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Chiang Mai Design Week’s 10th Anniversary: A Decade of Transforming a Creative City
Far from being a static event, Chiang Mai Design Week (CMDW) has continuously evolved, fostering diverse dynamics that have propelled Chiang Mai toward becoming a global City Branding icon as a hub of creativity. Recognized as a UNESCO Creative City of Crafts and Folk Art under the UNESCO Creative Cities Network (UCCN), Chiang Mai has also emerged as a center for design in Southeast Asia. The festival reflects the transformative power of design in driving societal, cultural, and economic development while promoting environmental sustainability. It has also inspired a significant homecoming movement, encouraging local talents to return and contribute to their hometown’s development. Over the past decade, Chiang Mai Design Week has undergone remarkable changes, creating a lasting impact across various dimensions:
1. From Local Festival to International Stage
Launched in 2014 through collaboration between the Thailand Creative and Design Center, or TCDC and local organizations, Chiang Mai Design Week began as a showcase for the city’s unique blend of traditional art and modern creativity. By 2015-2016, it introduced the creative market, workshops, and seminars, creating tangible networks and market opportunities.
From 2017 to 2019, the festival gained national and international recognition, featuring exhibitions by renowned designers and innovative integrations of technology with traditional craftsmanship. These efforts catered to global markets while preserving local cultural identity.
During the COVID-19 pandemic (2020–2021), the festival adapted its format to emphasize sustainability and environmentally conscious design. Initiatives like the HomeComing Creator project encouraged local talents to return and contribute to their communities. Exhibits such as “En.Light.En” brought together artists with connections to Chiang Mai and northern Thailand, fostering collaborations that revitalized local areas like Chang Moi and the Lanna Folklife Museum.
The festival also embraced music and performing arts, as seen in the International Street Music and Performing Arts Festival, which transformed local spaces into vibrant cultural hubs. Other initiatives included the Thai Local Coffee Festival, promoting sustainability in the coffee industry, and LABBfest, a live music event blending art and international cultural exchange.
Since 2022, the festival has aligned its activities with Chiang Mai’s status as a UNESCO Creative City of Crafts and Folk Art, forging partnerships with global creators and organizations. Notable initiatives include projects like “SANDBOX” from Moscow, which used film and animation as a developmental tool for children. The festival also featured lectures and workshops, alongside innovative events such as “MOSCOW EXPERTISE: VR/AR,” festivals and concerts in the Metaverse during and post-pandemic, presented by Russian VR artists, directors, producers, and festival curators. These initiatives underscore the festival’s role as a platform for cross-cultural exchange and innovation.
2. A Catalyst for Social, Economic, and Environmental Impact
Ms. Imhathai Kunjina, Director of the Creative Economy Agency (Chiang Mai Office), highlighted the significant positive impacts that Chiang Mai Design Week has generated across social, economic, and environmental dimensions.
“Over the past decade, Chiang Mai Design Week has driven meaningful change, raising awareness within local communities about the value of creativity and design in enhancing cultural assets. The festival has also established Chiang Mai as a destination for global travelers, showcasing vibrant creative spaces that go beyond traditional attractions. Today, Chiang Mai Design Week serves as the ‘mothership’ for annual creative events, inspiring other festivals to align their schedules, ensuring that the city becomes a hub of creative energy and diverse events during the same period. This synergy not only amplifies the city’s creative atmosphere but also offers tourists a truly unique and immersive experience.”
Economic Contributions: The festival’s economic impact has been profound, attracting increasing numbers of visitors from countries such as Taiwan, Japan, China, Singapore, Europe, and America. Over nine years, Chiang Mai Design Week has welcomed more than 1,022,869 attendees and generated over 5.36 billion THB in economic value for Northern Thailand (2018–2023). Additionally, it has revitalized historic buildings by drawing investors to renovate and repurpose them, transforming these spaces into thriving creative hubs and contributing to sustainable urban development.
Interdisciplinary Art Integration: The festival has fostered collaboration across disciplines, such as matching craft designers with emerging chefs to create unique and value-added products. Initiatives like the 2020 Homecoming Creator project have brought talented individuals back to their hometowns, reconnecting them with local communities. Moreover, events like the Chiang Mai Street Jazz Festival, featuring world-class jazz artist Igor Butman, have elevated the city’s reputation as a vibrant jazz hub. These achievements reflect the festival’s holistic approach to creative growth.
