Category: Showbiz

  • More than a Music Streaming Service – Why You Should Allocate Media Spend To Spotify

    More than a Music Streaming Service – Why You Should Allocate Media Spend To Spotify

    By Carla Harrison

    If I were to pick up your phone right now, there’s a very good chance that I’d find Spotify among your apps. It is, after all, the world’s most popular music streaming service, with 433 million users (188 million of whom are paid subscribers) in 183 countries. Since its launch in 2008, it’s transformed the way the world listens to music and helps launch the careers of artists around the world.

    And if you use Spotify, you’re probably also aware that it’s expanded from just music streaming into podcasting, with some 4 million podcast titles joining its library of 82 million songs. But did you know that it’s also a powerful advertising platform with a growing focus on the African continent?

    Any brand that’s serious about expansion, particularly in high-growth markets such as Nigeria, simply cannot afford to ignore it.

    The pros of radio, plus more  

    In order to understand what makes Spotify such an appealing platform for advertisers, it’s worth first reminding ourselves of the strengths offered by traditional radio. In general, for example, radio ads are more cost-effective than other forms. You can also get away with increased frequency, meaning that your message is more likely to stick.

    Spotify offers all the benefits of radio advertising plus more. With growing numbers of people listening to digital audio streaming every day, you’re guaranteed an active and engaged audience. At the same time, you’re also reaching them while they listen to what they love. And because Spotify’s targeting options are so advanced, your brand can reach specific people based on age, gender, music genre, and playlist. Unlike radio, Spotify guarantees 100% completed listens in its reporting. It can also provide metrics around which type of audience engaged with your ad and a companion banner which allows users to click through to a webpage.

    The streaming service is an innovator in the advertising space too. Its 3D audio feature, for instance, allows brands to provide premium quality advertising through an immersive, dynamic, and sensory audio experience. As a result, listeners don’t just hear an ad; they feel it.

    But Spotify offers more than just audio ads. It also allows brands to reinforce their messages with high-impact display and video ad formats. Spotify video ads are actually the best performing in the industry, as they had to be built for viewability. The ads are 100% viewable and 100% audible, and Spotify only charges for 100% completion.

    Making an impact in Africa 

    It’s also worth pointing out that Spotify is seeing significant levels of growth across Africa. While the streaming service has been available in South Africa since 2018, its real expansion into Africa only came in early 2021, when it launched in an additional 40 countries.

    But just a year after launching in Nigeria, the number of artists streamed per user had grown by 60%, and Nigerian music fans had created 1.3 million user-generated playlists. Additionally, nearly 21 000 songs had been added to the platform, placing Nigeria as the country with the second most streams after Pakistan in the new markets, with Kenya third in the ranking.

    That growth isn’t likely to slow down anytime soon, either. According to Statista, music streaming revenues in Nigeria are expected to show an annual growth rate of 12.61% between 2022 and 2027. It’s also worth noting that penetration in the overall streaming market currently sits at just 4.1%. With an additional 35 million Nigerians set to come online by 2026 (all of whom will be hungry for the consumer experiences that come with affordable and ubiquitous access), Spotify looks primed for significant growth.

    That comes with obvious growth benefits for advertisers, especially when you factor in that 39.6% of music streaming users are in the medium-income group. As Nigeria’s economy continues to grow, that income group will become larger and more valuable.

    Partnering with the experts 

    Brands looking to utilise Spotify as a marketing platform don’t have to go in blind, either. By working with experts that have specialist teams, they can get the most out of their campaigns. The right partners will also offer advertisers price transparency, ensuring that they get advertising on the platform at the most affordable rates.

    In doing so, they can ensure that they always reach the right audiences at the right time with the right message. Moreover, with Spotify, they’re reaching people during the moments they love. And that’s always incredibly valuable for any marketer. Small wonder then, that Spotify is seen as the most trusted ad platform among consumers. Factor in the brand safety it offers, and you have a winning combination.

    A culmination of factors 

    Ultimately then, Spotify represents the culmination of a number of factors that should be of interest to anyone with a media budget that needs to be spent. And as Africa, and Nigeria in particular, that combination of engaged, active audiences, the ability to target specific audiences, and innovative advertising products will only become more important.

