By Dipo Olowookere
A total of 105 Nigerians between the ages of 18 to 31 have been shortlisted for The Future Awards Africa (TFAA), which enters its 12th edition this year.
Slated for Saturday, December 9, 2017, the prestigious ceremony with the theme ‘Nigeria’s New Tribe,’ is aimed to celebrate and accelerate innovation among young Nigerians.
TFAA acknowledges inspiring young people making a difference through social enterprise, social good, and creativity.
The Central Working Committee of the Awards selected five exceptional individuals for each of the 21 categories in contention this year in a broadcast aired on Channels TV, ONTV, Spice TV and Hip TV.
Selected from diverse backgrounds and affiliations, the nominees are set apart by their exceptional talent, commitment to hardwork and uncommon drive to impact the society and rewrite the African narrative.
“Emerging from an economic recession, Nigeria is currently at a defining moment. Through the actions and motivations of these nominees, we believe that our country is positioned for a better future – a Nigeria that will not be limited by tribe or religion but united by its immense possibilities,” said Bukunyi Olateru-Olagbegi, Chairman, Central Working Committee, TFAA.
Below are the nominees:
CATEGORY 1: FUTURE AWARDS AFRICA PRIZE FOR ACTING
Samuel Ajibola (30)
Sambasa Nzeribe (29)
Bidemi Kosoko (29)
Akah Nnani (29)
Ini Idima Okojie (27)
CATEGORY 2: THE FUTURE AWARDS AFRICA PRIZE FOR FASHION AND DESIGN
Joseph O. Ike and Ola Akindehinde (JZO Fashion) (31/26)
Bisola ‘Ladybiba’ Adeniyi (25)
Paolo Sisiano (29)
Muktar Onifade (26)
Olivia & Sylvia ‘Gozel Green’ Enekwe (31)
CATEGORY 3: THE FUTURE AWARDS AFRICA PRIZE FOR BEAUTY
Grace Chinonso Okoli (24)
Jennifer Uloko (27)
Adetola Anita ‘Brows’ Adetoye (28)
Vanessa Onwughalu (27)
CATEGORY 4: THE FUTURE AWARDS AFRICA PRIZE FOR MUSIC
Adekunle ‘Gold’ Kosoko (30)
David ‘Davido’ Adeleke (25)
Anidugbe ’Kiss Daniel’ Daniel (23)
Austin Miles ‘Teckno’ Kelechi (24)
Simisola ‘Simi’ Ogunleye (29)
CATEGORY 5: THE FUTURE AWARDS AFRICA PRIZE FOR PROFESSIONAL SERVICE
Mohammed Sani Sani Madugu (22)
Ibijoke faborode (27)
O’tega Ogra (30)
Fiyin Williams (29)
Olamide Bada (29)
CATEGORY 6: THE FUTURE AWARDS AFRICA PRIZE FOR BUSINESS
Osemwengie Victor Odion (30)
Nnamdi Stan – Ekeh (24)
Toyin Onigbanjo (29)
Bisola Borha (31)
Ubi Franklin (31)
CATEGORY 7: THE FUTURE AWARDS AFRICA PRIZE IN SPORTS
Asisat Oshoala (23)
Anthony Joshua (28)
Akhator Evelyn (22)
Alexandra Chuka Iwobi (21)
Victor Moses (26)
CATEGORY 8: THE FUTURE AWARDS AFRICA PRIZE FOR EDUCATION; ENDOWED BY THE UNIVERSITY OF SUSSEX
Mukhtar Dan-mallam (29)
Samson Abioye (late)/ Oluyemi Oluwaseun Imole / Akanji Abayomi Gideon (26/29/23)
