Showbiz
Cuba in Africa Wins Thomas Sankara Prize at Burkina Faso Festival
By Kestér Kenn Klomegâh
From late February to early March, in Ouagadougou, the capital of Burkina Faso, there was the week-long Africa’s largest film festival FESPACO.
In fact, FESPACO was launched in 1969. This festival provided some kind of entertainment, but the most important aspect was the platform created a show screening different films with diverse themes. The competition was very keen, with rewards for winners delivering excellent results.
Wolfram Vetter, the European Union ambassador in Burkina Faso, called the film festival “an important contribution to peace and reconciliation in Burkina Faso and beyond.” The EU was the event’s largest funder after the Burkinabe government and has contributed approximately €250,000, an equivalent of ($265,000).
Records showed that there were more than 15,000 people, including cinema celebrities from African countries such as Nigeria, Senegal and Ivory Coast, and from abroad, including France and the United States. Some 1,300 films were submitted for consideration, and 100 were selected to compete from 35 African countries and the diaspora, including movies from the Dominican Republic and Haiti. Nearly half of those in the fiction competition this year were directed by women.
Among them was Burkinabe director and producer Apolline Traore, whose film “Sira” – considered a front-runner in this year’s competition – emblematic of many Burkinabes’ suffering. It tells the tale of a woman’s struggle for survival after being kidnapped by jihadis in the Sahel, as her fiancé tries to find her.
An interesting film, “Cuba in Africa”, has received a warm, emotional response all over the world. Most people never heard of this story. Screening this film, people were touched by the altruism of Cubans who sacrificed their sons and daughters on behalf of Africa.
Negash Abdurahman, producer of Cuba in Africa, told us that his film had won the Thomas Sankara Prize. Abdurahman is an Ethiopian-American filmmaker and an educational technology specialist. He is also the Founder of RI Systems Inc.
His award-winning film Cuba in Africa was years in the making, overcoming many challenges. Cuba in Africa told the story of Cuban volunteers who gave everything to win the independence of Angola and Namibia and contributed to the fall of apartheid in South Africa.
Abdurahman spoke briefly with us from Ouagadougou. Here are the interview excerpts:
How would you interpret the film festival that took place in Burkina Faso? What are the key features of this gathering?
FESPACO is the biggest, oldest and most prestigious film festival in Africa. FESPACO is the French acronym for the Pan-African Film and Television Festival of Ouagadougou. The 28th edition of FESPACO took place from February 24 to March 5 in Ouagadougou, the capital city of Burkina Faso.
The festival opened with much fanfare and cultural pageantry. The heads of state of both Burkina Faso and Mali attended the opening ceremonies. For me, one of the emotional moments of the opening ceremonies was the Sidiki Diabate of Mali playing the mesmerizing Kora, a traditional string instrument of several West African countries.
In your critical assessment, what were some of the messages translated to the audience there? Are these related to Africa’s political culture, traditions and history?
FESPACO celebrates African cinema and tells African stories through the eyes of Africans. This was very clear at this year’s festival as well. This year’s theme was “African Cinema and Culture of Peace.”
Before the festival, there was much tension because of the conflict going on in the northern part of Burkina Faso. Some people feared that it might not even be held at all. Playing on this fear, according to a few Burkinabe I spoke to, the French threatened not to protect the festival if they did not get their way.
French troops did, in fact, depart a few days before the opening of the festival. Fortunately, the Burkinabe were able to provide their protection. The festival and all associated music and cultural celebrations concluded without a hitch.
What place was the film “Cuba in Africa” in the festival? What other films have similar themes to this film during the demonstration (show) in Burkina Faso?
My film, Cuba in Africa, was an official selection in the short documentary category. Cuba was the only country in history that came to Africa’s aid without expecting anything in return. An Island nation of roughly 8 million people at the time sent over 400,000 people – military as well as civilians – to help Africans in their fight for freedom.
This was unprecedented. I am honoured to report that we won the much-coveted Thomas Sankara Prize. You can watch a two-minute trailer for Cuba in Africa at http://www.cubainafrica.com.