    Carla Harrison is the East African Sales Manager at Ad Dynamo by Aleph

  • 15 Nigerian YouTubers, Others to Receive Seed Funding

    15 Nigerian YouTubers, Others to Receive Seed Funding

    By Modupe Gbadeyanka

    Seed funding between $20,000 and $50,000 would be given to 15 Nigerian YouTubers and others from Africa to support their acts.

    Apart from this, they will also receive dedicated partner support for six months and have the opportunity to participate in programmes, including bespoke training, workshops and networking programmes spread out across the year.

    The funding package is from YouTube for the 2023 #YouTubeBlack Voices creators and artist cohorts, which comprises African fast-rising musical artists, Gyakie from Ghana, Kamo Mphela from South Africa, Asake from Nigeria, and BNXN from Nigeria.

    The cohort will also include Hip Hop producer MashBeatz from South Africa and Nairobi-based producer Ukweli, who will be joining 17 #YouTubeBlack Voices Songwriters and Producers globally.

    Now in its third year, the initiative from YouTube is a follow-up to a global, multi-year commitment made in 2020 to uplift and grow Black creators, artists, songwriters, and producers on the platform.

    The artists, songwriters, and producers joining the #YouTubeBlack Voices Music Class of 2023 will be required to set goals, develop a content strategy, and engage with their fans on YouTube, with the assistance of a YouTube partner manager.

    There will be networking opportunities with other artists, songwriters, and producers included in the #YouTubeBlack Voices Fund and a chance to maximise the impact of their channels as they provide catalogue-development opportunities.

    “We are excited about the creators, musical artists and producers from Africa joining others from across the world in the 2023 #YouTubeBlack Voices Fund.

    “The initiative is dedicated to equipping up-and-coming Black creators and artists with the resources to succeed on our platform,” the Managing Director for Emerging Markets at YouTube EMEA, Mr Alex Okosi, stated.

    “We are seriously interested in the growth of the creative community in Africa. For the creators, artists, songwriters and producers that will be joining this third cohort, we will go beyond the initial training to measure our success with them over a long-term period, thereby ensuring that they achieve sustained success,” he added.

    Over the next few years, YouTube will be directly investing in more than 500 creators, and artists from across the world to support, grow, and fund their channels and content development through the #YouTubeBlack Voices Fund.

  • 50 Facebook, Instagram Creators Undergo Empowerment Workshop in Lagos

    50 Facebook, Instagram Creators Undergo Empowerment Workshop in Lagos

    By Modupe Gbadeyanka

    No fewer than 50 Facebook and Instagram creators met in Lagos for an event hosted by Meta, the parent company of the social media platforms, for an empowerment programme tagged Creators Day.

    The event provided an avenue for content creators to learn new ways to monetise their creativity through an initiative called Reel.

    The beneficiaries, drawn from various sectors like tech, lifestyle, entertainment, travel, beauty and fashion, attended a series of workshops to empower them to establish and grow their brand, reach their audience and earn a living while doing what they love.

    During the workshops, creators learned how to use Reels in new and creative ways, get future-ready by utilising the latest tools and features on the platforms, how to stay safe online, how to monetise their content on Facebook and Instagram and how to establish real relationships with brands.

    During the workshops, experts from Meta touched on how creators in Nigeria can realise their opportunity, creativity and full potential while using Meta technologies.

    Rofhiwa Maneta, Strategic Partner Manager, Creators, Sub-Saharan Africa, Meta, shared insights about how Reels can open more opportunities for creators’ discoverability and audience development as they share their unique skills that resonate with their audience.

    Natalie Choufani, Partner Solutions Manager, Creator Partnerships at Meta, also emphasised how creators can monetise their Reels on Instagram and Facebook.

    In addition to these, Geoff Reinhardt, Global Head of Partner Safety, explored the best practices to keep creators safe on Instagram and Facebook.

    Instagram creators2

    While speaking with the creators at the workshop, Nada Enan, Head of Communications at Instagram, MEA, addressed the myth of shadow banning and explained how the ranking and recommendations of content like Reels work on Instagram. She also shared more insights on how the Instagram algorithm works and how creators can leverage reels to improve their reach and visibility.

