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Aisha Buhari And That BBC Interview

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By Reuben Abati

Public communication is one of the most delicate challenges that people in public life face, either in the corporate or the public sector.

Many people suddenly find themselves in high places, and they become a source of news, a potential interview subject, and they get chased around by journalists and other media figures who want a story, in fact, not just a story, but a scoop.

I used to explain in communication coaching classes and to the bosses whose media I managed, at one point or the other that they should never feel obliged to say things they do not want to say. No matter how aggressive the journalist may be, they should be careful what they say.

A journalist would make you feel at home, he or she may even reassure you that whatever you don’t want published could be edited out, and that if you don’t feel comfortable with a question, you should feel free to keep quiet. But a good journalist knows how to push you into a corner and get you, through follow up questions, to say things you may not ordinarily want to say. By the time the tape starts rolling, and you are encouraged to feel like a star, and your own tongue starts rolling, you’d be surprised the kind of emphasis, what you consider an innocent remark, would receive when it is published.

Point is: journalists, while on duty, are not working for politicians or big men and women; they are working for organizations that need stories that can sell. They want scoops that can make the headlines. That is what makes them journalists: getting the good story, the good comments, the good shots.

After reading the interview granted by First Lady Aisha Buhari on BBC Hausa Service, I was tempted to conclude that this is what may have happened. She could have said the same things in a more delicately phrased manner.

I have always held the view that anybody at all in a public position should be sent for media training (including how to deliver speeches, poise, pronunciation skills, even basic grammar lessons) before they are unleashed on a Nigerian public that has learnt to subject the lives of public officials to utmost scrutiny.

The Aisha Buhari interview also fell short in this regard. She just gave the BBC Hausa service a scoop, which in my view has done more damage to her husband’s politics than good.

Given the enormous effect that the interview has had on the public, I would have expected that by now, she would perhaps have tactically disowned it, put a spin on it somehow, and make it clear that it is not intended in any way to discredit, or criticize her husband’s administration. But nothing of such has happened. And what does that mean? That the interview was deliberate and that she is standing by every word she said.

She has been called the “good lady in the Villa.” She has been praised for being a modern wife who can speak up, and exercise her right to free speech. She has been called fearless and assertive. The only thing I have not heard from some of the hypocritical commentators is that she would be a good Presidential candidate for 2019.

I have also been told that she must have spoken out of frustration and that her public outburst about the existence of a cabal in the Villa, which determines who gets what appointment, to the disadvantage of members of the All Progressives Congress is making APC members who feel left out of the power-sharing process, very unhappy.

But her outburst is nothing but a poor understanding of power politics. There will always be cabals around the seat of power. Power is so potent the people around the corridor will never leave it alone to the President.

And if it is true that this cabal or the President has recruited non-APC members into the government, then that is a positive thing, it is also a positive thing that the President does not know many of the people he has appointed. He doesn’t need to know them personally as long as they come from all parts of Nigeria and they are competent men who can get the job done.

The First Lady seems to assume that only card-carrying members of the APC should work for the Buhari administration. On a positive note, however, she doesn’t want anybody to hijack her husband’s Presidency and she believes those who are trying to do so do not mean well. But what does that say about her husband?

The First Lady is also of the view that if the present trend continues, she cannot campaign for her husband in 2019 should he decide to seek re-election. She sounded pleased with what is being done to ensure security in the North East, but she gave the impression that she doesn’t think her husband has done enough to merit a second term in 2019.

Hear her: “What I fear is the uprising of 15.4 million people”. And consider this: “…Nobody thought it is going to be like this. But now that it is so…Sometimes when one is doing something wrong without him knowing, but when people talk to them, they should listen”. Who is that person doing something wrong and who does not listen?

Altogether, Mrs Aisha Buhari has passed the equivalent of a vote of no confidence in her husband, and the people around him. This is a kind of “home trouble” brought to the public. The biggest challenge a man can face is to have his own wife “fight” him in public. And what has happened is both unprecedented and significant considering that a Hausa-Fulani couple is involved.  It is probably the first time a lady in this position would publicly upbraid her husband and his team. Is she furious because she has been scorned, ignored, rendered powerless?

Well, even if we were not privy to other details, she was publicly scorned when her husband sent a volcanic message from Germany that she should go back to her place in the “kitchen, the living room and the other room.”