How was the final conclusion, in spite of the challenges and setbacks, of the festival?
The best films won trophies and monetary awards in their respective categories. The mood was celebratory. FESPACO is a truly African institution with its own warm, unique characteristics.
Showbiz
Stripped: What Happens When Men Can’t Keep It All Together
In a world where men are expected to have it all figured out, be strong, provide, and never fall apart, Stripped shows the reality that many don’t talk about.
A new drama series premiered on Africa Magic Showcase on Sunday. The limited series brings together a strong lineup of Nollywood stars, including Daniel Etim Effiong, Efa Iwara, Kunle Remi, Ian Wordi, and Mofe Duncan, in a story that dives deep into the pressures men face behind closed doors.
Stripped follows five friends whose lives are slowly unravelling. From career setbacks to relationship struggles and financial pressure, each man is pushed to the edge in different ways. In a desperate attempt to regain control, they take an unexpected path, stepping into the world of stripping at an upscale club.
Daniel Etim Effiong plays Kel, a former marketing executive now juggling survival and responsibility, while Mofe Duncan (Bolaji) battles to keep his business afloat. Efa Iwara stars as a music video director forced to confront a complicated personal life, Ian Wordi plays a conflicted architect, and a youth pastor caught between duty and desire, while Kunle Remi brings to life a determined hustler trying to rewrite his family’s story.
Their lives intersect when they are recruited by Yvonne, a sharp and calculated lounge owner, who introduces them to a world that challenges everything they thought they knew about themselves.
This series explores identity, pride, friendship, and the silent expectations placed on men. It also shines a light on the emotional weight many carry without saying a word, both vulnerability and moments of humour along the way.
With a strong supporting cast of equally complex female characters, the story unfolds across six episodes, building tension as secrets deepen and relationships are tested.
Watch Stripped on Africa Magic Showcase, available on GOtv Channel 8, with new episodes every Sunday at 8 PM.
To upgrade, subscribe, or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.
Showbiz
Don’t Just Watch, Decide: Final Days to Vote for AMVCA 12
As the countdown to the 12th edition of the Africa Magic Viewers’ Choice Awards (AMVCA) draws closer, fans across Africa still have a chance to do more than just watch, they can decide.
Voting is officially in its final days, and this is the moment for audiences to show up for their favourite actors, filmmakers, and stories that have made an impact over the past year.
The AMVCA has always stood out as an award platform that gives viewers a choice, allowing fans directly influence who takes home some of the biggest honours on the night. From standout performances to fan-favourite productions, every vote contributes to shaping the final outcome.
Voting is quick, simple, and free. You can cast your vote via the official AMVCA website or through the myDStv and myGOtv apps. Simply log in or create an account, select your favourites across the categories, and submit. You can also vote multiple times across these platforms to increase your support.
Voting for AMVCA 12 closes on April 26, 2026, at 9:00 PM WAT, and once that window closes, that’s it, no extra time and no second chances.
A lot of people wait until the last minute and either forget or run into issues trying to vote at the same time as everyone else. It’s always better to get it done early.
The awards night will come, the winners will be announced, and conversations will happen again, but between now and then is the only time you actually get to influence the outcome.
So if there’s someone you’re rooting for, or a project you genuinely believe deserves it, this is the time to show up.
Don’t just watch how it plays out. Be part of the reason it plays out that way.
Showbiz
Taking Aspiring Filmmakers From the Classroom to Prime-Time
For many aspiring filmmakers, the ultimate culmination of their cinematic dreams is to be able to live through the art form they love.
Filmmakers don’t just want to make a film. They want to build a career doing it. To achieve that, they need training that equips them with industry-relevant skills of the highest standard.
For the MultiChoice Talent Factory (MTF), this understanding is integral to all of its programmes. Academy graduates are equipped with the precise skills required by their industry, empowering them to become prime-time TV professionals.
Since MTF is a MultiChoice initiative, its three academies – in Lusaka, Nairobi and Lagos – provide training in the specific, high-demand technical skills needed by the industry-leading content producer.
