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What to Watch this February on Showmax

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Showmax

This February, Showmax is serving a lineup of brand-new series, blockbuster movies, Emmy-winning stand-up, Grammy-nominated docs and cult-favourite classics to stream. See here for a full list of what to watch this February.

DIDDY: THE MAKING OF A BAD BOY | First On Showmax | Stream from Friday, 7 February 2025

Best for true-crime and hip hop fans

Diddy: The Making of a Bad Boy is a raw, exclusive look at Sean Combs long before he was known as Puff or Diddy.

Featuring never-before-seen footage and stories from those who know him best, Diddy: The Making of a Bad Boy sheds light on his childhood, rise to fame, and recent criminal allegations, challenging viewers to rethink everything they thought they knew about the mogul behind the music – and the mugshot.

Combs’ trial is scheduled for May 2025.

Watch the trailer:

https://www.youtube.com/watch?v=dv0A5zqv0SE

THE WHITE LOTUS S1-3 | Mondays from 17 February

Winner of 15 Emmys, The White Lotus returns for a third instalment following a new group of guests at another White Lotus hotel, this time in Thailand.

Once again written and directed by Mike White, the new season returns Natasha Rothwell to her Emmy-nominated Season 1 role as Belinda alongside a star-studded new cast. This includes Emmy nominees Carrie Coon, Jason Isaacs, Parker Posey, and Walton Goggins, BAFTA winner Aimee Lou Wood, Teen Choice nominees Leslie Bibb and Patrick Schwarzenegger, and Critics Choice nominee Michelle Monaghan.

While you wait, rewatch the first two seasons on Showmax.

Watch the trailer:

https://www.youtube.com/watch?v=XwQRkOK5KC4

SUITS: LA S1 | Mondays from 24 February

Teen Choice winner Stephen Amell (Arrow) stars in Suits: LA as Ted Black, a former federal prosecutor from New York who has reinvented himself representing the most powerful clients in Los Angeles. His firm is at a crisis point, and in order to survive, he must embrace a role he held in contempt his entire career.

Gabriel Macht returns to the franchise to guest star as Harvey Specter, while the new cast includes Josh McDermitt (Eugene in The Walking Dead).

While you wait, binge all nine seasons of the original Suits on Showmax.

Watch the trailer:

https://www.youtube.com/watch?v=G0KMvx4y2-o

YELLOWJACKETS S1-3 | First on Showmax | Saturdays from 15 February

The third season of the Emmy-nominated series continues to explore the harrowing survival story of the high school women’s soccer team that crashed in the wilderness in 1996.

Two-time Oscar winner Hilary Swank (Million Dollar Baby) and Critics’ Choice nominee Joel McHale (Community) join the cast this season, which also sees Melanie Lynskey and Christina Ricci return to their Emmy-nominated roles.

Yellowjackets S1 was the second-most streamed series in Showtime’s history.

While you wait, binge the first two seasons on Showmax.

Watch the trailer:

https://www.youtube.com/watch?v=JuHe_y-UQJk

THE DAY OF THE JACKAL S1 | Mondays at 8:30pm

Nominated as Best Drama Series at both the 2025 Golden Globes and Critics Choice Awards, The Day of the Jackal follows a ruthless, mysterious assassin known as the Jackal, who makes his living carrying out hits for the highest fee. He meets his match when a tenacious British intelligence officer starts to track him down in a thrilling cat-and-mouse chase across Europe.

Oscar winner Eddie Redmayne (The Theory of Everything, Fantastic Beasts franchise) has earned Golden Globe, Critics Choice and Screen Actors Guild nominations for his shape-shifting performance as The Jackal.

BAFTA winner Lashana Lynch (The Woman King, No Time to Die) plays Bianca, the British intelligence office hot on his heels.

Written and adapted by Ronan Bennet (Top Boy), The Day of The Jackal is the biggest Sky Original ever and has an 84% critics’ rating on Rotten Tomatoes. Variety calls it “exhilarating… a breathless adventure until the very end.”

The Day of the Jackal is a modern-day reimagination of Frederick Forsyth’s classic novel, which earned the 1972 Edgar Award for Best Novel from the Mystery Writers of America.

