Showbiz
Court Dismisses MultiChoice Plea to Stop NBC Audit
By Adedapo Adesanya
A Federal High Court in Abuja has refused to grant an application filed by MultiChoice Nigeria Limited seeking an interim order restraining the National Broadcasting Commission (NBC) from requesting any financial, accounting, or tax documents from them.
Justice James Omotosho, in a ruling on the ex-parte motion moved by the applicant’s counsel, Mr Moyosore Onigbanjo (SAN), rather directed all parties, in the interest of justice, not to take any step that could make the outcome of the suit nugatory.
Although the ruling was delivered on Wednesday, its certified true copy was sighted on Friday.
“The ex-parte order for Interim Injunction dated 8th day of May, 2024 and filed 16th day of May, 2024 is hereby refused,” he declared.
Justice Omotosho then adjourned the matter until May 30 for a hearing of the motion on notice.
MultiChoice Nigeria Limited and Details Nigeria Limited, a provider of the subscription-based digital terrestrial television service known as GOtv, are 1st and 2nd applicants.
In the ex-parte motion marked FHC/ABJ/CS/652/2024 dated May 8 and filed May 16 by their lawyer, they sued NBC as the sole respondent.
The applicants sought three reliefs, including an order of interim injunction, restraining NBC from carrying out any investigations of the companies to determine their annual income or NBC levy for the years between 2014 and 2024 pending the hearing and determination of the motion on notice.
They sought an order of interim injunction restraining NBC from requesting, demanding and or receiving any financial, accounting or tax documents from the companies other than the annual audited accounts of the companies already submitted to the commission.
They said this was in according to Section 2 (10) (b) of the NBC Code 6th Edition to determine her remittance of NBC levy for the 2014 to 2024 years of account pending the hearing and determination of the motion on notice.
They equally prayed an order of interim injunction restraining the commission from sanctioning, fining or suspending the companies’ license pursuant to the threats contained in its letter dated April 29 to them, pending the hearing and determination of the motion on notice.
In the affidavit deposed to by the companies’ Head of Compliance, Mr Gozie Onumonu, he averred that the firms were mandated under the various NBC Codes to pay a certain percentage of their income as annual NBC levy to the respondent.
He said that the current code; NBC Code 6th Edition, provides for 2.5 per cent of the income of a broadcaster to be paid to the respondent yearly as an annual NBC levy while the erstwhile code which was amended in 2019 provides for 1.5% of the income of a broadcaster to be paid to the defendant yearly as an annual levy.
He claimed that the companies had never defaulted in paying their annual levy to the commission.
“Income as provided by the NBC Code 6th Edition is not defined nor is it defined in any other previous editions nor in the NBC Act 2004.
“As a result of the lack of definition of what an income is, there was a dispute between the applicants and the respondent in the year 2014 about whether income should be turnover or revenue minus the cost of production.
“After due negotiations, meetings, etc., between the applicants and the respondent, it was agreed by the applicants and respondent that income should be revenue minus cost of production.
“In the year 2014, when the applicants subtracted the cost of production from their revenue in order to arrive at the then 1.5 per cent required of the applicants under the NBC Code 5th Edition, what was left for the applicants to pay to the defendant in compliance with the 1.5 per cent requirement of the NBC Code 5th Edition was negligible.
“The amount the respondent would have been entitled to, from the applicants as annual NBC levy between 2014 to 2019 if the applicants were to strictly pay the 1.5 per cent annual NBC levy provided by the 5th Edition of the Code was small and the respondent might not be able to carry out its administrative functions in view of its financial needs.
“Specifically, in the year 2014 and 2015, the amount that would have been due to the defendant as 1.5 per cent of the annual income of the 1st applicant was N2.1 million (N2,167,254)
“As a result, the respondent beseeched the applicants to consent to the payment of a fixed sum of N500 million (N500,000,000) as annual levy for the applicants’ licence period of 2014 to 2019 the sum of which was far more than what the plaintiffs were supposed to be paying to the respondent if the applicants were to pay only the 1.5 per cent of their annual income as provided by the NBC Code.
