Showbiz
Heritage Bank Partners IFCOD to Host One Language Dance Drama
By Dipo Olowookere
One of the financial institutions in Nigeria, Heritage Bank Plc, recently partnered with organizers of the International Festival of Contemporary Dance (IFCOD) to host the second edition of One Language, a musical production of intrigue, dance and drama.
The lender explained that the partnership was part of its commitment to the growth and socio-economic development of Nigeria’s creative industry.
The essence of the musical production is to unite humanity across the world and it was staged at the Balmoral Convention Centre, Federal Palace Hotel in Lagos over the weekend following its successful debut in Port Harcourt, the Rivers State capital in 2016.
Heritage Bank is supporting the creative industry because of its significant contribution to the Gross Domestic Product of the country. The National Bureau of Statistics (NBS) said recently that the industry contributed more than $16 billion to the newly rebased GDP of the country in 2016.
Mr Chibuike Agu, Head of Content and Digital, Heritage Bank said the bank partnered with the organisers of IFCOD because dance and drama connect with the heritage of the Nigerian people, remarking that dance is one of the diverse ways of reflecting the culture of a people and depicts culture in its entirety.
In her address of welcome, Mrs Elo Inyeinengi-Etomi, the Convener of IFOCD, said “IFCOD is you and I, it is our shared pain and joy. It is our struggle to be heard and seen. It is the realization of our dreams. It is the realization of kindred spirit. It is us speaking one language.”
She said IFOCD as a platform meant different things to different people, adding that “it is a means to empower youths, a medium to share our story, a haven for talent, a place for rehabilitation and social integration, a connection hub, an interdisciplinary melting pot and pure gift of life.”
Mrs Etomi said IFCOD came into being because of her aspiration for people to appreciate the performing arts not only as a form of entertainment but also as a tool of socio-economic development.
In a goodwill message, Mr George Etomi, said IFCOD has continued to raise the level of cultural awareness through dance and drama by presenting ‘One Language’ and ‘Dance of the Rivers’ in Lagos at a time when the ‘centre of excellence’ was celebrating its 50 years of existence.
He also noted at a time when the political space was heated up with various interpretations of ‘restructuring’ it was somewhat fortuitous that ‘One Language’ is a dance drama that sends a powerful message about people common origins and destiny as humans.
Mr Etomi said, in the One Language musical production, “if we searched deep, we are one people united by one language while ‘Dance of the Rivers’ tells the story of the origins of the modern Ijaw people who travelled along the River Niger from the Futa Jallon Mountain to their present abode in Rivers State.”
Also speaking, Mr Segun Adefila, director of the One Language Dance drama, said One Language is about the different people in the world speaking one language in triumph and tribulation, joy and sorrow, hunger, anger and laughter which have no ethno-sectarian leanings.
They all share the same basic human traits and define humanity even in the face the pervading cruelties that stare them in the face.
The director said, “One Language explores among other things, the human themes of love, loss, misery, and ultimate human victory in unity,” adding that dance, music, spoken words and multimedia projections are finely juxtaposed to give the viewer and listeners, a total theatre experience that will linger on in their minds.
The choreographer of the project, Mr Victor Erebifa PHULU, popularly called ‘Sir Vic,’ is a veteran dancer, dance teacher and a dance judge of high repute with more than 25 years’ experience in African and Nigerian dances.
Showbiz
How Far Would You Go For the People You Love? Stripped Answers This
Five episodes in, and Africa Magic’s limited series, Stripped, has quietly got people talking. Not because of the stripping, though yes, that is very much part of it, but because of what sits underneath all of it. The guilt. The shame. The quiet, suffocating pressure of being a man in Lagos who is supposed to have it all together but simply does not.
The premise sounds simple. Five friends, all broke, all stuck, all too proud to say it out loud, stumble into a stripping gig at an upscale club called Trabaye after its sharp and seductive owner, Yvonne (Constance Owoyemi) spots them at a birthday party and sees something worth paying for. What follows is anything but simple.
Kelechi “Kel” Okere (Daniel Etim Effiong) is the one carrying the most weight. A former marketing executive now driving Uber to keep his wife and children afloat, Kel is the kind of man who will smile through a crisis so nobody worries. His wife, Ada (Future Lolo Lamai), thinks he is still closing big deals. His children need school fees. The rent is overdue. And every night he comes home, the lie gets a little heavier.
Bolaji (Mofe Duncan), who is loud, charming and energetic, watches his cafe dream bleed out quietly. Suppliers want cash; customers want credit, and charm, it turns out, cannot patch a leaking roof.
Damina (Efa Iwara) is the cool bachelor whose carefully constructed life collapses the moment his pregnant ex walks back through the door. Mensah (Ian Wordi) is a Ghanaian-Nigerian architect and youth pastor caught in a relationship that is slowly erasing him. And Voke (Kunle Remi) is running out of time to free his imprisoned father, one clever scheme at a time.
Their first night at Trabaye is overwhelming. The music, lights, money, and the strange, intoxicating feeling of being wanted. They laugh in the car afterwards and call themselves “Strip Gawds.” For one night, the bills don’t exist. But nothing in Lagos stays clean for long.
