Media OutReach
AFTEC’s Epic Three Kingdoms Trilogy Concludes with Taming the Dragon in 2025/26 School Season
Enrolment opens for new school programmes introducing creative learning through live theatre, arts workshops, and digital innovation.
HONG KONG SAR – Media OutReach Newswire – 2 September 2025 – AFTEC (The Absolutely Fabulous Theatre Connection) today announced the launch of its 2025/26 school programmes, opening enrolment for a dynamic line-up of arts education experiences. Headlining the season is Taming the Dragon, the highly anticipated final instalment of the From Page to Stage® Three Kingdoms Trilogy. The season also features the bilingual Young Theatre Makers programme, comprehensive Creative Teaching & Learning professional development for educators, and the versatile free digital learning platform, digiAFTEC®.
The 2025/26 programme suite encompasses four distinct offerings designed to foster creativity, critical thinking, and cultural appreciation among primary and secondary school students. From the flagship From Page to Stage® theatre production to cutting-edge digital learning platform, these programmes address the evolving needs of 21st-century education while aligning with the Education Bureau’s learning goals.
From Page to Stage®: Taming the Dragon
The season’s flagship production, Taming the Dragon, will premiere in March 2026 at AFTEC’s venue partner, the Sai Wan Ho Civic Centre Theatre. Adapted and directed by AFTEC’s Artistic Director, Dr Vicki Ooi, this English-language production with bilingual surtitles brings the legendary saga to a thrilling conclusion. The story picks up with Liu Bei on his deathbed, the fate of the Shu-Han kingdom resting on Zhuge Liang’s final, decisive campaign against his lifelong rival, Sima Yi. This production culminates the exploration of loyalty, brotherhood, and resilience that has defined the trilogy.
Directed by Dr Vicki Ooi, this gripping adaptation explores themes of loyalty, bonding, and leadership through the legendary strategic duel between two of history’s greatest military minds. The production features professional actors, live music, and bilingual surtitles, making classical Chinese literature accessible to contemporary and international audiences.
Reflecting on the trilogy, Dr Vicki Ooi stated, “Bringing the full arc of this epic to the stage has been a remarkable journey. With Taming the Dragon, we are not just concluding a story; we are reaffirming the power of classic literature to speak to new generations. These tales of strategy, loyalty, and human determination are timeless. Our goal with From Page to Stage® has always been to ignite a passion for the arts and literature by creating theatre that is both intellectually stimulating and emotionally resonant for students.”
Since its inception in 2009, From Page to Stage® has engaged over 130,000 secondary school students and teachers, establishing itself as one of Hong Kong’s longest-running English-language theatre-in-education programmes. The 2025/26 season offers comprehensive learning experiences including pre-show materials, interactive workshops, and post-show activities designed to deepen students’ understanding of literature and performing arts.
Transforming Classrooms into Creative Studios
Beyond the main stage production, AFTEC’s 2025/26 season continues to offer a comprehensive suite of programmes designed to embed creativity in schools:
- Young Theatre Makers: This bilingual drama programme empowers secondary students to explore contemporary and coming of age themes like identity, social media, and family through a curated collection of 14 original plays from local and international playwrights. The programme fosters critical thinking and self-expression through in-school training and a final showcase and discussion.
- Creative Teaching & Learning CPD: Continuing its commitment to educators, AFTEC offers a series of professional development workshops. These interactive sessions provide teachers with practical strategies and tools to integrate creative, arts-based, and object-based learning into their classrooms.
- digiAFTEC®: This free, 24/7 online educational resource supports self-directed learning for P4 to S3 students. It includes interactive modules such as Serendip to cultivate creative thinking, Walking the Amazon to explore physical theatre and resilience, and A Young Person’s Guide to the Theatre to demystify the world of stage production.