Environmental Sustainability: Chiang Mai Design Week has consistently prioritized sustainability, setting an example for eco-conscious practices. As Ms. Imhathai noted:
“The festival emphasizes ‘leading by example’ over ‘mandating actions.’ From the beginning, we encouraged creatives and architects to design reusable exhibition pavilions. In our 10th year, all pavilions are repurposed from the first festival. Informational signs are reused annually, and this year, over 95% of sign materials were replaced with recyclable options like corrugated cardboard instead of foam board, ensuring post-festival recyclability.”
Efforts to minimize environmental impact extend to reducing printed materials, utilizing solar-powered LED screens, and promoting green transportation. Since 2020, printed materials have been reduced by 30%—from 30,000 brochures and 150 booklets to 20,000 brochures in 2024—using eco-friendly paper. The festival also features electric tram shuttles and walkable event spaces, with bicycle services provided by Anywheel Co., encouraging sustainable mobility.
For vendors, we’ve organized training sessions on eco-friendly materials and sustainable practices, encouraging responsibility and adaptability for future sustainable business operations.”
Chiang Mai Design Week 2024, “SCALING LOCAL – Transforming Local to Global through Creativity, Technology, and Sustainability”
This year, Chiang Mai Design Week 2024 is set to take place under the theme “SCALING LOCAL: Creativity, Technology, and Sustainability – For Reviving Recovery.” The festival aims to elevate cultural assets and community resources to achieve global recognition while maintaining a focus on resilient community spaces that have thrived despite the challenges of COVID-19.
“Chiang Mai’s creative industries have grown significantly, showcasing the potential of local assets and talents nurtured over the years. To scale local creativity to the international stage, it is essential to integrate Creativity, Technology, And Sustainability—the three pillars that set the standard for festivals locally and globally. This year, we’re excited to welcome creators from neighboring northern provinces like Phrae, Nan, Lampang, and Sukhothai, demonstrating the festival’s decade-long influence in attracting regional creative talent,” explained Ms. Imhathai.
Chiang Mai Design Week 2024 will feature 6 activity categories with over 150 programs. Key highlights include:
- Lanna Gastronomy Tourism Economy Exhibition: A sustainable culinary tourism showcase exploring Lanna cuisine while creating income opportunities for local communities.
- Ready Set Old Exhibition: Reimagining Chiang Mai becoming the world’s 7th “Blue Zone” city for healthy aging, following in the footsteps of Okinawa (Japan), Sardinia (Italy), Nicoya (Costa Rica), Ikaria (Greece), Loma Linda (USA), and Singapore.
- Super Slow Exhibition: Immerse yourself in the beauty of slowness through innovative art that promotes sustainable and mindful living in a fast-paced world.
- Floral Wonders Exhibition: Showcase the potential of the local floral industry by merging creativity with technology, driving economic growth and job creation.
- LABB.Fest 2024: Enjoy live music performances blending Thai and international artists. This platform facilitates creative exchanges between artists, music entrepreneurs, and promoters from Thailand, Malaysia, Myanmar, Hong Kong, Taiwan, Japan, and South Korea.
The Next Chapter for “Chiang Mai Design Week”: Towards Sustainable Global Recognition
The future vision for Chiang Mai Design Week is to elevate its global prominence by fostering collaboration among designers, artists, entrepreneurs, and local and international networks. The festival aims to maintain high standards while adapting to urban trends and contexts to craft remarkable experiences for attendees and tourists. At the same time, it seeks to sustain interest among investors and sponsors for continued support.
“Chiang Mai Design Week is evolving towards a new standard that prioritizes not just aesthetics but the integration of creativity and environmental responsibility. This approach sets a benchmark for other creative festivals in Thailand, as seen in Chiang Rai and Phitsanulok, which have leveraged knowledge gained from the festival with support from CEA Chiang Mai. Looking ahead, the festival will shift its focus from audience quantity to quality, targeting visitors who actively engage and carry forward ideas inspired by the event,” explained Ms. Imhathai.
