Showbiz
How Yeni’s Greed Forced Me Out Of Felebration Project—Tunde Laface

The name Tunde Osinibosi might not ring a bell to some people, but Laface will surely do, especially for those conversant with the showbiz industry in Africa.
This Ogun State-born man has contributed immensely to the growth of the entertainment industry in Africa and that is why he is highly respected.
He was the bridge most artistes in Nigeria used to penetrate into the American music industry, which many believe is the world capital of the industry.
The likes of 2Baba, Sound Sultan and many others can never forget the role this easygoing man called Laface played in their careers.
In the Yoruba movie industry, nothing has matched the prestigious Yoruba Movie Academy Awards, YMAA, a platform that made most of the actors to be treated like kings and queens.
Despite these achievements, Laface, for those who know him too well, is a go-getter. He is not resting and now, he is planning a big show for the Hausa movie industry fondly called Kannywood.
Laface spoke with members of the press based in the north recently, when he sealed a deal to stage the Arewa Film Festival & Awards.
For the records and for those who don’t know you kindly introduce yourself
I was born Babatunde Oshinibosi, but popularly known by my brand name Laface. I am from a family of 5 and hails from Ijebu Ode in Ogun State. I attended St Bernadettes Private School, Abeokuta; the great Baptist Academy Lagos; and the Ogun State Polytechnic, Abeokuta, where what has become one of the biggest entertainment brands in Nigeria today started like a common dream.
At Ogun Poly, now known as Moshood Abiola Polytechnic, I became the Social Director of the school unopposed.
I initiated and created Royals Classy Club to rival the legendary Gentlemen’s Club and created a healthy club rivalry. I won several awards for my social exploits and ultimately won the Mr Polytechnic contest. My service year was in Ilorin Kwara State where the show continued with several landmark events as a young serving corper. I later travelled to the UK on another chapter of my growth process.
While in London, I delved straight into the showbiz world bringing back the popular Jeans Carnival Revolution, which went on for years and played a major role in revolutionizing the London club scene before heading back home to Nigeria, the motherland.
How did you get back in the entertainment scene in Nigeria
In the first instance, I came back home because I believed I could play a major role in the continued development of the Nigerian entertainment industry. It all started with the Nigeria Carnival project and the home coming of my friend and sister, Weird MC at the National Stadium, Surulere, Lagos.
What are your major achievements in the Nigerian entertainment industry so far
My brothers, I don know how much time we have but I will try to be as brief as possible. To the almighty God be the glory, I can proudly state the success story of Nigeria’s entertainment industry today cannot be written without the name Laface popping up several times. I was at the forefront of the music revolution in Nigeria with the major international artistes’ revolution after Senator Ben Bruce’s era with the coming of Soul II Soul and Carol Wheller on the Rothmans Mega Grove project. This project was very challenging as no international artist wanted to do business with Nigeria because of the then Abacha regime. I will honestly state that it took the grace of God and strategic planning to make this major turnaround gig happen. The Rothmans Mega Groove turned out to be a landmark event in the evolution of the today’s Nigerian music scene as it broke all records, including major weather challenges as it rained all day, all night and Nigerians; young and old from all works of life like never seen before, defied the odds, queued, bought tickets and partied all night in the pouring rain.
I could not explain what was going on; it only brought back memories of the Glastonbury festival in the UK. The Wyclef Jean concert series, a record breaking international five city back to back tour of Nigeria, other artistes tours in Nigeria and Africa included Joe, Shaggy, the late Lucky Dube, Bennie Man, Drake, Lil Wayne, R Kelly, Akon, Usher, 50cents, Chris Brown, Trey Songs etc.
I created Felabration, the celebration of the great Fela Anikulapo Kuti; the Yoruba Movie Academy Awards, the popular annual celebration of creativity in the Yoruba movie industry and the biggest indigenous awards in the world; the Yoruba New year countdown project and the creation of the Guinness world record breaking tallest traditional gong in the world; the Naija Pidgin Awards, a celebration of our unique pidgin lingo bond,; the Arewa International Film Festival and Awards, the premier and biggest indigenous film festival in Northern Nigeria; the Uniglobe annual Music Extravaganza in Esanland Edo State amongst many others.

What is the major challenge with international artiste tours
The major challenge revolves round the short time frame between the negotiations, travel and actual activation. The concerts are always back to back meaning Lagos today Abuja tomorrow, Port Harcourt the day after as such you are on the road from city to city at a stretch meaning you must have a great team in all the different locations. The margin for failure is so thin, guess you are working under tremendous pressure practically a working time bomb.