    According to Enan, “Meta is committed to supporting creators in Nigeria to realise their creativity and full potential. We recognise the amazing content they create on our family of apps, so we have set aside a day like today to celebrate their good work and successes. We at Meta are delighted to give creators the power to build community and bring the world closer together.”

    The workshops were attended by a unique crowd of content creators, ranging from Eric Okafor, Ìfẹ́dayo Agoro, Dr Ayodele Renner, salemkinging, Nonye Udeogu, The Social Media Oga, Joseph Onaolapo, Victor Anyanwu, plantboy.ng, i_am_tjan, Tee Kuro, Hamda ‘Koya, Tijesunimi Olupekan, Sisi Yemmie, Nicole Chikwe, Swit Ope, laughpillscomedy and ayomidate among others.

    In the evening, Meta hosted an intimate and immersive dinner experience with some of  Nigeria’s top creators like  Broda Shaggi, a Nigerian comedian and actor; Maryam Apaokagi, a skit maker, comedian and cinematographer; Mr Macaroni, an actor and content creator; Miss Techy, a female digital creator popularly known for her captivating VFX videos on Instagram; Elozonam Ogbolu, an actor, singer and music producer; Dimma Umeh, a fashion blogger and content creator; Taymesan Emmanuel, a media personality/podcaster and Nelly Agbogu, a social media influencer and entrepreneur.

    Instagram creators1

  • Alex Eyengho, 51 Others Get Netflix Creative Equity Scholarship Fund

    Alex Eyengho, 51 Others Get Netflix Creative Equity Scholarship Fund

    By Aduragbemi Omiyale

    A prolific Nigerian filmmaker, Mr Alex Eyengho, has been selected as one of the 52 beneficiaries of the Netflix Creative Equity Scholarship Fund (CESF) for movie producers in the West and Central African regions.

    The fund will provide financial support to its beneficiaries, including access to quality tertiary education in film and TV-focused disciplines.

    The scholarship fund for Sub-Saharan students is part of Netflix’s global Creative Equity Fund, launched in 2021, which is a dedicated effort to help build new opportunities for underrepresented communities within entertainment.

    Through the initiative, Netflix supports external organisations committed to creating equitable opportunities in the TV and film industries, as well as bespoke Netflix programs that help us to identify, train and provide job placement for up-and-coming talent globally.

    Speaking at the unveiling of the beneficiaries at a stakeholder event hosted by the National Film and Video Censor Board (NFVCB) in Lagos, the Director of Public Policy for sub-Saharan Africa at Netflix, Shola Sanni, said, “Netflix is on the cusp of taking Nigeria to the global stage.

    “Beyond this, our goal is to create a sustainable ecosystem to assist talents, tell their stories. This is why we remain committed to the continent and Nigeria.

    “We care for the growth of talents and are passionate about the future of the industry and want to enable Nigerian creators to access the global market.

    “This is why today is all about celebrating the scholars who will be responsible for telling African stories, whether in front or behind the camera, it’s about putting Africa on the global map.”

    Also, an executive director at NFVCB, Mr Adedayo Thomas, said the agency was “impressed that this initiative awarded 52 beneficiaries from the region with 27 from Nigeria alone.”

    “We’ll continue to call upon companies like Netflix to work with us to position the country as a skilled manpower force.

    “It is my strong belief that this initiative is proof that Nigeria has the talent and the ability to rise up to the global community, offering best-in-class quality content. It has also demonstrated the commitment of our partners to strengthening the pipeline of talent.

    “Offering opportunities for job creation with creative youths willing to add value to their community and the overall creative economy,” he added.

    Business Post gathered that all the beneficiaries would receive a full scholarship which includes – tuition, accommodation, a living stipend and education supplies.

    The programme is currently being administered by Dalberg in partnership with the five institutions of higher learning in the region that will support the formal qualification and training of aspiring creatives from the region.

