Showbiz
Mohbad’s Story and Lessons from Discovery ID
By Pascal Wike
Several Nigerians are perplexed by the revelation from the pathologists who conducted the autopsy on the late Nigerian rapper and singer, MohBad. This signals a dead end to a case that has drawn keen attention both at home and abroad. According to the pathologist, the deceased’s body had decomposed by the time the test was conducted so they couldn’t determine the cause of his death.
To thousands of Nigerians like me who follow real-life crime documentary series on Discovery ID, the news was a shocker. It negates everything we have come to know and see in the series we watch.
These are some of the key lessons learned from years of Discovery ID docuseries and how they relate to this case:
An autopsy can reveal the cause of death in exhumed bodies: Having watched several episodes of “Evil Lives Here” on Discovery ID, I’ve seen how forensics help unravel mysteries behind crimes. If properly done, an autopsy can detect the cause of death even if the body has been buried for months. Mohbad’s body was in the grave for less than a month before the autopsy. He was buried on September 13, 2023, and exhumed for autopsy on September 21, 2023. Many homicide cases worldwide have been solved after victims’ bodies were exhumed. For more eye-opening crime series, tune in to ID Channel on GOtv Channel (103).
All criminals leave a trail: There’s no perfect criminal. They all, inadvertently, leave a trail at the crime scene or on the victim’s body. It’s up to the investigator to trace and find the clue. This is why investigators cordon off crime scenes and will do everything to get the body, even when it is buried. It’s not as easy as it sounds though. It requires painstaking analysis and can take years of rigorous documentation. Great detectives thrive on this challenge, provided they receive proper support from authorities. Should a detective be interested in the Mohbad case, and have strong institutional backing, then this is surely not the end of it.
Crime knows no borders: Nigeria serves us daily doses of negative news that make us think the country is the deadliest place to live. But my experience watching the Discovery Channel has taught me otherwise. Crime knows no boundaries and the Western world battles more crimes than we realise. As technology advances, so does the sophistication of the criminals.
High-tech tools key to crime investigations: Another significant lesson from Discovery ID is the role of forensics in crime investigations. A lot of criminals who evaded justice in the 80s are now paying for their crimes in the 21st century, thanks to advancements like DNA technology and many wrongfully convicted individuals now get justice. Given the increasing crime rate, and uncertainties around Mohbad’s death, Nigeria needs to invest heavily in forensic technology.
Pay attention to your neighbour: Africans once embraced a communal life. Our parents always wax lyrical about how their early days were all about community upbringing. We have now tilted heavily to the Western cultural norms, where every man minds his business. This can come with dire consequences, as I’ve learned on episodes of “Nightmare Next Door” on Discovery ID. Mohbad’s case is a sad reminder. On a few occasions, the singer had cried for help; some believe his songs’ lyrics subtly signalled for help, but Nigerians didn’t pay attention. This is what happens when we leave every man to carry their cross when a bit of support could have averted the tragedy.
I recommend the Discovery ID channel (GOtv Channel 103) to every Nigerian. It provides insights about today’s crime world and the lessons learned can be essential for personal security.
By Modupe Gbadeyanka
A 12-hour non-stop entertainment event offering various performances and activities all night long will take place in Lagos from the evening of December 21 into the early hours of December 22, 2025.
This programme known as InsomniaQ, is being put together by one of Africa’s leading digital payments platforms, Quickteller.
Quickteller is a brand powered by the Interswitch Group, and InsomniaQ was created to celebrate African creativity.
The all-night music and entertainment experience will hold at the Ballroom of the Lagos Continental Hotel, Victoria Island.
It is designed to capture the vibrancy and cultural energy that define Lagos in December. InsomniaQ is positioned to become Africa’s newest must-attend December destination.
The concert blends diverse African soundscapes, creative expression, and immersive lifestyle experiences, offering a night curated for music lovers, diaspora returnees, cultural enthusiasts, and everyone drawn to the city’s festive season.
More than a concert, InsomniaQ represents a new cultural moment, one that celebrates the richness, depth, and diversity of African talent. With a lineup cutting across contemporary and alternative genres, the festival aims to introduce a bold, fresh, and unforgettable experience within Lagos’ already vibrant entertainment landscape.
“InsomniaQ is an invitation to celebrate African creativity in a way that feels bold, fresh, and true to who we are.
“Quickteller has always been an essential part of the experiences people value, and this festival brings that connection to life in an entirely new dimension.