The ultimate goal is to establish Chiang Mai Design Week as a globally renowned festival that grows alongside the city’s holistic development. As a member of the World Design Week network, the festival reflects a decade of progress and potential. To secure a lasting global presence, the festival must uphold international standards, strengthen networks, and expand global outreach. Achieving this vision would position Chiang Mai Design Week as a cultural hallmark, akin to Milan Design Week, capable of attracting 100% investor interest.
Experience the transformative power of design at Chiang Mai Design Week 2024 (CMDW2024) under the theme “SCALING LOCAL” from December 7-15, 2024, across Chiang Mai’s old city areas, including the Three Kings Monument, Chang Moi, TCDC Chiang Mai, Thapae, and nearby districts like Hang Dong and San Kamphaeng.
Stay updated with the latest news and activities at: Website: www.chiangmaidesignweek.com Facebook: Chiang Mai Design Week, Instagram: ChiangMaiDesignWeek
Hashtag: #chiangmaidesignweek #CMDW2024 #scalinglocal
The issuer is solely responsible for the content of this announcement.
About Chiang Mai Design Week
Chiang Mai Design Week is an annual design festival hosted in Chiang Mai by the Creative Economy Agency (CEA), celebrating its 10th year (2015–2024). The festival serves as a dynamic platform for exchanging perspectives, experiences, and knowledge in design and creativity. It also fosters engagement through design, offering meaningful experiences to children, youth, communities, tourists, and enthusiasts alike. The festival features diverse activities, including exhibitions, talks, workshops, arts programs, and live performances, aimed at enhancing quality of life while infusing Chiang Mai with a vibrant, creative atmosphere. Events span iconic areas like Klang Wiang, rich in culture and local traditions, and Chang Moi–Tha Phae, home to TCDC Chiang Mai, a modern hub of design knowledge. In addition to these key districts, Chiang Mai Design Week also hosts programs in other significant areas throughout the city, offering visitors a fresh perspective on Chiang Mai and the chance to experience its unique creative spirit up close.
About Creative Economy Agency (Public Organization)
The Creative Economy Agency (Public Organization) or CEA was established on August 14, 2018, as an organization under the supervision of the Prime Minister’s Office to promote and develop the potential of the creative economy as a driving force towards a balanced and sustainable economy in the long term. One of CEA’s key missions is to establish creative economy districts by promoting and developing areas that foster a creative environment and encourage the growth of new businesses as well as aims to strengthen connections with surrounding communities. Additionally, CEA is responsible for promoting the growth of the creative industries by developing capabilities and linking networks, utilizing creativity as a tool to enhance businesses and improve the quality of life for the Thai people.
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Asia’s digital future takes centre stage at Economist Impact’s 5th annual Technology for Change Asia in Hong Kong
Taking place in Hong Kong for the 2nd year, the two-day event explored key themes including the future of work in the AI era, the quantum revolution, sustainable tech solutions, human-centered innovation, the Greater Bay Area’s transformation, China’s digital roadmap, smart and green mobility, and ethical AI.
In an opening ministerial keynote address, the Honourable Paul Chan Mo-po, GBM, GBS, MH, JP, Financial Secretary of the Government of the Hong Kong Special Administrative Region, said that Hong Kong, along with the Greater Bay Area, is poised to emerge as a leading international innovation centre because the region is building an ecosystem of patient capital, fostering a pro-innovation environment, and leveraging its unique strengths under the ‘one country, two systems’ arrangement to attract top-tier talent and drive technological progress, including in cutting-edge fields like AI.
Over 70 speakers, including renowned physicist Professor Brian Cox, shared insights on the region’s emerging investment and business opportunities. The event highlighted the unique position of the Greater Bay Area in using technology for business impact, and featured discussions on how businesses and governments can prioritise the human element in technology research and adoption to close the digital divide.
The event featured speakers from leading organisations including Alibaba.com, Booking.com, Deutsche Bank, DHL, Google, HSBC, IBM, JLL, Klook, Lan Kwai Fong Group, Li & Fung, Li Auto, LinkedIn, Mercedes-Benz Group, OCBC, Swire Hotels Group, Tencent Quantum Lab, Uber, and WhatsApp, and many more.
