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8Wonder: Moments of Wonder: Where Music Pens the Spirit of a Flourishing Vietnam, and the Will to Soar

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HANOI, VIETNAM – Media OutReach Newswire 25 August 2025 On the evening of August 23, the National Exhibition Fair Center (Hanoi) was transformed into a pulsating heart of sound and light. More than 50,000 people were swept away by the “8Wonder: Moments of Wonder 2025” music festival, a spectacular event organized by the Vingroup as part of the official celebrations for the 80th anniversary of Vietnam’s National Day.

An Unforgettable Night of Unity and Emotion

“8Wonder demonstrates Vingroup’s serious investment in making Vietnam a cultural destination for the region,” said Dinh Tuan Dat, a performing arts expert who has followed the festival since its inception in 2023. “I particularly loved the duet between Tlinh and J Balvin. It’s a truly memorable moment, a Vietnamese artist collaborating with an international star on stage. It feels like the first step for Vietnam’s entertainment industry onto the global stage.”

From the moment the lights flashed on and the first deep bass notes reverberated through the air, the vast venue became an “emotional universe.” Multi-layered LED screens and laser beams cut across the night sky, creating a breathtaking visual spectacle. The music was a full-body experience, with every bass drop felt as much as heard. S(TRONG) Trong Hieu kicked off the night with his powerful vocals on the song Kho bau (Treasure), opening the floodgates of emotion.

The night was peppered with performances that resonated deeply with the national celebratory mood. A highlight was Hoa Minzy’s rendition of Bac Bling, where she was joined on stage by over 200 schoolchildren dressed in the red and gold of the Vietnamese flag. The crowd chanted her name, a testament to the powerful connection the Bac Ninh native forged with the audience.

The energy soared when singer Soobin appeared in a stylized ao dai, a traditional Vietnamese tunic. He began with his song Nguoi Viet (The Vietnamese), standing amidst a sea of light from thousands of cell phones. “Are you proud to be Vietnamese?” he asked the crowd. The resounding, thunderous cheer was a declaration, a moment when music transcended the stage to become a collective proclamation of national identity.

According to performing arts expert Dinh Tuan Dat, Vingroup’s organizers masterfully wove a subtle message into Soobin’s performance. “The notes from the dan bau [a traditional Vietnamese monochord] he played on the 8Wonder stage brought the audience back to their roots,” Dat observed. “Then the modern piano and beat brought them back to the present, a powerful metaphor for Vietnamese culture reaching the global stage.”

The atmosphere shifted dramatically when DPR IAN took the stage, his hypnotic voice and captivating presence electrifying the crowd. During hits like Don’t Go Insane and Limbo, the energy peaked when he stepped into the crowd, accepted a conical hat (non la), and wore it while playing his bass guitar.

The climax arrived with the explosive collaboration between Tlinh and J Balvin. The stage was a kaleidoscope of color, a “Latin carnival,” as Tlinh’s energetic rap blended seamlessly with the Latin music icon’s vibrant beats. The audience danced, cheered, and waved Vietnamese flags. It was a fiery performance, but for industry watchers, it was a historic moment: a Vietnamese artist standing shoulder-to-shoulder with a global superstar, not as a background act but as an equal. In that instant, the dream of “Made in Vietnam – Heard Worldwide” no longer seemed distant, but a tangible reality on the 8Wonder stage.

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A Strategic Vision for Vietnam’s Cultural Future

Looking back at the entire event, it’s clear that 8Wonder was not just a concert but a strategic cultural statement. Every detail, from the choice of artists and musical concepts to the international collaborations, reflected a long-term vision: to bring Vietnamese culture to the world using the universal language of music and art.

When Hoa Minzy performed Bac Bling with schoolchildren in the national colors, and when Tlinh and J Balvin waved the Vietnamese flag, they transformed traditional elements into modern art that resonated with both young audiences and the international community.

“Each performance at 8Wonder was a cultural slice,” said Dinh Tuan Dat. “It both honored national values and paved the way for international integration.”

