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2nd MOTIFX – Embracing the Beauty of Chinese Culture A Surreal Garden of Botanical Patterns Blooms at Home InStyle & Fashion InStyle 2026
Emerging Designers Reimagine Chinese Motifs Across Physical and Digital Realms
HONG KONG SAR – Media OutReach Newswire – 28 April 2026 – Following its successful presentation at LANDMARK, Central in March, the 2nd MOTIFX – Embracing the Beauty of Chinese Culture will be showcased at the Hong Kong Convention and Exhibition Centre from 27 to 30 April 2026, as part of Home InStyle and Fashion InStyle 2026.
Home InStyle and Fashion InStyle bring together a wide range of international brands celebrated for their craftsmanship and creativity, serving as a dynamic platform for exchange across the design and lifestyle industries while sparking new ideas and collaborations.
Organised by the Hong Kong Design Institute (HKDI) under the Vocational Training Council (VTC), and sponsored by the Cultural and Creative Industries Development Agency (CCIDA), the 2nd MOTIFX invites emerging designers to reinterpret traditional Chinese motifs for contemporary living. Under the theme “Culture to Nature – A Surreal Garden of Botanical Patterns,” the exhibition explores the Chinese “grass” radical (艹 / 艸) through diverse creative perspectives. The works span a range of contexts and formats, from two- and three-dimensional pieces to both physical and digital mediums.
Curated by Michael LEUNG, the exhibition features works by 30 local design students and emerging designers from a range of disciplines, alongside participating local and international designers including Chulan KWAK, Cynthia MAK, Made by Sandwich, Karmuel YOUNG, Tomy NG, Moon.noon, STICKYLINE, and Leona FUNG. Over 100 original patterns inspired by the 艹 / 艸 radical bloom in Chinese character across the exhibition space, each rooted in the same ancient, ever‑living origin yet expressing distinct creative voices.
Artist Panel Discussion: “Cultural Fusion in Lifestyle Design: The Surreal Aesthetics of MOTIFX”
30 Apr 2026 | 11am-12pm
On 30 April 2026, in an artist panel discussion titled “Cultural Fusion in Lifestyle Design: The Surreal Aesthetics of MOTIFX,” moderated by Edith CHEUNG, Creative Director of MOTIFX, curator Michael LEUNG, artist Leona FUNG, and Moon HUNG will share their insights on blending traditional Chinese elements with contemporary lifestyle design. Through their works across multiple MOTIFX venues, they will discuss the effortless fusion of East and West in Hong Kong’s creative life, revealing the surreal beauty born from cultural intersection.
Featured Highlights: From Calligraphic Lines to Gardens of Time
Chulan KWAK – “Cursive Structure”
Chulan KWAK’s Cursive Structure series transforms two‑dimensional calligraphy into three‑dimensional objects. Inspired by the flowing strokes of Caoshu (草書) and the Small Seal Script (小篆體) form of the 艹 / 艸 radical, the work turns “Radical Grass (艹 / 艸)” into a pair of low chairs.
By keeping the distinction between 艹 / 艸 and 木 (tree), the pieces are set apart from the vertical form of trees and bring the energy and tension of calligraphic brushwork into physical space.
Cynthia MAK – “Tea Lamp”
Drawing inspiration from the Chinese character 茶 （tea） and the poetic essence of “Life is like tea – bitter at first, then sweet,” Cynthia reflects on life’s delicate balance between darkness and brightness in her creation, “Tea Lamp”. She reimagines the traditional Chinese lantern through vibrant colours and geometric abstraction, which serves as a warm reminder that, after a bitter day, a gentle radiance always awaits at home.
Made by Sandwich – “Garden of States”
Made by Sandwich’s Garden of Time probes the philosophical relationship between the 艹/ 艸 radical and time. The designers argue that numerous 艹/艸 – derived characters (such as 茂, 蘇, 萎, 荒) illustrate the shifting conditions of plants across time rather than static shapes. The work breaks away from a linear conception of time, layering moments of growth, decline, and disappearance onto a single visual. By assembling these “time slices” into one composition, it constructs a garden of time in which multiple states coexist, showing the simultaneous presence of flourishing and disappearance.
