Showbiz
UBA Sponsored Ebola Movie ‘93 Days’ Ready For Nigeria Premiere
By Modupe Gbadeyanka
Tuesday, September 13, 2016, has been fixed for the premiere of the Ebola movie, ’93 Days’ in Nigeria.
The event will take place at The Rock Cathedral, 4th Roundabout, Lekki-Epe Expressway, Lagos.
‘93 Days’, a movie which depicts the true account of how Nigeria faced its first case of the Ebola Virus Disease (EVD) and conquered it, premiered at the Toronto International Film Festival (TIFF) on Friday, September 9, 2016.
The TIFF has built a reputation for only screening the best films from around the world.
UBA co-sponsored the production of the movie, which is a profound story of courage and sacrifice and the call to duty at the risk of one’s life.
The movie ‘93 Days’ is about the men and women who risked their lives and made sacrifices to save Nigeria from the consequences of the Ebola Virus outbreak.
UBA, as a pan – African bank, played a significant role in the fight against the Ebola virus in the sub region and was pleased to support the story of how the spread of deadly virus was stopped in Nigeria.
In the midst of the crisis UBA kept its banking doors open every day in the three of the most affected countries including Liberia, Sierra Leone and Guinea, an unprecedented act of corporate courage on the part of the bank and its dedicated staff.
The banking halls of UBA were kept open to ensure that the residents of the affected countries were able to sustain economic activities, as there was the risk of a severe economic crisis following the rapid spread of the epidemic.
UBA also donated money and materials to help stop the spread of the virus and through the UBA Foundation, made a cash donation of $1 million to Sierra Leone, Liberia and Guinea, which were the worst affected by the epidemic.
In addition, the bank donated trucks and other materials to help in the fight against the Ebola at the height of the epidemic.
Even though UBA took its support beyond the shores of Nigeria, ‘93 Days’ is centred in Nigeria, which was on the verge of becoming the epicentre of one of the most devastating diseases known to mankind, when a Liberian Patrick Sawyer (Keppy Ekpeyong Bassey) stepped on the shores of the country with the deadly and highly contagious virus.
The bravery of health workers at the First Consultant Hospital, where Patrick Sawyer was admitted largely ensured that the spread of the Ebola virus was contained.
Explaining why UBA sponsored the movie, Mr Charles Aigbe, Head, Communications said that UBA sponsored ‘93 Days’ to educate people about the magnitude of the threat Nigeria faced, as well as the remarkable courage shown by Nigerians who risked their lives to save millions of people.
Mr Aigbe said, “We cannot overstate the importance of recording this historical act of African heroism. For the first time on the big screen, the world will be able to see what extraordinary feats were accomplished when Nigerians united behind a common goal.
“This is an inspirational story that UBA believes must be told about the spirit of Africa: one of courage, resilience and persistence.”
‘93 Days’ tells the story of Nigeria’s eventual victory over the threat of Ebola that threatened the health of the country.
The movie highlights the selfless contributions of a few courageous Nigerians, particularly Dr Ameyo Adadevoh (played by Bimbo Akintola), whose dogged determination to keep the first Ebola victim quarantined at the hospital where she worked, eventually led to her own unfortunate demise weeks later.
The film features a star-studded, international cast including Hollywood actors, Danny Glover and Tim Reid, as well as Bimbo Akintola and Keppy Ekpenyong Bassey.
According to veteran filmmaker and co-producer, Mr Steve Gucas, “93 Days is a dramatic portrayal of the selflessness and bravery that Africa is known for. In telling this story, our aim is to create a feature film that will resonate with many people across the world, particularly in Nigeria and the African sub-region.”
Bolanle Austen Peters, co-producer, describes ‘93 Days’ as “a masterfully crafted incredible story of bravery and sacrifice and is definitely a must see. It showcases the best of Nigeria; it is powerful, gripping and an emotive piece. I am proud.”
The suspense filled thriller is directed by award-winning movie director, Mr Steve Gukas and features the best of international and African movie acts such as TIFF rising star, Somkele Iyamah Idhalama, Danny Glover, Tim Reid, Alastair Mackenzie, Bimbo Akintola, Keppy Ekpeyong Bassey, Bimbo Manuel, Charles Okafor, Tina Mba, Gideon Okeke, Paul Adams, Francis Onwochei amongst others.
’93 Days’ would be in the theatres from September 16, 2016.
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By Adedapo Adesanya
The UK-Nigeria Technology Hub has launched its Creative Fund, a first‑phase grants initiative designed to address critical technical capacity gaps across Nigeria’s film, fashion, and music industries.
According to a statement on Tuesday, the fund will support the development of local digital production capacity, encourage the adoption of modern creative technologies, and promote the responsible use of Artificial Intelligence (AI) to strengthen Nigeria’s creative value chain.
The initiative directly supports the priorities of the UK‑Nigeria Economic Transformation and Investment Partnership (ETIP) Creatives Working Group, launched in March 2025 and delivers on commitments made during President Tinubu’s State visit to the UK in March 2026.
It is designed to ensure that high-potential creative projects can access the technical talent, tools, and resources required to produce, scale and complete their work locally.
Funded by the UK-Nigeria Tech Hub, under the UK Government’s Digital Access Programme and implemented by Tech4Dev, the Creative Fund responds directly evidence gathered through the State of the Creative Innovation Ecosystem in Nigeria, study in 2024. Drawing on over 1,700 survey responses, and fieldwork across seven states, the research showed that Nigeria’s creative economy employs approximately 4.2 million people and contributes around US$3 billion to GDP annually.