One major challenge is funding and sponsorship. For instance, if we had an advance ticketing culture concerts and events will be a major winner any day because we can then rely far less on sponsorship just as it is practiced abroad, but it is good to know that the advance ticket culture is gradually being developed in Nigeria today. Sponsorship is also a key factor as it helps with a large part of the expenses but I must state categorically here that our major brands are not proactive enough, major company’s are known to sponsor crazy ideas abroad but will not be willing to take the same risk in Nigeria.
Any bad experiences on any of your major tours
Truthfully, touch wood it has been great so far because of detailed planning, effective team work, tenacity professionalism above all the blessing of the Almighty. Sincerely, you will always come across some hiccups due to the Nigerian factor. There are so many things that can go horribly wrong with events in Nigeria. A good example was the 50 cents concert series that went pear shaped. The client, the agency, the artistes (international and Nigerian), the brand, the consumers etc were all affected. The job is not about whether or not you tried your best, you don’t get paid as a top professional for trying, you get paid for getting it right over and over again.
Which of your projects has been the most challenging so far
I will say they have all been challenging in different ways but the Wyclef Jean concert series stands out as it was a turning point for a whole lot of Nigerian artists and the growth of the entertainment industry in Nigeria today breaking all records; it was the very first and only time to-date that an international artist did 5 back to back shows in Nigeria. It was the very first time that Nigerian artists were accorded there dues and treated like real stars. I was very particular about the benefits to the overall development of the Nigerian artists.
Wyclef, in his true magnanimity, recorded a track and shot a video during the tour featuring 2Face, FaZe, Sound Sultan amongst others. This record breaking feat has not been surpassed till date. All the artists travelled with and mingled with clef all through the tour there was no segregation whatsoever because I was bent on proving a point. Also for the first time in Nigeria, an international artist left the Island to a club in Ikeja, believe me, Clef shut Ikeja down without any prior notice. After the last gig in Abuja, we planned to attend 10 after parties but guess what, disappointingly, we could not attend any. We were all exhausted after five back to back crazy energy sapping sold out gigs.
Clef went back stage and slept off totally exhausted. Believe me, the soul was willing, but the body was shattered. It was indeed an experience, the turning point for today’s music Industry and the future.
How many other tours have you done across Africa
Laface has become a major brand across Africa from Shaggy in Kenya, Wyclef in Uganda, Rwanda, Botswana, Ethiopia, 50 Cents, Drake, Lil Wayne, Snoop, Usher, Joe, Lucky Dube in Senegal, Burundi amongst so many others. I have also worked with a lot of Nigerian artists across Nigeria, Africa and the Diaspora.
How lucrative is the international artist business today
Yea, it is still very lucrative, but not in the Nigerian scene because some Nigerians in the name of money laundering got into the business and messed it all up. They drove the price ridiculously high with international artistes being paid well over and above their worth; i.e. an artist that is worth $30,000 in America being paid $200,000 to perform in Nigeria. My brother, this is definitely way over board.
How do you see the music Industry today
I am very happy to say that I have played a major role and contributed my quota to the overall development of today’s music Industry. It is great, I am happy with the influx of new trends as we have taken over Africa and set to conquer the world but the piracy virus is still a major issue. It is also great to know that artists are commanding good money right now. I am proud to say that I played a major role in that great revolution that is unfolding before our eyes today. It is also on record that the history of the music industry in Nigeria cannot be written without the name Laface popping up over and over again; that gives me great joy.
What actually caused the fallout on Felabration
My brother, (laughs), I must say I appreciate the fact that this question will never go away. It actually means that a lot of people are concerned about the truth, no matter the propaganda and lies peddled about. When a man goes over board to propagate the life of the legendary Fela Anikulapo Kuti as such turning a dream into reality, it calls for a standing ovation. The wahala was caused by simple greed on the path of Yeni in particular. A lawyer cousin of theirs wanted to get paid 350k for not doing anything and I personally kicked vehemently against it.
It is on record that I coined and created the name Felabration and I went round begging artistes, friends, media stations etc to support the project for free. It is also on record that for the first time, AIT promoted an event for six months and Yeni failed to honour their percentage of the agreement. This was to me not honourable. I believe your word should always be your bond, the most important fact is that the true history of Felabration cannot be written without the name of the original originator, Laface being mentioned again and again. Believe me, it is also on record that I begged and convinced Seun Kuti in his magnanimity to be a part of Felabration. The Felabration brouhaha also divided the Nigerian press for over six months for record purposes.