Feminists and critics of misogyny have protested over this, quite rightly too, at a time when women are leading countries and corporations, it is incorrect and insensitive to say that the best place for a First Lady is to be a cook, a living-room-soap opera-watching detainee and a bedroom object.

But given the cultural circumstances involved, this may well be the future Aso Villa fate of First Lady Aisha Buhari. She could be marked out as an ambitious woman who wants to share power with her husband, and as a threat to her husband’s politics.

See how much damage has been caused already by the President’s counter-response: The German Chancellor glared at our President when she heard that comment about “the kitchen, the living room and the other room.”  She quickly ended their press conference.

Angela Merkel is married, and she is Chancellor, but I don’t think her husband would dare tell her she is best fit for the kitchen and the other room. And imagine if Theresa May, Ngozi Okonjo-Iweala, Oby Ezekwesili, Grace Alele-Williams, Omobola Johnson, Chimamanda Adichie, Joke Jacobs… had all been chained down in the “other room”.

No wonder, President Buhari’s local opponents are already making big political capital out of his un-Presidential comments, and the German public is shocked that any world leader could be so politically incorrect.

The number of jokes and memes that have been designed around this husband-wife exchange are thoroughly amusing. Mrs Buhari has also handed over to critics of this administration, speaking points that would be exploited all the way till 2019, and she may well end up not as a powerful force in the Villa but as a strong voice for women’s rights.

It is possible she may be advised soon to recruit spin-doctors to do damage control, but she may have left that rather late already.

On the other hand, there is no amount of damage control that the President’s spin-doctors can sell to anyone. Whatever happens, she is cultivating a reputation as a different kind of First Lady.

Since independence, every Nigerian Head of State or President has enjoyed the support of his wife while in office: strong, fanatical support.

Mrs Maryam Abacha was so supportive of her husband, while everybody condemned him, and long after his death, she has continued to celebrate his memory.

Before her, Mrs Maryam Babangida brought greater colour and celebrity status to the Office of the First Lady and added much value to her husband’s tenure.

Mrs Fati Abubakar was a dignified presence behind her husband, the same with Mrs Margaret Shonekan. President Olusegun Obasanjo had as First Lady, the very elegant and beautiful Stella Obasanjo who mobilized support and goodwill for her husband. Turai Yar’Adua, wife of the late President Umaru Musa Yar’Adua was also so devoted to her husband’s cause, she was declared the head of the Aso Rock cabal. No one doubted her determination to protect her husband’s interest during those critical moments. You all know Mrs Patience Jonathan. She was as First Lady, her husband’s most vocal supporter. This brought her at loggerheads with some sections of the public who objected to her prominence and controversial statements, but not once did she or the other First Ladies before her, criticize their husbands in public.

Elsewhere, First Ladies also support their husbands. With all the reported cases of dalliance and cuckoldry during the Bill Clinton Presidency, Hillary Clinton stood by her husband.  Michelle Obama has also proven to be a very good role model in this regard.

Certain positions require careful grooming. Any form of tension in the home could distract a political leader and make him seem vulnerable in the eyes of the public.

Mrs Aisha Buhari may have spoken her mind, but she should not make a habit of assuming the role of a radical, in-house critic, throwing her husband under the wheels. She ought to be thoroughly embarrassed by all the fun being poked at her husband because of that BBC Hausa interview she granted. How this matter is resolved between their kitchen and “the other room” is a family affair into which we cannot dabble.

Dipo Olowookere is a journalist based in Nigeria that has passion for reporting business news stories. At his leisure time, he watches football and supports 3SC of Ibadan. Mr Olowookere can be reached via [email protected]

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When Expertise Meets Politics: The Rejection of Professor Datonye Dennis by Lawmakers

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Professor Datonye Dennis Alasia

By Meinyie Okpukpo

In a development that has generated debate within both political and medical circles in Rivers State, the Rivers State House of Assembly recently declined to confirm Professor Datonye Dennis Alasia as a commissioner-nominee submitted by the state governor, Siminalayi Fubara.

The decision followed a tense screening session in Port Harcourt and has raised broader questions about the intersection of politics, governance, and the role of technocrats in public administration.

