General
Nigeria Customs Destroys N181m PMS Smuggling Network in Adamawa
By Adedapo Adesanya
The Nigeria Customs Service has uncovered a major petroleum smuggling network in Adamawa State, cutting off fuel supply lines that have been draining national revenue and strengthening criminal economies along Nigeria’s northern borders.
National Coordinator of Operation Whirlwind, ACG Kolapo Oladeji, disclosed that officers recorded 55 seizures in eight weeks, blocking the illegal movement of more than 184,000 litres of PMS, a development he described as a significant economic breakthrough for the country.
“This operation is about protecting Nigeria’s strategic resources,” Mr Oladeji told journalists on Thursday at the Customs House in Yola. “Our mandate is clear: to shut down all illegal supply chains that empower criminal elements.”
The seizures, valued at N181.6 million in duty-paid terms, were intercepted across notorious smuggling corridors including Mubi–Sahuda, Farang–Belel, Gurin–Fufore, Maiha, Wuro-Bokki, Ribado waterways, Muninga and Bakin Kogi.
According to Mr Oladeji, items recovered include 2,642 jerrycans of 25-litre PMS, several 220-litre drums, and two large wooden boats used to ferry petroleum products across the border.
He stressed that the illegal PMS diversion is not just an economic crime but a direct threat to national stability.
“The smuggling network is a grave threat to Nigeria’s economy and internal security,” he said. “The illegal diversion of PMS weakens our revenue base and directly fuels non-state actors and cross-border criminal syndicates.”
Mr Oladeji added that intensified surveillance under Operation Whirlwind has “made it extremely difficult for saboteurs to move PMS out of the country,” in line with the directives of Comptroller-General Adewale Adeniyi.
Commending residents of border communities for supporting the operation with credible intelligence, the Customs chief urged them to remain vigilant.
“Your timely information has been invaluable,” he said. “Security is a collective responsibility, when you see something, say something.”
He also acknowledged the media’s role in raising awareness about the economic and security implications of petroleum smuggling, describing public enlightenment as crucial in sustaining recent gains.
General
The Poster That Breathes: Designing Visuals That Feel Alive Even When Still
Have you ever noticed a poster that seemed to move, not actually, but emotionally? Perhaps its colors seemed to pulse or the composition changed with your eyes. That’s the magic of visual rhythm, when static design seems cinematic, living, and breathing.
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Directional flow: Diagonal or curved lines imply movement.
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Circular composition: Reeks of energy captured during spin.
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Gradient play: Gradual color transitions mimic emotional movement.
Emotional pacing: imparting stillness with a heartbeat
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Blending light and dark areas to replicate pulses of energy and serenity.
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Employing color temperature changes — to cool, warm — to convey mood shift.
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Creating layered depth, so that observers feel air and space even on a two-dimensional surface.
Creating a poster that feels cinematic
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Thoughtful framing — all that leads the viewer in one emotional direction.
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Atmospheric lighting — the shadows are as full of feeling as highlights.
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Anticipation — the feeling that the next frame is about to be cut in.
When silence speaks louder
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One feather drifting across black space can feel like time standing still.
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A whispery ripple over calm water evokes emotional tension.
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A texture dissolving into nothing feels like wind blowing through light.
Bringing identity to logos
Giving your poster life with Dreamina
Step 1: Write a text prompt
Step 2: Adjust parameters and generate
Step 3: Customize and download
Editing: the art of breathing room
The final exhale
General
FCCPC Seals Ikeja Electric Headquarters Over Alleged Consumer Rights Violation
By Adedapo Adesanya
The Federal Competition and Consumer Protection Commission (FCCPC) on Thursday sealed the premises of the Ikeja Electric Distribution Company (IKEDC) in the Alausa area of Lagos for alleged violation of consumer rights.
Leading FCCPC official to carry out to closure, the Director of Surveillance and Investigation, Mr Bola Adeyinka, said the move was in line with the Federal Competition and Consumer Protection Act (FCCPA) 2018 after repeated attempts to resolve the matter.
“Sealing this facility is a proportionate enforcement measure taken only after repeated engagement and several opportunities for voluntary compliance,” Mr Adeyinka said in a statement.
“The seal will remain in place until Ikeja Electric complies fully with the directives issued by both NERC and the FCCPC and provides written evidence of that compliance,” he added.
According to the FCCPC, the Nigerian Electricity Regulatory Commission (NERC) issued a binding decision directing Ikeja Electric to unbundle a Maximum Demand account into 20 non-Maximum Demand accounts, to recognise each of the 19 residential units and a service point owned by the complainant as separate customer units, and to provide the required metering and connection.
“Ikeja Electric did not carry out that decision,” the statement read in part. “Because of this failure, the complainant has been without electricity supply for more than two and a half years.
“This was despite paying all charges requested by Ikeja Electric and meeting every obligation. The lack of electricity has prevented the complainant from putting the 19 residential units to use.”
It said the move followed unsuccessful attempts to resolve the issues through warnings and dialogue.
FCCPC listed one of such attempts to include a directive to the company in April 2025 on the steps required and the timelines for compliance.
However, “No action was taken. On 2nd October 2025, the Commission issued a Compliance Notice requiring full compliance within seven business days.
“The company still did not comply,” the commission explained.
As of press time, Ikeja Electric, which supplies electricity to several areas in Lagos, has not yet commented on the matter.
General
What to do to Unlock Africa’s Access to Global Digital Assets—Mumuni
By Aduragbemi Omiyale
The Chief Digital Officer of MTN Nigeria, Ms A’isha Umar Mumuni, has said though Africa has immense cultural capital and talent, the lack of infrastructure, ownership, and platform control prevent creators from benefiting fully.
However, she highlighted some steps that can be taken by the governments, investors, and stakeholders to change the narrative.
Ms Mumuni, while speaking at the Nigerian Entertainment Conference (NECLive) 2025 in Lagos, themed, Powering Africa Through Creative Enterprise, “Africa has the cultural capital, the skills, and the talent. What we do not yet have is global access at scale, and that is the gap we must close. Africa’s talent cannot be ignored.
“Africa is a cultural paradise without global access or control. Africa needs global cultural influence, but we do not control global data, we do not own the platform, and we export to other countries without a consistent home platform. We explore creativity, but we import the system without profiting from it.”
The MTN executive explained that unlocking Africa’s access to global digital assets requires transforming local customs, people, and platforms to ensure creativity can flourish and generate sustainable revenue.
She noted that African content, whether in music, film, fashion, or digital media, must be positioned strategically to compete and succeed on the global stage.
Emphasising the need for Africa to invest in technology and digital skills to drive the creative economy, she said, “Africa has the youngest population on earth, which is a leverage. We must invest in AI, coding, digital skills, and content production. Creativity without a platform cannot sail.”
Ms Mumuni noted that broadband policies, digital copyright protections, and clear monetisation opportunities are critical for African creators to earn from their content and reach global audiences.
She warned Africans that without investment and strategic planning, African innovation risks remaining local, while foreign platforms reap the benefits, urging African creators to ensure their stories are shared globally while retaining cultural identity.
“The world expects good stories. Africa’s stories are rooted in culture, resilience, and spirituality.
“To unlock Africa’s access to global digital assets, we must transform investment, policy, and perception,” she said.
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