“For the years 2014 to 2019 the respondent wants to investigate to verify whether the applicants paid up to 2.5 per cent of their annual incomes as annual NBC levy, the operational NBC Code then was the NBC Code, 5th Edition and it requires broadcaster to pay 1.5 per cent of their annual incomes as annual levy,” he said.
Mr Onumonu, who said the companies had already submitted a certified true copy of their audited account for the previous year(s) to NBC, said the commission was paid over N12 billion (N12, 490, 000, 0000) as annual levy from 2014 to date.
The officer described NBC’s action as an abuse of power, urging the court to grant their plea in the interest of justice.
Showbiz
Davis Offor ‘Clarus’ of New Masquerade Comedy Sitcom Dies
By Modupe Gbadeyanka
A veteran Nigerian actor, Mr Davis Offor, who dazzled many viewers with his role as Clarus in the famous New Masquerade, is dead.
The death of the 83-year-old actor was confirmed on Tuesday by Mr Tony Akposheri, who acted as Zaki in the now-rested comedy sitcom.
“Davis Offor, fondly known as Davis Offor, our own Clarus from New Masquerade, is gone.
“We crossed into the New Year together, laughing, talking, sharing memories, and speaking hopefully about the days ahead. We spoke about life, about plans, about how far we had come. None of us knew that time was already counting differently for you.
“Life, as always, had its own plans.
“You were more than a familiar face on screen. You were a friend, a brother, a man with warmth, humour, and a presence that could light up any space. Knowing you personally was a gift I will always be grateful for.
“It is hard to believe that the voice I heard not long ago is now a memory. Hard to accept that someone so full of life can suddenly become a story we tell.
“Rest well, my friend. You came, you gave joy, you made your mark, and you will never be forgotten,” Mr Akposheri wrote on his Facebook page.
Showbiz
The Yard, The Low Priest, Mother of the Brides Score AMVCA 12 Nominations
If you’ve been sleeping on Africa Magic Originals, consider this your wake-up call. Shows like The Yard, The Low Priest, and Mother of the Brides are racking up nominations at the 12th Africa Magic Viewers’ Choice Awards. From gripping social drama to supernatural chaos and family madness, these homegrown productions are proof that Africa Magic has some of the continent’s most compelling storytelling.
With the awards set to take place on May 9 in Lagos, now is the perfect time to catch up on these standout series. Whether you’re watching for the first time or catching up, Africa Magic Originals are proving why they’re leading the charge in bold, diverse, and unforgettable storytelling.
The Yard
If you love a story where the hero slowly becomes the villain, The Yard was made for you. The series delves into the brutal world of the Ajako bus park, ruled by the ruthless Chief Odafe. It follows Tega, a struggling bus driver, and Odafe Junior, the chairman’s privileged son, who form an unlikely alliance to challenge the system, only to realise that power comes at a dangerous cost.
At AMVCA 12, The Yard is nominated for Best Scripted M-Net Original, Best Series Scripted, and Simileoluwa Hassan is up for Best Supporting Actor for his role in the series.
Our Husband
Our Husband tells the story of Zara Nnamani, whose seemingly perfect life unravels when she discovers her husband’s infidelity. His sudden fatal heart attack leaves her with a devastating secret, forcing an unlikely alliance with his mistress, Ololade, bound together by a truth that could destroy them both.
The writing is just as sharp as the drama, as the series earned a Best Scripted M-Net Original and Best Writing TV Series nomination for this series, proving that the storytelling is as compelling as the plot itself.
Mother of the Bride
Imagine finding out that your entire inheritance depends on marrying off one of your daughters in 45 days. That’s the premise of Mother of the Brides, and it is as chaotic and delightful as it sounds.