For many in Nigeria’s medical community, Professor Alasia is not simply a nominee rejected by lawmakers. He is a respected physician, academic, and nephrology specialist whose decades-long career has contributed significantly to medical practice and training in the Niger Delta and across Nigeria.

The Political Drama Behind the Rejection

Professor Alasia was among nine commissioner nominees submitted by Governor Fubara to the Rivers Assembly as part of efforts to reconstitute the State Executive Council following the dissolution of the cabinet earlier in 2026. After deliberations, the Assembly confirmed five nominees but rejected four, including Professor Alasia.

During the screening exercise, lawmakers raised concerns about discrepancies in Alasia’s birth certificate as well as the absence of a tax clearance certificate among the documents he submitted to the Assembly. Although the professor offered explanations and apologised for the missing tax document, a motion was moved on the floor of the House recommending that he should not be confirmed. The Assembly subsequently voted against his nomination. Some lawmakers also cited what they described as “poor performance” during the screening exercise as part of the reasons for their decision. The outcome has since become one of the most talked-about developments from the commissioner screening exercise, largely because of Alasia’s distinguished professional background.

Who Is Professor Datonye Dennis Alasia?

Professor Alasia is widely known in Nigeria’s healthcare sector as a consultant nephrologist and Professor of Medicine with long-standing service at the University of Port Harcourt Teaching Hospital (UPTH). At UPTH, he served as Chairman of the Medical Advisory Committee (CMAC), a key leadership position responsible for overseeing clinical governance, medical standards, and patient-care policies in one of Nigeria’s foremost teaching hospitals.

He also previously held the role of Deputy Chief Medical Director, contributing significantly to hospital administration and the implementation of medical policies within the institution.

In addition to his clinical responsibilities, Professor Alasia has been deeply involved in academic medicine, combining medical practice with teaching and research in the university system.

Advancing Nephrology Care in Nigeria

Professor Alasia specialises in nephrology, the branch of medicine that deals with kidney diseases. This area of medicine is particularly important in Nigeria, where hypertension and diabetes have contributed to a growing number of kidney failure cases.

Through his work as a consultant nephrologist, he has been involved in:
Diagnosis and treatment of kidney diseases
Management of chronic kidney failure
Development of nephrology services in tertiary hospitals
Training doctors in renal medicine
His contributions have helped expand specialised kidney care within the Niger Delta region.
Training the Next Generation of Doctors
Beyond clinical practice, Professor Alasia has also played an important role in medical education.

Teaching hospitals like UPTH serve as the backbone of Nigeria’s medical training system. Within this system, professors supervise:
Residency training programmes
Specialist physician development
Medical student education
Clinical research mentorship
Through these responsibilities, Professor Alasia has helped mentor and train numerous doctors who now practice across Nigeria and beyond.
Leadership in Hospital Administration
Professor Alasia’s role as Chairman of the Medical Advisory Committee at UPTH placed him at the centre of hospital governance.
The position involves responsibilities such as:
Oversight of clinical governance
Enforcement of patient-care standards
Coordination of medical departments
Implementation of healthcare policies

The CMAC position is widely regarded as one of the most influential clinical leadership roles in Nigerian teaching hospitals.

Politics Versus Professional Expertise

The rejection of Professor Alasia highlights a broader issue often seen in Nigerian governance—the tension between professional expertise and political scrutiny. On one hand, the Assembly maintains that its decision reflects its constitutional duty to thoroughly vet nominees and ensure that those appointed to public office meet all necessary requirements. On the other hand, some observers argue that professionals with long careers outside politics may sometimes struggle to navigate political screening processes that are often designed with career politicians in mind.

What Happens Next?

With four nominees rejected during the screening exercise, Governor Fubara may be required to submit new names to the Assembly in order to complete the composition of the State Executive Council.
For Professor Alasia, however, the Assembly’s decision does not diminish a career built over decades in medicine, medical education, and hospital administration.

Conclusion

Professor Datonye Dennis Alasia represents a class of Nigerian professionals whose influence lies primarily outside the political arena. As a professor of medicine, consultant nephrologist, and hospital administrator, his contributions to medical training and kidney disease management remain significant.

Yet his experience before the Rivers State Assembly reflects a recurring reality in Nigerian public life: even the most accomplished technocrats must still navigate the complex and often unforgiving terrain of politics.

