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Heritage Bank Promotes Nigeria’s Cultural Heritage via ‘Seki’ Dance Drama

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By Modupe Gbadeyanka

As part of its commitments to the promotion of the rich cultural heritage of the country, Nigeria’s most innovative banking service provider, Heritage Bank Plc, has partnered with Yibo Koko in association with Bolanle Austen–Peters Productions to showcase some of nation’s cultures to the world through presentation of a dance drama known as Seki in Lagos.

The event which held at the popular Terra Kulture Arena was graced by members of the diplomatic corps, bank officials and lovers of arts and it featured notable celebrities like Hilda Dokubo, Monalisa Chinda Coker, Ibinabo Fiberisima, Julius Agwu, Ovunda Ihunwo, Peace Christian, Deborah Job, Opereke Jamabo Foh and Mercy Albert among others as casts.

Speaking on Heritage Bank’s involvement in the project, the bank’s MD/CEO, Mr Ifie Sekibo, said, “Heritage Bank is doing this to preserve the culture of our people, the wealth of the people is in our culture. Heritage is what makes us who we are. So it is that heritage we are preserving so that we can transfer it from generation to generation.

“We know this is entertainment industry and is a very big industry out there and there are so many ways we can capture the essence of who we are, our tradition, our values and this what they are conveying through this dance drama.”

Seki, which is created and directed by Mr Yibo Koko, a notable filmmaker; is a pantomimic dance drama which traces the America tap dance to the indigenous people of the lower Niger Delta area of Nigeria and it is fused with cultural heritage.

On what inspired the dance drama, Mr Koko, who used to be the head of production of African Magic with Multichoice, said the idea “is to start our own thing without necessarily relying on the white race for the interpretation of our culture.”

He explained that Seki “is to show how rich we are as a people, how we can embrace our culture that it is not fetish but it is colourful, beautiful and wonderful and something we can sell to the world.”

On why it was performed in Lagos, the director said, “It is to showcase what we have at first to a large audience so that they will not always associate the Niger Delta region with militancy,” adding that there are a lot of positive things for them to come and witness in the region.

Seki, the dance drama, which was originally created in 1998 as Owu-Amaputi, was an official entry to the 10th anniversary of the National Black Arts Festival in Atlanta, Georgia, United States of America.

“It is a collaborative rhythmic agreement of dance patterns of different ceremonial dance groups predominantly from the Okrika, Kalabari, Bonny and Ikwerre ethnic groups in the lower Niger Delta Area of Rivers State, Nigeria,” Mr Koko said.

The dance groups include Owembe Dancers, Pioru/Ogwein Dancers, Ojongowu Dancers and Ikule Pamba Owu Dancers.

According Mr Koko, Seki is of mythical origins whose narrative stems from the vault of oral tradition and essentially from pantheons of the Ijaws. The dramatized enactment in dance form is an interplay of a mystical union between the gods of the land who are domiciled in the womb of their aquatic residence but make frequent visitation to the earth to forge an inexorable nexus of relationship with mortals.

The director said the dance drama set to recreate the indigenous response to the struggle in resistance against foreign culture and the promotion of indigenous tradition, adding that the dance identified the African traditional theatre with specific reference to the lower Niger delta people with the experience taking from oral tradition.

Modupe Gbadeyanka is a fast-rising journalist with Business Post Nigeria. Her passion for journalism is amazing. She is willing to learn more with a view to becoming one of the best pen-pushers in Nigeria. Her role models are the duo of CNN's Richard Quest and Christiane Amanpour.

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Creative Industry Unites as MultiChoice Nigeria Leads Walk Against Piracy

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MultiChoice Nigeria Walk Against Piracy

The fight against content theft intensified on Thursday as MultiChoice Nigeria led stakeholders in a Walk Against Piracy from Ikeja City Mall, Lagos, drawing a powerful mix of Nollywood actors, filmmakers, directors, writers, media personalities, regulators, students, and members of the public.

The walk was part of a broader national advocacy campaign aimed at protecting Nigeria’s creative economy from the escalating damage of piracy. Participants marched through the Ikeja axis, distributing flyers, engaging passers-by, and educating the public on the dangers of piracy and its impact on livelihoods.

Veteran actor, Saidi Balogun, one of the leading voices at the walk, described piracy as “a silent killer draining the lifeblood of the creative industry.”

“People see the glamour but forget the sweat, months of work, and the hundreds of jobs behind a single film,” he said. “When you pirate a movie, you are killing someone’s dream, someone’s job, and the future of an entire industry. It must stop.”

Screenwriter and producer, Obi Emelonye, warned that piracy poses an existential threat to the next generation of creatives.

