Air Corporate’s website or contact their team directly.

Hashtag: #AirCorporate

The issuer is solely responsible for the content of this announcement.

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Natural Diamonds Sparkle on The Red Carpet at The 2026 Met Gala Celebrating “Costume Art”

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5 hours ago

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15/05/2026

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Today’s biggest stars express individuality and confidence with natural diamonds

NEW YORK, US – Media OutReach Newswire – 15 May 2026 – The 2026 Met Gala celebrating “Costume Art” took place May 4th at the Metropolitan Museum of Art in New York City, bringing together leading figures from across the globe for an unforgettable evening. These tastemakers showcased the most classic, refined and distinctive diamond jewelry looks of the season. Below, A Diamond is Forever highlights the standout trends from the event.

Desert diamonds

Desert diamonds emerged as a striking throughline on the Met Gala carpet, with a range of hues in distinctive settings taking focus.

Rihanna led the trend in a pair of exceptionally rare old Moghul Golconda fancy brown-yellow diamond earrings by Glenn Spiro, featuring two pear-shaped natural diamonds totaling 51.9 carats. Doja Cat offset her all nude look with a pair of large Leviev Diamonds floral-shaped earrings while Paloma Elsesser made a statement in a 29.5-carat diamond necklace by Bernard James, centered around a 15-carat fancy light yellow pear-shaped natural diamond. Cara Delevingne wore a De Beers London Forces of Nature High Jewelry ring, featuring marquise yellow diamonds set as eyes, while Emma Chamberlain opted for yellow and white diamond earrings by Chopard, underscoring the continued allure of warm diamond hues.

Magnificent Diamond Earrings

A wide variety of captivating silhouettes defined the natural diamond earrings on the Met Gala carpet. Zoë Kravitz delivered a modern twist with oversized diamond flower earrings by Jessica McCormack. Chase Sui Wonders opted for Jean Schlumberger by Tiffany & Co. Sea Fan earrings, bringing an element of sculptural artistry to the look. Gracie Abrams selected gently dangling Chanel earrings, adding understated fluidity, while Connor Storrie selected simple hoop earrings from Tiffany & Co., reinforcing the clean and enduring appeal of natural diamonds.

Standout Diamond Moments

Natural diamonds appeared in personal, unconventional and eye-catching ways, offering moments of surprise and awe. Power couple Beyoncé and Jay-Z embodied this trend with Beyoncé wearing Chopard’s Queen of Kalahari necklace, named after the rare 342-carat diamond that provided 23 stones for Chopard’s Garden of Kalahari collection. Jay-Z contributed to the narrative with a vintage diamond brooch by Briony Raymond worn at the collar as an unexpected placement that underscored the piece’s versatility. Isha Ambani made the styling of diamonds an art form in itself, wearing her own diamond jewelry featuring approximately 150 carats of old mine-cut diamonds, including a three-strand necklace and chandelier earrings, while also incorporating diamonds sewn directly into the bodice of her sari to represent significant moments in her life.

Together, these looks highlighted a shift toward natural diamonds as vessels of personal expression, styled with intention, individuality, and a sense of the unexpected.

Hashtag: #MetGala #RedCarpet #ADiamondisForever #NaturalDiamonds #Diamonds





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Turn Your Savings into a Front-Row Experience: HL Bank Singapore Offers Exclusive Passes to AsiaTop Music Festival 2026

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17 hours ago

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14/05/2026

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The premier music festival will play host to 16 K-pop, regional and Malaysian stars including, in performance order: Day 1 – NexT1DE, Aina Abdul, Belle Sisoski, Win Metawin, NMIXX, WINNER, DAESUNG, KUN. Day 2 – Uriah See, Firdhaus, Butterbear, 82MAJOR, STAYC, CRAVITY, TWS, CxM

SINGAPORE – Media OutReach Newswire – 14 May 2026 – Your next major K-pop experience is just a savings goal away as HL Bank Singapore (“HLB Singapore”) bridges the gap between financial wellness and the front row. In an exclusive collaboration designed for the ultimate music enthusiast, the bank is offering fans the chance to secure a pair of sought-after AsiaTop Music Festival 2026 tickets, valued at up to RM1,098 (approx. S$355), simply by growing their wealth.

HL Bank Singapore is giving music fans the chance to redeem exclusive passes to the AsiaTop Music Festival 2026, featuring top Asian acts, through its iSavings Reward Campaign.

This unique initiative stems from the regional synergy between Hong Leong Bank (“HLB”) and Tencent Music Entertainment Group (JOOX and QQ Music). By aligning with Visit Malaysia Year and Visit Selangor Year 2026, HLB is transforming the traditional banking experience into a gateway for premium entertainment. Scheduled for 30 and 31 May 2026 at the iconic Sepang International Circuit, the festival promises a high-octane weekend featuring an elite lineup of Asian superstars, including the largest K-pop showcase in the ASEAN region.

Securing a spot at the heart of the action has been streamlined through the iSavings Reward Campaign, running from 9 May 2026 to 18 May 2026. To participate, fans first decide on their preferred festival experience, selecting either a pair of Standard Passes with a S$5,000 deposit or the high-energy, nearer-to-the-stars Rockzone Passes with a S$8,282 deposit for their chosen day.

Once a tier is selected, customers can register by depositing the qualifying funds into an iSavings account via FAST or Links transfer. To validate their entry, customers must include the specific Comment Code, such as PALLIR1 for Day 1 Rockzone, within the funds transfer description. The qualifying balance must be maintained within the account for a six-month (182 days) earmarked period.

With only 88 pairs of tickets available for this exclusive campaign, the stakes are high. Allocation is limited to 22 pairs per day for each ticket category and will be awarded strictly on a first-come, first-served basis. Fans are encouraged to act quickly to ensure their savings work as hard as they do while securing a premier seat at the musical event of the year.

For full terms & conditions, and further details, please visit: www.hlbank.com.sg/AsiaTop2026

Hashtag: #HLBankSingapore

The issuer is solely responsible for the content of this announcement.

HL Bank Singapore

HL Bank Singapore is the Singapore branch of Hong Leong Bank Berhad, a leading digital-centric Malaysia-based financial services institution with a rooted heritage in the country spanning over 120 years. Operating under a Full Bank Licence in Singapore, HL Bank offers a comprehensive range of financial services to our business, retail and high networth customers through our 4 core business segments – Business & Corporate Banking, Personal Financial Services, Private Wealth Management and Global Markets.

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