“Our 2025/26 season embodies our belief in a holistic approach that connects arts with education,” said Ms Lynn Yau, Chief Executive Officer, AFTEC. “By combining the excitement of a cultural bridge like Taming the Dragon with a discussion and thinking platform like Young Theatre Makers, all-round teachers’ training and accessible digital resources on digiAFTEC®, we provide multiple pathways to engage with the arts. Our goal is to foster the 5C competencies — Creativity, Critical Thinking, Communication, Collaboration, and Contribution — through the arts, equipping a new generation with the skills essential for the future.”
Full programme details are available in the appendix.
| Programme | Target Audience | Key Features & Offerings | Costs |
| From Page to Stage® 2026: Taming the Dragon | S1 – S6 Students |
|
HK$120 per teacher & student |
| Young Theatre Makers | S1 – S6 Students |
|
HK$36,000 per group
(Max. 30 students & 4 teachers) |
| Creative Teaching & Learning CPD | Primary & Secondary School Teachers |
|
Bespoke arrangements |
| digiAFTEC® | P4 – S3 Students |
|
Free |
Hashtag: #AFTEC
The issuer is solely responsible for the content of this announcement.
About AFTEC
Advancing creative learning and arts education in Hong Kong
Creativity allows us to recognise potential within ourselves and the world around us. It promotes problem-solving, nurtures relationships, cultivates resilience, and can transform lives in countless ways. At AFTEC, we work with students, educators, and creative practitioners to plant the seeds of creativity in our community.
As a proudly homegrown Hong Kong organisation, we nurture the city’s greatest natural resource — its people. Through co-designed, collaborative, and inclusive bilingual education programmes, we create supportive environments where young minds are free to explore, express, and flourish. We spark imagination, build confidence, and foster a sense of growth and belonging together.
Media OutReach
Hong Kong Company Formations Surge 40.5% in 2025, Outpacing Regional Competitors
Air Corporate data reveals 9 in 10 founders incorporated in Hong Kong do so remotely, driven by a 20% surge in Middle Eastern entrepreneurs seeking cost-effective operational alternatives to Dubai.
HONG KONG SAR – Media OutReach Newswire – 15 May 2026 – Air Corporate registered a 40.5% increase in Hong Kong incorporations in 2025, with the first quarter of 2026 already up 48% year-over-year. This data indicates that Hong Kong is reasserting itself as the leading Asian jurisdiction for company formation, fueled by a new wave of remote founders from the Middle East, North Africa, and Europe.
The prevailing narrative over the past five years suggested that Singapore was eclipsing Hong Kong; however, recent incorporation volumes challenge this. According to city-wide official figures cited by Vivian, Founder of Air Corporate, approximately 195,000 companies were registered in Hong Kong in 2025, compared to around 77,000 in Singapore.
“There was a lot of fuss about Singapore taking over Hong Kong as preferred jurisdiction over the last few years, but for 2025 alone, around 195,000 companies were formed in HK, vs around 77,000 for Singapore,” said Vivian. While city-wide registrations rose roughly 35% in 2025, incorporations at Air Corporate specifically grew by 40.5%. Vivian added, “With a 35% increase in the number of companies registered in 2025, Hong Kong is definitely back in the game as the top jurisdiction to start a company.”
The reality of Hong Kong company formation is increasingly global, lean, and founder-led. Nine in ten founders incorporated in Hong Kong with Air Corporate do not live there.
Key demographic and operational insights from Air Corporate’s client base include:
- Approximately 90% of founders operate remotely from abroad, while 10% or less are based in Hong Kong.
- Entrepreneurs aged 35 to 44 represent the largest age cohort at 38%, demonstrating that Hong Kong attracts founders in their prime career years rather than just younger digital nomads.
- Serial entrepreneurs make up 60% of Air Corporate’s client mix, utilizing Hong Kong as an operational base for multiple companies, while first-time founders account for the remaining 40%.
- A total of 89% of new companies are launched by solo founders (58%) or small teams of two to five individuals (31%).
- Mainland China, Hong Kong, Turkey, India, the UAE, Australia, France, and Morocco rank among the top source markets for these founders.