    The trio of Alex Eyengho, Donatus Ekwuazi, and Nicole Emechebe will attend their training at the PAN-Atlantic University (Nigeria); 24 beneficiaries will be at the National film institute Jos (Nigeria), and they are Nanmet Dakup, Grace Lasisi, Nkemakonam Onejeme, Timchang Miri, George-Isaac Dadzie, Joseph Ogbe, Anothony Nnaji, Aduragbemi Ogundiran, Oluyomi Taiwo, Evelyn Inyang, Emeka Ikpechukwu, Collins Okorocha, McRoberts Metseyinor, Fatgan Agati, Aisa Zerubabel, Blessing Izang, Stephen Okoh, Nifuk Mafuyai, Lois Bewarang, Samson Alaba, Ezichi Okeke, Rukayat  Zubair, Mary Orjiakor, and Divine-gift Ibewuike.

    Also, the duo of Thephor Koumou-Mba and Adriana Ndemby will be at the Institut Philippe Maury de l’Audiovisuel et du Cinéma (IPMAC) du groupe EM-Gabon Université (EMGU); while Samuel Laryea, Seth Aydin, Linda Amemordzi, Gilbert Carrey, Kakra Opare-Asiedu, Lydia Flika, Payin Opare-Asiedu, Magdaline Masopeh would be at the National Film and Television Institute (Ghana).

    Furthermore, Sekinatou Bio, Belvina Djossou, Kate Djiwan, Mirabellel Tossa, Melvina Afanou, Lazarine Damando,  Imelda Batamoussi, Zigan Jean-Pierre Medegoun, Elfrid Benon, Franck Anikakpo, Irésan Bassaley, Milka Degan, Chrétia Vodounon, Nouriyath  Moussibayi and Claudia -Manuela Tanoh would be at the Institut Supérieur des Métiers de l’Audiovisuel (ISMA) (Benin).

  • Mr Ibu’s Daughter Jasmine Okafor Ends 9-month Marriage

    Mr Ibu’s Daughter Jasmine Okafor Ends 9-month Marriage

    By Aduragbemi Omiyale

    Ms Jasmine Okafor, the daughter of Nollywood actor, Mr John Okafor, otherwise known as Mr Ibu, has ended her nine-month-old marriage with her husband.

    Recall that In February 2022, Ms Okafor disclosed that she met her then-US-based boyfriend via a popular video-sharing platform, TikTok.

    She had said the man flew all the way from the US to Nigeria just to propose marriage to her and that he was planning to finalise the marriage rites almost immediately.

    “We met here on tictok 2 months ago ! He was my tiktok glitter! We are set to get married in this month. He flew all the way from USA to Africa for the first time ! Just to marry. A real man won’t waste your time,” she said, advising single ladies to “hurry now and rush to tictok” to get married.

    But barely a year after the two lovers tied the knot, the union has crumbled like a pack of badly arranged cards.

    In a post on Monday, the comic actor’s daughter claimed she was lied to by her husband, noting that he did not reveal to her about his three grown children from his previous wife.

    “A foundation built upon a tiny lie won’t stand! I love how you loved me but hate how you never mentioned your divorce not kids to me (sic)!” she said.

  • Kizz Daniel Anticipates Performance at Qatar 2022 FIFA Fan Festival

    Kizz Daniel Anticipates Performance at Qatar 2022 FIFA Fan Festival

    By Adedapo Adesanya

    Nigerian superstar, Kizz Daniel, as well as internationally acclaimed DJs Diplo and Calvin Harris, with Nora Fatehi and Trinidad Cardona, will headline the flagship FIFA Fan Festival event in Doha during the World Cup scheduled to start on November 20.

    Performances are an extension of FIFA Sound, an entertainment strategy designed to bring more connections between the beautiful game and music.

    The five international, award-winning musicians will perform on the Qatar 2022 FIFA Fan Festival mainstage as part of the FIFA Sound.

    While Diplo (US) will have his performance on November 22, the Buga star will have his set on November 23, Nora Fatehi (Canada) on November 29, Trinidad Cardona (US) on December 1 and Calvin Harris (Scotland) on December 10.

    These artists are all slated to enrich the great programme of the FIFA Fan Festival over the 29 days of the tournament at Doha’s Al Bidda Park, among more than 20 additional top-level entertainers from around the world performing at the event.

    The FIFA Fan Festival will provide new ways for fans to celebrate their shared passion for football while experiencing the best in music, entertainment, local culture, food, games, and lifestyle in a true festival environment.