Despite this scale, the sector continues to face structural constraints – over 80 per cent of practitioners are self-taught, fewer than 10 per cent have access to formal financing, and high-value technical work is routinely outsourced outside the country. The Creative Fund is a direct response to these gaps and is central to the work of the ETIP Creative Working Group.
Speaking on this, Mrs Oyinkansola Akintola‑Bello, Director of the UK‑Nigeria Tech Hub, said, “Nigeria’s creative sector already delivers real economic value, and both governments have committed under the UK‑Nigeria Economic Transformation and Investment Partnership to supporting its growth. Through the ETIP Creatives Working Group, we are moving from ambition to action.
”The Creative Fund is a practical first‑phase intervention that addresses critical gaps in skills, infrastructure, and access to advanced tools, enabling Nigerian creatives to produce and scale high‑quality work locally.”
The fund will support high-potential creative projects covering three industries: Film, Fashion, and Music and will focus on initiatives that demonstrate strong potential for impact, scalability, and job creation.
It will subsidise projects that need to close technical gaps, including critical specialists like VFX artists, sound engineers, post-production editors, and design professionals, or the digital tools and resources that make professional-quality work possible locally, for example, digital asset management systems, content delivery tools, Digital Rights Management solutions, and AI-driven production technologies. The aim is straightforward: Nigeria’s best creative work should be made in Nigeria.
On his part, Mr Abraham Akpan, Tech4Dev’s Country Manager for Nigeria and Sub-Saharan Africa, said the Creative industries are a core part of the digital economy, bringing together technology, culture and entrepreneurship.
“This Fund is about ensuring that Nigeria’s creative success is underpinned by sustainable local talent and capacity, while deliberately expanding access to tools, skills and finance for those who have been historically excluded. By prioritising women-led enterprises, youth-led ventures, and underrepresented groups, the fund embeds inclusion into every stage of delivery.”
The Fund is open to creative companies, studios, production houses, fashion enterprises, and music labels leading projects with clear technical needs. Applications will be assessed on project quality, their potential for local and international impact, and the applicant’s level of commitment to co-investment. The initiative also encourages the responsible use of emerging technologies, including artificial intelligence, with selected projects expected to explore its application in production, storytelling, and innovation.
Applications are open now and will be accepted on a rolling basis throughout the programme period.
The world’s most prestigious culinary competition has finally landed in Nigeria, bringing with it global standards, high-stakes drama, and a powerful celebration of local flavours.
MasterChef Nigeria premiered on Africa Magic Showcase (Channel 8) and Africa Magic Family (Channel 7), introducing viewers to a new era of culinary excellence.
At stake is a life-changing grand prize of ₦73 million and the coveted title of Nigeria’s first-ever MasterChef.
Ten exceptional home cooks from across the country have stepped into the MasterChef kitchen, not as professionals, but as passionate individuals driven by ambition and talent.
From a content creator in Magboro to a lawyer in Abuja, a domestic staff member in Lagos, and a cloud kitchen manager in Lekki, each contestant brings a unique story, but shares the same hunger to win.
Leading the competition are two of Nigeria’s most respected culinary figures: Chef Stone and Chef Eros.
Known for their influence and expertise, they bring both discipline and personality to the kitchen.
“I have trained over 7,000 students. Nigeria is one of the most diverse countries in the world, and our food reflects that. We just need to tell that story on a plate,” said Chef Stone.
Chef Eros adds: “MasterChef Nigeria is set to be incredibly competitive. From demanding tasks to defining moments under pressure, viewers will witness the true depth of culinary talent in this country. As we like to say, Naija no dey carry last.”
Contestants will face a series of intense, high-pressure challenges designed to test their creativity, technical skill, and resilience.
And for some, it’s strictly business.
“I am here for business. I am here to cook. I am not here to play or make friends,” said contestant Derry.
Across 13 episodes, viewers can expect a compelling mix of tension, discovery, and unforgettable moments as the competition unfolds.
MasterChef Nigeria airs every Sunday at 7:00 PM on Africa Magic Showcase (Channel 8) and Africa Magic Family (Channel 7), with repeat broadcasts on Thursdays at 12:00 PM on Africa Magic Family.
There was a time in our lives when life was simple. Not perfect, not fancy, but simple in a way that just felt complete.
We weren’t thinking about bills, deadlines, or what the future would look like. Our biggest concern? Whether NEPA would take light before our favourite show came on or if someone would change the channel at the wrong time.
Back then, happiness didn’t need planning. You’d rush through homework, eat quickly, and settle in front of the TV like it was the most important part of your day. And honestly, it was.
Those shows weren’t just shows, they were moments.
Then we grew up. Life got busier, louder, and a lot more demanding. But somehow, those memories stayed.
Sometimes it hits you out of nowhere, like a theme song or seeing your niece or nephew watching something familiar. And just like that, you’re taken back.
Back to when watching SpongeBob SquarePants felt like the highlight of your day. Back to singing along to Mickey Mouse Clubhouse like you were part of the cast. Even those “I’m too grown for cartoons” days still had room for The Thundermans and Henry Danger.
It’s funny how those shows did more than just entertain us. They gave us something to look forward to. Something that made the day feel lighter, no matter what.
But every now and then, there’s something comforting about knowing that those moments still exist somewhere. The things that once made us laugh, relax, and forget everything for a while are still there, unchanged.
Channels like Disney Junior and Nickelodeon are still running those same shows, holding onto that same kind of joy we didn’t even realise we’d miss. And platforms like GOtv quietly keep that connection alive. Because after a long day of trying to figure life out, sometimes what you need isn’t something new.
Sometimes, you just want something that reminds you of who you used to be, something that lets you sit back, laugh a little, and for a moment forget all the noise. And maybe, without even realising it, you smile, because for a few minutes, life feels simple again.
To upgrade, subscribe, or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.
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