“From quantum computing to ethical AI, Technology for Change Asia tackled the innovations defining our future,” said Charles Ross, principal, technology and society, Asia-Pacific at Economist Impact. “The conversations we had were not just about technology but about shaping a more resilient and equitable world.”
The 5th annual Technology for Change Asia was sponsored by the Kellogg-HKUST Executive MBA Program, Hong Kong Science & Technology Parks Corporation, Tata Communications, IBM, AIA and McKinsey Global Institute. The event was supported by Brand Hong Kong, The Hong Kong Tourism Board, AI Club Asia, Asia MarTech Society, and the British Consulate-General Hong Kong. The official travel partner was Cathay Pacific.
For more information about Technology for Change Asia, please visit http://econimpact.co/TFCpress
Hashtag: #EconomistImpact
The issuer is solely responsible for the content of this announcement.
About Economist Impact
Economist Impact empowers businesses, governments and foundations to catalyse change and enable progress. Uniting the expertise The Economist Group is known for under a single brand, Economist Impact brings together policy research and insights, data visualisation, custom storytelling, events and media. Economist Impact combines the rigour of a think tank with the creativity of a media brand, engaging an influential audience in the areas of sustainability, healthcare and new globalisation. Visit 
www.economistimpact.com for more information.
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VinFuture Prize empowered the woman scientist Dr. Firdausi Qadri to give back to Bangladesh
Sharing with the VinFuture Foundation, Dr. Qadri reflects on her groundbreaking work and her passion for expanding STEM education for women. In the face of societal barriers, particularly in Bangladesh, she remains committed to empowering women in science and using her VinFuture Prize value to strengthen the country’s scientific community.
The ongoing battle against cholera
Having established herself as one of the scientific titans in the vaccine area, Dr. Qadri has developed a single oral dose of an affordable cholera vaccine to address the public health needs in Bangladesh. Her research opens the possibility of large-scale vaccination campaigns in poor countries to prevent outbreaks and reduce the healthcare cost burden, allowing them to invest in education and economic activities. This revolutionizing discovery has earned her global recognition, including the 2024 VinFuture Special Prize for Innovators from Developing Countries.
“The VinFuture Prize was completely unexpected, but it has given me immense energy and a profound sense of purpose to turn scientific solutions into real-world applications that benefit those in adverse settings, including humanitarian crises globally,” Dr. Qadri said.
Beyond its personal significance, the VinFuture Prize also empowered Dr. Qadri to give back to her home country. In 2014, Dr. Qadri formed a non-profit research institution called the ideSHi (Institute for Developing Science and Health Initiatives) located on the 11th floor of Blue Moon Gram Tower in ECB Chattar, Dhaka. She shared an astounding initiative to expand this institute using the 500,000 USD prize value from VinFuture, “Together with the VinFuture Prize money and a quarter of my personal funds, I took a bold step forward, acquiring an additional 5,000 square feet of space within the same building as ideSHi’s original facility,” she elaborated.
This facility is a bold initiative dedicated to improving public health and nurturing the next generation of scientists. Since then, this institute provides state-of-the-art facilities, offers training programs, collaborates with international partners, conducts research on genetic diseases including thalassemia – the most common blood disorder in Bangladesh – as well as infectious diseases.
“Over the past decade, ideSHi has expanded tremendously, and this new extension will allow us to tackle even more critical health challenges while further strengthening scientific capacity in Bangladesh,” she shared. “With prize money received from VinFuture, I am confident that this support will help ideSHi develop pragmatic solutions to public health challenges and ultimately help advance Bangladesh’s position in biomedical research.”
The achievement results in her determination after witnessing firsthand the dire impact of cholera and diarrheal diseases. Her journey began as a scientist with a deep passion for immunology, later on extended her work beyond the laboratory to the field, fully devoted to the cause of uplifting the lives of Bangladesh and beyond.
However, through her extensive work in diarrheal diseases at their main hospital in Bangladesh, Dr. Qadri estimates an annual intake of approximately 200,000 patients, with 90-95% comes from impoverished backgrounds. Living in overcrowded conditions with shared toilets, kitchens, and bathrooms, they face rapid disease transmission. “If one person contracts cholera, the infection can spread to three other people in the family and beyond due to contaminated hands and food,” Dr. Qadri explained. “It’s very difficult to control.”