Furthermore, 73% of new Hong Kong incorporations are directly tied to physical goods trade with China. This consists of e-commerce and dropshipping businesses (38%) and the trading of goods (35%). The recovery of in-person trade flows, including events, such as the Canton Fair and various industrial fairs, is pulling foreign founders back into the Greater China orbit and establishing Hong Kong as the natural entry point and financial layer over the world’s largest manufacturing base.
Air Corporate’s data recorded a 20% year-over-year growth in founders originating from the Middle East. This shift highlights a reverse migration where founders previously incorporated in Dubai are now choosing Hong Kong. Based on Vivian’s observations, founders often arrive in Dubai expecting fast incorporation and low costs, but discover that incorporation and maintenance are significantly more expensive than in Hong Kong, and banking remains difficult. Consequently, many founders move to Hong Kong after 12 to 24 months in the UAE, a trend accelerated by the Hong Kong government’s strategic outreach to the region.
For lean, remote-first businesses, speed-to-market is a critical factor. A founder located anywhere in the world can incorporate in Hong Kong and open a working bank account in approximately 7 days using digital banking partners. Currently, 90% of Air Corporate’s clients utilize these digital banking partners.
“Hong Kong and Singapore are the only places in Asia where you can set up your company, get a corporate account, and be in business in less than a week,” concluded Vivian.
Air Corporate is a service provider facilitating company formation and incorporation in Hong Kong for serial entrepreneurs, first-time founders, and remote-first business owners operating globally.
Media Inquiries
To learn more about Hong Kong company formation, visit Air Corporate’s website or contact their team directly.
Hashtag: #AirCorporate
The issuer is solely responsible for the content of this announcement.
Media OutReach
Natural Diamonds Sparkle on The Red Carpet at The 2026 Met Gala Celebrating “Costume Art”
Today’s biggest stars express individuality and confidence with natural diamonds
NEW YORK, US – Media OutReach Newswire – 15 May 2026 – The 2026 Met Gala celebrating “Costume Art” took place May 4th at the Metropolitan Museum of Art in New York City, bringing together leading figures from across the globe for an unforgettable evening. These tastemakers showcased the most classic, refined and distinctive diamond jewelry looks of the season. Below, A Diamond is Forever highlights the standout trends from the event.
Desert diamonds
Desert diamonds emerged as a striking throughline on the Met Gala carpet, with a range of hues in distinctive settings taking focus.
Rihanna led the trend in a pair of exceptionally rare old Moghul Golconda fancy brown-yellow diamond earrings by Glenn Spiro, featuring two pear-shaped natural diamonds totaling 51.9 carats. Doja Cat offset her all nude look with a pair of large Leviev Diamonds floral-shaped earrings while Paloma Elsesser made a statement in a 29.5-carat diamond necklace by Bernard James, centered around a 15-carat fancy light yellow pear-shaped natural diamond. Cara Delevingne wore a De Beers London Forces of Nature High Jewelry ring, featuring marquise yellow diamonds set as eyes, while Emma Chamberlain opted for yellow and white diamond earrings by Chopard, underscoring the continued allure of warm diamond hues.
Magnificent Diamond Earrings
A wide variety of captivating silhouettes defined the natural diamond earrings on the Met Gala carpet. Zoë Kravitz delivered a modern twist with oversized diamond flower earrings by Jessica McCormack. Chase Sui Wonders opted for Jean Schlumberger by Tiffany & Co. Sea Fan earrings, bringing an element of sculptural artistry to the look. Gracie Abrams selected gently dangling Chanel earrings, adding understated fluidity, while Connor Storrie selected simple hoop earrings from Tiffany & Co., reinforcing the clean and enduring appeal of natural diamonds.
