Showbiz
I’m Going to Spoil Your Career—Ubi Tells Iyanya
By Dipo Olowookere
One of the owners of popular entertainment outfit, Made Men Music Group, Mr Ubi Franklin, has disclosed that he once warned his partner, Iyanya Onoyom Mbuk, of telling lies against him or have his career destroyed.
In an interview with The Native Magazine, Ubi said he planning a legal action against the singer concerning unpalatable things he said about him.
“Already, everything he said is a lie. A lot of the things he said are lies. So, there is a legal document that is going to be sent to him soon for him to retract everything he has said because he is lying.
“Whatever I tell you I have proof. You see the story I told you about these women? I have proof of it and I warned him. I said ‘Listen, I’m going to spoil your career, let it go’. Do you understand? I’m going to let it go. Now he is the one going to tell you that I beat up Emma Nyra,” Ubi said in the latest interview.
Recently, Iyanya went on radio to accuse Ubi of cheating him while both of them run Triple MG, but Ubi responded, saying there was no iota of truth in the allegation.
In the latest interview, Ubi claimed Iyanya was sleeping with married women in the country, saying he has evidence to back this up.
However, when asked about how his relationship with Emma Nyra, a female formerly under his label, went, the artiste manager declined comments, saying he has a non-disclosure agreement on the issue.
What Happened With Emma Nyra?
We didn’t agree. You see, Emma Nyra’s situation, I cannot say much about it because I am bound by a contract not to say anything about our situation. I am not going to say anything about it. Because if I say anything about it, I have a legal suit that I’m going to pay 10 million naira. So, I’m not going to say anything about Emma Nyra. If she does, I’d have to collect 10 million because me and Emma Nyra don’t really have any problem. Even when she had the twins, we spoke. I even sent her a message. So, we don’t have problems. These problems are problems Iyanya is trying to create to hype himself up.
Tell Me What You Know About What Transpired Between Iyanya And Temple Music?
Yeah, it was a one-on-one conversation we had at his house. He showed me a heated WhatsApp chat with the owner of Temple, them. That’s why I was able to believe he was having problems with Temple. When he wanted to leave Temple, I told him, ‘Don’t leave Temple the way you left Made Men’. Which is, relieve yourself, settle everything and go. I said, ‘The fact that you want to leave Temple doesn’t mean that you should fight them. It would now become constant. It can’t be like it’s the same thing you do everywhere you go. People would come and be putting some rubbish things around it.
People you collected money from to pay your house rent when your landlady chased you out. They gave you a car. You were stuck in America they paid for you. Have you spoken to Temple? Ask Iyanya if he told me that he had issues with Temple and he needed to clear up his contract with N60 million. Ask him if he told me that.
N60 Million, To Exit His Contract?
Yes. And I told him I was going to raise the money. Before I raised that money I spoke him. It took me 24 hours or less to raise that money. When I raised that money I started calling him, he was not picking up his phone so I just left it. So for me, you see all these things Iyanya is saying ehn, when I look at it I just laugh. Because I have everything to prove. I have everything to show. If this is what Iyanya is going to do after all my hard work. Now, you know what? People would comment and say ‘This Ubi guy, Ubi is like this, Ubi is like that’. You know why they’d say that?
Why?
All artist managers are hated. You know why? We do the dirty job. So I don’t expect anybody to like me. When we leave these artists and go that’s when you start seeing who these artists are directly and you start to see who they are. Please, what did he say about Emma Nyra?
That You Had Problems In Your Relationship And You Physically Assaulted Her Repeatedly..
Have you asked Iyanya what happened between him and Yvonne Nelson?
Was Iyanya Physically Abusing Yvonne Nelson?
(Laughs) It’s, not my mouth you’d hear that thing from. I promised not to say anything or put Iyanya out.
He Said He Saw You Beating Emma Nyra?
Me?
Did He Advise Her To Leave You?
Bro see, Iyanya is a big liar. He has been saying it for many years that he is going to use Emma Nyra against me. You understand? I did every work for Emma to make sure. I’m not going to speak about Emma Nyra unless she talks. We have a contract binding us not to say anything. Why didn’t he say on his interview that I beat up Emma Nyra?