As an event celebrating the 80th National Day, 8Wonder had an even deeper significance. The stage at the National Exhibition Fair Center became a space where Vietnamese and international artists could collaborate, sing, and create together.

Dr. Bui Quoc Viet, a former member of the Independent Advisory Council of the Vietnam Tourism Association, noted that “8Wonder created a two-way street, bringing the world to Vietnam and Vietnam to the world.” He added that the festival solidified “Vietnam’s position as a leading destination for festivals and entertainment in the region.”

Dr. Viet concluded that for Vingroup, 8Wonder was more than just a demonstration of its ability to organize a major international event. It was about the company’s commitment to supporting the nation’s development, choosing to contribute to cultural growth. By creating an international stage for Vietnamese artists, the company helped build cultural value, foster a sense of national pride, and fuel the ambition for Vietnam to reach beyond its borders.

The festival ended with a brilliant fireworks display, a joyous crescendo to the National Day celebration. Beyond the lights and the music, 8Wonder: Moments of Wonder 2025 became a new symbol, a symbol of pride, of integration, and, above all, of a strong, ambitious Vietnam moving forward with the world.

Hashtag: #8Wonder #MomentsofWonder2025

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XTransfer Joins Forum Ekonomi Malaysia 2026

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Signals Plan to Make Malaysia Regional Compliance Hub

KUALA LUMPUR, MALAYSIA – Media OutReach Newswire – 11 February 2026 – XTransfer, the world’s leading B2B cross-border financial platform, was honoured to be invited to join the Malaysia Economic Forum (Forum Ekonomi Malaysia 2026). Bill Deng, Founder and CEO of XTransfer, shared insights on how Malaysia can accelerate technology application and innovation to help micro, small and medium enterprises (MSMEs) scale exports under the 13th Malaysia Plan (13MP), during FEM 2026’s panel discussion, “Made by Malaysia: Accelerating Technology Applications & Innovation”.

Bill Deng (second from the right), Founder and CEO of XTransfer, joins as a speaker at Forum Ekonomi Malaysia 2026.

Bill was honoured to join YB Tuan Liew Chin Tong, Deputy Minister of Finance of Malaysia, and Mr Ooi Ching Liang, Senior Director of Engineering at SkyeChip, for a discussion focused on strengthening high-growth, high-value industries, advancing R&D commercialisation, increasing productivity and competitiveness, and supporting MSMEs in global value chains.

Drawing on XTransfer’s work with MSMEs across markets, Bill noted that many Malaysian businesses are “able to export,” but face persistent barriers to scaling exports. The most common issues are trust, compliance, and scale, which often surface as payment delays, repeated documentation requests, FX uncertainty, and working capital pressure as orders grow.

“For B2B SMEs in foreign trade, the biggest constraint isn’t demand. It’s the operational complexity behind cross-border payments, foreign exchange, and compliance,” Bill said. “In particular, AML requirements can be difficult for both traditional banks and SMEs to manage efficiently, creating friction that slows down legitimate trade.”

Bill highlighted a structural shift in global trade flows from a single dominant corridor to non-U.S., intra-Asia, and broader South–South routes. This trend is increasingly clear in real SME transaction patterns. Bill shared, “In 2025, XTransfer’s average collection amount from Asia, Africa, and Latin America grew by 106% year-on-year, with Africa exceeding 270%, Latin America reaching 94%, and ASEAN reaching 82%.” YB Liew noted the trend and thinks it is a direction Malaysia should pursue.

XTransfer also said it plans to establish Malaysia as its regional compliance centre, citing Malaysia’s strong geographic and time-zone advantages, a mature regulatory environment, availability of talent in compliance and risk operations, and cost efficiency. “Malaysia gives us the talent, governance environment, and regional proximity to scale compliance as intra-Asia and emerging-market trade accelerates,” Bill added.
Hashtag: #XTransfer #Malaysia #SMEs #13MP #FEM2026




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CGTN: Little Chinese New Year opens big window to China’s soul

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BEIJING, CHINA – Media OutReach Newswire – 11 February 2026 – As China marks Xiaonian, or Little Chinese New Year, there is growing evidence of its ancient traditions evolving into global lifestyle trends. CGTN published an article analyzing how this prelude to the Year of the Horse – from the folk ritual of “sweeping the dust” to the cross-cultural fusion of the Spring Festival Gala – illustrates China’s growing global cultural resonance.