Watch the trailer:

https://www.youtube.com/watch?v=EUb_04MdnMI

COLIN FROM ACCOUNTS S1-2 | Binge from Tuesday, 18 February

Rotten Tomatoes’ second-best romance series of last year, and third-best returning series overall, Season 2 of Australian comedy series Colin from Accounts picks up with Ashley and Gordon needing to work out whether they want a relationship … or if they just wanted a dog.

With Season 2, real-life couple Harriet Dyer and Patrick Brammall (who created, wrote and star in the show) have cracked a rare 100% critics’ rating on Rotten Tomatoes for a second time, with the critics’ consensus saying it’s “as cranky, funny, and delightful as ever.”

The hit series has already won three Logie Awards – Most Outstanding Comedy, and both Most Outstanding Actress and Actor for its leads – as well as the 2024 Australian Writers’ Guild Comedy Award.

While you wait, binge Season 1 on Showmax.

Watch the trailer:

https://youtu.be/Gu6zn-DQfwA

NIGHT SWIM | Stream from Thursday, 6 February

Best for horror fans who aren’t planning to swim this summer

Night Swim follows Ray Waller, a former major league baseball player forced into early retirement by a degenerative illness. Ray moves into a new home with his concerned wife, Eve, and two children, unaware that a dark secret from the house’s past will unleash an evil force in the backyard pool.

Teen Choice nominee Wyatt Russell (The Falcon and the Winter Soldier) and Oscar nominee Kerry Condon (Better Call Saul and The Banshees of Inisherin) co-star as Ray and Eve.

The #1 US box office hit is produced by horror legends James Wan (Saw) and Jason Blum (Get Out). As Los Angeles Times says, “[Bryce] McGuire, who executed a trial run of this concept with a 2014 short film, knows exactly what he’s doing, scene after scene, especially when it comes to the deliciously sadistic grammar of suspense.”

Watch the trailer:

https://www.youtube.com/watch?v=PhlLO3Nb3sY

THE FRANCHISE | First on Showmax | Binge from Monday, 10 February

Ever wondered what really happens behind Hollywood’s blockbuster machine? HBO’s satirical comedy The Franchise follows a film crew on an unloved franchise movie fighting for their place in a savage and unruly cinematic universe. Is this Hollywood’s new dawn or cinema’s last stand?

Emmy nominee Himesh Patel (Station Eleven, Yesterday) and Critics Choice Super winner Aya Cash (The Boys) lead the cast, which includes 2024 International Emmy nominee Jessica Hynes, Screen Actors Guild nominee Katherine Waterston (Fantastic Beasts franchise) and Eswatini-born Oscar nominee Richard E Grant.

Watch the trailer:

https://youtu.be/SCeEQUqiGOE

Bonus: Couch Classics & Blockbuster Hits

Bonus: Couch Classics & Blockbuster Hits
The Nun & Friday the 13th – Streaming from 10 February
‍♂️ Joker, Suicide Squad, Superman Returns, & Wonder Woman – Streaming from 13 February
Frasier S1-11 & Dawson’s Creek S1-6 – Binge from 28 February
The Bodyguard (1992) – Streaming this February

From iconic teen drama (Dawson’s Creek) to award-winning comedy (Frasier), plus Whitney Houston’s legendary performance in The Bodyguard, these classics are ready for a rewatch!

Get Showmax Entertainment Mobile for just N1,600 and start streaming! Sign up now.

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Davido’s World Cup 2026 Performance Reached 3.92 billion People Across 156 Countries

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davido world cup performance
What began as a performance on one of the world’s biggest stages has evolved into a global communications phenomenon that demonstrates the growing power of African storytelling, purpose-driven advocacy and reputation-led influence.

A newly released Media Intelligence Report by P+ Measurement Services reveals that Nigerian music icon Davido’s participation during the FIFA World Cup 2026 generated extraordinary levels of global media attention, audience engagement and positive sentiment, transforming a cultural performance into a worldwide conversation about unity, hope, justice and African influence.

The report analysed media coverage, public conversations and stakeholder engagement generated between June 10 and June 20, 2026, across print, online, broadcast and social media platforms worldwide. Beyond measuring visibility, the analysis examined the broader reputation implications of the campaign and its impact across traditional media ecosystems, digital communities and emerging AI-powered discovery environments.

According to the report, Davido generated approximately 1.48 million media mentions globally within the ten-day reporting period, reaching an estimated audience of 3.92 billion people and producing 6.78 billion impressions across media channels. Social conversations exceeded 432,700 discussions while total engagements surpassed 54.3 million interactions, highlighting one of the most impactful African entertainment-led communication moments recorded on the global stage in recent years.