Karmuel YOUNG & Tomy NG – “Tower”
Inspired by the radical grass symbol (艹 / 艸), Karmuel YOUNG and Tomy NG collaborate on the multimedia work, “Tower”. A still yet highly charged installation that captures a moment of growth, “Tower” fuses art, fashion, and furniture using contemporary raw materials, dutifully interpreting growth as a process of emergence, layering, and change.
Karmuel shapes the base on Suprematist and Constructivist ideas, using rigid geometric forms and a neutral palette to highlight the texture of the materials, creating a stable, balanced yet restrained structure.
Tomy adds a glowing cellular element that acts as both light and living form. The floor lamp is designed as a suspended “cell”: a translucent 3D‑printed resin core wrapped in an inflatable latex membrane that functions like a placenta. As the latex inflates and deflates, the shape expands and contracts, shifting between open and enclosed states. Compared with the solid base, the structure feels fragile, porous, and time‑based, turning light into a living presence shaped by pressure and duration.
Immersive Experiences: The Intersection of Virtual and Reality
The exhibition utilizes multi-media works and installations, leading visitors into a sensory experience.
Moon.noon – “Blossom Unbounds”
Moon.noon’s “Blossom Unbounds” creates a multisensory, immersive experience that brings together dynamic visuals and music into one seamless environment for MOTIFX. Drawing inspiration from the grass radical (艹 / 艸) in Chinese characters, the work abstracts botanical forms into flowing patterns that reflect the cycles of the 24 solar terms and local flora.
Visual and auditory elements are carefully combined so that viewers move between the real and the digital, experiencing the changing seasons—from spring’s blossoming to winter’s quiet dormancy—and feeling the continuous rhythm of nature and culture. The installation invites personal discovery while dissolving the boundaries between traditional art and immersive, sensory‑driven design.
STICKYLINE – “Geometric Variants in Growth”
STICKYLINE’s large-scale installation Geometric Variants in Growth questions the boundary between the virtual and the real. This lush geometric jungle is built entirely from the endless stacking of two simple paper modules, each patterned with lines that resemble leaf veins while also echoing digital barcodes.
The work suggests that, as we allow real, tangible nature to gradually fade away, every like, share, and copy‑paste on social media nurtures an ever‑expanding virtual jungle that spirals out of control.
By inviting visitors to step into this man-made landscape, the installation prompts reflection on the increasingly blurred symbiosis between humans and nature—where both are quietly disappearing at once.
Contemporary Transformations of Traditional Craft
The exhibition also features works by artist Leona FUNG. Her brand ByLeona’s premium porcelain series blends the auspicious symbolism of traditional Chinese floral motifs with contemporary geometric aesthetics.
Leona moves beyond ceramics as mere tableware, selectively blended in Motifx ambassadors’ pattern with ByLeona’s original designs, extending intricate patterns onto functional objects such as floor lamps, mirrors, and candle holders. Guided by the principle that “every pattern carries meaning, and every meaning is auspicious,” she seamlessly integrates cultural symbols into modern living spaces, showing how traditional craftsmanship and contemporary design can speak to each other.
This April, step into the symbolic world hidden within Chinese characters and immerse yourself in the myriad forms of this fantastical natural realm.
Curator: Michael LEUNG
Born in Hong Kong, Michael LEUNG earned his Master’s degree from Design Academy Eindhoven in the Netherlands, where he later founded Studio AA (previously MIRO). His practice spans graphic, product, and spatial design, often exploring the intersections of craftsmanship and industry, local culture, and sustainability. Recipient of the Hong Kong Young Design Talent Award and Perspective 40 Under 40, his work has been showcased at Milan Design Week, Dutch Design Week, and other major international exhibitions. In recent years, he has collaborated with institutions such as the Vitra Design Museum (Germany) and the V&A (UK), extending his creative vision into exhibition curation.
Participating Designers
Chulan KWAK
Chulan KWAK is a Seoul‑based designer whose work spans sculpture, furniture, and spatial design. Trained in craft and conceptual design (BFA, Hongik University; MA, Design Academy Eindhoven), he focuses on transforming the energy and rhythm of calligraphy into three‑dimensional form, allowing shapes to extend as if freely brushed through space.
His practice centres on the distinction between the static line and the dynamic stroke, using layered plywood and MDF to construct fluid, volumetric gestures that replace carving with assembly. Through his ongoing Cursive Structure series, KWAK turns calligraphic strokes into chairs, benches, and sculptures that capture movement, balance, and the constant transformation of nature and form.