Did you register Felabration
Great question. How do you go ahead to singularly register a company that you are involved in with other people? There has to be a level of trust, guess I was wrong. Anyway, I be Fela disciple like many others all over the world, but I no be Fela pikin make we allow the abami eda rest in perfect peace o jare
What major projects have you undertaken in last couple of years
The focus in the last couple of years has shifted towards exploring other entertainment initiatives across Nigeria, Africa and the Diaspora. I delved into the Yoruba movie industry creating the Yoruba Movie Academy Awards project, transforming it into the most glamorous indigenous awards in the world. The event, in collaboration with the Development Agenda for Western Nigeria (DAWN Commission), has been held in Ogun, Oyo and Osun States in the last four years. Another major brand developed is the Naija Pigin Awards, a celebration of our unique lingo pigin English, while presently I am at the forefront of initiating the maiden edition of Arewa International Film Festival & Awards, a project targeting youth empowerment, job creation and culture and tourism development across the Northern region. The annual Uniglobe Music fiesta in Edo State has also been a major focus.
Why the Yoruba movie industry
Like a whole lot of people, you may not be aware that I am a first and foremost a Yoruba man with a Nigeria mindset, meaning I am a crossover Nigerian. After building so many brands, it became imperative to leave a legacy for the future. As a major entertainment brand and of the Yoruba race, I needed to contribute my own quota to the continued development of the Yoruba movie industry. We cannot all sit on the fence; I must state categorically that I made that call against all odds. I must emphatically express my disappointment with the level of support of the Governors in the Southwest towards the development of the Yoruba movie industry; they only seem to appreciate the industry during political campaigns when they are needed to pull the crowds in. Believe me, this idea must stop. I am happy that the oil madness is over, we must give kudos to visionary leaders like Donald Duke across party lines, he foresaw the future of oil and entertainment with the creation of the Calabar Carnival over 12 years ago.
Let’s all wait and see what the future holds for youth employment and job creation across Nigeria today aside from agriculture and the creative industry. Hopefully, they will now deem it fit to deal with the piracy virus once and for all.
You have been in Northern Nigeria for a while now, what are you up to
I have always looked at the development of the Kannywood industry in line with its profound similarities with the great Bollywood. I have travelled far and wide across the North and forged major synergies with major stakeholders in the Kannywood film industry and media organizations across Northern Nigeria to take the Kannywood to the next level with the introduction of the first ever film festival across Northern Nigeria. The Arewa International Film Festival & Awards is a celebration of film and creativity in the Arewa film industry with national and international collaborations with the Indian government. Bollywood, Nollywood and the Yoruba film industry with the ultimate aim of taking the industry to the next level along Kannywood guidelines.
What is your advice to industry new comers as a showbiz impresario
There is a great need for self believe, hard work, continued creativity, willingness to make sacrifices and a lot of luck above all be blessing of the almighty.
How’s your family
They are doing great considering I am on the road most of the time. I thank God I am blessed with a beautiful understanding wife and son, Wyclef Tamilore Oshinibosi, who was born around the time I did the Wyclef tour in Nigeria and as a child had a special bond with the great music icon Wyclef Jean and he has in the course of duty also met a whole lot of international and Nigerian stars.
Is your son Tamilore interested in the entertainment industry
It is entirely up to him to decide where his interest lies, but I will always be there to support him. At the moment, I take him on the road when he is on school break as my PA. He has notably organized his birthdays from the age of 7, guess he has my genes.
Are you fulfilled career wise
I thank the Almighty God for my life, my family, great health amongst others and the fact that I have made history and broken records in my chosen career over and over again the fact that the history of the entertainment industry in Nigeria cannot be written without the name Laface coming up again and again makes me fulfilled but as a creative showbiz person. It is not over until it’s over meaning the show must go on and on
Is it true that the that the success of the Wyclef concert caused the failure of the 50 Cents concert
My brother, yes most definitely, but guess what? that is a another story for another good day.
Showbiz
Davido’s World Cup 2026 Performance Reached 3.92 billion People Across 156 Countries
A newly released Media Intelligence Report by P+ Measurement Services reveals that Nigerian music icon Davido’s participation during the FIFA World Cup 2026 generated extraordinary levels of global media attention, audience engagement and positive sentiment, transforming a cultural performance into a worldwide conversation about unity, hope, justice and African influence.