He Did Say That…
Bro, I’d advise you not to. Because I would put out all the married women he slept with. Their pictures side by side for me. Bro I don’t want to talk. Because if you allow me to do that to him, I’d drag him through the whole of this country. I’m not scared of poo. What I want about this matter is for people to see clarity. If Emma Nyra has issues she would come and say it herself. Emma Nyra is a mother now. I think her focus is different. And she even wouldn’t want to be involved in all this. I wish Iyanya was a father. If he was a father, most of these things he is saying he would not do it. When I kept watching his interviews I kept laughing. Bro, don’t let me do this to this to this guy. If you’re writing your story, take out the Emma Nyra situation because if you’re writing about something like that, Emma Nyra needs to speak for herself and with the way I and Emma Nyra are tight, we cannot speak about each other. We had our whole issues and the issues were settled and I have a legal document to back it. So for me, leave her out of this and focus on something else. Write your post. See, I never really wanted to get to this point bro. For everything that happens, there are two sides to the story.
Do You Think You Treated Everyone Fairly?
I treated everybody fair. I’m not perfect bro. See, there’s nobody even you talking to me right now that would say they don’t have issues with people. Check the whole entertainment industry. Am I the first person that an artist is leaving my record label or an artist is having issues with me? I’m not the first now. When did artists start leaving record labels? Exactly, let’s be very diplomatic about this thing. Did they say that I had their money, I ate it and I didn’t give them?
It Was Just About You Not Treating Them Right That They Had Expectations And Those Expectations Were Not Met.
Okay, what expectations?
A More Hands-On Promotion And Marketing Perhaps?
Can I ask you a question? Iyanya says he was a partner and he was investing so why are they not blaming that on Iyanya? Exactly. Why is it that it is Ubi they are blaming it on? Why is it that they are all coming together to fight? Do you understand where this thing is going? You said you are a partner abi? You were investing. So why are they not fighting you? Is it that you gave me money to push your music and I didn’t do it? So you see the twist? Now, If they say that the label is not treating them right who is the label? Ubi, Iyanya. Why are they not fighting Iyanya?
Maybe He Has Done Nothing To Warrant That?
All these people talking, how much did they make me? Chibbz, how much did we make from him? The only person that can talk and I would respond to the person is only Iyanya and Baci. I know Selebobo would not say anything to you because for a fact he doesn’t have anything to say to you.
What Role Did You Play In The Tensions Between Iyanya And Tekno?
He (Iyanya) says Tekno is rude and ill-mannered. The issue between me and Iyanya that made me and Iyanya break up finally was that I hired a driver for Iyanya. Iyanya and the driver fought and he fired the driver. And Tekno hired the driver. Tekno was living on his own. So one day I now went to meet Iyanya that just in case you come to Nigeria before me, what I just heard is that Ken your former driver now works for Tekno. Tekno, on the other hand, said he saw this guy on the road, he had a baby at home and he decided to hire him. And he asked him what happened between you and Iyanya, and the guy explained his side. So he was like let me just hire the guy because the person you know is better than the person you don’t know. And the guy worked with Tekno for a very long time.
So Iyanya started accusing me, of using Tekno to disrespect him. That how would I know that Tekno is about to hire his own driver that he sacked and I allowed that happen? That’s how he turned and said he wants to leave the record label. Every time issues happen he says that I am the one not making them, Tekno, to respect him. I’m like bro, Tekno is a man of his own. Everybody, they are men. And I don’t think any of these guys disrespect you, they respect you. From Selebobo they respect you. They call him “Baba.” They don’t call him by name. Do you understand? They call him Baba. They don’t call him by name. Ask him what happened between him and Tekno and what happened between him and the driver Tekno hired? Do you understand?
Already, everything he said is a lie. A lot of the things he said are lies. So, there is a legal document that is going to be sent to him soon for him to retract everything he has said because he is lying. Whatever I tell you I have proof. You see the story I told you about these women? I have proof of it and I warned him. I said ‘Listen, I’m going to spoil your career, let it go’. Do you understand? I’m going to let it go. Now he is the one going to tell you that I beat up Emma Nyra.
Showbiz
Davis Offor ‘Clarus’ of New Masquerade Comedy Sitcom Dies
By Modupe Gbadeyanka
A veteran Nigerian actor, Mr Davis Offor, who dazzled many viewers with his role as Clarus in the famous New Masquerade, is dead.