Olaseni Cole (30)
Wole Adedoyin (31)
Claudine Adeyemi (28)
CATEGORY 9: THE FUTURE AWARDS AFRICA PRIZE FOR TECHNOLOGY
Chris Kwekowe (24)
Tobi Ayeni (27)
Adebolu Ibukun (27)
Damilola Jegede (32)
Henry Obinugwu (28)
CATEGORY 10: THE FUTURE AWARDS AFRICA PRIZE FOR NEW MEDIA
Richard ‘Nasty Boy’ Akuson (23)
Femi ‘Kraks’ Bakre (24)
Ademola ‘Expoze’ Adetona (29)
Delphine Okobah (29)
Dolapo ‘LowlaDee’ Adeleke (27)
CATEGORY 11: THE FUTURE AWARDS AFRICA PRIZE FOR MEDIA ENTERPRISE
Timilehin Bello (25)
Oluwagbeminiyi Osidipe (31)
Tiwalola ‘TJ Dotts’ Olanubi (28)
Ijeoma Ndekwu (28)
Rick Nwanso (27)
CATEGORY 12: THE FUTURE AWARDS AFRICA PRIZE IN PUBLIC SERVICE
Adetola Onayemi (26)
Olufemi Olukayode ‘F. Shaw’ Adeyemi (32)
Joseph Ike (31)
Titilola Vivour-Adeniyi (30)
Dada Olabisi Mary (29)
CATEGORY 13: THE FUTURE AWARDS AFRICA PRIZE FOR ART & CULTURE
Nadine Ibrahim (23)
Tunde Alara (27)
Ayobami Adebayo (29)
Fola David (24)
Modupeola Fadugba (32)
CATEGORY 14: THE FUTURE AWARDS AFRICA PRIZE FOR COMEDY
Otolorin Kehinde ‘Kenny Blaq’ Peter (25)
Victor Ebiye (24)
Olu ‘SLKomedy’ Salako (27)
Gloria ‘Maraji’ Oloruntobi (20)
Ereme ‘Twyse’ Abraham (26)
CATEGORY 15: THE FUTURE AWARDS AFRICA PRIZE FOR ADVOCACY
Imrana Alhaji Buba (24)
Victor Ugo (27)
Ayodeji Osowobi (27)
Mary Yakubu (23)
Hauwa Ojeifo (25)
CATEGORY 16: THE FUTURE AWARDS AFRICA PRIZE FOR AGRICULTURE
Adetola Adeleke (31)
Sipasi Olalekan (30)
Nasir Yammama (27)
Kafilat Adedeji (29)
Okorode Christian (25)
CATEGORY 17: THE EDWIN GEORGE PRIZE FOR PHOTOGRAPHY
Kadara Enyeasi (23)
Tolani Alli (25)
Omoregie Osakpolor (27)
Yagazie Eguare (30)
Lakin Ogunbanwo (30)
CATEGORY 18: THE FUTURE AWARDS AFRICA PRIZE FOR JOURNALISM
Nelly Ating (28)
Ayodeji Rotinwa (27)
Eromo Egbejule (27)
Mayowa Tijani (29)
Oladeinde Olawoyin (29)
CATEGORY 19: THE FUTURE AWARDS AFRICA PRIZE FOR ON AIR PERSONALITY (VISUAL)
Harry Itie (29)
Nancy Isime (25)
Olive Emodi (28)
Adesewa Josh (32)
Idia Aisen (26)
CATEGORY 20: THE FUTURE AWARDS AFRICA PRIZE FOR ON AIR PERSONALITY (AUDIO)
Irabor Okosun (29)
Ayeni Adu (31)
Tisan Jeremiah Bako (31)
Rosemary Ajuka (27)
Toyin Eleniyan (31)
CATEGORY 21: THE FUTURE AWARDS AFRICA PRIZE FOR YOUNG PERSON OF THE YEAR
Mary ‘Remmy’ Njoku (32)
Iyin Aboyeji (26)
Ayodeji ‘Wizkid’ Balogun (27)
Silas Adekunle (25)
Amaka Osakwe (30)
SoundCloud Restructures Artistes’ Royalty Payments System
By Ahmed Rahma
An online audio distribution platform and music sharing website, SoundCloud, has declared on Tuesday that it will become the first streaming service to start directing subscribers’ fees only to the artists they listen to, a move welcomed by musicians campaigning for fairer pay.