Meinyie Okpukpo, a socio-political commentator and analyst, writes from Port Harcourt, Rivers State

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Compliance is the New Currency of Nigerian Banking

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James Edeh FairMoney

By James Edeh

In the traditional halls of Nigerian finance, capital was once defined solely by the strength of a balance sheet and the depth of physical vaults. However, as the industry transitions into a tech-enabled era, marked by a staggering 11.2 billion electronic transactions processed by NIBSS in 2024 alone, the definition of capital has undergone a fundamental shift.

In 2026, ‘Character’ seems to have emerged as the most vital form of liquidity. In a market where digital fraud and systemic volatility can erode trust overnight, a bank’s commitment to regulatory compliance is no longer a ‘back-office’ function; it is the primary bridge that builds and sustains customer confidence. This evolution is driven by a sophisticated web of regulations from the Central Bank of Nigeria (CBN) and the Federal Competition and Consumer Protection Commission (FCCPC), which have moved from reactive policing to proactive architecture. With the introduction of the Digital, Electronic, Online, or Non-traditional Consumer Lending Regulations 2025, the authorities have set a clear mandate: innovation must be tethered to integrity.

The current regulatory landscape is defined by milestones that signal a maturing ecosystem. Nigeria’s successful exit from the FATF ‘grey list’ in October 2025 served as a global validation of the country’s strengthened Anti-Money Laundering (AML) and Counter-Terrorism Financing (CFT) frameworks.

The mandatory integration of the Bank Verification Number (BVN) and National Identification Number (NIN) has become the ‘digital DNA’ of banking. This has not only reduced identity fraud, which saw a significant decrease from ₦52.26 billion in 2024 to ₦25.85 billion in 2025, according to the Nigeria Inter-Bank Settlement System NIBSS, but has also provided a secure pathway for 74% of the population to enter the formal financial system. Additionally, the CBN’s 2024–2026 recapitalisation drive, requiring minimum capital thresholds of up to ₦500 billion for international banks, ensures that ‘character’ is backed by the resilience to withstand economic shocks, effectively mandating that only the most robust and compliant players remain at the table.

As of January 2026, the Nigeria’s Securities and Exchange Commission (SEC) has also significantly increased the minimum capital requirements (MCR) for fintechs and digital asset operators, with compliance required by June 30, 2027. Key thresholds include ₦100 million for Robo-Advisers (up from ₦10m), ₦200 million for Crowdfunding Intermediaries (up from ₦100m), and ₦2 billion for Digital Asset Exchanges (DAX).

At FairMoney MFB, compliance is far more than a regulatory check box, it is the bedrock of our operational integrity and strategic growth. We have engineered a proactive compliance architecture that reaches every level of our organisation, ensuring that we remain with the highest industry standards. By embedding rigorous oversight, ethical governance, and transparent reporting into our core DNA, we have cultivated a foundation of trust that serves as a vital bridge between our organisation and key government stakeholders.

For forward-thinking institutions, compliance is being rebranded as a competitive advantage. In the digital space, where customers cannot visit a branch to demand answers, the ‘seal of approval’ from regulators acts as a proxy for safety.

This is where the concept of Character-as-Capital becomes most visible. By maintaining a strict adherence to responsible debt recovery practices and strictly adhering to the Nigeria Data Protection Act (NDPA), Institutions such as FairMoney MFB demonstrate how compliance-led models can support responsible digital lending. FairMoney’s adherence to the FCCPC’s Digital Lending Guidelines and its proactive stance on product transparency – clearly stating all interest rates and fees upfront – exemplifies how compliance can be used to build a ‘predictability model’ for the consumer. When a bank follows the rules even when it is more expensive to do so, it builds a reservoir of goodwill that serves as a moat against more aggressive, less ethical competitors.

The shift toward a compliance-first culture is yielding a tangible ‘Trust Dividend’. In late 2025, FairMoney’s national scale long-term issuer rating was upgraded from BBB(NG) to BBB+(NG) by Global Credit Rating (GCR), and its short-term rating from A3(NG) to A2(NG). Internal audited records show that in FY2025 FairMoney disbursed over ₦250 billion in loans and paid out over ₦7 billion in interest to savers, proving its ability to return value to a customer base that views the platform as a trusted platform for savings and credit services.