The death of the 83-year-old actor was confirmed on Tuesday by Mr Tony Akposheri, who acted as Zaki in the now-rested comedy sitcom.
“Davis Offor, fondly known as Davis Offor, our own Clarus from New Masquerade, is gone.
“We crossed into the New Year together, laughing, talking, sharing memories, and speaking hopefully about the days ahead. We spoke about life, about plans, about how far we had come. None of us knew that time was already counting differently for you.
“Life, as always, had its own plans.
“You were more than a familiar face on screen. You were a friend, a brother, a man with warmth, humour, and a presence that could light up any space. Knowing you personally was a gift I will always be grateful for.
“It is hard to believe that the voice I heard not long ago is now a memory. Hard to accept that someone so full of life can suddenly become a story we tell.
“Rest well, my friend. You came, you gave joy, you made your mark, and you will never be forgotten,” Mr Akposheri wrote on his Facebook page.
Showbiz
The Yard, The Low Priest, Mother of the Brides Score AMVCA 12 Nominations
If you’ve been sleeping on Africa Magic Originals, consider this your wake-up call. Shows like The Yard, The Low Priest, and Mother of the Brides are racking up nominations at the 12th Africa Magic Viewers’ Choice Awards. From gripping social drama to supernatural chaos and family madness, these homegrown productions are proof that Africa Magic has some of the continent’s most compelling storytelling.
With the awards set to take place on May 9 in Lagos, now is the perfect time to catch up on these standout series. Whether you’re watching for the first time or catching up, Africa Magic Originals are proving why they’re leading the charge in bold, diverse, and unforgettable storytelling.
The Yard
If you love a story where the hero slowly becomes the villain, The Yard was made for you. The series delves into the brutal world of the Ajako bus park, ruled by the ruthless Chief Odafe. It follows Tega, a struggling bus driver, and Odafe Junior, the chairman’s privileged son, who form an unlikely alliance to challenge the system, only to realise that power comes at a dangerous cost.
At AMVCA 12, The Yard is nominated for Best Scripted M-Net Original, Best Series Scripted, and Simileoluwa Hassan is up for Best Supporting Actor for his role in the series.
Our Husband
Our Husband tells the story of Zara Nnamani, whose seemingly perfect life unravels when she discovers her husband’s infidelity. His sudden fatal heart attack leaves her with a devastating secret, forcing an unlikely alliance with his mistress, Ololade, bound together by a truth that could destroy them both.
The writing is just as sharp as the drama, as the series earned a Best Scripted M-Net Original and Best Writing TV Series nomination for this series, proving that the storytelling is as compelling as the plot itself.
Mother of the Bride
Imagine finding out that your entire inheritance depends on marrying off one of your daughters in 45 days. That’s the premise of Mother of the Brides, and it is as chaotic and delightful as it sounds.
The series is a family drama about a Lagos matriarch who, after her husband’s death, discovers she has 45 days to marry off one of her four daughters or lose her inheritance to tradition. Every episode is basically a masterclass in family pressure, wedding drama, and the very specific madness of Nigerian matchmaking culture.
Gloria Anozie-Young is nominated for Best Lead Actress, alongside a Best Scripted M-Net Original nod for the show itself.
The Low Priest
This one is for everyone who loves their drama laced with supernatural twists. The Low Priest follows two rivals who trespass into a sacred shrine, triggering a fate where one is chosen by the gods and the other is cursed. Directed by Femi Ogunsanwo, the series spans 130 episodes packed with ancient forces, mortal grudges, and moral dilemmas that keep you hooked.
The Low Priest is nominated for Best Scripted M-net Movie.
Cast Your Votes and Catch Up
Public voting is underway and closes on April 26, 2026. Head to africamagic.tv/amvca to cast your votes.
You can also catch these shows on the DStv / GOtv Stream app.
Showbiz
The Best AI Music Sites for Testing Creative Direction
A great deal of creative work fails before it ever becomes visible. The lyric stays in a notes app. The campaign concept remains a vague mood board. The video edit waits for a soundtrack that never arrives. The product teaser feels almost finished but emotionally incomplete. In many of these cases, the problem is not lack of imagination. It is the difficulty of testing direction quickly enough. People can often describe what they want more easily than they can produce it. That is why an AI Music Generator has become valuable far beyond entertainment. It helps creators test whether an idea actually works in sound.

