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What To Watch on Showmax This July

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Watch on Showmax

It’s a new month, and with that, Showmax is stacking July with titles that’ll keep you glued all month long. From powerful true stories and moving romances to creepy thrillers and unexpected biopics, here are 10 titles to add to your Showmax watchlist this July.

SERIES

DUSTER S1 | First on Showmax | Binge from Wednesday, 9 July

Set in the 1970s, Duster follows a gutsy getaway driver whose life goes from dangerous to wildly, stupidly dangerous when the FBI’s first Black woman agent comes to town, hell-bent on taking down his crime family.

From JJ Abrams (Lost, Westworld, Star Wars: The Force Awakens) and series creator and showrunner LaToya Morgan, Duster stars Josh Holloway (Yellowstone, Lost) and Rachel Hilson (This Is Us), as well as three-time Emmy winner Keith David (American Fiction), Greg Grunberg (Heroes) and Emmy nominee Corbin Bernsen (LA Law).

THE INSTITUTE S1 | First on Showmax | Mondays from 14 July

When 12-year-old genius Luke Ellis is kidnapped, he awakens at The Institute, a facility full of children who all got there the same way he did and who are all possessed of unusual abilities. In a nearby town, haunted former police officer Tim Jamieson has come looking to start a new life, but the peace and quiet won’t last, as his story and Luke’s are destined to collide.

Based on the Stephen King bestseller, The Institute introduces Joe Freeman as Luke, opposite the likes of Ben Barnes (Shadow & Bone, Chronicles of Narnia) and Emmy winner Mary-Louise Parker (Weeds).

The Institute is directed and executive produced by Emmy winner Jack Bender (Lost, Game of Thrones).

THE ABC KILLER | Showmax Original | Binge from Tuesday, 22 July

In 1995, journalist Tamsen de Beer was working the night shift at The Star newspaper when she got a call from someone claiming to be South Africa’s most prolific serial killer. The kind of serial killer who would go on to be convicted of 38 murders and 40 rapes – all committed in the space of just over a year, in broad daylight, while sober.

“He was our Ted Bundy,” says director Jasyn Howes. The ABC Killer is his second series in a row for Showmax about a 90s serial killer. The first, Boetie Boer, about Stewart Wilken, was nominated at last year’s SAFTAs for Best Documentary Series and Best Editor (Jaco Laubscher, who also cut The ABC Killer).

MATLOCK S1 | Binge from Wednesday, 23 July

Matlock stars Emmy and Oscar winner Kathy Bates as Madeline “Matty” Matlock, a retired lawyer in her 70s who rejoins the workforce at a prestigious law firm. Easily overlooked, Matty uses her position to help the partners on their cases while simultaneously trying to find those who could have prevented her daughter Ellie’s death.

Created by Jennie Snyder Urman (Jane the Virgin), Matlock has already been renewed for a second season.

Found S2 | Binge from Thursday, 31 July

Found returns from its mid-season break to answer the show’s most burning questions surrounding Sir’s obsession with recovery specialist Gabi Mosely and her team as they continue working tirelessly to find missing people forgotten by the system.

Created by Nigerian-American Nkechi Okoro Carroll (All American, All American: Homecoming), Found was NBC’s biggest-ever launch on Peacock and won a NAMIC Vision Award for Drama and a Gracie Allen Award for Hampton. She was also nominated at this year’s Image Awards, where the show was up for Outstanding Drama Series for the second year in a row.

MOVIES

WE LIVE IN TIME | Stream from Monday, 7 July

Romance and reality collide in We Live in Time, a decade-spanning love story starring Oscar nominees Florence Pugh and Andrew Garfield. Landing on Showmax from Monday, 7 July, this moving drama traces a relationship through the small moments and life-changing twists that define us.

Directed by the BAFTA winner John Crowley (Brooklyn), We Live In Time earned Crowley a Best Director nomination at the 2025 Irish Film and Television Awards, where Pugh was up for Best International Actress.

HERE | Stream from Monday, 14 July

Oscar winner Tom Hanks and Golden Globe winner Robin Wright reunite with the Forrest Gump dream team for Here, a poetic drama set entirely in one room across generations.

Streaming from Monday, 14 July, the film explores memory, love, and legacy with groundbreaking visuals and a stacked cast. It’s a reflective, emotional journey that rewards slow watching.

Directed by Robert Zemeckis (Back to the Future, Contact) and screenwritten by Eric Roth (Killers of the Flower Moon, Dune: Part One, A Star is Born), Here is stacked with A-listers like Paul Bettany, Kelly Reilly, Michelle Dockery and more.

TRAP | Stream from Thursday, 24 July

In this twisted thriller, Josh Hartnett plays a father who takes his daughter to a pop concert, only to realise they’ve walked into something far more dangerous than they imagined. If you love smart, suspenseful setups with a dark payoff, Trap delivers.

Trap was directed by the Oscar-nominated writer-director M. Night Shyamalan and will be available on Showmax from Thursday, 24 July.