Between 2021 and 2024, FairMoney saw a significant growth in its customer deposit base. This growth has facilitated a reduced cost of funds; because users trust the bank’s CBN and NDIC-licensed status, FairMoney now funds over 56% of its loan book through customer deposits. Recent data from the Nigerian Exchange Limited and banking industry suggests that as compliance improves, so does the velocity of money. Total deposits in the Nigerian banking sector rose by 63% to ₦136 trillion by late 2024, a growth driven by a population that finally feels the digital financial infrastructure is safe enough to hold their life savings.

In the coming years, the winners in the Nigerian banking sector will not be those with the largest marketing budgets, but those with the strongest ethical spine. Compliance is the bridge that connects a sceptical populace to the digital economy. It is the assurance that a customer’s data is private, their deposits are insured, and their treatment is fair. As we look toward 2030, Nigeria’s economic expansion will only be reachable if the banking sector continues to treat Character as its New Capital.

By embracing the rigorous demands of current regulations, financial institutions are not just following the law; they are investing in the most valuable asset any bank can own: the unshakeable confidence of its people. The road ahead requires a commitment to transparency that transcends the app interface and penetrates the core of institutional culture.

James Edeh is the Head of Compliance at FairMoney Microfinance Bank

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Piracy in Nigeria: Who Really Pays the Price?

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Ever noticed how easy it is to get a movie in Nigeria, sometimes before or right after it hits cinemas? For decades, films, music, and series have circulated in ways that felt almost natural; roadside DVDs, download sites, and streaming hacks became part of how we consumed entertainment. It became the default way people experienced content.

But what many don’t realise is that what feels normal for audiences has real consequences for the people behind the screen. As Nigeria’s creative industry grows into a serious economic force, piracy isn’t just a “shortcut” anymore; it’s a drain on the very lifeblood of creativity.

The conversation hit the headlines again with the alleged arrest of the CEO of NetNaija, a platform widely known for downloadable entertainment content. Beyond the courtrooms, the story reopened an important question: how did piracy become so normalised, and why should we care now?

Filmmaker Jade Osiberu put it into perspective in a post that resonated across social media: for many Nigerians, pirated CDs and downloads were simply the most accessible way to watch films. Piracy didn’t just appear from nowhere. It grew because legal options were limited, streaming platforms scarce, and affordability a challenge. In other words, piracy is as much a story about opportunity and access as it is about legality.

The cost of this convenience is real. Every illegally downloaded or shared film chips away at revenue that sustains the people who create it. Producers risk their own capital to tell stories, actors and crew rely on fair compensation, and distributors and cinemas lose income when pirated copies hit screens first. Over time, this doesn’t just hurt profits; it erodes confidence in investing in new projects and threatens the ecosystem that allows Nigerian creativity to flourish.

Piracy is also about culture and necessity. Many audiences never intended harm; they simply wanted stories in a system that didn’t always make legal access easy. Streaming services were limited or expensive, internet access was spotty, and distribution was weak outside major cities. Piracy became the default, and generations grew up seeing it as normal. But what was once a practical workaround has now become a barrier to sustainable growth.

This is where enforcement comes in. Legal action, like the NCC’s intervention against NetNaija, isn’t about pointing fingers at audiences; it’s a reminder that creative work has value and that infringement carries consequences. It’s about sending the message that the people who write, produce, act, and edit these stories deserve protection. Enforcement alone isn’t enough, though. Without accessible, affordable legal alternatives, audiences will naturally gravitate back to piracy.

The bigger picture is this: Nollywood is no longer just a local industry. It’s a global player, employing thousands, creating cultural influence, and generating revenue across multiple sectors. Its growth depends not just on talent, but on a system that rewards creators, protects their work, and builds a sustainable ecosystem.

Piracy may have been normalised in the past, but its consequences today are impossible to ignore. It threatens livelihoods, investment, and the future of stories that define Nigeria culturally and economically. Understanding its impact isn’t about shaming audiences or vilifying platforms; it’s about valuing the people behind the content, the stories themselves, and the industry’s potential.

The real question isn’t just whether piracy is illegal. It’s whether Nigeria is willing to build an entertainment ecosystem where creators thrive, stories get told properly, and audiences can enjoy them without undermining the very people who made them possible. Until that happens, the cost of convenience will keep being paid by someone else, and it’s the people who create the magic.

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