The report analysed media coverage, public conversations and stakeholder engagement generated between June 10 and June 20, 2026, across print, online, broadcast and social media platforms worldwide. Beyond measuring visibility, the analysis examined the broader reputation implications of the campaign and its impact across traditional media ecosystems, digital communities and emerging AI-powered discovery environments.
According to the report, Davido generated approximately 1.48 million media mentions globally within the ten-day reporting period, reaching an estimated audience of 3.92 billion people and producing 6.78 billion impressions across media channels. Social conversations exceeded 432,700 discussions while total engagements surpassed 54.3 million interactions, highlighting one of the most impactful African entertainment-led communication moments recorded on the global stage in recent years.
The report found that public response to the performance was overwhelmingly favourable. Positive sentiment accounted for 89 per cent of all measured conversations, while neutral conversations represented only 2 per cent. Negative and strongly negative narratives combined accounted for less than 1 per cent of total discussions, indicating widespread approval not only of the performance itself but also of the underlying message embedded within the campaign.
At the centre of the conversation was Davido’s “Bring Them Home” message, which drew international attention to the plight of abducted schoolchildren and teachers from Oyo State. Rather than positioning the performance solely as entertainment, the campaign successfully integrated advocacy into one of the world’s largest cultural and sporting platforms.
The report suggests that this strategic combination of entertainment, social purpose and national storytelling significantly contributed to the scale and quality of media attention generated globally. In an era where audiences increasingly reward authenticity and meaningful narratives, the campaign demonstrated how celebrity influence can be leveraged to drive conversations that extend beyond music and popular culture.
One of the most significant findings of the report is the geographic diversity of the audience reached. While Nigeria remained a major contributor to conversations surrounding the performance, the United States emerged as the largest international market by reach, accounting for approximately 16 per cent of global visibility. Nigeria contributed 15 per cent, followed by the United Kingdom, Canada, Ghana, South Africa, France, Brazil, Germany and India.
The presence of conversations across 156 countries underscores the increasingly global nature of African cultural influence. It also reinforces the growing capacity of African creatives to shape narratives that resonate across continents and cultural boundaries.
For Nigeria, the findings provide further evidence that entertainment continues to function as one of the country’s most powerful soft power assets. While governments often invest heavily in national branding campaigns, the report indicates that cultural exports such as music, film and creative storytelling remain among the most effective vehicles for shaping international perception and projecting national influence.
The analysis further reveals that social media served as the primary engine of visibility throughout the reporting period. Social platforms generated approximately 1.32 million mentions, representing more than 89 per cent of total conversations recorded. X, formerly Twitter, accounted for the largest share of discussions, followed by Instagram, TikTok, Facebook and YouTube.
The dominance of social media highlights a broader shift in the communications landscape. Traditional media continues to play an important role in validating narratives and extending credibility, but public conversations increasingly originate and gain momentum through digital communities. For brands, institutions and public figures, this reinforces the importance of integrating earned media, influencer engagement and community-driven storytelling within communication strategies.
Online media also recorded significant performance, generating approximately 268,000 mentions and reaching an estimated audience of 1.65 billion people. Coverage was amplified by leading international and regional media organisations, including BBC News, CNN, Reuters, Al Jazeera, The Guardian and several influential African news platforms.
Broadcast media contributed an additional 11,500 mentions with a reach exceeding 452 million people, while print media generated more than 35,000 mentions and reached over 512 million audiences globally.
The report notes that the strength of this performance lies not merely in media volume but in media diversity. Visibility was achieved across multiple platforms, audience segments and geographic regions simultaneously, creating a highly resilient communication ecosystem capable of sustaining attention long after the initial event.
Analysis of audience demographics revealed particularly strong engagement among younger and economically active audiences. Individuals between the ages of 18 and 34 accounted for nearly 58 per cent of all measured social media engagement, reflecting the growing influence of youth-driven digital communities in shaping modern reputation outcomes.
From a communications and public relations perspective, the report identifies the campaign as a compelling case study in strategic narrative management. Traditionally, major sporting events have been viewed primarily as sponsorship and visibility opportunities. However, the Davido World Cup performance illustrates how organisations and personalities can use globally relevant moments to introduce social causes, build emotional connection and drive stakeholder engagement simultaneously.
For communications professionals, the findings reinforce the principle that visibility alone does not create influence. Influence emerges when visibility is supported by relevance, purpose and audience resonance. The campaign’s success demonstrates the effectiveness of aligning advocacy messages with cultural moments capable of generating significant public attention.
