By Modupe Gbadeyanka
Some movie lovers are already calling on a movie producer in Nigeria, Ms Mobolaji Samuel, to release the sequel to her captivating film, Maleeka, Return of Meleeka (Atupa).
The quest to see the second part of the flick is due to the exploits of the Nollywood filmmaker in the first part.
However, she has called for calm, assuring her fans that the release date of her latest work of art would be announced very soon.
Speaking recently on the Return of Maleeka (Atupa), the charming movie maker described the film as a story of faith and resilience, which featured prominent actors in the industry.
She disclosed that the flick is a powerful exploration of faith, personal struggles, and the search for meaning, adding that it is a captivating narrative that blends personal stories with symbolic imagery.
According to her, Return of Maleeka (Atupa) is more than just a captivating story, as it is a universal reflection on the human condition.
“We hope this film will resonate with audiences of all backgrounds, sparking introspection and inspiring conversations about faith, purpose, and the power within us all,” she stated.
Ms Samuel noted that the film featured Mide Martins, Rotimi Salami, Kelvin Ikeduba, Ayo Olaiya, Femi Adebayo, and a host of other stars.
Return of Maleeka (Atupa) follows the journey of Omoyeni, a woman who dedicated her life to serving God and helping others. Despite her unwavering faith and good deeds, she faced seemingly insurmountable challenges in her life.
Omoyeni’s struggles were mirrored in the story of a lamp, symbolic of selflessness and sacrifice, which shines light on others’ paths but cannot illuminate its base.
Through Omoyeni’s experiences, the film explored profound questions about faith, destiny, and the human spirit’s capacity to overcome adversity. The narrative delved into the complexities of belief, the burden of responsibility, and the search for inner peace.
Business Post reports that Return of Maleeka (Atupa) was packaged by Ayo Olaiya and directed by Seun Olaiya.