    Speaking on this, RedOne, FIFA’s Entertainment Executive, said -“We look forward to bringing together some of the world’s biggest artists on one stage in Doha to celebrate the beautiful game and create a truly electric atmosphere.

    “While these artists come from different backgrounds and musical genres, they are connected by a shared passion for music and football, like our fans. The FIFA Fan Festival will have something for every kind of fan, and we’re excited for what’s ahead.”

    On his part, Kizz Daniel said, “When you have a dream, you’ve got to grab it and never let go. Let’s all dream together at the FIFA Fan Festival in Doha and make it a once-in-a-lifetime experience!”

    Diplo noted that, “I’ve been really fortunate to travel all over the world and experience different cultures through music. Wherever I am, Jamaica, Spain, England, China, South Africa, etc., football is a social constant. Seeing so many fans from all over the world in one place – the FIFA Fan Festival is just awesome. Really looking forward to it!”

    On her part, Nora Fatehi remarked that “The FIFA Fan Festival will be an amazing experience. Fans from all over the world will be introduced to Arab culture, which is also part of my story – we can celebrate a great football party altogether. Our team is preparing many surprises to provide a historical performance – be excited!”

    Trinidad Cardona said, “For me, as a young artist, it is the greatest pleasure to be able to perform in front of such a huge crowd of fans from all over the world. Just like football, music unites people, and I am happy to be able to contribute to this at the FIFA Fan Festival – it‘s going to be epic!” –

    Adding his voice, Calvin Harris said -“I’m so excited to be playing for football fans from all over the world at this year’s FIFA Fan Festival.”

  • Music Industry Stakeholders Welcome Spotify Talks Africa

    Music Industry Stakeholders Welcome Spotify Talks Africa

    By Modupe Gbadeyanka

    Stakeholders in the African music industry have applauded the introduction of Spotify Talks Africa, saying the platform would provide an opportunity to shed light on issues facing the sector on the continent.

    Spotify Talks Africa is a forum for featured panellists to discuss the issues that the African music industry faces and the solutions needed to drive success among creatives. Central to this is how music streaming platforms like Spotify can contribute to this growth.

    The panellists are drawn from across the industry and include artists, producers, artist management, and Spotify Sub-Saharan Africa team members who provide insight into the role of streaming in the industry.

    Slated to be released quarterly, each video episode is themed around specific issues in the industry, ranging from how music streaming is keeping legacy acts alive to the lived experiences of women in music.

    The first episode is hosted by Kenyan media personality Mariam Bishar in conversation with John Katana Harrison, the band leader of the legendary group Them Mushrooms; Wangechi, a Kenyan rapper who just returned from a three-year hiatus; and Monica Kemoli-Savanne, Spotify’s Artist & Label Partnerships Manager for East Africa. Their robust discussion touches on the exportation of music to new audiences, music royalties, tools needed to grow as an artist, and the role technology plays in all of this.

    The African music industry has grown in leaps and bounds over the past few years due to a variety of factors, including collaborations with local and international artists, music streaming, and social media.

    However, only a select number of artists are enjoying this success, and many talented creators are still struggling to break through. This is why Spotify launched Spotify Talks Africa, a video series that brings the continent’s music industry stakeholders together in conversation.

    Speaking on how streaming has changed the music industry, John Katana Harrison says “I think it’s a great thing, we are surprised now where people are listening to our music. It’s brought in a new avenue where music can be taken anywhere within the country and beyond.”

    “That’s why you do collaborations, because then you hit the artist’s fanbase,” says Wangechi on the importance of collaborations.

    “I encourage artists to tap into their backend through Spotify for Artists, and build their strategies around that data. You can see the demographic of who is listening to your music from age to gender and location,” adds Monica.

    The industry is poised for even more growth and if Them Mushrooms are anything to go by, relevance and longevity can go hand in hand. Them Mushrooms’ participation in Spotify Talks is a part of a series of activities by Spotify to celebrate the band’s 50th anniversary.

  • Design Indaba, Google Unveil Colours of Africa to Showcase African Creatives

    Design Indaba, Google Unveil Colours of Africa to Showcase African Creatives

    An online initiative known as Colours of Africa has been launched by Design Indaba in partnership with Google Arts & Culture.