ROB PEACE | Stream from Thursday, 31 July

Closing out the month on a powerful note, Rob Peace arrives on Thursday, 31 July. Based on a true story, it follows a gifted Yale student whose future is threatened by the sacrifices he makes for family.

Directed by Chiwetel Ejiofor and starring Jay Will, Mary J. Blige, and Camila Cabello, this deeply personal drama asks tough questions about race, class, and the cost of loyalty.

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Purp vs Raymu: Who Will Be Crowned the Next Nigerian Idol?

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Nigerian Idol Season 10 Purp Raymu

Last night’s episode of Nigerian Idol Season 10 was everything: emotional, electrifying, and downright unforgettable. What started with four incredibly talented finalists quickly turned into a bittersweet night of cheers, tears, and game-changing performances, as Mikki and Lawrence took their final bows.

That leaves us with just two: Purp and Raymu. And with the grand finale just days away, the stakes have never been higher.

 The Night Unfolded in Three Explosive Segments:

1. Judges’ Choice:

The judges pulled out their best picks, and the contestants delivered.

  • Purp opened with a graceful rendition of Whitney Houston’s “Greatest Love of All,” powerful, poised, and perfectly delivered.

  • Lawrence bared his soul with Bruno Mars’ “When I Was Your Man,” showing the emotional control we’ve come to love him for.

  • Raymu set the stage ablaze with Usher’s “Burn,” smooth vocals, and undeniable stage presence.

  • Mikki soared with “You Raise Me Up” by Josh Groban, pulling on every heartstring in the room.

But then came the night’s first heartbreak: Lawrence was eliminated. The crowd roared in support as he gave his heartfelt thanks and left the stage with grace.

Moments later, the next shocker hit: Mikki was also voted out. Just like that, the dream narrowed to two.

2. “This Is How It Should Be Done”

This round flipped the script: the finalists were asked to perform songs that other contestants butchered during the audition phase, the ones that left judges cringing. It was their moment to show exactly how it should’ve been done.

  • Purp performed “Anyone” by Demi Lovato, a song that stumped many during auditions. But with her powerful vocals and emotional depth, she transformed it into a haunting, heartfelt performance. “This is for anyone who feels alone,” she said, her voice carrying strength and vulnerability.

  • Raymu took on “Fallin’” by Alicia Keys, one of the most poorly delivered songs during the audition rounds. But Raymu’s smooth tone, honesty, and vocal control brought the soul back to the song. “Alicia Keys is who I aspire to be; I want to be a believable singer,” he shared before leaving the audience completely drawn in.

3. Viewers’ Choice:

Fans picked the songs, and the finalists brought the fire.

  • Raymu delivered a hauntingly beautiful rendition of “Lay Me Down” by Sam Smith. Omawumi summed it up perfectly: “You shone through the night.”

  • Purp followed with Anita Baker’s “Sweet Love,” wrapping the room in warmth and effortless elegance.

Before the night wrapped, Lawrence returned for one final performance of “Bruises” by Lewis Capaldi, a moving reminder of just how far he’d come. Mikki followed with “We Are the World,” a fitting close to his journey of unity, power, and voice.

From thousands of auditions to two unforgettable voices, it all comes down to Purp and Raymu. Who will win? Who will wear the crown? Who will become the next Nigerian Idol?

Vote now on the Africa Magic Website or via the MyDStv or MyGOtv apps on the App Store or Google Play Store.

Catch the Grand Finale live this Sunday at 7 PM on Africa Magic Showcase (DStv Ch. 151, GOtv Ch. 8), Africa Magic Family (DStv Ch. 154, GOtv Ch. 7), or stream live on GOtv & DStv Stream apps and also on Showmax. Stay plugged in because GOtv has got you covered from now until July 31st. Reconnect or renew your subscription and enjoy an automatic upgrade to a higher bouquet at no extra cost.

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Local Content Powers African Dreams

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MultiChoice

At a time when Africa’s people are navigating a series of cost-of-living shocks and commercial margins are under relentless pressure, organisations can achieve long-term business sustainability by focusing on the service they provide, and the value it can generate for their customers.

This may not be the time for record-setting revenues – particularly for businesses dependent on the discretionary spending of hard-hit consumers. However, it can be an exciting time for African enterprises to embrace the purpose that first inspired them, and to focus on living that purpose.

For pan-African entertainment group MultiChoice Africa, this is precisely such a time. The Group has a long history of creating relevant local content for the 50 continental markets in which it operates. Its financial position remains strong, with significant growth in business units such as Showmax (customers up 44% year-on-year), DStv internet (revenue up 85%) and its BetKings spots-betting operation (revenue up 76%), but there is an understanding that customers are under pressure, and their needs must come first.

Investing in content

That means investing in the product, producing content that will add value for Africans – creating the culturally relevant shows that allow you, as an African, to see yourself in the content you consume, but also as a financial investment in the growth of an industry.