The report found that public response to the performance was overwhelmingly favourable. Positive sentiment accounted for 89 per cent of all measured conversations, while neutral conversations represented only 2 per cent. Negative and strongly negative narratives combined accounted for less than 1 per cent of total discussions, indicating widespread approval not only of the performance itself but also of the underlying message embedded within the campaign.

At the centre of the conversation was Davido’s “Bring Them Home” message, which drew international attention to the plight of abducted schoolchildren and teachers from Oyo State. Rather than positioning the performance solely as entertainment, the campaign successfully integrated advocacy into one of the world’s largest cultural and sporting platforms.

The report suggests that this strategic combination of entertainment, social purpose and national storytelling significantly contributed to the scale and quality of media attention generated globally. In an era where audiences increasingly reward authenticity and meaningful narratives, the campaign demonstrated how celebrity influence can be leveraged to drive conversations that extend beyond music and popular culture.

One of the most significant findings of the report is the geographic diversity of the audience reached. While Nigeria remained a major contributor to conversations surrounding the performance, the United States emerged as the largest international market by reach, accounting for approximately 16 per cent of global visibility. Nigeria contributed 15 per cent, followed by the United Kingdom, Canada, Ghana, South Africa, France, Brazil, Germany and India.

The presence of conversations across 156 countries underscores the increasingly global nature of African cultural influence. It also reinforces the growing capacity of African creatives to shape narratives that resonate across continents and cultural boundaries.

For Nigeria, the findings provide further evidence that entertainment continues to function as one of the country’s most powerful soft power assets. While governments often invest heavily in national branding campaigns, the report indicates that cultural exports such as music, film and creative storytelling remain among the most effective vehicles for shaping international perception and projecting national influence.

The analysis further reveals that social media served as the primary engine of visibility throughout the reporting period. Social platforms generated approximately 1.32 million mentions, representing more than 89 per cent of total conversations recorded. X, formerly Twitter, accounted for the largest share of discussions, followed by Instagram, TikTok, Facebook and YouTube.

The dominance of social media highlights a broader shift in the communications landscape. Traditional media continues to play an important role in validating narratives and extending credibility, but public conversations increasingly originate and gain momentum through digital communities. For brands, institutions and public figures, this reinforces the importance of integrating earned media, influencer engagement and community-driven storytelling within communication strategies.

Online media also recorded significant performance, generating approximately 268,000 mentions and reaching an estimated audience of 1.65 billion people. Coverage was amplified by leading international and regional media organisations, including BBC News, CNN, Reuters, Al Jazeera, The Guardian and several influential African news platforms.

Broadcast media contributed an additional 11,500 mentions with a reach exceeding 452 million people, while print media generated more than 35,000 mentions and reached over 512 million audiences globally.

The report notes that the strength of this performance lies not merely in media volume but in media diversity. Visibility was achieved across multiple platforms, audience segments and geographic regions simultaneously, creating a highly resilient communication ecosystem capable of sustaining attention long after the initial event.

Analysis of audience demographics revealed particularly strong engagement among younger and economically active audiences. Individuals between the ages of 18 and 34 accounted for nearly 58 per cent of all measured social media engagement, reflecting the growing influence of youth-driven digital communities in shaping modern reputation outcomes.

From a communications and public relations perspective, the report identifies the campaign as a compelling case study in strategic narrative management. Traditionally, major sporting events have been viewed primarily as sponsorship and visibility opportunities. However, the Davido World Cup performance illustrates how organisations and personalities can use globally relevant moments to introduce social causes, build emotional connection and drive stakeholder engagement simultaneously.

For communications professionals, the findings reinforce the principle that visibility alone does not create influence. Influence emerges when visibility is supported by relevance, purpose and audience resonance. The campaign’s success demonstrates the effectiveness of aligning advocacy messages with cultural moments capable of generating significant public attention.

For the entertainment industry, the report highlights the increasing importance of purpose-driven storytelling. Audiences are becoming more responsive to artists and creators who leverage their platforms to address societal issues while maintaining authenticity. The performance illustrates how entertainment brands can generate both cultural impact and reputation value when social purpose is integrated into communication efforts.

