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6th AFRIMA Receives Highest Entries with 8157 Submissions

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By Adedapo Adesanya

The 6th edition of All Africa Music Awards (AFRIMA) in partnership with the African Union Commission, (AUC) has received its highest submissions yet with 8,157 songs/videos on its online portal as entry submission closed on Friday, August 2, 2019.

This year’s submission continues in the record-setting precedent of previous editions amassing the highest number of entries from African artistes, music producers, songwriters, Disc Jockeys (DJs), and video directors among others, since the inception of the biggest music event in Africa.

With 148 entries, the 2019 submissions exceeded the 2018 submissions and out of the 8,157 entries submitted this year as West Africa led the pack with 38 percent of the total entries followed by Southern Africa with 24 percent. Eastern Africa, Central Africa, and Northern Africa regions had 20 percent, 14 percent and 4 percent respectively.

The 13-man International Jury of AFRIMA arrived Lagos, Nigeria on Wednesday, August 7, 2019, for the week-long adjudication process ending on Tuesday, August 13.

They are charged with screening, categorising, assessing, grading and selecting into the 36 different Regional and Continental awarding categories nominees who will vie for the 23.9 carat gold-plated AFRIMA trophy.

In partnership with Eko Hotels & Suites, Victoria Island, Lagos, Nigeria, its hospitality partners, AFRIMA will provide a secure venue for the eminent international jury members who represent the five regions of Africa, the Diaspora (Europe and North America) and the African Union Commission.

The AFRIMA jury member occupying one of the slots for Eastern Africa is Tanzania’s Joett, a veteran vocal coach and artiste development manager whose songwriting skills earned him registered membership of the American Society of Composers, Authors and Publishers (ASCAP). On the other hand, is Tabu Osusa from Kenya. The veteran music professional has spent more than three decades in music production and promotion. He has chaired several musical projects within and outside Kenya.

Representing Central Africa from Democratic Republic of Congo, DRC, is Charles Tabu, a Music Executive, with wide experience in artiste management and promotion. Charles has worked with major record labels across the continent including Sony, Universal, and Warner. The second jury member for Central Africa is Bob Ekukole, a renowned Cameroonian media, and music professional with 29 years of experience in media and broadcasting. He is currently the Director, TV Programmes and Production, Cameroon Radio and Television, CRTV.

Northern Africa is represented by Omar Essaidi, a Moroccan music programmer and artistic director. He brings to bear his practical experience as judge/juror for several musical contests in Northern Africa.

Zimbabwean radio DJ and Lawyer, Delani Makhalima, takes up one of the two slots for Southern Africa. The entertainment & media executive has also honed his professional experience in songwriting and music composition in the region. Filling the other slot is South Africa’s music professional and concert promoter, Chris Syren who is the co-founder and director of Making Music Productions (MMP), a music production company that has played a vital role in music promotion in South Africa.

Western Africa representatives include Olisa Adibua, prolific broadcaster, music executive and talent manager from Nigeria and David Tayorault, a Côte d’Ivoire music legend, whose work in the music industry has influenced the jazz, blues, soul, zouk and Brazilian samba genre in Western Africa countries.

Representing the Diaspora-Europe is Rita Ray, a UK-based BBC Radio 3 presenter, International Music Curator and popular Club DeeJay. Her counterpart representing Diaspora-North America is Hadja Kobélé Keita, a music executive whose career spans experience in Artiste and Repertoire management and Public Relations with Universal Music Africa/Island Africa. The African Union Commission is represented by Angela Martins, the Head, of the Culture Division of the AUC. Mrs. Martins, who is a citizen of Mozambique, is a professional African Culture Analyst and an African music enthusiast.

Speaking on the 2019 entry submission and adjudication process: Mrs Angela Martins, said: “AFRIMA, the Pan-African initiative, and music platform is gaining greater momentum, continental visibility, and recognition. This can be verified by the increased number of entries received for its 6th Edition, to be held in November 2019.

In partnership with the African Union, the awards recognising and rewarding musical creativity and talents of Africans is scheduled to hold in November 2019 during a four-day fiesta of music, glamour, Afrocentricism, and entertainment in the official awards Host City.

The four-day AFRIMA event commences with the Welcome Soiree followed by the AFRIMA Music Village, the Host City Tour, the Africa Music Business Summit, the exclusive Nominees Party and concludes with the live awards ceremony.

Fans of African music globally can follow along and take part in the AFRIMA 2019 events on social media, live stream on the AFRIMA website, the AFRIMA App and by tuning to over 84 television stations which are AFRIMA partners.

Adedapo Adesanya is a journalist, polymath, and connoisseur of everything art. When he is not writing, he has his nose buried in one of the many books or articles he has bookmarked or simply listening to good music with a bottle of beer or wine. He supports the greatest club in the world, Manchester United F.C.

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AFRIMA, British High Commission to Promote Culture, Creative Exchange

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By Adedapo Adesanya

The All Africa Music Awards (AFRIMA) and the British High Commission in Nigeria have entered into a cultural partnership aimed at boosting creative exchange, strengthening cultural ties, and opening more international doors for African music as the 9th AFRIMA Awards is set to hold from January 7-11, 2026.

The collaboration, formalised through a newly signed Cultural Cooperation Agreement, also affirms that the British Deputy High Commission in Lagos will co-host the Welcome Soirée for the Nominees and Guests in Lagos, the official opening event of the 9th AFRIMA Awards Week.

The exclusive gathering will take place on January 7, 2026 and in attendance will be AU officials, AFRIMA delegates, jury members, international guests, nominees, creatives, and media professionals for an evening of networking and cultural connection.

Unarguably, Africa’s global music awards, the 9th AFRIMA, is organised by the International Executive Committee of AFRIMA in partnership with the African Union Commission and the Lagos State government as the Official Host City.