Recognizing the persistent devastation of global health crises, Dr. Qadri extended her research beyond the laboratory. She conducted field studies on vaccine effectiveness, distribution strategies, and public health interventions. Her efforts extended beyond academia as she worked more with the government, advocating for necessary actions to improve healthcare access.
“Over 15 to 20 years, my work has evolved to encompass not just vaccine development, but also implementation strategies – exploring the effectiveness of different modes in delivering vaccines and understanding how to integrate water, sanitation, and hygiene (WASH) with vaccination programs to achieve cholera control,” she noted.
Dr. Qadri emphasized that cholera remains a disease of poverty, often overlooked due to its association with inadequate sanitation and clean water access. She also pointed out that some governments were reluctant to acknowledge the disease’s prevalence, fearing for their global image. Therefore, she expressed deep gratitude and immense joy at being recognized by such a prestigious global award as the VinFuture Prize. “This recognition is a tremendous honor and serves as a motivation for me to move ahead,” she shared.
Breaking glass ceilings
Dr. Qadri’s dedication to rigorous scientific research and her success in the cholera vaccine area serves as an inspiration for young women all over the world. However, for women in science, particularly in developing countries across Asia, the road is often fraught with challenges. Deep-seated prejudices and invisible glass ceilings make it difficult for women to gain recognition in male-dominated fields.
“I always want to be known as a scientist, not a “woman scientist,” who works alongside men as equals“, Dr. Qadri shared. “But I cannot deny that acceptance has not always come easily.”
The unwavering support of her family played a crucial role, encouraging her to push boundaries and proving that a woman is just as capable as a man. “I traveled to remote areas, worked long hours in the field, and committed myself fully to scientific research. I have managed to overcome many prejudices, though challenges remain,” she noted.
It is also a driving force that motivates her to passionately advocate for empowering women in STEM education. According to her, science, technology, engineering, and mathematics are the foundation of progress, driving innovation and shaping the future. Yet, women remain underrepresented in STEM fields, not only in developing countries but even in advanced economies.
“If we truly want to make a meaningful contribution to the world, women must be part of this transformation,” Dr. Qadri emphasized.
Many hesitate to pursue careers in STEM, not due to a lack of ability but because of societal expectations and deeply ingrained biases. Fields including engineering and mathematics, in particular, remain male-dominated, with cultural norms dictating which professions are deemed “suitable” for women.
Another critical factor is the cost and commitment required. STEM education is more demanding, expensive, and time-intensive compared to fields including finance or commerce. Success in STEM requires years of dedication and persistence, making it an uphill battle, especially for women who must balance professional ambitions with societal expectations of family life.
“I try to use my journey to show young women that it is possible to have a family, raise children, and do science.” She remarked, “You just need to know the mechanism to do it. There is no secret formula: just focus, perseverance, and unwavering commitment to the work you choose to do.”
Addressing health disparities
Driven by the goal to seek effective preventive public health solutions for Bangladesh and other developing countries, Dr. Qadri focuses on large-scale clinical studies using Vietnamese live vaccine train, which allowed her to conclude the benefit, power and feasibility of an oral dose of an affordable vaccine.
“Vietnam, which has been able to control cholera better through concerted public health efforts, has always been an example I reflected on.” She stated, “If Vietnam can better control cholera through a comprehensive public health approach, why can’t we?”
Besides vaccination, the scientific titan emphasized the need for a holistic approach, including improvements in WASH education, and surveillance. However, behavioral change and access to clean water remain significant hurdles. Thus, according to Dr. Qadri, to provide crucial protection in the short term, there are two key strategies: reactive vaccination during an outbreak and preventive vaccination to build immunity.
However, a major obstacle the world faces is the global shortage of cholera vaccines. “Despite cholera affecting millions across Asia, Africa, and Latin America, only 80 million vaccine doses are currently available annually. This is far below what is needed – Bangladesh alone requires 100 million doses in the coming years,” she noted.
The economic constraints surrounding cholera vaccines also present a challenge. Since cholera is often considered a “disease of poverty,” many pharmaceutical companies hesitate to invest in its production due to low profit margins. “This is already happening,” she stressed.