For government institutions and policymakers, the findings offer important lessons regarding nation branding. The report suggests that Africa’s creative industries continue to represent one of the continent’s strongest tools for shaping international perception. As countries compete for tourism, investment and global relevance, cultural ambassadors such as musicians, filmmakers and creators are increasingly becoming key contributors to national reputation.

The report also presents significant implications for the public relations industry itself. As measurement frameworks evolve beyond traditional metrics such as impressions and advertising value equivalency, communications professionals are being challenged to evaluate influence through more sophisticated indicators, including sentiment quality, audience engagement, narrative ownership, stakeholder resonance and AI discoverability.

One of the report’s most forward-looking findings concerns performance within AI-powered information environments. An assessment of leading generative search and AI discovery platforms found exceptionally strong visibility for the campaign across ChatGPT, Perplexity AI, Claude AI and Microsoft Copilot.

Visibility scores ranged from 89 to 92 per cent across the evaluated platforms, indicating strong representation of campaign narratives within AI-generated responses and emerging search environments. Associated themes consistently included global impact, unity, humanitarian advocacy, African culture and Davido’s performance.

This development is particularly significant because reputation management is entering a new era where discoverability within AI systems increasingly influences public understanding. As users rely more on generative AI platforms to access information, organisations must ensure that their narratives are not only visible in traditional media but also accurately represented within AI-powered search and discovery ecosystems.

The report concludes that Davido’s World Cup 2026 performance represents far more than a successful entertainment event. It stands as a powerful example of how African talent can shape global conversations, amplify important social issues and create measurable influence across interconnected media environments.

More importantly, it demonstrates that purpose-driven storytelling, when combined with cultural relevance and strategic communications, can transform a single performance into a global reputation asset.

For PR practitioners, communication strategists, policymakers, marketers and brand leaders, the campaign offers valuable lessons on the future of influence. In a media environment increasingly driven by attention scarcity, algorithmic discovery and AI-generated information, success will belong to those who can create narratives that are not only seen but remembered, shared, trusted and discovered.

As Africa continues to strengthen its voice on the global stage, the findings reinforce a growing reality: the continent is no longer merely participating in global conversations. It is increasingly helping to shape them.

As part of its ongoing commitment to advancing evidence-based communications practice, P+ Measurement Services continues to make industry intelligence, measurement frameworks and media insights available to communications professionals, helping organisations move beyond assumptions and make informed decisions based on data, reputation intelligence and stakeholder understanding. With more than a decade at the forefront of media intelligence and communications measurement in Nigeria, the firm remains committed to strengthening the practice of public relations through research, accountability and meaningful evaluation.

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Masterchef Nigeria Top 5 Pressure Sends Derry Home

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Masterchef Nigeria Derry

The heat was high, the flavours were bold, and the pressure was sizzling as the Top 5 home cooks on MasterChef Nigeria were tasked with re-imagining beloved Buka classics in a challenge that demanded they cook with serious “street in their step.”

Joining the judges in the MasterChef kitchen was the well-known and much-loved Chef Bukie Akinmade, who brought her expertise, warmth, and deep love for Nigerian food culture to the judging table.

For this challenge, the contestants had to prepare two dishes inspired by the vibrant energy, flavours, and soul of Nigerian street food and Buka-style cooking. But this was not just about recreating familiar favourites. The home cooks had to turn humble food into fine dining elevating everyday classics while still keeping the heart, spirit, and authenticity of the street alive.

For Derry, the mission was personal. She was determined to let tradition and tribe shine through her food, but unfortunately, her dishes did not land the way she had hoped. The judges felt that her execution did not meet the standard required at this stage of the competition, and after a tough cook, Derry became the next contestant to leave the MasterChef Nigeria kitchen.

Joining Derry in the bottom three were Favy and Fads.

Favy, who still had the immunity pin, was confident in the dish she presented and chose not to use it. However, her undercooked Dubai Pistachio Puff Puff came back to bite, landing her in the danger zone.

Fads also found herself under pressure after serving two starter-style dishes. Time got the better of her in the kitchen, leading to a shocking moment when she accidentally put her hands into hot oil. The incident startled the judges and Fads herself, but she pushed through with determination and made sure her food reached the plate. In the end, the judges were impressed with how well her chicken was cooked, and she was declared safe.

While some contestants struggled to find their rhythm, David and Isabella rose to the occasion and served the strongest dishes of the day.