Unlike other streaming services like Spotify, Deezer and Apple, which put royalty payments into one big pot and dish them out based on which artists have the most global plays, the company based in Germany is set to direct royalties due from each subscriber-only to the artists they stream from April 1.
Many artists and unions stated that the system used by other music apps is grossly unfair, giving a huge slice of the pie to mega-stars like Drake and Ariana Grande, and leaving almost nothing for musicians further down the pecking order which also means that many fans of more niche artists and genres fund music they never actually listen to.
“Many in the industry have wanted this for years. We are excited to be the ones to bring this to market to better support independent artists,” said Michael Weissman, SoundCloud’s chief executive officer, in a statement.
The company said the new payment system is known as “fan-powered royalties” or “user-centric model” and would empower listeners and encourage greater diversity in musical styles.
“Artists are now better equipped to grow their careers by forging deeper connections with their most dedicated fans,” the statement said.
“Fans can directly influence how their favourite artists are paid,” it added.
Major record labels are thought to have resisted such a move, in part because the current system allows them to generate massive profits through a relatively small number of huge stars.
A study by France’s Centre National de la Musique earlier this year found that 10 per cent of all revenues from Spotify and Deezer go to just 10 artists at the top.
That has allowed the major labels to amass record revenues over the past year, just as most musicians were thrown into crisis by the cancellation of live tours due to the pandemic.
Earlier this year, label bosses told a British parliamentary commission investigating the streaming economy that it may be too complicated for platforms to shift to fan-based royalty payments.
But SoundCloud said this was exactly wrong that its computing calculations took just 20 minutes under the new model, compared with 23 hours under the old one.
“The most important takeaway from SoundCloud’s data is that none of the previous modelling has been accurate, that when you actually run a user-centric system, the rewards to artists that have an audience are significantly improved,” said Crispin Hunt, chair of the British Ivors Academy, which has been running a campaign to “fix streaming”.
“It proves the distortion in value that the existing model delivers,” he said.
Spotify to Commence Operations in Nigeria, Others
A Swedish audio streaming and media services provider, Spotify, has announced its intention to commence business operations in Nigeria, some African countries and others in the coming days.
To ensure usability in all of these new markets, the company also officially added support for 36 new languages to its platform, including Romanian, Hindi and Swahili. This means the platform now supports more than 60 languages in total.
Spotify explained that it was expanding its services to many Africam nations because these areas represent more than one billion potential new listeners.
“As part of our ongoing commitment to building a truly borderless audio ecosystem— connecting creators, listeners, and content—Spotify is embarking on a sweeping expansion that will introduce the world’s most popular audio streaming subscription service available to more than a billion people in 80+ new markets around the world, and add 36 languages to our platform.
“These moves represent Spotify’s broadest market expansion to date,” the statement on the official website read.
According to Spotify, its full global music catalogue will be available in each of the new markets and the entire podcast catalogue will be available in the majority of them.
In each new market, “We will work with local creators and partners to expand our music offerings and deliver a Spotify experience that meets the unique needs of each market.”
Spotify offers digital copyright restricted recorded music and podcasts including more than 70 million songs, from record labels and media companies. As a freemium service, basic features are free with advertisements and limited control, while additional features, such as offline listening and commercial-free listening, are offered via paid subscriptions.
Users can search for music based on artist, album, or genre, and can create, edit, and share playlists on the platform.
Disney Offers Customers More Viewing Options
By Ahmed Rahma
Walt Disney is set to introduce a new brand, Star, which will feature more viewing options for adults and a higher price for everyone using the Disney+ service.
With the new programming, subscribers will be able to watch more shows from the world’s largest entertainment company, including the ABC drama Grey’s Anatomy, FX’s biker series Sons of Anarchy and Hulu’s Love, Victor, about a teen coming to terms with his sexual orientation.