That ongoing MultiChoice investment added more than 5 340 hours of locally produced films and shows over the past financial year, growing the Group’s local-content library to 91 470 hours. Flagship reality shows like Big Brother Mzansi and Big Brother Naija are in the vanguard of this content drive, attracting strong viewership, along with the Group’s ever-popular global sport offering.

SuperSport broadcast 47 839 hours of live coverage last year and produced 1 029 live events. Viewers stayed glued to world sports events like the Paris 2024 Olympic Games and the EURO 2024 football.

Developing careers

The true impact of this local content lies not in the fact that it can compete with global shows in terms of quality and entertainment value, but that every second of it supports the careers of African creatives and production staff.

Whether it’s Kenyan actors, Nigerian presenters, a Tanzanian camera crew, Ethiopian directors and grips, or a Ugandan post-production team, local content creates thousands of jobs across Africa. It also ensures that MultiChoice can tell African stories that resonate directly with local audiences. That ability to “See Yourself” continues to distinguish the group’s offering from foreign streaming services.

To ensure a pipeline of talented staff to produce that local content, the group invests in MultiChoice Talent Factory academies across the region – one in Lusaka, another in Lagos, and a third in Nairobi – each producing dozens of qualified film graduates every year.

These young filmmakers are commissioned to produce movies for MultiChoice channels – Africa Magic, Zambezi Magic, Maisha Magic etc – in the course of their studies. This ensures that by the time they graduate from the year-long courses, they are equipped to produce entertaining content that is right up to MultiChoice standards.

Meeting customers where they are also means accommodating their financial needs. To enhance its value proposition, MultiChoice has also tiered down certain channels, reintroduced the second concurrent stream at no extra cost and priced down its DStv ADD Movies packages. It has also piloted weekly subscriptions in Uganda to better align subscription periods with customer cash flows.

Social engagement

The Group remained locally engaged through ongoing social investment. As the African media partner to The Earthshot Prize in 2024, MultiChoice showcased the work of social entrepreneurs across the continent and supported the platform that awarded five winners each year with £1-million grants to fund their initiatives.

The MTF Academy investment has already produced 467 interns and graduates, trained 1 500 masterclass participants and seen 152 films go into production.

Across Africa, the group is demonstrating how private investment translates into job creation, economic stability, and talent development.

In every one of the territories where MultiChoice operates, this local-investment approach dovetails perfectly with national-development goals, building career pathways, creating aspirational African content for African people, and driving economy growth.

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FUZE by Stanbic IBTC Increases Prize Money to N90m for 2025

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2025 FUZE by Stanbic IBTC

By Modupe Gbadeyanka

The prize pool for winners in the 2025 FUZE by Stanbic IBTC Holdings Plc has been increased by 80 per cent to N90 million from the N50 million won last year.

With over 18,000 entries received since inception, FUZE has grown into one of the most dynamic youth platforms in Nigeria, serving not only as a showcase for talent but also as a launchpad for creative careers.

This year, the experience expands even further, blending competition with cultural storytelling, collaborative performance, and immersive digital engagement.

The initiative is Stanbic IBTC Holdings’ flagship youth empowerment platform built to spotlight the future of Nigerian talent.

Now in its fourth season, FUZE returns under a bold new theme The Ultimate Show, and organisers promised that it would be bigger, broader, and even more thrilling with opportunities for emerging stars across four creative categories of music, dance, fashion, and tech.

Audiences and participants can expect to compete in a viral remix challenge, a story challenge that redefines audience participation, and a show format inspired by global entertainment standards but deeply rooted in Nigeria’s vibrant youth expression.

To enter for this year’s talent show, participants are encouraged to visit events.stanbic ibtc.com, fill out the application form, upload a 1-minute video showcasing their talent in either music, fashion, dance or tech and submit to receive a unique ID via email.

For ongoing updates and key announcements, participants and fans can visit the official FUZE landing page. The dedicated Events App also offers real-time updates, exclusive content, and schedules. For a glimpse into the energy of previous seasons, the Season 3 YouTube playlist offers a compelling showcase of FUZE’s journey so far.

“At Stanbic IBTC, we remain steadfast in our commitment to initiatives that contribute meaningfully to Nigeria’s socio-economic development, especially through the empowerment of young people.

“We believe strongly in the transformative power of youth. This platform brings that belief to life by creating an environment where talent is discovered, nurtured, and elevated into opportunity. FUZE Season 4 is a continuation of that purpose, and this edition promises to be our most impactful yet,” the chief executive of Stanbic IBTC Pension Managers, Olumide Oyetan, said.

Also, the acting chief executive of Stanbic IBTC Holdings, Mr Kunle Adedeji, said, “FUZE has always been more than just performance, it is about giving young people across Nigeria a credible, visible and powerful space to showcase who they are and what they can become. This season, we are doubling down on that promise by expanding the format, the prize pool and the reach.”

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