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Nigeria Seeks $100bn Revenue From Creative Economy

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Creative Economy Nigeria $100bn

By Adedapo Adesanya

Nigeria on Wednesday unveiled details of its strategic plans to generate at least $100 billion and create over two million jobs from the creative economy yearly.

The government’s plan was unveiled by the Minister of Art, Culture and the Creative Economy, Mrs Hannatu Musa Musawa, at a roundtable for local and international investors where she presented her ministry’s 8-Point Plan and Roadmap.

Speaking at the event hosted in Ikoyi, the Minister said that if implemented to its fullest, the plan has the potential to achieve the above-stated objectives.

She listed the 8-Point Plan as Nigeria Destination 2023, a national initiative designed to grow the arts, culture and creative economy under one united vision; Skills Development; Fastrack Policy Frameworks; Strategy Governance and Collaboration; Smart Strategic Partnerships; Growth Targets for GDP Contribution and Sectoral Output; Enabling Business Environments; Cultural Heritage Preservation, and Sustainability.

She lamented that despite its huge potential, Nigeria’s creative industry currently contributes just $5 billion to the economy, with its different sub-sectors at various stages of development.

The sectors include music (sound recording, live performances and music videos), visual media (movies, TV shows, comedy shows, podcasts, content creation), visual arts and crafts (canvas painting, design, sculpturing, woodwork and other craft works), heritage & museums, culinary arts, fashion, publishing (books, literary arts, poetry, magazine, etc), and video gaming.

According to the National Bureau of Statistics (NBS), Nigeria’s creative economy has a very low contribution to overall GDP in comparison with benchmark countries, with the industry contributing just 1.2 per cent to Nigeria’s GDP in 2022.

The least when compared to other African countries like Morocco (2.7 per cent), South Africa (3.0 per cent), and Egypt (4.3 per cent).

She also said it ranks low (1.0 per cent) in its ability to earn government revenue from the sector, compared to South Africa’s 12.5 per cent.

To achieve its ambition, Mrs Musawa said the ministry has identified 14 pivotal initiatives that will drive the sector’s growth and significantly boost government revenue by $10 billion – $20 billion.

She grouped these initiatives under four unique pillars namely Technology, Infrastructure and Funding, International Culture Promotion, and Intellectual Property Monetisation.

Under the Technology pillar, the Minister said the Ministry intends to launch a digital content creation tool accessibility program to provide improved and discounted digital tools for Nigerian creatives.

Others include the launch of the Nigeria content distribution initiative to increase the nationwide adoption of digital tools for content distribution, the launch of a study to estimate the size of the creative industry in Nigeria including a framework to size the market going forward, and the expansion of internet accessibility in underserved regions in Nigeria to expand the reach of the other digital initiatives.

For Infrastructure and Funding, she said, this entails cataloguing existing infrastructure for the Arts, Culture and Creative Economy and its current state, developing the appropriate infrastructure needed for the industry and leveraging public-private partnerships to fund development, providing incentives to stakeholders in the creative economy to boost investment and adoption of strategic initiatives, and launching a creative accelerator program to provide capital, and capacity building to creative companies.

Under International Culture Promotion, Mrs Musawa said the ministry will establish a culture promotion office collaborating with Nigerian embassies abroad, to promote Nigerian arts, culture and creative economy, and leverage AfCFTA to boost Nigerian creative output export regionally and globally.

For Intellectual Property Monetisation, she said the country will seek to establish Globally standardised CMOs (Collection Management Organisations) for most of the sectors, launch a Copyright Oversight Initiative in partnership with the Nigeria Communications Commission (NCC) to enhance tracking, monitoring, and enforcement of copyright standards, ensuring CMOs’ adherence to CISAC standards. It will also develop and implement the intellectual property framework and operationalise Nigeria’s IP licencing framework.

Mrs Musawa added that Nigeria’s Creative Economy has the potential to grow by 400 per cent by 2027, positioning the sector to leapfrog in the long term and deliver the vision for the sector.

She revealed that the Ministry has already created several initiatives and entered collaborations towards the realisation of its set goals.

She listed some of these initiatives to include, among others, the Creative Leap Acceleration Program, CultRise, an infrastructure development initiative and Origins, an advanced data capture and management initiative designed to collect, store, analyse, and share critical data related to Nigeria’s cultural and creative industries.

The Minister also listed some of the Ministry’s infrastructure project pipelines, including the Digital & Immersive Art Centre, the Renewed Hope Creative City at the Wole Soyinka Centre, Arts Village in Abuja, setting up of Creative Hubs in Nigeria’s 36 states, the National Entertainment Centre, Abuja Creative City, and the National Gallery of Art, among others.

To aid in the realisation of the government’s job creation target in the creative industry, the Minister disclosed that the Ministry has entered a partnership with BigWin Philanthropy, a major international development partner, to deliver a transformative capacity-building and job creation strategy.

Adedapo Adesanya is a journalist, polymath, and connoisseur of everything art. When he is not writing, he has his nose buried in one of the many books or articles he has bookmarked or simply listening to good music with a bottle of beer or wine. He supports the greatest club in the world, Manchester United F.C.

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From E! Africa to Bravo Africa: Where Your Favourite Reality Shows Live Now

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E! Africa to Bravo Africa

If you’ve been wondering where all your favourite reality TV shows went after E! Africa went off air, this is for you! Bravo Africa is officially the new plug.