There will also be R-rated movies, such as the Queen Anne biopic The Favourite and Marvel’s Deadpool 2, which moms and dads can wall off from kids by activating parental controls, Bloomberg reported.
According to the report, the price for Disney+ will increase to €8.99 ($10.87) a month from €6.99 due to the development.
The new Star brand is also being introduced in Canada, Australia and Singapore as a sixth “tile” on the Disney+ home screen, alongside Marvel, Pixar and other labels.
Disney+ has been a runaway success, garnering nearly 95 million subscribers globally.
The challenge now, as the Star launch underscores, is to grow beyond the current customer base of families with young children and adults who love Star Wars and Marvel.
In Europe, the problem is magnified because consumers in some countries don’t have a history of paying for TV. Local streaming rivals are also starting to emerge, including Sky’s Now TV in the U.K., Vivendi SA’s Canal+ Series in France and Nordic Entertainment Group AB’s Viaplay.
“A lot of consumers are looking for relatively low-cost entertainment,” said Richard Broughton, research director at London’s Ampere Analysis.
“Their incomes have been impacted by the pandemic. Now is the time to grab as many consumers as possible,” he added.
Netflix Inc. and Amazon.com Inc. are the leaders in European streaming, and they’ve been active there much longer.
Disney+, at 14 million subscribers, trails Netflix’s 63.5 million, Amazon’s 43.2 million and Apple TV’s 14.8 million, according to Ampere. Disney doesn’t break out its numbers in the region.
The Star launch illustrates Disney’s differing approach to different markets. In India, a Disney+ Hotstar product featuring programs for grown-ups and live sports is already available.
In June, Disney will introduce Star as a stand-alone service in Latin America, with live sports. It will be bundled with Disney+ at a discounted price of $9 a month.
Disney has also announced 10 original series in the works for Star in Europe, a move that appeases countries with local content requirements, as well as consumers eager to see programs that relate to them.
According to the principal analyst at Digital TV Research in London, Simon Murray, ultimately, a library of programs such as espionage series 24 and domestic drama Desperate Housewives may prove a lure for 20- and 30-something consumers who haven’t signed up for Disney+ already.
“There’s quite a war going on there,” but nobody is losing subscribers,” he said.
Fabulous Bump NG Unveils Pregnancy Affirmations Journal
By Modupe Gbadeyanka
A homegrown maternity fashion brand, Fabulous Bump NG, has released a new publication called the Pregnancy Affirmations Journal.
The Fabulous Bump NG was established in 2018 out of the need to see more pregnant women and nursing mums slay whilst their buns cook in the oven and even after delivery.
According to the founder of the brand, Ms Adetoun Jegede, the newest baby, Pregnancy Affirmations Journal, a 40-week power-packed journal, will assist readers with almost everything about pregnancy.
She said the book is armed with carefully curated words of encouragement and insight to help mums-to-be to stay encouraged and uplifted on their journey to childbirth, adding that an audio version filled with positive affirmations will also be available.
It was further disclosed that each chapter will have sections for ladies to fill in their pesky cravings, to their symptoms and weekly experiences.
In addition, mums-to-be will have a dedicated spot in the book to pour out their hearts in a love letter to their little one at the end of each trimester as well as share special milestones.
Mums can share the journals when their little ones have grown up and reminisce on what their pregnancy was like, a statement issued on Friday stated.
“I produced this journal with the sole aim of helping pregnant women create the world they want to have during their pregnancy as well as project what they want to see in their children.
“I strongly believe there is power in the tongue, life and death lie in it, so as they document their journeys they breathe life into the experience,” Ms Jegede noted.
She assured that readers, especially the moms-to-be, will feel support, encouragement, overwhelmed with love, boldness and strength to keep pushing through and a magical connection with their bundle of joy.
It was disclosed that the book goes N5,000 and can be purchased online through @fabulousbumpng with worldwide delivery. The audio version is expected to be available on all streaming platforms.