Cynthia MAK
Cynthia MAK is an emerging Hong Kong artist and designer whose work is known for its distinctive compositional language and geometric arrangements, forming a unique abstract style. Her paintings combine colour, form, and aesthetic judgment with emotional expression, drawing viewers into a cheerful and uplifting atmosphere.
Initially drawn to art as a way to express herself beyond words, Cynthia re‑engaged with painting during the 2021 pandemic, embracing the creative control it offered and embarking on a new professional path. Her work has been shown at institutions such as the Hong Kong Museum of Art, Ginza Six in Tokyo, and Abu Dhabi Art, and she has collaborated with renowned brands including Hermès, Louis Vuitton, Isetan Shinjuku, and Hong Kong Landmark on projects that bring joy to audiences and promote a healthy lifestyle.
Exhibition Details
The 2nd MOTIFX – Embracing the Beauty of Chinese Culture
@ Home InStyle & Fashion InStyle 2026
Date: 27–30 April 2026
Time:
9:30 a.m. – 6:30 p.m. (Monday to Wednesday)
9:30 a.m. – 5:00 p.m. (Thursday)
Venue: Booth 3CON‑001, Hall 3E South Concourse area,
Hong Kong Convention and Exhibition Centre
“Cultural Fusion in Lifestyle Design: The Surreal Aesthetics of MOTIFX” Artist Panel Discussion
Date: 30 April 2026 (Thursday)
Time: 11:00 a.m. – 12:00 p.m.
Venue: THE RUNWAY, Halls 3FG, Hong Kong Convention and Exhibition Centre
Moderator: Ms. Edith Cheung
Speaker: Mr. Michael Leung, Ms. Leona Fung, Mr. Moon Hung
Hashtag: #MOTIFX
The issuer is solely responsible for the content of this announcement.
About Vocational Training Council (VTC)
Established in 1982, the Vocational Training Council (VTC) is the largest vocational and professional education and training provider in Hong Kong. The mission of VTC is to provide a valued choice to school leavers and working people to acquire the values, knowledge and skills for lifelong learning and enhanced employability, and also to provide support to industries for their manpower development. VTC has 14 member institutions, namely the Technological and Higher Education Institute of Hong Kong (THEi), the Institute of Professional Education And Knowledge (PEAK), the School for Higher and Professional Education (SHAPE), the Hong Kong Institute of Vocational Education (IVE), the Hong Kong Design Institute (HKDI), the Hong Kong Institute of Information Technology (HKIIT), the Hotel and Tourism Institute (HTI), the Chinese Culinary Institute (CCI), the International Culinary Institute (ICI), the Maritime Services Training Institute (MSTI), Youth College, Pro-Act by VTC, the Integrated Vocational Development Centre (IVDC) and the Shine Skills Centre.
Website: https://www.vtc.edu.hk/home/en/
About Hong Kong Design Institute (HKDI)
Hong Kong Design Institute (HKDI) is a member of VTC Group. HKDI was established in 2007 with the mission to be a leading provider of design education and lifelong learning, including architecture, interior and product design, communication design, digital media, and fashion and image design. With a view to providing professional designers for the creative industries, it promotes the “think and do” approach and encourages interdisciplinary synergy in its broad range of design programmes that cultivates students’ cultural sensitivities and sense of sustainability. HKDI maintains a strong network with industry and provides its students with essential practical experience. Overseas exchanges are actively arranged for students to broaden their international perspective.
Website: 
http://www.hkdi.edu.hk
About Cultural and Creative Industries Development Agency (CCIDA)
The Cultural and Creative Industries Development Agency (CCIDA), formerly known as Create Hong Kong (CreateHK) since 2009, was established in June 2024. CCIDA is a dedicated office under the Culture, Sports and Tourism Bureau of the Government of the Hong Kong Special Administrative Region (HKSAR Government) to provide one-stop services and support to the cultural and creative sectorswith a mission to foster a conducive environment in Hong Kong to facilitate development of the arts, culture and creative sectors as industries. CCIDA’s strategic foci are nurturing talent and facilitating start-ups, exploring markets, promoting cross-sectoral and multi-disciplinary collaboration, promoting industrialisation of the arts, culture and creative sectors under the industry-oriented principle, and fostering a creative atmosphere in the community, thereby reinforcing Hong Kong as Asia’s creative capital and our positioning as the East-meets-West centre for international cultural exchange.