As the lunar calendar turns its final pages, China enters a period of joyful anticipation known as Xiaonian, or Little Chinese New Year. Often celebrated as the Festival of the Kitchen God, it marks the official start of the “busy year” – a traditional term for the intense, joyful period of preparing food, cleaning homes, and shopping for the upcoming Spring Festival.

The Spring Festival is a deeply significant time for family reunion. In 2024, UNESCO inscribed the “Spring Festival, social practices of the Chinese people in celebration of the traditional Chinese New Year” onto the Representative List of the Intangible Cultural Heritage of Humanity.

While daily routines continue to evolve, they remain anchored in rituals that provide a sense of normalcy and meaning. It is perhaps no wonder that in a climate of uncertainty, traditional Chinese lifestyles are finding a new audience beyond the country’s borders, with the Spring Festival chief among those unique traditions that are fast becoming a shared human experience.

Diverse traditions, shared aspirations

In a prelude to the broader celebrations, Xiaonian, observed on February 10 and 11 this year, kickstarts a focused period of preparation. According to ancient lore, families offer Zaotang, or sticky “Kitchen Candy,” to the Kitchen God to ensure he delivers a favorable report on the household’s conduct before he ascends to the heavens. This lighthearted tradition marks the beginning of several symbolic rituals aimed at welcoming a fresh start.

A key element of this transition is donning new clothes. In Chinese culture, the New Year represents a moment when “all things are renewed,” and wearing new garments symbolizes shedding the “dust” or misfortunes of the past to embrace auspicious energy for the year ahead. Alongside this personal renewal, families nationwide engage in “sweeping the dust,” a deep-cleaning ritual to purify the home and prepare it for new blessings.

Whereas these practices are universal, celebratory flavors vary by geography. In the north, families traditionally gather over steaming plates of dumplings, whereas in the south, the menu often features sweet rice cakes (Niangao) and glutinous rice balls (Tangyuan).

As Mao Qiaohui, a researcher at the Institute of Ethnic Literature at the Chinese Academy of Social Sciences, explains, these variations highlight the inclusive nature of Chinese civilization.

“Although folk customs differ between different regions across China, this diversity reflects the cultural pluralism within the Spring Festival tradition,” she notes. “Different regional identities contribute to a shared pursuit of harmony and reunion.”

The vitality of these traditions is also evident in local craftsmanship. In northern regions like Shandong and Henan, artisans are currently making Huamo, decorated steamed buns, featuring horse designs for the upcoming zodiac year. Meanwhile, in Shuozhou, Shanxi Province, intangible heritage inheritors are carving spirited stallions onto traditional gourds. These creations reflect the regional diversity of the festival and a collective desire for progress in the year ahead.

Cultural dialogue: From global stage to daily life

The festive atmosphere is reflected further in preparations for the Spring Festival Gala (Chunwan), produced by China Media Group.

Recent rehearsals show performances meshing traditional Chinese culture with international artistry. One performance piece combines the wooden clog dance of the Hani and Lisu ethnic groups with the rhythmic tap of Spanish Flamenco and Hungarian folk dance. And with global stars like Jackie Chan and Lionel Richie on the bill, the Gala’s stage is set to become a stage for the world to come together.

The reach of the gala has expanded far beyond a domestic audience. Through the “Spring Festival Gala Prelude” events held in the United States, Russia, France, Italy, and several African nations, the program has become a gateway to Chinese New Year customs and cultural exchange.

This interest extends beyond art and into the lives of people worldwide, as seen in the #BecomingChinese trend. This phenomenon features international social media users adopting elements of Chinese daily life – such as keeping a thermos of hot water handy, wearing quilted indoor slippers or practicing mindful movement with Baduanjin exercises.