“Piracy is a menace eating deeply into the industry. If we do nothing, young creatives coming behind us will inherit an economy with no structure, no revenue, and no incentive to create,” he stated. “We cannot allow that future.”

The regulatory perspective came from Charles Amudipe, Deputy Director of Operations at the Nigerian Copyright Commission (NCC), who emphasised both the legal and personal risks tied to piracy.

“Piracy is a criminal offence under Nigerian law, punishable by fines and imprisonment,” he said. “Beyond the legal consequences, consumers who download illegal content expose their devices to malware, identity theft, and financial fraud. It is not worth the risk.”

During the outreach, members of the public raised questions about affordability and alternatives to pirated content. The team responded by highlighting accessible, cost-friendly, and legal platforms available to consumers, underscoring that entertainment can be enjoyed responsibly without breaking the law.

Caroline Oghuma, Executive Head, Corporate Affairs at MultiChoice Nigeria, explained that the walk was a continuation of MultiChoice’s long-standing commitments to consumer education. Last month, the company led a school sensitisation programme at Kuramo Senior College in Victoria Island, teaching students how piracy harms creators and how they can unknowingly participate in it.

“We want to catch them young, take this message into communities, and meet Nigerians where they are,” Oghuma said. “Today’s walk is a reminder that protecting intellectual property is everyone’s responsibility. What we are fighting for is the survival of Nigeria’s creative future.”

Other notable participants included members of the Intellectual Property Law Advocacy Network (IPLAN), lawyers, media executives, content creators, and fans of Nigerian entertainment.

MultiChoice Nigeria reaffirmed its commitment to working with regulators, industry bodies, and stakeholders to champion policies, education, and enforcement mechanisms that safeguard creative work and ensure creators receive fair reward for their labour.

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Veteran Nigerian Actor Lere Paimo Alive—ANTP

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By Modupe Gbadeyanka

The Association of Nigeria Theatre Arts Practitioners (ANTP) has debunked viral news reports that that the chairman of its board of trustees, Mr Olalere Osunpaimo, well known as Lere Paimo, was dead.

In a public notice from the national Public Relations Officer (PRO) of the organisation, Mr Adejonwo Oluwafemi Femson, it was disclosed that the veteran action is “alive and well.”

Members of the public were advised to disregard the death rumour.

“We would like to inform the public that reports circulating on Facebook about the passing of Chi​ef Olalere OsunPaimo (MFR) are FALSE.

“We have confirmed with Baba Eda Onile Ola’s wife that he is alive and in good health.

“Please disregard these false reports and be aware that they are being spread by unscrupulous individuals.

“Chief Olalere OsunPaimo (MFR), Chairman Board of Trustee Association of Nigeria Theatre Arts Practitioners (ANTP), is alive and well.

“We urge everyone to verify information before sharing to avoid spreading misinformation,” the notice disclosed.

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Nivea, inDrive Sponsor TikTok’s 2025 Sub-Saharan Africa Awards

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Forex Advice on TikTok

By Modupe Gbadeyanka

The duo of Nivea and inDrive has been announced as the title sponsors of TikTok’s 2025 Sub-Saharan Africa Awards, while Coca-Cola, Dis-Chem and PEP Stores are the category sponsors.

As title sponsors, inDrive and NIVEA (Beiersdorf) will play key roles in amplifying creator recognition, supporting event experiences, and on-the ground activations.

NIVEA (Beiersdorf) will sponsor the Creator of the Year award, while inDrive will present the Storyteller of the Year award, both reflecting a shared passion for innovation, inclusivity and celebrating African voices making a global impact.

In addition, Coca-Cola is sponsoring Food Creator of the Year award, Dis-Chem is for the Social Impact Creator of the Year award, and PEP Stores is for the Entertainment Creator of the Year award.

This year’s event is slated for Saturday, December 6. It would be used to celebrate the continent’s most inspiring and innovative creators who are using the platform to educate, entertain, and empower their communities.

 “We are delighted to partner with TikTok, as we share a long-standing relationship across the globe, including in the Sub-Saharan region. TikTok is a unique platform that enables us to engage with young audiences in a language and format that truly resonates with them.

“We extend our gratitude to the company for organizing The 2025 TikTok Awards Sub-Saharan Africa and congratulate all guests and participants on this remarkable event,” the Marketing Lead of inDrive Africa, Mikita Ponarin, stated.

“TikTok is proud to partner with great local and regional brands that support Africa’s creative economy. What excites us about these partnerships is the shared vision.

“These brands are making a conscious choice to invest in African creativity at a pivotal moment. They see what we see: that when we uplift creators, we strengthen entire communities and economies across the continent,” the Head of Content Operations for Sub-Saharan Africa,” Boniswa Sidwaba, said.

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