Website: https://www.ccidahk.gov.hk/en/index.html
Disclaimer: The Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) are those of the project organisers only and do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Culture, Sports and Tourism Bureau, the Cultural and Creative Industries Development Agency, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee.
Media OutReach
RAM hosts Hong Kong investor briefing as New Zealand’s Active Investor Plus Visa attracts growing global interest
The event comes amid renewed momentum for New Zealand’s Active Investor Plus (AIP) Visa, following changes introduced in April 2025 to simplify the program and attract more international capital into the New Zealand economy. As of 5 May 2026, Immigration New Zealand had received 688 applications under the new settings, representing a potential total minimum investment of $4.015 billion.
The growing demand reflects a broader shift in global wealth movement, as high-net-worth individuals increasingly seek jurisdictions that offer political stability, transparent governance, quality of life and long-term optionality for their families and capital. For many investors, New Zealand’s appeal lies not only in residency access, but also in the opportunity to participate in investments that support business growth, innovation and economic resilience.
Mr Scott Wehl, Founder of RAM Group and Director of RAM New Zealand, said the Hong Kong briefing provided an important forum for partners and investors to better understand the investment and migration opportunities available through the AIP programme.
“New Zealand continues to attract strong interest from global investors seeking stability, transparency and long-term opportunity,” said Mr Wehl.
“Our Hong Kong briefing was designed to help partners and investors better understand the opportunities that the AIP program offers, and how RAM’s income-focused strategies can support both investor objectives and the broader New Zealand economy.”
Supporting New Zealand’s real economy through private credit
A key focus of the briefing was the role private credit can play in supporting New Zealand’s real economy. Private credit can help broaden the country’s business funding ecosystem by providing an additional source of secured, non-bank capital for businesses seeking funding for growth, working capital, expansion or other productive business needs.
The RAM New Zealand Credit Fund is an approved managed fund under the AIP Growth category and may also be included as part of a Balanced category investment portfolio. The Fund is designed to provide investors with consistent income and capital stability through exposure to secured, asset-backed credit investments in New Zealand.
Through this strategy, RAM seeks to direct offshore investor capital into productive domestic investment while maintaining a disciplined focus on risk management, downside protection and portfolio diversification.
“The RAM New Zealand Credit Fund provides an AIP-aligned investment pathway focused on secured, asset-backed New Zealand credit,” said Mr Wehl.
“For investors, the Fund is designed to deliver regular income and capital stability, with liquidity aligned to AIP investment timeframes. For New Zealand, the strategy can support the real economy by directing offshore investor capital into domestic private credit and helping provide secured lending to New Zealand businesses.”
RAM’s credit approach is centred on disciplined credit selection and robust portfolio construction. The firm’s New Zealand credit capability is supported by a highly experienced team with more than 200 years of combined credit market experience, guided by leading credit experts and senior leaders with deep knowledge of New Zealand’s financial markets.
“Our approach is grounded in strong governance, prudent credit assessment and a clear focus on capital preservation, which is particularly important for investors seeking stable, income-focused outcomes across market cycles,” said Mr Wehl.
In addition to the RAM New Zealand Credit Fund, RAM also offers the RAM New Zealand Bond Fund, which may be included as part of a Balanced category investment portfolio. The Fund invests in a portfolio of floating-rate, investment-grade bonds issued by established banks and New Zealand entities, and is designed to prioritise capital stability while generating regular income.
With a long-term commitment to New Zealand, RAM will continue to leverage its international presence, investment capability and experience in income-focused strategies to support global investors and contribute to the continued development and diversification of New Zealand’s capital markets.
Hashtag: #RAM
The issuer is solely responsible for the content of this announcement.
About Real Asset Management
Real Asset Management (RAM) is an alternative asset manager, providing investment solutions in Credit, Real Estate, and Private Equity markets, for institutions and wealthy families globally. RAM was founded in 2010 and has a pan-Asia presence of 7 offices in Auckland, Sydney, Melbourne, Brisbane, Shanghai, Hong Kong and Manila.
RAM provides more than 25 investment strategies and has a team of over 230 finance professionals managing over NZ$9.8bn in assets. RAM is registered as a financial services provider in New Zealand (FSP1011247). We also provide a global set of investment solutions through our group companies licensed by the Australian Securities and Investments Commission (AFSL 484263), and the Securities & Futures Commission of Hong Kong (CE BGL803).