“As Lagos welcomes friends, family, and visitors from around the world each December, we are proud to introduce a platform that showcases our music, our culture, and the vibrant energy that defines this season,” the Divisional Head of Growth Marketing for Quickteller Ecosystem at Interswitch, Mr Olawale Akanbi, noted.
Through Quickteller, Interswitch continues to champion initiatives that go beyond digital transactions to enrich the everyday life of millions of Nigerians.
InsomniaQ extends this mission by empowering cultural expression, unlocking creative opportunities, and supporting the continent’s growing entertainment ecosystem.
By Modupe Gbadeyanka
The quartet of Oyindamola Timothy (Fashion), Steve Adeyemo (Tech), Uche Kalu (Dance), and Emmanuel Elijah (Music) emerged the category winners of the Stanbic IBTC FUZE Talent Show 4.0.
They received N10 million each for their efforts, along with mentorship opportunities, industry exposure, and support to advance their creative journeys.
The four were chosen from the 12 finalists at an event aired on Sunday, December 14, 2025, on AIT (DStv Channel 253) at 7:00 pm, Africa Magic Showcase (DStv Channel 151) at 5:00 pm, and streamed live on the official Stanbic IBTC YouTube channel, connecting millions of viewers to the excitement and energy of the show.
The 2025 edition drew over 6,000 entries nationwide and continued to inspire a new wave of innovation among young Nigerians in fashion, technology, dance, and music. The participants fought for a share of the N90 million in prizes put up by the organisers.
This year, the FUZE Talent Show also introduced an exciting new twist: The Fan Favourite Feature, which allowed viewers across the country to vote for the contestant who most inspired them. This addition deepened audience participation and further strengthened FUZE’s mission to connect creativity with community support.
“FUZE 4.0 truly lived up to its promise as The Ultimate Show, a platform that celebrates courage, creativity, and innovation.
“Every contestant who graced that stage reminded us of the extraordinary potential of Nigerian youths.
“At Stanbic IBTC, we are proud to continue creating opportunities that help young people dream bigger, think bolder, and achieve more. It is all about home-grown talent for us as we power the made-in-Nigeria initiative,” the chief executive of Stanbic IBTC Holdings Plc, Mr Chuma Nwokocha, said.
As excitement builds for FUZE Festival coming up on Saturday, December 20, 2025, attendees can anticipate experiencing this year’s edition theme The Ultimate Show in full, with circus-style attractions, from magicians and parade performers to flash mobs and art displays.
An expanded marketplace, freebies from participating partners and on-site Stanbic IBTC services will enhance convenience, while performances by Wande Coal, Pheelz, Chike, and Ms DSF will add a nostalgic, high-energy finish. Interested attendees can register to attend via the Stanbic IBTC Events App or visit www.events.stanbicibtc.com to secure their spot.
By Modupe Gbadeyanka
The 2019 single released by Nigerian singer, songwriter, and producer, CKay, Love Nwantiti, has officially surpassed one billion streams on Spotify.
This feat has made him one of the few African artists to reach this milestone and the first Nigerian solo act to achieve this.
The song has sustained a global appeal, with listeners from the United States, India, Indonesia, Brazil, and the United Kingdom playing it in the last 28 days alone, a proof of the track’s staying power well beyond its viral peak.
This achievement places CKay in an elite group of African artists with billion-stream records on Spotify, which includes hits driven by collaborations with Nigerian artists, such as Drake’s One Dance (featuring Wizkid and Kyla), Future’s Wait For U (featuring Drake and Tems), and Rema’s Calm Down (featuring Selena Gomez), and solo song Water, by Tyla.
Love Nwantiti was released on CKay’s EP titled CKay the First. It began as a slow-burn masterpiece that captured a global audience. It then broke out by blending the grooving rhythm of Afrobeats with an emotional feeling and an entrancing melody, a sound CKay himself pioneered and coined as Emo-Afrobeats, fusing African rhythms with raw, heartfelt emotion.
The song, which translates to sweet gentle love in the Igbo language, communicates an intense desire for a love interest. Its journey from a homegrown Nigerian track to a cultural sensation fuelled by countless dance challenges, social virality, and international remixes is proof of the widespread power of its sound.
It remains a fixture on playlists globally, with over 3.9 million playlist adds and sustained streaming momentum across continents.
CKay achieved this historic mark with a solo, non-collaborative lead release by a Nigerian artist. This distinction highlights his unique vision and singular impact as both a writer and performer, making him a true torchbearer for the new generation of African music talent.
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