    The project brings online and showcases 60 specially-curated artworks produced by over 60 unique African creatives chosen by Design Indaba – each invited to contribute a work that captures the ‘colour’ and character of their home country.

    Selected by Design Indaba’s founder Ravi Naidoo, the creatives will showcase the best of African craft, product, industrial design, fashion, film, animation, graphic, food, music, jewellery and architecture.

    “Africa is known for its bold, unapologetic use of colour. Each country, city and community is identifiable by its unique palette. As Africans, we can tell powerful stories through colour. This project tells a story of a continent through the universally accessible lens,” says Naidoo.

    The first artistic undertaking of this scale, the project will allow viewers to discover stories of Africa as told by the African creative community. The artworks will be showcased online where users are invited to spin the kaleidoscope to explore the works in an effort to take users on a journey through Africa,  inviting them to view each country through the eyes of a local artist.

    “Google has always been acutely aware and in full support of the immense creative melting pot that exists on the continent. Collaborating with Design Indaba on this project allows us to bring this support to fruition. By empowering and amplifying African voices to tell the unique stories of their cultures through their work and creativity, we hope to provide much-needed exposure, cultivate a newfound curiosity, and provide a window into the vast beauty that exists on the continent,” says Nitin Gajria, Managing Director at Google.

    The project involves creatives from almost every discipline imaginable, from architecture, illustration, painting and ceramics through to writing, engineering, the performing arts and visual communications. Their creations have been converted into images, videos, texts and illustrations. The multidisciplinary mix of 60 artists includes Algerian photographer Ramzy Bensaadi, fashion designer Bisrat Negassi from Eritrea, filmmaker Archange Kiyindou “Yamakasi” from the Republic of Congo and visual artist Ngadi Smart from Sierra Leone.

    To bring the project to life, Design Indaba collaborated with former Design Indaba conference speaker Noel Pretorius and his creative partner, Elin Sjöberg, who collaborated with Google Arts & Culture Lab to create the design concept and interface for the digital exhibition. The exhibition features a kaleidoscopic navigation tool that can be used to explore the art in a randomised way, giving the visitor a unique experience while allowing the art itself to shine.

    “Nothing like this exists to date, so we’re very excited to break new ground. This is an important artistic catalogue, the first of its kind to plot the expanse of African artistry on Google Arts & Culture. We salute Google for taking this important step to provide the world with a resource like this – not everyone can afford to travel here or access physical art fairs and museums to view this kind of work,” continues Naidoo.

    In addition to the Colours of Africa platform, the initiative will also see the launch of over 4 000 images, videos and 20 carefully curated exhibits from Design Indaba’s extensive archive. Award-winning initiatives like Sheltersuit, Arch for Arch and Emerging Creatives will be profiled extensively for the first time online.

    New works by some of the most important creatives working on the continent and abroad will also be displayed. These include Fozia Ismail (featured creative on Serpentine Gallery’s Creative Exchange programme), Mayada Adil El Sayed (represented Sudanese women at the Generation Equality Forum) and Lady Skollie (winner of the 10th FNB art prize).

    Design Indaba, which celebrated its 25th year in 2020, draws top thinkers and guests from across the globe. Acknowledged as the world’s best design conference, it continues to be a leader in foregrounding African creativity, making it the logical ‘home’ for this project.

    “We look forward to giving viewers a ticket to experiencing a whole new world, one that is outside of their everyday surroundings and creative knowledge. This project answers the vital call for all to notice and embraces African art in all its wonder,” concludes Nitin Gajria at Google.

    As part of the project launch, Design Indaba commissioned Nigerian multi-talented creative and accomplished professional artist, Chief Nike Monica Okundaye, to capture the unique spirit of her country in a colour which represents home to her. She created an original painting titled ‘The Female Drummer/Àyánbìnrin’.

    Colour: Royal Blue

    Country: Nigeria

    Artwork Rationale:

    The colour blue in Nigerian indigenous cultures is the colour of love. Before a king ascends the throne, he often has to wear royal indigo blue. In Yorùbá, this is called ẹtù. In northern Nigeria, the colour is also used for the chief or the king. Same in eastern Nigeria. In the north, they sometimes even pound the blue into the turban when they marry a new wife. The whole face is sometimes blue to show love to the new bride. During their Durba, they sometimes wear the shining blue colour in the turbans to show love to the people at the festival.