The festival is no longer a distant event but a gateway to Chinese lifestyle, rooted in ancient wellness wisdom and constantly updated by modern convenience, and the first step to a journey of exploration into a culture that values ritual, safety and hospitality.

Whether through global broadcasts or shared daily habits, the Spring Festival increasingly strengthens a sense of cultural empathy between China and the rest of the world.

For more information, please click here:

https://news.cgtn.com/news/2026-02-10/Little-New-Year-opens-big-window-to-China-s-soul-1KEhJjMX2fe/p.html

Hashtag: #CGTN

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De Beers Group and Assouline Celebrate the Launch of “A Diamond Is Forever: The Making of A Cultural Icon 1926-2026”

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LONDON, UK – Media OutReach Newswire – 11 February 2026 – In the 1930s, De Beers redefined the role of diamonds in society, celebrating them as masterpieces of nature and craftmanship. Before this, diamond jewelry pieces were treasures exchanged discreetly amongst society’s elite, as luxury houses, fearful of diminishing their mystique, fostered only private relationships with their clients. De Beers revealed the wonder of diamonds to a wider audience, shifting the perception of them from luxury item to a gift integral to romantic milestones and aspirational, glamorous lives, as well as a way of marking personal achievement.

De Beers Group And Assouline Celebate The Launch Of “A Diamond Is Forever: The Making Of A Cultural Icon 1926-2026”

When copywriter Frances Gerety captured the diamond’s essence with the phrase “A Diamond Is Forever” in 1947, the declaration enshrined the diamond as a promise of love and endurance, a sentiment resonating far beyond the notion of a simple gift. Gerety’s words, seen on archival advertisements, magazine placements, and celebrity endorsements, reflected the deep cultural connection between diamonds and enduring relationships. Commissioned artwork from artists such as Pablo Picasso, Salvador Dalí, and Raoul Dufy draw a direct line between a diamond’s rarity—each one formed deep within the earth over billions of years—and the creative genius of fine art. By sharing these artistic visions with the world, De Beers revealed the wonder of diamonds—nature’s oldest treasure—to a wider audience, elevating their aura and allure while preserving the sense of rarity and significance that sets them apart.

For a century, the story of diamonds has been one of transformation and continuity. In the 1960s, stars like Elizabeth Taylor and Marilyn Monroe adorned themselves with diamonds, embodying the elegance and glamour associated with the gemstone. The 1990s “Shadows” campaign, with its evocative pairing of diamonds and the neoclassical composition Palladio by Karl Jenkins, captured the essence of the diamond: authentic, unique, and everlasting.

In recent years, the conversation around diamonds has expanded to include provenance, sustainability, and ethical stewardship, affirming the diamond’s place as a symbol not just of love but of responsibility and conscience. Much like walking through a gallery that traces the evolution of artistic expression, A Diamond Is Forever offers a view into how diamonds have come to embody the shifting ideals and aspirations of society itself.

Hashtag: #DeBeersGroup #NaturalDiamonds #diamonds #ADiamondIsForever #Assouline




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About De Beers Group

Established in 1888, De Beers Group is the world’s leading diamond company with expertise in the exploration, mining, marketing and retailing of diamonds. Together with its joint venture partners, De Beers Group employs more than 20,000 people across the diamond pipeline and is the world’s largest diamond producer by value, with diamond mining operations in Botswana, Canada, Namibia and South Africa. Innovation sits at the heart of De Beers Group’s strategy as it develops a portfolio of offers that span the diamond value chain, including its jewellery houses, De Beers Jewellers and Forevermark, and other pioneering solutions such as diamond sourcing and traceability initiatives Tracr and GemFair. De Beers Group also provides leading services and technology to the diamond industry in the form of education and laboratory services via De Beers Institute of Diamonds and a wide range of diamond sorting, detection and classification technology systems via De Beers Group Ignite. De Beers Group is committed to ‘,’ a holistic and integrated approach for creating a better future – where safety, human rights and ethical integrity continue to be paramount; where communities thrive and the environment is protected; and where there are equal opportunities for all. De Beers Group is a member of the Anglo American plc group. For further information, visit .

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