For the entertainment industry, the report highlights the increasing importance of purpose-driven storytelling. Audiences are becoming more responsive to artists and creators who leverage their platforms to address societal issues while maintaining authenticity. The performance illustrates how entertainment brands can generate both cultural impact and reputation value when social purpose is integrated into communication efforts.
For government institutions and policymakers, the findings offer important lessons regarding nation branding. The report suggests that Africa’s creative industries continue to represent one of the continent’s strongest tools for shaping international perception. As countries compete for tourism, investment and global relevance, cultural ambassadors such as musicians, filmmakers and creators are increasingly becoming key contributors to national reputation.
The report also presents significant implications for the public relations industry itself. As measurement frameworks evolve beyond traditional metrics such as impressions and advertising value equivalency, communications professionals are being challenged to evaluate influence through more sophisticated indicators, including sentiment quality, audience engagement, narrative ownership, stakeholder resonance and AI discoverability.
One of the report’s most forward-looking findings concerns performance within AI-powered information environments. An assessment of leading generative search and AI discovery platforms found exceptionally strong visibility for the campaign across ChatGPT, Perplexity AI, Claude AI and Microsoft Copilot.
Visibility scores ranged from 89 to 92 per cent across the evaluated platforms, indicating strong representation of campaign narratives within AI-generated responses and emerging search environments. Associated themes consistently included global impact, unity, humanitarian advocacy, African culture and Davido’s performance.
This development is particularly significant because reputation management is entering a new era where discoverability within AI systems increasingly influences public understanding. As users rely more on generative AI platforms to access information, organisations must ensure that their narratives are not only visible in traditional media but also accurately represented within AI-powered search and discovery ecosystems.
The report concludes that Davido’s World Cup 2026 performance represents far more than a successful entertainment event. It stands as a powerful example of how African talent can shape global conversations, amplify important social issues and create measurable influence across interconnected media environments.
More importantly, it demonstrates that purpose-driven storytelling, when combined with cultural relevance and strategic communications, can transform a single performance into a global reputation asset.
For PR practitioners, communication strategists, policymakers, marketers and brand leaders, the campaign offers valuable lessons on the future of influence. In a media environment increasingly driven by attention scarcity, algorithmic discovery and AI-generated information, success will belong to those who can create narratives that are not only seen but remembered, shared, trusted and discovered.
As Africa continues to strengthen its voice on the global stage, the findings reinforce a growing reality: the continent is no longer merely participating in global conversations. It is increasingly helping to shape them.
As part of its ongoing commitment to advancing evidence-based communications practice, P+ Measurement Services continues to make industry intelligence, measurement frameworks and media insights available to communications professionals, helping organisations move beyond assumptions and make informed decisions based on data, reputation intelligence and stakeholder understanding. With more than a decade at the forefront of media intelligence and communications measurement in Nigeria, the firm remains committed to strengthening the practice of public relations through research, accountability and meaningful evaluation.
Showbiz
Masterchef Nigeria Top 5 Pressure Sends Derry Home
The heat was high, the flavours were bold, and the pressure was sizzling as the Top 5 home cooks on MasterChef Nigeria were tasked with re-imagining beloved Buka classics in a challenge that demanded they cook with serious “street in their step.”
Joining the judges in the MasterChef kitchen was the well-known and much-loved Chef Bukie Akinmade, who brought her expertise, warmth, and deep love for Nigerian food culture to the judging table.
For this challenge, the contestants had to prepare two dishes inspired by the vibrant energy, flavours, and soul of Nigerian street food and Buka-style cooking. But this was not just about recreating familiar favourites. The home cooks had to turn humble food into fine dining elevating everyday classics while still keeping the heart, spirit, and authenticity of the street alive.
For Derry, the mission was personal. She was determined to let tradition and tribe shine through her food, but unfortunately, her dishes did not land the way she had hoped. The judges felt that her execution did not meet the standard required at this stage of the competition, and after a tough cook, Derry became the next contestant to leave the MasterChef Nigeria kitchen.
Joining Derry in the bottom three were Favy and Fads.
Favy, who still had the immunity pin, was confident in the dish she presented and chose not to use it. However, her undercooked Dubai Pistachio Puff Puff came back to bite, landing her in the danger zone.
Fads also found herself under pressure after serving two starter-style dishes. Time got the better of her in the kitchen, leading to a shocking moment when she accidentally put her hands into hot oil. The incident startled the judges and Fads herself, but she pushed through with determination and made sure her food reached the plate. In the end, the judges were impressed with how well her chicken was cooked, and she was declared safe.