For more information about RAM New Zealand, please visit 
https://ramgroup.co.nz/
Media OutReach
Amplexd Therapeutics Initiates Phase 2 Clinical Trial of Investigational EGCg-Based HPV Therapy
High-risk HPV is the primary driver of cervical cancer, which remains a significant public health burden, particularly across the Asia-Pacific region. High-risk HPV prevalence amongst Chinese women is estimated at 12.8%[1] with China representing 23% of cervical cancer cases globally[2].
The randomized, placebo-controlled Phase 2 study is being conducted at The Chinese University of Hong Kong in collaboration with Prince of Wales Hospital, with recruitment currently underway. The study will evaluate the safety and efficacy of Amplexd’s investigational therapy in women diagnosed with ASC-US and low-grade squamous intraepithelial lesions (LSIL) alongside confirmed hr-HPV infection. Clinical data are expected in Q1 2027.
Amplexd’s investigational therapy is a proprietary, shelf-stable vaginal suppository formulation containing epigallocatechin gallate (EGCg), a bioactive compound derived from green tea, designed for localized self-administration at the site of disease.
“Currently, there is a significant unmet medical need for localized, non-surgical therapies specifically indicated for low-grade lesions associated with high-risk HPV. The standard of care is largely limited to increased surveillance and ‘watchful waiting,’ which can impose both psychosocial and financial burdens on patients,” said Alia Rahman, Chief Executive Officer of Amplexd. “Moreover, in many resource-constrained settings including large swaths of Asia-Pacific, access to surgical intervention and specialized follow-up care is limited. Previously published, peer-reviewed clinical and preclinical studies have explored the use of EGCg-based topical formulations in the treatment of HPV and cervical lesions. Building on this body of research, we developed a shelf-stable formulation designed for self-administration and early therapeutic intervention.”
The Phase 2 trial will evaluate endpoints including lesion regression, viral clearance, and overall safety profile, with the goal of generating data on the potential for early therapeutic intervention in hr-HPV-associated disease.
Additional information about the study can be found at www.drugoffice.gov.hk under trial identifier eCTS-2026-021 and at www.clinicaltrials.gov under trial identifier NCT07572396.
Important Information
This clinical trial has been authorized by the Hong Kong Department of Health. Participation will be subject to eligibility criteria and informed consent. This investigational therapy has not been approved by the U.S. Food and Drug Administration, and its safety and efficacy have not been established.
This press release contains forward-looking statements regarding clinical development plans and potential benefits of the investigational therapy. These statements involve risks and uncertainties that could cause actual results to differ materially. Amplexd Therapeutics, Inc. undertakes no obligation to update these statements except as required by law.
Cervical Cancer Incidence and Mortality Trends in China: The Role of Screening,
Cancer Letters, Volume 642 (2026) 218286, ISSN 0304-3835. https://doi.org/10.1016/j.canlet.2026.218286.
Hashtag: #AmplexdTherapeutics #hrHPV #HPVtherapy #HPV #cervicaldysplasia #LSIL #ASCUS #Phase2clinicaltrial #womenshealth #EGCg #cervicalcancer #investigationaltherapy #clinicaltrial
The issuer is solely responsible for the content of this announcement.
About Amplexd Therapeutics, Inc.
Amplexd Therapeutics, Inc. is a biotechnology company pioneering science-driven therapies for women’s health and related diseases with high unmet need. Its pipeline leverages novel mechanisms and accessible delivery modalities to expand treatment options for patients.
Media OutReach
The 2026 VinFuture Prize Receives More Than 1,800 Nominations as Its Global Nomination Network Expands Fourteenfold After Six Years
At the close of the nomination period for the 2026 season, the VinFuture Prize, a global science and technology prize recorded 1,819 nominations from around the world, supported by a network of more than 17,000 nominators spanning 117 countries and territories.
HANOI, VIETNAM – Media OutReach Newswire – 18 May 2026 – After six seasons, the VinFuture Prize has not only expanded its influence in the international scientific community, but has also affirmed its position as a prestigious global prize dedicated to identifying and honoring breakthroughs with profound significance for the future of humanity.
A Global Network Bringing Together More Than 17,000 Outstanding Minds
This year’s VinFuture nominations span a wide range of critical fields, including medicine and healthcare (38.4%), environmental and earth sciences (17%), energy, transportation, and construction (15%), food and agriculture (10.6%), as well as other scientific and technological disciplines (19%).