To address this, Dr. Qadri actively advocates for increased vaccine production in Bangladesh. She shared that one of her team’s key achievements has been demonstrating that in a major outbreak, giving the vaccine in a reactive way can quickly reduce the number of cases. “We have implemented this strategy in multiple regions of Bangladesh,” Dr. Qadri added.
“More importantly, as a result of our dedication, we now have a national cholera control plan, centered on preventive vaccination, ensuring that people receive doses regularly – whether annually or every three years – to stay protected before outbreaks occur. This is a significant milestone in our fight against the disease.” she said.
Hashtag: #VinFuture
https://vinfutureprize.org/vinfuture-prize-nomination/
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VinFuture
The VinFuture Foundation, established on International Human Solidarity Day on December 20th, 2020, is a non-profit organization co-founded by billionaire Mr. Pham Nhat Vuong and his wife, Mrs. Pham Thu Huong. The Foundation’s core activity is awarding the annual VinFuture Prize, which recognizes transformative scientific and technological innovations capable of making significant positive changes in the lives of millions of people worldwide.
The nomination period for the 2025 VinFuture Prize will close at 2:00 PM on April 17, 2025 (Vietnam time, GMT+7).
The VinFuture Prize consists of four prestigious awards presented each year. The most esteemed is the VinFuture Grand Prize, valued at US$3 million, making it one of the largest annual prizes globally. Additionally, there are three Special Prizes, each valued at US$500,000, specifically dedicated to honoring women innovators, innovators from developing countries, and innovators with outstanding achievements in emerging fields.
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HOFA Gallery and PhillipsX Presents SPACES II: Capturing the Ephemera at Phillips’ Asia Headquarters in Hong Kong’s West Kowloon Cultural District
Exploring art, technology and impermanence at Phillips during Hong Kong Art Week 2025, featuring seven visionary artists: Refik Anadol, Sougwen Chung, Random International, Tyler Hobbs, Addie Wagenknecht, Gina Choy & Maja Petrić
HONG KONG SAR – Media OutReach Neswire – 24 March 2025 – SPACES II: Capturing the Ephemera, presented by HOFA Gallery and PhillipsX, explores new artistic and technological frontiers, expanding on the themes introduced in the inaugural SPACES exhibition in London during Frieze Week 2024. This latest instalment, taking place during Hong Kong Art Week 2025, reflects further on the intersection of art, technology and impermanence.
Featuring works by seven visionary artists; Refik Anadol, Sougwen Chung, Random International, Tyler Hobbs, Addie Wagenknecht, Gina Choy and Maja Petrić, the selling exhibition examines how technology can capture, preserve and transform fleeting moments into enduring artistic expressions. It runs from 28 March to 15 April 2025 at Phillips’ Asia headquarters in Hong Kong’s West Kowloon Cultural District.
SPACES is an innovative series of exhibitions that confronts the profound challenges and possibilities presented by computing technologies and their impact on human experience. The first edition, launched at Phillips London in 2024, explored the dynamic interplay between AI, generative art and digital creativity.
SPACES II examines how technology can give form to the impermanent, whether through environmental shifts, generative processes, or the fluidity of human perception and memory. The selling exhibition will showcases a diverse array of works, including immersive installations, generative digital art, algorithmic designs and contemporary mixed-media pieces.
Miety Heiden, Deputy Chairwoman and Head of Private Sales at Phillips, says: “Following the success of the first installment in London in 2024, we are thrilled to bring SPACES II: Capturing the Ephemera to Phillips Hong Kong in collaboration with HOFA Gallery. This exhibition continues our commitment to showcasing artists at the forefront of digital and generative art, exploring how technology transforms transient moments into lasting expressions. As part of Hong Kong Art Week 2025, we look forward to presenting these groundbreaking works to a global audience in our Asia headquarters.”
SPACES II: Capturing the Ephemera: Free and open to the public daily.
Dates: 27 March VIP & Press Preview. 28 March to 15 April 2025 (Closed on 4 April)
28-30 March 11:00-19:00
1-15 April 10:00-18:00
Venue: Phillips Asia Headquarters, 1F, WKCDA Tower, West Kowloon Cultural District, 8 Austin Road West, Kowloon
TheHouseofFineArt.com & Exhibitions.Phillips.com
Hashtag: #HOFAGallery #PhillipsX
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