While some contestants struggled to find their rhythm, David and Isabella rose to the occasion and served the strongest dishes of the day.
Although Isabella’s dish was simple, the judges felt that she truly understood the brief and successfully took her food to the streets while giving it the elevation the challenge required. Her flavours, concept, and execution impressed the panel and earned her a place among the top cooks of the challenge.
David, however, brought both flavour and fighting spirit to the plate. The judges were particularly impressed with the look of his dishes, as well as the balance and depth of flavour in his street food classics. His ability to elevate familiar favourites while staying true to the heart of the challenge made him one of the standout performers of the day. David’s fighting spirit paid off as he walked away with Dish of the Day.
MasterChef Nigeria continues next week as the Top 4 battle for a place closer to the ultimate title.
The remaining contestants will be challenged to create two Afro-Italian dishes, with a major prize on the line for the winning dish. As the finale draws closer, every plate matters, every second counts, and only the strongest cooks will survive the heat.
The show airs weekly on Sundays at 7 pm on Africa Magic Showcase and Africa Magic Family with rebroadcast on Wednesdays at 6 pm on Africa Magic Showcase and Thursdays at 12 pm on Africa Magic Family.
Produced by Primedia Group, MasterChef Nigeria is supported by a strong coalition of leading Nigerian brands, including headline sponsor Power Oil, alongside Indomie, Dano Milk, Malta Guinness, Sonia Tomato, Kiara Rice, Golden Penny Flour, Golden Penny Sugar, Golden Penny Garri, Golden Penny Semolina, Golden Penny Chocolate Spread, and Golden Penny Wheat.
Showbiz
Entertainment Non-Stop: Movies and Shows to Watch on GOtv This Week
A renowned professor races across Europe in a desperate bid to stop a deadly virus that could wipe out half of humanity.
In another gripping story, a teenage girl already battling anxiety suddenly finds herself fighting for her life when a ruthless serial killer begins hunting her through the woods.
Elsewhere, two operatives who should be on the same side realise they’ve both been deceived, forcing them into an uneasy alliance in a dangerous world of crime and betrayal.
That’s the kind of tension GOtv is serving up this week.
It’s a lineup that moves from fast-paced thrillers to intense drama and even stories rooted in everyday realities, giving you something different depending on your mood. If you’re looking for what to watch next, here are the movies and shows airing on GOtv this week.
Inferno
Thursday | 22:05pm | Movie Room Africa
Robert Langdon finds himself pulled into a deadly race across Europe after waking up with no memory and a virus-threatening conspiracy unfolding around him. With the help of Dr. Sienna Brooks, he follows a trail of cryptic clues tied to Dante’s Inferno, all while a global catastrophe looms if they fail to act in time. It’s a high-stakes thriller where every second counts and nothing is what it seems.
You Can’t Run Forever
Saturday | 20:00 pm | M-Net Movies 3
A young girl battling anxiety becomes an unexpected target when a ruthless serial killer begins hunting her through the wilderness. What starts as fear quickly turns into a raw fight for survival as she’s forced to rely on instinct, courage, and sheer will to stay alive. With J.K. Simmons leading the tension, it’s a gripping survival thriller that doesn’t let up.
2 Guns
Friday | 23:55 pm | Studio Universal
Two operatives who’ve been unknowingly working against each other suddenly find themselves on the wrong side of a dangerous double-cross. With both the law and criminals closing in, they’re forced into an uneasy partnership to survive the chaos they’ve been dragged into. Packed with action, betrayal, and sharp chemistry between Denzel Washington and Mark Wahlberg, it’s explosive from start to finish.
She Was Never Here
Wednesday | 11:25 am | Africa Magic Showcase
Ralph thinks he’s securing a better future when he gets his fiancée Bianca a chef job at his boss’s home. But behind the opportunity lies a secret deal Bianca makes to earn more money, one that slowly begins to unravel trust, love, and everything they’ve built together. It’s a tense domestic drama where ambition and loyalty collide.
My Period Stories
Saturday | 09:00 am | Africa Magic Family
A podcast-style series that opens up conversations around menstrual health and reproductive rights through interviews, personal testimonies, and real discussions. By blending storytelling with lived experiences, it breaks silence around topics often left unspoken and encourages honest dialogue in a relatable, accessible way.
From Hollywood blockbusters to meaningful conversations that reflect real-life issues, GOtv continues to deliver a diverse mix of entertainment that speaks to every kind of viewer. Whether you’re watching alone or with family, this week’s lineup guarantees something worth your time.
To upgrade, subscribe or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.
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