Standout Diamond Moments
Natural diamonds appeared in personal, unconventional and eye-catching ways, offering moments of surprise and awe. Power couple Beyoncé and Jay-Z embodied this trend with Beyoncé wearing Chopard’s Queen of Kalahari necklace, named after the rare 342-carat diamond that provided 23 stones for Chopard’s Garden of Kalahari collection. Jay-Z contributed to the narrative with a vintage diamond brooch by Briony Raymond worn at the collar as an unexpected placement that underscored the piece’s versatility. Isha Ambani made the styling of diamonds an art form in itself, wearing her own diamond jewelry featuring approximately 150 carats of old mine-cut diamonds, including a three-strand necklace and chandelier earrings, while also incorporating diamonds sewn directly into the bodice of her sari to represent significant moments in her life.
Together, these looks highlighted a shift toward natural diamonds as vessels of personal expression, styled with intention, individuality, and a sense of the unexpected.
Hashtag: #MetGala #RedCarpet #ADiamondisForever #NaturalDiamonds #Diamonds
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Media OutReach
Turn Your Savings into a Front-Row Experience: HL Bank Singapore Offers Exclusive Passes to AsiaTop Music Festival 2026
The premier music festival will play host to 16 K-pop, regional and Malaysian stars including, in performance order: Day 1 – NexT1DE, Aina Abdul, Belle Sisoski, Win Metawin, NMIXX, WINNER, DAESUNG, KUN. Day 2 – Uriah See, Firdhaus, Butterbear, 82MAJOR, STAYC, CRAVITY, TWS, CxM
SINGAPORE – Media OutReach Newswire – 14 May 2026 – Your next major K-pop experience is just a savings goal away as HL Bank Singapore (“HLB Singapore”) bridges the gap between financial wellness and the front row. In an exclusive collaboration designed for the ultimate music enthusiast, the bank is offering fans the chance to secure a pair of sought-after AsiaTop Music Festival 2026 tickets, valued at up to RM1,098 (approx. S$355), simply by growing their wealth.
This unique initiative stems from the regional synergy between Hong Leong Bank (“HLB”) and Tencent Music Entertainment Group (JOOX and QQ Music). By aligning with Visit Malaysia Year and Visit Selangor Year 2026, HLB is transforming the traditional banking experience into a gateway for premium entertainment. Scheduled for 30 and 31 May 2026 at the iconic Sepang International Circuit, the festival promises a high-octane weekend featuring an elite lineup of Asian superstars, including the largest K-pop showcase in the ASEAN region.
Securing a spot at the heart of the action has been streamlined through the iSavings Reward Campaign, running from 9 May 2026 to 18 May 2026. To participate, fans first decide on their preferred festival experience, selecting either a pair of Standard Passes with a S$5,000 deposit or the high-energy, nearer-to-the-stars Rockzone Passes with a S$8,282 deposit for their chosen day.
Once a tier is selected, customers can register by depositing the qualifying funds into an iSavings account via FAST or Links transfer. To validate their entry, customers must include the specific Comment Code, such as PALLIR1 for Day 1 Rockzone, within the funds transfer description. The qualifying balance must be maintained within the account for a six-month (182 days) earmarked period.
With only 88 pairs of tickets available for this exclusive campaign, the stakes are high. Allocation is limited to 22 pairs per day for each ticket category and will be awarded strictly on a first-come, first-served basis. Fans are encouraged to act quickly to ensure their savings work as hard as they do while securing a premier seat at the musical event of the year.
For full terms & conditions, and further details, please visit: www.hlbank.com.sg/AsiaTop2026
Hashtag: #HLBankSingapore
The issuer is solely responsible for the content of this announcement.
HL Bank Singapore
HL Bank Singapore is the Singapore branch of Hong Leong Bank Berhad, a leading digital-centric Malaysia-based financial services institution with a rooted heritage in the country spanning over 120 years. Operating under a Full Bank Licence in Singapore, HL Bank offers a comprehensive range of financial services to our business, retail and high networth customers through our 4 core business segments – Business & Corporate Banking, Personal Financial Services, Private Wealth Management and Global Markets.
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