Speaking of the partnership, AFRIMA’s Chief Experience Officer (CXO), Mr Adenrele Niyi, described the collaboration as a strategic move to deepen cultural diplomacy through music.

“This partnership reflects AFRIMA’s mission to position African music as a global force,” she said. “Beyond the awards, we are committed to building spaces where creativity meets opportunity and where African talent can confidently engage the world. Working with the British High Commission expands our platform for industry innovation, collaboration, and meaningful cultural exchange.”

Mr Niyi added that this edition of AFRIMA will place strong emphasis on strengthening global creative-industry relationships.

“Partnerships like this show just how relevant African music has become on the world stage. We’re honoured to collaborate with such an important institution, and we believe the impact will go far beyond 2025.”

The agreement, signed by Mr Gill Lever OBE, Chargé d’Affaires, British High Commission Nigeria, aligns with the UK’s ongoing support for Nigeria’s creative industries through enhanced cultural exchange and innovation.

She said, “The UK is delighted to partner with AFRIMA to celebrate the extraordinary creativity and talent of Africa’s music industry. This collaboration reflects our commitment to strengthening cultural ties between the UK and Nigeria, and across the African continent. Our Jollof and Tea campaign has shown us the power of bringing people together through culture, and we’re excited to build on that spirit. We look forward to a week of celebration that showcases the very best of African music and opens new doors for creative exchange and collaboration.”

Across the five-day celebration, the 9th AFRIMA will deliver a lineup of key events including the Diamond Showcase (January 7–8), the Africa Music Business Summit (January 8), Host City Tour and CSR Visit, the Music Village Concert (January 9), the Nominees & Industry Party (January 10), and the Red Carpet and Grand Awards Night (January 11). The awards ceremony will be broadcast live to more than 84 countries, ensuring the excitement reaches audiences around the world.

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Creative Industry Unites as MultiChoice Nigeria Leads Walk Against Piracy

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The fight against content theft intensified on Thursday as MultiChoice Nigeria led stakeholders in a Walk Against Piracy from Ikeja City Mall, Lagos, drawing a powerful mix of Nollywood actors, filmmakers, directors, writers, media personalities, regulators, students, and members of the public.

The walk was part of a broader national advocacy campaign aimed at protecting Nigeria’s creative economy from the escalating damage of piracy. Participants marched through the Ikeja axis, distributing flyers, engaging passers-by, and educating the public on the dangers of piracy and its impact on livelihoods.

Veteran actor, Saidi Balogun, one of the leading voices at the walk, described piracy as “a silent killer draining the lifeblood of the creative industry.”

“People see the glamour but forget the sweat, months of work, and the hundreds of jobs behind a single film,” he said. “When you pirate a movie, you are killing someone’s dream, someone’s job, and the future of an entire industry. It must stop.”

Screenwriter and producer, Obi Emelonye, warned that piracy poses an existential threat to the next generation of creatives.

“Piracy is a menace eating deeply into the industry. If we do nothing, young creatives coming behind us will inherit an economy with no structure, no revenue, and no incentive to create,” he stated. “We cannot allow that future.”

The regulatory perspective came from Charles Amudipe, Deputy Director of Operations at the Nigerian Copyright Commission (NCC), who emphasised both the legal and personal risks tied to piracy.

“Piracy is a criminal offence under Nigerian law, punishable by fines and imprisonment,” he said. “Beyond the legal consequences, consumers who download illegal content expose their devices to malware, identity theft, and financial fraud. It is not worth the risk.”

During the outreach, members of the public raised questions about affordability and alternatives to pirated content. The team responded by highlighting accessible, cost-friendly, and legal platforms available to consumers, underscoring that entertainment can be enjoyed responsibly without breaking the law.

Caroline Oghuma, Executive Head, Corporate Affairs at MultiChoice Nigeria, explained that the walk was a continuation of MultiChoice’s long-standing commitments to consumer education. Last month, the company led a school sensitisation programme at Kuramo Senior College in Victoria Island, teaching students how piracy harms creators and how they can unknowingly participate in it.

“We want to catch them young, take this message into communities, and meet Nigerians where they are,” Oghuma said. “Today’s walk is a reminder that protecting intellectual property is everyone’s responsibility. What we are fighting for is the survival of Nigeria’s creative future.”

Other notable participants included members of the Intellectual Property Law Advocacy Network (IPLAN), lawyers, media executives, content creators, and fans of Nigerian entertainment.

MultiChoice Nigeria reaffirmed its commitment to working with regulators, industry bodies, and stakeholders to champion policies, education, and enforcement mechanisms that safeguard creative work and ensure creators receive fair reward for their labour.

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Veteran Nigerian Actor Lere Paimo Alive—ANTP

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By Modupe Gbadeyanka

The Association of Nigeria Theatre Arts Practitioners (ANTP) has debunked viral news reports that that the chairman of its board of trustees, Mr Olalere Osunpaimo, well known as Lere Paimo, was dead.

In a public notice from the national Public Relations Officer (PRO) of the organisation, Mr Adejonwo Oluwafemi Femson, it was disclosed that the veteran action is “alive and well.”

Members of the public were advised to disregard the death rumour.

“We would like to inform the public that reports circulating on Facebook about the passing of Chi​ef Olalere OsunPaimo (MFR) are FALSE.

“We have confirmed with Baba Eda Onile Ola’s wife that he is alive and in good health.

“Please disregard these false reports and be aware that they are being spread by unscrupulous individuals.

“Chief Olalere OsunPaimo (MFR), Chairman Board of Trustee Association of Nigeria Theatre Arts Practitioners (ANTP), is alive and well.

“We urge everyone to verify information before sharing to avoid spreading misinformation,” the notice disclosed.

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