    “I used blue for this painting titled ‘The Female Drummer/Àyánbìnrin’ to illustrate both the love you see here between the drummer and her lover and the love desperately needed in the time of the coronavirus lockdown. In Yorùbá societies, the talking drummer is usually at the front of the palace, sending messages to the king through the medium of the drum — messages that the visitor themselves might not understand. The unique thing about this painting, done during the lockdown, is the use of a female drummer instead of the typical male ones seen in traditional Yorùbá art. My work involves female empowerment — I have trained disadvantaged women, widows, and young women for many years on fabric art — so I am always happy to put women at the forefront of my artistic philosophy”, says Nike Okundaye, Founder and Managing Director of Nike Center for Art and Culture.

  • Spotify Launches Black Panther: Wakanda Forever Official Playlist

    Spotify Launches Black Panther: Wakanda Forever Official Playlist

    As fans assemble ahead of the eagerly anticipated return to Wakanda, Spotify is launching the Black Panther: Wakanda Forever Official Playlist featuring new music as well as exclusive content from the cast. The soundtrack includes the lead single “Lift Me Up” from global icon Rihanna, plus 19 original tracks from Tems, Fireboy DML, CKay featuring PinkPantheress, and more.

    With the Black Panther legacy carried on in this highly-anticipated sequel, fans can dive back into the world of Wakanda through immersive experiences on Spotify, including:

    • Vibranium vibes: As you listen along to the Official Playlist, be on the lookout for a flash of vibranium purple while listening to new hits from the likes of Tems, Fireboy DML and more.

    • Exclusive clips from the talented cast: From fan favourites like Ramonda (Angela Bassett) and Nakia (Lupita Nyong’o) to the new and fierce Namor (Tenoch Huerta), listeners can learn everything from their superhero songs to the Black and Latin artists inspiring them daily.

    • Think you’re a Black Panther superfan?: Brush off those Wakandan language skills and keep your eyes open for some in-app Black Panther-inspired coded puzzles- requiring you to work with other fans to unlock the secrets using the Wakandian alphabet.

    Fans have long-awaited the follow-up to the 2018 smash hit Black Panther – when the sequel’s first trailer was released in July, streams of Black Panther user playlists jumped 815 per cent around the globe.

    And for fans of the wider Marvel Cinematic Universe, Spotify will be making it easier than ever for you to access all of your fave Marvel soundtracks in one place with the launch of the Marvel shelf on the Disney Hub.

  • Police Invite Domestic Staff Over Davido Son’s Death

    Police Invite Domestic Staff Over Davido Son’s Death

    By Modupe Gbadeyanka

    The Public Relations Officer for the Lagos State Police Command, Mr Benjamin Hundeyin, on Tuesday confirmed that eight members of the domestic staff of Mr David Adeleke, otherwise known as Davido, have been invited for questioning over the drowning of his son, Ifeanyi, on Monday.

    It was earlier reported that the three-year-old boy had drowned at a swimming pool in their Banana Island residence in Lagos. He had the child with his fiancée, Chioma Rowland.in October 2019.

    According to reports, Davido and Chioma were away from home but left Ifeanyi with their domestic workers. It was said that after the boy drowned, he was taken to a hospital in the area for treatment.

    But Mr Hundeyin, according to a report by The Punch, confirmed Davido son’s death, noting that the workers around when the incident happened are being interrogated.

    “His (Ifeanyi’s) death is confirmed. His (Davido’s) domestic workers have been brought in for questioning, and anybody found not culpable will be allowed to go immediately.

    “About eight of them were brought in to narrate their version of what happened to assist us in getting what really happened.

    “At the end of their narrations, whoever is found not guilty of negligence or not culpable in any way will be allowed to go.

    “Anybody found culpable will stay back to assist us in further investigation. The domestic workers are about eight that were brought in,” Mr Hundeyin was quoted as saying.

    Also, Channels Television quoted the police spokesman as saying that, When asked whether Ifeanyi is dead, the police spokesman said, “Yes, he is [dead]; he drowned,” adding that some “domestic staff have been brought in for questioning.”