Although Isabella’s dish was simple, the judges felt that she truly understood the brief and successfully took her food to the streets while giving it the elevation the challenge required. Her flavours, concept, and execution impressed the panel and earned her a place among the top cooks of the challenge.

David, however, brought both flavour and fighting spirit to the plate. The judges were particularly impressed with the look of his dishes, as well as the balance and depth of flavour in his street food classics. His ability to elevate familiar favourites while staying true to the heart of the challenge made him one of the standout performers of the day. David’s fighting spirit paid off as he walked away with Dish of the Day.

MasterChef Nigeria continues next week as the Top 4 battle for a place closer to the ultimate title.

The remaining contestants will be challenged to create two Afro-Italian dishes, with a major prize on the line for the winning dish. As the finale draws closer, every plate matters, every second counts, and only the strongest cooks will survive the heat.

The show airs weekly on Sundays at 7 pm on Africa Magic Showcase and Africa Magic Family with rebroadcast on Wednesdays at 6 pm on Africa Magic Showcase and Thursdays at 12 pm on Africa Magic Family.

Produced by Primedia Group, MasterChef Nigeria is supported by a strong coalition of leading Nigerian brands, including headline sponsor Power Oil, alongside Indomie, Dano Milk, Malta Guinness, Sonia Tomato, Kiara Rice, Golden Penny Flour, Golden Penny Sugar, Golden Penny Garri, Golden Penny Semolina, Golden Penny Chocolate Spread, and Golden Penny Wheat.

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Entertainment Non-Stop: Movies and Shows to Watch on GOtv This Week

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My Period Stories DStv

A renowned professor races across Europe in a desperate bid to stop a deadly virus that could wipe out half of humanity.

In another gripping story, a teenage girl already battling anxiety suddenly finds herself fighting for her life when a ruthless serial killer begins hunting her through the woods.

Elsewhere, two operatives who should be on the same side realise they’ve both been deceived, forcing them into an uneasy alliance in a dangerous world of crime and betrayal.

That’s the kind of tension GOtv is serving up this week.

It’s a lineup that moves from fast-paced thrillers to intense drama and even stories rooted in everyday realities, giving you something different depending on your mood. If you’re looking for what to watch next, here are the movies and shows airing on GOtv this week.

Inferno
Thursday | 22:05pm | Movie Room Africa

Robert Langdon finds himself pulled into a deadly race across Europe after waking up with no memory and a virus-threatening conspiracy unfolding around him. With the help of Dr. Sienna Brooks, he follows a trail of cryptic clues tied to Dante’s Inferno, all while a global catastrophe looms if they fail to act in time. It’s a high-stakes thriller where every second counts and nothing is what it seems.

You Can’t Run Forever
Saturday | 20:00 pm | M-Net Movies 3

A young girl battling anxiety becomes an unexpected target when a ruthless serial killer begins hunting her through the wilderness. What starts as fear quickly turns into a raw fight for survival as she’s forced to rely on instinct, courage, and sheer will to stay alive. With J.K. Simmons leading the tension, it’s a gripping survival thriller that doesn’t let up.

2 Guns
Friday | 23:55 pm | Studio Universal

Two operatives who’ve been unknowingly working against each other suddenly find themselves on the wrong side of a dangerous double-cross. With both the law and criminals closing in, they’re forced into an uneasy partnership to survive the chaos they’ve been dragged into. Packed with action, betrayal, and sharp chemistry between Denzel Washington and Mark Wahlberg, it’s explosive from start to finish.

She Was Never Here
Wednesday | 11:25 am | Africa Magic Showcase

Ralph thinks he’s securing a better future when he gets his fiancée Bianca a chef job at his boss’s home. But behind the opportunity lies a secret deal Bianca makes to earn more money, one that slowly begins to unravel trust, love, and everything they’ve built together. It’s a tense domestic drama where ambition and loyalty collide.

My Period Stories
Saturday | 09:00 am | Africa Magic Family

A podcast-style series that opens up conversations around menstrual health and reproductive rights through interviews, personal testimonies, and real discussions. By blending storytelling with lived experiences, it breaks silence around topics often left unspoken and encourages honest dialogue in a relatable, accessible way.

From Hollywood blockbusters to meaningful conversations that reflect real-life issues, GOtv continues to deliver a diverse mix of entertainment that speaks to every kind of viewer. Whether you’re watching alone or with family, this week’s lineup guarantees something worth your time.

To upgrade, subscribe or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.

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