This is a better way to understand the rise of music AI. The category is not only about replacing production. It is about accelerating evaluation. A creator with a vague concept can now ask for several musical directions and compare how each one changes the feel of the project. A lyric writer can hear whether a phrase holds up melodically. A marketer can judge whether a launch video should sound cinematic, calm, urgent, or playful. A small team can move from mood assumptions to audible evidence much faster than before.
When music AI is treated as a tool for testing direction, ToMusic deserves the first position in a top-ten ranking. The platform is not simply about output. It is about interpretability. It gives users a visible path from prompt or lyrics to song creation, offers multiple model choices, supports an instrumental option, and keeps the process close to how people naturally think about ideas. That combination matters because it lowers the friction of creative testing. In that sense, Text to Music is not only a feature category. It is a decision-making tool for modern creators.
Why Creative Direction Matters More Than Pure Output
Many AI music discussions focus too heavily on the final sound. That misses the earlier stage where most value appears.
Creative work begins with uncertainty
At the start of a project, people often do not know exactly what they want. They know the feeling they are aiming for, but not yet the best execution.
Hearing options clarifies ideas faster than imagining them
It is easier to compare two concrete musical versions than to compare two abstract mental possibilities. AI makes those comparisons cheaper and faster.
Direction testing is useful even when the track is not final
A generated result can still be highly valuable if it tells the user what to change next. Not every output needs to be the finished piece in order to be useful.
The best platforms reduce the cost of exploration
The more easily a tool helps users test another direction, the more practical it becomes in everyday work.
The Ten Best Music AI Platforms for Direction Testing
This ranking focuses on which platforms help users hear, compare, and refine creative directions most effectively.
| Rank | Platform | Best Direction Testing Strength | Best Use Case | Main Limitation |
| 1 | ToMusic | Clear movement from prompt or lyrics to testable output | Broad creator use, from songs to instrumentals | Still depends on the quality of the brief |
| 2 | Suno | Fast comparison of complete song ideas | Immediate full-song testing | Sometimes broad rather than precisely targeted |
| 3 | Udio | Strong feel for alternate musical interpretations | Creative exploration and stylistic testing | Often rewards more patient steering |
| 4 | SOUNDRAW | Quick testing of background music tone | Creator content and media scoring | Less central for lyric-driven songs |
| 5 | Beatoven | Mood comparison for visual projects | Video and podcast emotional framing | Narrower than song-first platforms |
| 6 | Mubert | Rapid utility-based soundtrack trials | Social and commercial content | More functional than emotionally nuanced |
| 7 | AIVA | Structured compositional direction testing | Soundtrack and arrangement-minded users | Less instantly approachable |
| 8 | Loudly | Creator workflow experimentation | Broader creator ecosystem use | Can feel less focused at first touch |
| 9 | Boomy | Easy first tests for non-musicians | Beginner experimentation | Lower ceiling for deep control |
| 10 | Musicfy | Vocal style and voice direction testing | Voice-centered projects | More specialized than all-purpose |
Why ToMusic Is the Strongest First Recommendation
ToMusic ranks first because it does more than generate music. It helps users organize uncertain ideas into a workable creative process.
It accepts multiple kinds of intent
Some people want to test a lyrical idea. Some want to test mood. Some want to know whether an instrumental version will serve the project better than a vocal one. ToMusic supports all of these without forcing users into a single rigid input style.
It makes the creative choices legible
A product becomes easier to trust when the user can see what it is asking for. ToMusic’s visible modes, model choices, and input paths reduce confusion and make experimentation more deliberate.
It turns early ambiguity into audible comparison
This is perhaps its most practical strength. A user can start with a basic direction, hear the result, identify what feels off, and then refine from there. That is how real creative work usually develops.
Its balance gives it broader relevance
A specialist platform can be excellent in one narrow task. ToMusic’s advantage is that it handles several adjacent tasks well enough to remain useful across different kinds of projects.
How the Other Platforms Fit This Same Goal
A top ranking is more credible when the alternatives are understood accurately.
Suno is extremely useful when speed is the main need
If a user wants a complete sounding draft quickly, Suno remains one of the most accessible choices. It is especially useful when the purpose is to judge direction rather than to finalize detail immediately.