Bolaji’s wandering eye pulls the group into dangerous territory. Voke’s schemes start bleeding into the club’s shadier edges. Kel finds himself dangerously close to a line he cannot cross, pulled back only by the sound of his wife’s voice on the phone. And Mensah quietly wonders how many layers of himself he can strip away before there is nothing left worth keeping.
The show’s most devastating moment comes in Episode 4, when Kel has a panic attack. There is no dramatic score, just a man cracking under the weight of everything he has been holding alone. Viewers have not stopped talking about it since. It is the kind of scene that does not just tell you about a character; it shows you something true about the world.
Etim Effiong, who also serves as executive producer, said it plainly. “Men need to catch a break. It’s a really tough world for men, and we deserve some credit.” Episode 5 offers a brief exhale before the walls begin closing in again. The money is good. But the shadows are getting closer.
Stripped is no longer just a show about five men taking their clothes off for money. It is about what men carry in silence, what friendship costs when survival is on the line, and whether the things you do to save your life can also be the things that cost you your soul.
If you have not started watching, you should start now. Catch up on all five episodes now on DStv Stream, and tune in for the final episode this Sunday at 8 PM on Africa Magic Showcase, DStv Channel 151, and GOtv Channel 8.
Showbiz
Nigerian Singer Niniola Loses Husband to Death
By Modupe Gbadeyanka
Popular Nigerian singer, Niniola Apata, professionally known as Niniola, has lost her husband to the cold hands of death.
Niniola confirmed the demise of her heartthrob, Mr Michael Ndika, in a series of posts, including God took my husband, and My husband died, among others.
However, the circumstances behind the death of Mr Ndika were not revealed by the Nigerian afro-house songster.
In the Instagram story on Wednesday morning, the 39-year-old Grammy-nominated entertainer indicated that she had been in a relationship with her late husband for over a decade.
The posts attracted reactions as she was consoled by her teeming fans, who expressed condolences to her for the loss.
Before his death, Mr Ndika was the chief executive of a multimedia platform focused on afro-house and contemporary African music known as NaijaReview.
Niniola is the older sibling of another famous entertainer, Teni.
Showbiz
MasterChef Nigeria: Food Meets Fashion
This week, the MasterChef Nigeria kitchen turned up the heat as the home cooks faced one of the competition’s most demanding tests yet, the very first team challenge. The team challenge was built around the two ingredients essential to every successful kitchen: leadership and teamwork.
For many, it was unfamiliar territory. Cooking under pressure is one thing, but trusting others, communicating effectively and working together against the ticking clock proved to be an entirely different challenge.
Adding an extra layer of excitement to the challenge, the home cooks were tasked with drawing inspiration from the vibrant and expressive world of Nigerian fashion. To help steer and judge this unique culinary showcase, the MasterChef Nigeria kitchen welcomed renowned fashion expert and founder of Zinkata, Ezinne Chinkata, as guest judge.
Bringing the energy and glamour of the runway into the kitchen, Ezinne introduced eight models fresh from Lagos Fashion Week, setting the stage for a challenge where fashion and food collided in spectacular style.
In a challenge where presentation was just as important as flavour, each team was tasked with creating four dishes inspired by the looks worn by the models. From bold prints and striking colours to intricate textures and silhouettes, every plate had to serve as an edible interpretation of Nigerian fashion, transforming runway style into culinary artistry.
Having secured victory in last week’s challenge, Fads entered the MasterChef Nigeria kitchen with a valuable advantage: the opportunity to select her first teammate. Without hesitation, she chose Demilade, setting the tone for what would become a closely coordinated Red Team.
Made up of Fads, Demilade, Loye and Favy, the Red Team approached the challenge with structure and intention. Under the leadership of Demilade, the team carefully mapped out their menu, ensuring that every dish aligned with the brief and that each home cook had a clearly defined role in bringing their culinary vision to life.
On the other side of the kitchen, the Blue Team — led by David embraced a more free-flowing and instinctive approach to marrying the worlds of fashion and food. However, with differing creative perspectives in the heat of competition, tensions soon surfaced, leading to an unexpected and spirited clash between Isabella and David as the pressure of the challenge mounted.
Despite their challenges, the Blue Team’s organic approach ultimately paid off. Their bold interpretation of the brief impressed the judges, earning them victory and proving that in the MasterChef kitchen, there is more than one recipe for success.
Next week, the members of the Red Team, Demilade, Fads, Loye and Favy enter the MasterChef Nigeria kitchen for the competition’s very first Pressure Test. Who will rise to the occasion and survive the heat — and whose MasterChef journey will come to an end?
Produced by Primedia Group, MasterChef Nigeria is supported by a strong coalition of leading Nigerian brands, including headline sponsor Power Oil, alongside Indomie, Dano Milk, Malta Guinness, Sonia Tomato, Kiara Rice, Golden Penny Flour, Golden Penny Sugar, Golden Penny Garri, Golden Penny Semolina, Golden Penny Chocolate Spread, and Golden Penny Wheat.
The show airs weekly on Sundays at 7 pm on Africa Magic Showcase and Africa Magic Family with rebroadcasts on Wednesdays at 6 pm on Africa Magic Showcase and Thursdays at 12 pm on Africa Magic Family.
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