At the same time, the official nominator network of the VinFuture Prize has continued to expand substantially, reaching 17,154 nominators from 117 countries and territories across all five continents. This represents an increase of approximately 16% compared with the 2025 season and a more than fourteenfold expansion compared with the inaugural season in 2021. Moreover, the number of countries and territories represented within the nominator network has nearly doubled over the past six years.
Notably, 1,415 nominators for the 2026 VinFuture Prize are ranked among the world’s top 2% most-cited researchers. Nearly 8,000 experts are affiliated with leading universities, research institutes, and scientific organizations worldwide, including Australian Academy of Science, Massachusetts Institute of Technology (United States), Stanford University (United States), Harvard University (United States), University of California, Berkeley (United States), University of Oxford (United Kingdom), National University of Singapore (Singapore), Nanyang Technological University (Singapore), and Weizmann Institute of Science (Israel), among others.
Participating on a voluntary basis, these nominators play a vital role in identifying and recommending outstanding scientific innovations capable of generating meaningful and lasting improvements to the lives of billions of people worldwide. They also contribute significantly to extending the global reach of the VinFuture Prize within the international scientific community and promoting cross-border academic connections. Several distinguished nominators have traveled to Vietnam during the 2024 and 2025 VinFuture Sci-Tech Weeks to connect and exchange knowledge directly with the Vietnamese scientific community.
“The continued growth in both the number of nominations and our network of more than 17,000 nominators reflects the increasing confidence that leading scientists and prestigious institutions around the world place in VinFuture Prize and its mission to identify and honor scientific and technological innovations with meaningful impact on humanity. This momentum also reinforces our commitment to upholding rigorous and transparent evaluation standards, while advancing a long-term vision of connecting global intellect in pursuit of a better future for all,” said Dr. Thai-Ha Le, Managing Director of the VinFuture Foundation.
Following the conclusion of the nomination period, the Pre-Screening Committee will begin the process of evaluating and selecting the most outstanding scientific works for consideration by the VinFuture Prize Council in the final judging round, which is expected to continue through early September 2026. All nominations will undergo a rigorous multi-layer evaluation process based on stringent international standards to ensure the highest levels of scientific integrity, fairness, and transparency.
The core evaluation criteria include the degree of scientific and technological advancement, the potential for meaningful impact on human life, as well as the scale and long-term sustainability of the proposed innovations.
Vietnam’s Growing Imprint on the Global Innovation Map
After six seasons, the VinFuture Prize has firmly established its reputation and standing within the global science and technology landscape. Several VinFuture Laureates have subsequently been honored by some of the world’s most prestigious scientific awards, including the Nobel Prize, the Queen Elizabeth Prize for Engineering, and the Breakthrough Prize, demonstrating VinFuture’s ability to recognize, at an early stage, innovations with foundational significance for the future of humanity.
Notable examples include Prof. Omar Yaghi (2021 VinFuture Special Prize; 2025 Nobel Prize in Chemistry); Dr. Katalin Karikó and Prof. Drew Weissman (2021 VinFuture Grand Prize; 2023 Nobel Prize in Physiology or Medicine); Drs. Demis Hassabis and John Jumper (2022 VinFuture Special Prize; 2024 Nobel Prize in Chemistry); Prof. Geoffrey Hinton (2024 VinFuture Grand Prize; 2024 Nobel Prize in Physics); as well as Prof. Yoshua Bengio, Prof. Yann LeCun, Prof. Geoffrey Hinton, Mr. Jensen Huang, and Prof. Fei-Fei Li (2024 VinFuture Grand Prize; 2025 Queen Elizabeth Prize for Engineering). Additional examples include Prof. Daniel Drucker, Prof. Joel Habener, Prof. Jens Juul Holst, and Assoc. Prof. Svetlana Mojsov (2023 VinFuture Special Prize), who later received the 2025 Breakthrough Prize.
Beyond recognizing transformative scientific achievements, VinFuture has become a point of convergence for knowledge, collaboration, and the aspiration to serve humanity. Over the course of six seasons, VinFuture has contributed to shaping a more open, connected, and inspiring scientific ecosystem, while positioning Vietnam as an increasingly important destination on the global innovation map.
Hashtag: #VinFuture
The issuer is solely responsible for the content of this announcement.
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