FG, CBN Sign MoU to Revamp National Theatre
By Modupe Gbadeyanka
A Memorandum of Understanding (MOU) for the Revamping and Restoration of the National Theatre in Iganmu, Lagos, has been signed.
The deal was signed on Sunday, February 14, 2021, between the federal government and the Central Bank of Nigeria (CBN)/Bankers Committee.
This followed the approval of the Federal Executive Committee (FEC) on Wednesday, February 10, 2021, for the transformation of the national asset built for the Festac 77.
Before the signing of the deal today in Lagos, on July 12, 2020, the federal government officially handed over the National Theatre to the CBN and Bankers Committee repairs.
It was gathered that MoU signing and award of contract for the project witnessed on Sunday by the Governor Babajide Sanwoolu of Lagos State; the Minister of Information and Culture, Mr Lai Mohammed; the Minister of Sports and Youths Development, Mr Sunday Dare and the Governor of CBN, Mr Godwin Emefiele.
Others present were the CEO of Access Bank, Mr Herbert Wigwe; the General Manager/CEO of National Theatre, Prof Sunday Ododo; the Director of Legal at the Ministry of Information and Culture, Mr Nnanna Ibom, amongst others.
The National Theatre, when completed, would be one of the best event centres in Africa. It will also have the Lagos Creative and Entertainment Centre (LC&EC), which will comprise four hubs: films, music, information technology and fashion.
Speaking at the signing ceremony today, the Minister of Information and Culture assured that there would not be a single job loss, rather, the project would create no fewer than 10,000 direct jobs.
In his remarks, the CBN Governor disclosed that the renovation of the National Theatre would take 15 months to complete, assuring that the edifice would be one Nigerians would be proud of.
Business Post reports that the construction of the National Theatre was started by the military regime of General Yakubu Gowon and completed during the military regime of Olusegun Obasanjo in 1976 ahead of the Festival of Arts and Culture (FESTAC) in 1977.
The facility a 5,000-seater main hall with a collapsible stage and two capacity cinema halls, all of which are equipped with facilities for simultaneous translation of 8 languages; among others. But for many years, the National Theatre was abandoned and left to rot away.
Nigerian Singer Lil Frosh Lands in Prison After Wrong Hit
By Ahmed Rahma
A former signee of Davido Music Worldwide (DMW), a record label owned by a popular singer, David Davido Adeleke, Sani Wasiu, professionally known as Lil Frosh, has been remanded at the Ikoyi Correctional Centre, Lagos.
Lil Frosh was catapulted to the prison on Tuesday by a Lagos State Magistrate Court in Yaba for doing a ‘wrong hit’.
He was accused of beating his former girlfriend, Ms Gift Camille, who is a video vixen, last year.
Reports of the alleged assault went viral in 2020 and this led to Davido terminating the deal his company had with Lil Frosh, who had a hit single in the name of his former boss.
A group known as the International Association Of Women Lawyers, Lagos State branch, took up the matter on behalf of Ms Camille and filed a suit against the upcoming rapper at the court.
At the hearing yesterday, the Magistrate, Adeola Olatunbosun, said the singer should be remanded in the prison and then adjourned the case till March 9, 2021.
Recall that the assault allegation was made by the manager and brother to Ms Camille known as Michael. He called Lil Frosh out on social media, accusing him of maltreating his sister.
This was later corroborated by the victim, who claimed that the singer hit her different times, damaged her phone, recorded her naked and threatened to release the videos if she spoke up.
Michael went on to share photos of Ms Camille’s badly bruised face after she was allegedly beaten to a pulp by the rapper.
Lil Frosh, whose contract lasted for a year, was signed to DMW in October 2019 and released a single titled Davido while at the record label.
He has several other singles as well as collaborations with other artistes like his close friend, Zinoleesky on Omo Ologo, his former label mate, Mayorkun on Kole Re Body, amongst others.
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