In late August 2025, E! Africa announced it would be discontinuing, with the channel set to go dark on October 7, 2025. For fans who had built their entire reality TV routine around it, the news hit hard. But the gap didn’t stay empty for long.

Bravo Africa stepped in on GOtv Channel 36 with something even better. A fully dedicated space for premium, drama-filled reality television. And if you’re a fan of bold personalities, luxury lifestyles, and unfiltered storytelling, this is one channel you should already have on rotation.

So, what exactly makes Bravo Africa worth your time?

First, the content lineup is stacked. From the iconic Real Housewives franchise, with all its glam, shade, and unforgettable moments, to fan favourites like Below Deck and Married to Medicine, Bravo Africa delivers the kind of addictive TV that keeps you glued episode after episode. It’s the same high-quality reality content E! lovers enjoyed, just more focused and consistently curated.

What also stands out is how the channel leans fully into reality TV culture. This isn’t a mix-and-match entertainment channel; it knows its audience and delivers exactly what they want: drama, relationships, ambition, luxury, and real-life chaos (the good kind).

For viewers who loved E! Africa’s blend of lifestyle and celebrity-driven content, Bravo Africa feels like a natural transition. It’s cleaner, more intentional, and built around shows that already have global fanbases and proven engagement.

Access is pretty straightforward, too. If you’re on GOtv Jolli or any higher package, you already have it, no extra stress, no additional subscription needed.

To upgrade, subscribe, or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.

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Davis Offor ‘Clarus’ of New Masquerade Comedy Sitcom Dies

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Davis offor clarus

By Modupe Gbadeyanka

A veteran Nigerian actor, Mr Davis Offor, who dazzled many viewers with his role as Clarus in the famous New Masquerade, is dead.

The death of the 83-year-old actor was confirmed on Tuesday by Mr Tony Akposheri, who acted as Zaki in the now-rested comedy sitcom.

“Davis Offor, fondly known as Davis Offor, our own Clarus from New Masquerade, is gone.

“We crossed into the New Year together, laughing, talking, sharing memories, and speaking hopefully about the days ahead. We spoke about life, about plans, about how far we had come. None of us knew that time was already counting differently for you.

“Life, as always, had its own plans.

“You were more than a familiar face on screen. You were a friend, a brother, a man with warmth, humour, and a presence that could light up any space. Knowing you personally was a gift I will always be grateful for.

“It is hard to believe that the voice I heard not long ago is now a memory. Hard to accept that someone so full of life can suddenly become a story we tell.

“Rest well, my friend. You came, you gave joy, you made your mark, and you will never be forgotten,” Mr Akposheri wrote on his Facebook page.

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The Yard, The Low Priest, Mother of the Brides Score AMVCA 12 Nominations

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AMVCA 12 Nominee List

If you’ve been sleeping on Africa Magic Originals, consider this your wake-up call. Shows like The Yard, The Low Priest, and Mother of the Brides are racking up nominations at the 12th Africa Magic Viewers’ Choice Awards. From gripping social drama to supernatural chaos and family madness, these homegrown productions are proof that Africa Magic has some of the continent’s most compelling storytelling.

With the awards set to take place on May 9 in Lagos, now is the perfect time to catch up on these standout series. Whether you’re watching for the first time or catching up, Africa Magic Originals are proving why they’re leading the charge in bold, diverse, and unforgettable storytelling.

The Yard

If you love a story where the hero slowly becomes the villain, The Yard was made for you. The series delves into the brutal world of the Ajako bus park, ruled by the ruthless Chief Odafe. It follows Tega, a struggling bus driver, and Odafe Junior, the chairman’s privileged son, who form an unlikely alliance to challenge the system, only to realise that power comes at a dangerous cost.

At AMVCA 12, The Yard is nominated for Best Scripted M-Net Original, Best Series Scripted, and Simileoluwa Hassan is up for Best Supporting Actor for his role in the series.

Our Husband

Our Husband tells the story of Zara Nnamani, whose seemingly perfect life unravels when she discovers her husband’s infidelity. His sudden fatal heart attack leaves her with a devastating secret, forcing an unlikely alliance with his mistress, Ololade, bound together by a truth that could destroy them both.

The writing is just as sharp as the drama, as the series earned a Best Scripted M-Net Original and Best Writing TV Series nomination for this series, proving that the storytelling is as compelling as the plot itself.

Mother of the Bride

Imagine finding out that your entire inheritance depends on marrying off one of your daughters in 45 days. That’s the premise of Mother of the Brides, and it is as chaotic and delightful as it sounds.

The series is a family drama about a Lagos matriarch who, after her husband’s death, discovers she has 45 days to marry off one of her four daughters or lose her inheritance to tradition. Every episode is basically a masterclass in family pressure, wedding drama, and the very specific madness of Nigerian matchmaking culture.

Gloria Anozie-Young is nominated for Best Lead Actress, alongside a Best Scripted M-Net Original nod for the show itself.

The Low Priest

This one is for everyone who loves their drama laced with supernatural twists. The Low Priest follows two rivals who trespass into a sacred shrine, triggering a fate where one is chosen by the gods and the other is cursed. Directed by Femi Ogunsanwo, the series spans 130 episodes packed with ancient forces, mortal grudges, and moral dilemmas that keep you hooked.

The Low Priest is nominated for Best Scripted M-net Movie.

Cast Your Votes and Catch Up

Public voting is underway and closes on April 26, 2026. Head to africamagic.tv/amvca to cast your votes.

You can also catch these shows on the DStv / GOtv Stream app.

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