MultiChoice, a Canal+ company, is the largest producer of authentic, original content on the African continent. “Africa’s most-loved storyteller” produced 5 340 hours of world-class local content in 2025.
MTF students are trained to these exacting MultiChoice standards. This leaves them well placed to excel in the industry once they graduate.
And excel, they do. MTF graduates speak with pride of the success they have found since leaving the highly respected hub of African film and television training.
Technical skills
Actor, producer, writer and storyteller Myde Glover went on from MTF West Africa Academy to host film festivals and win Africa Magic Viewers’ Choice Awards (AMVCAs).
He credits much of his success to the storytelling skills he learned at MTF, as well as the technical standards the MTF Academy sets.
“The storytelling skills I gained at MTF helped me become a better actor, producer and director. It helps me put the story first,” he says. “However, I was also taught the technical and delivery requirements for submitting projects to platforms like DStv, GOtv, and Showmax. I approach every project with those standards in mind, understanding that quality matters in every aspect.”
Glover says the three most important things for aspiring filmmakers to remember are teamwork, being open to constructive criticism, and staying focused on their goal.
“Strong collaboration improves the quality of any production, feedback helps you grow creatively, and focus ensures you see projects through without losing sight of why you started,” he says.
Lifetime network
Graduating from MTF provides filmmakers with a network that can last a lifetime. Alumni often hire each other as they evolve through their working lives, creating a self-sustaining ecosystem of skilled professionals.
Bahati Kajigi Benjamin from DRC found that MTF gave him the network he needed to tell stories close to his heart.
“My experience with MTF was incredible,” says Benjamin. “I formed a family with my fellow students, and we bonded deeply. We collaborated on numerous films and wrote one that is particularly meaningful to me, illustrating the struggles of my people.”
That film was titled The Canvas, a Zee World project.
Benjamin currently works as a camera operator and editor at Sauti Media Hub in Uganda, producing Kampala Creme, one of the top East African reality shows. He says he secured the position through a recommendation from a fellow MTF alumnus.
Benjamin says his time at MTF was invaluable in honing his skills in cinematography and colour grading.
“I gained extensive knowledge about camera techniques, lighting, and colour harmony in film, which I am currently applying in my role at Kampala Creme.
Benjamin appreciates the importance of paying opportunities forward. He recently shared his cinematography expertise on a three-month online platform called Film Chat, aimed at empowering up-and-coming African creatives.
His advice to young creatives is to never overlook the importance of marketing themselves, and to remember that filmmaking is a business.
“Funders want to understand more than just the script or story,” he says. “You should spend time discussing the financial aspects and the impact the film will create. This is what appeals to investors. Ultimately, it’s an investment for a return.”
Career transformation
MTF West Africa graduate Allen Onyige pursued his passion for human behaviour and storytelling at MTF after leaving university and working in live broadcasting. He describes his time at MTF West Africa as “transformative”.
“MTF refined my creative vision, strengthened my technical skills, and played a pivotal role in shaping my journey as a filmmaker,” he says. “The experience changed my life and set me on the path toward meaningful visual storytelling.”
He says understanding the business side of broadcasting was just as important as the creative skills he gained.
After he left MTF, his production company was commissioned by Africa Magic to produce several series and feature films, including Ikenna’s Trial, Sikiru, Elenini, Kadara, and Dear Future Me.
In 2024, Onyige won the Best Indigenous Language Series award at the AMVCAs for Irora Iya. He also served as director of photography on Grind, now on Amazon Prime. His documentary Sunset in Makoko was nominated for Best Documentary at the AMVCAs. He also worked as a cinematographer on the Emmy Award–winning documentary Mothers of Chibok.
Onyige says young people looking to build a career in film and TV should first look to learn the craft and business of filmmaking, but to master one specific skill. Secondly, he recommends being a team player who sets high standards.
“Be a man or a woman of excellence,” he says. “Integrity will get you jobs that talent alone may not be able to give you.”
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To learn more about the MultiChoice Talent Factory and how to launch a career in African film and television, visit https://
multichoicetalentfactory.com -
Applications for the 2027 intake are still open, and the closing date is 27 May 2026.
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