Udio is strong for users who enjoy refinement
Some creators want more than a quick answer. They want a platform that invites comparison and iterative musical shaping. Udio often attracts those users.
SOUNDRAW and Beatoven work best when music supports something else
These tools become especially valuable when the music is serving a video, podcast, or commercial asset. In those cases, the question is often not “Is this a great song?” but “Does this create the right atmosphere?”
Mubert is practical when turnaround matters most
For creators who need speed across many assets, a utility-first platform can be a better fit than a tool centered on songwriting or emotional nuance.
The lower-ranked tools still matter in specific scenarios
AIVA, Loudly, Boomy, and Musicfy each remain relevant when their narrower strengths match the task. The ranking is not about dismissal. It is about general usefulness across a broad set of creative tests.
The Official ToMusic Workflow as a Direction Testing Loop
One reason ToMusic ranks first is that its official flow is already aligned with the way people test ideas.
Step 1. Choose the creation route
Users begin by selecting a simpler or more custom path and then choose the model that suits the kind of result they want.
Step 2. Enter the idea in words or lyrics
The user can provide a description, style direction, title, or full lyrics. If vocals are not needed, instrumental mode is available.
Step 3. Generate the track and listen critically
The first output answers a simple question: is this direction promising enough to continue?
Step 4. Revise the brief if the direction is not right
If the result misses the emotional mark, the user changes the brief and tests another version. That cycle is the core of the product’s practical value.
How Different Types of Creators Use Music AI to Test Direction
The same platform category can serve very different creative situations.
Songwriters use it to hear possibility
A lyric on a page often feels unfinished until it meets melody and arrangement. AI tools help writers find out whether a phrase carries emotional weight in performance.
Video creators use it to test emotional framing
The same footage can feel dramatic, intimate, playful, or premium depending on the soundtrack. Music AI makes those comparisons much faster.
Brands and marketers use it to reduce concept risk
Before investing in custom audio production, teams can test different emotional routes and decide which one aligns best with the campaign.
Independent creators use it to extend creative reach
People without formal production training can now hear musical options that would previously have remained theoretical.
Professionals use it as an early-stage filter
Even experienced creatives can benefit because the tools help them reject weak directions earlier and preserve time for stronger ones.
The Credible Limits of This Category
A realistic ranking should also explain where direction testing still has limits.
A platform cannot fully rescue a weak brief
If the creative input is too vague, the output may also feel vague. Clear intent still matters.
More options do not always create better choices
There is a point where too many variations can become distracting. Good users still need taste and selection discipline.
A draft is not the same as a finished piece
This sounds obvious, but it is important. The value of AI often appears before final production, not only at the point of release.
Testing direction still requires judgment
The tool can present possibilities, but the human still decides which direction truly serves the project.
Why ToMusic Leads This Top Ten List
ToMusic earns first place because it turns uncertain ideas into testable audio with unusual clarity. It supports both descriptive prompting and lyric-driven input. It offers multiple model paths instead of forcing every task through one system. It includes an instrumental route, which expands its usefulness well beyond full vocal songs. And most importantly, it makes the workflow easy to understand at the moment when users are still deciding whether their idea is worth pursuing.
That does not mean every competitor is weak. Suno remains a powerful recommendation for users who want immediate full-song outputs. Udio is attractive for people who enjoy deeper exploration of musical feel. SOUNDRAW, Beatoven, and Mubert are all very sensible choices when the assignment is media-first rather than song-first. AIVA, Loudly, Boomy, and Musicfy each make sense when their specialty aligns with the task.
But when the question is which platform best helps a broad range of creators test direction quickly, clearly, and repeatedly, ToMusic stands above the others. It meets users at the earliest stage of creation, where uncertainty is highest and decision value is greatest. In that stage, speed alone is not enough. Clarity matters. Flexibility matters. Interpretability matters. That is why ToMusic deserves the first position here.
The broader lesson is that music AI is becoming most valuable not where it imitates finished production most perfectly, but where it helps creators think in sound sooner. Once that happens, ideas stop waiting in silence. They become something a person can hear, compare, reject, improve, or move forward with. That shift is larger than novelty. It is a new way of making creative judgment practical.
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