The series is a family drama about a Lagos matriarch who, after her husband’s death, discovers she has 45 days to marry off one of her four daughters or lose her inheritance to tradition. Every episode is basically a masterclass in family pressure, wedding drama, and the very specific madness of Nigerian matchmaking culture.
Gloria Anozie-Young is nominated for Best Lead Actress, alongside a Best Scripted M-Net Original nod for the show itself.
The Low Priest
This one is for everyone who loves their drama laced with supernatural twists. The Low Priest follows two rivals who trespass into a sacred shrine, triggering a fate where one is chosen by the gods and the other is cursed. Directed by Femi Ogunsanwo, the series spans 130 episodes packed with ancient forces, mortal grudges, and moral dilemmas that keep you hooked.
The Low Priest is nominated for Best Scripted M-net Movie.
Cast Your Votes and Catch Up
Public voting is underway and closes on April 26, 2026. Head to africamagic.tv/amvca to cast your votes.
You can also catch these shows on the DStv / GOtv Stream app.
Showbiz
The Best AI Music Sites for Testing Creative Direction
A great deal of creative work fails before it ever becomes visible. The lyric stays in a notes app. The campaign concept remains a vague mood board. The video edit waits for a soundtrack that never arrives. The product teaser feels almost finished but emotionally incomplete. In many of these cases, the problem is not lack of imagination. It is the difficulty of testing direction quickly enough. People can often describe what they want more easily than they can produce it. That is why an AI Music Generator has become valuable far beyond entertainment. It helps creators test whether an idea actually works in sound.

This is a better way to understand the rise of music AI. The category is not only about replacing production. It is about accelerating evaluation. A creator with a vague concept can now ask for several musical directions and compare how each one changes the feel of the project. A lyric writer can hear whether a phrase holds up melodically. A marketer can judge whether a launch video should sound cinematic, calm, urgent, or playful. A small team can move from mood assumptions to audible evidence much faster than before.
When music AI is treated as a tool for testing direction, ToMusic deserves the first position in a top-ten ranking. The platform is not simply about output. It is about interpretability. It gives users a visible path from prompt or lyrics to song creation, offers multiple model choices, supports an instrumental option, and keeps the process close to how people naturally think about ideas. That combination matters because it lowers the friction of creative testing. In that sense, Text to Music is not only a feature category. It is a decision-making tool for modern creators.
Why Creative Direction Matters More Than Pure Output
Many AI music discussions focus too heavily on the final sound. That misses the earlier stage where most value appears.
Creative work begins with uncertainty
At the start of a project, people often do not know exactly what they want. They know the feeling they are aiming for, but not yet the best execution.
Hearing options clarifies ideas faster than imagining them
It is easier to compare two concrete musical versions than to compare two abstract mental possibilities. AI makes those comparisons cheaper and faster.
Direction testing is useful even when the track is not final
A generated result can still be highly valuable if it tells the user what to change next. Not every output needs to be the finished piece in order to be useful.
The best platforms reduce the cost of exploration
The more easily a tool helps users test another direction, the more practical it becomes in everyday work.
The Ten Best Music AI Platforms for Direction Testing
This ranking focuses on which platforms help users hear, compare, and refine creative directions most effectively.
| Rank | Platform | Best Direction Testing Strength | Best Use Case | Main Limitation |
| 1 | ToMusic | Clear movement from prompt or lyrics to testable output | Broad creator use, from songs to instrumentals | Still depends on the quality of the brief |
| 2 | Suno | Fast comparison of complete song ideas | Immediate full-song testing | Sometimes broad rather than precisely targeted |
| 3 | Udio | Strong feel for alternate musical interpretations | Creative exploration and stylistic testing | Often rewards more patient steering |
| 4 | SOUNDRAW | Quick testing of background music tone | Creator content and media scoring | Less central for lyric-driven songs |
| 5 | Beatoven | Mood comparison for visual projects | Video and podcast emotional framing | Narrower than song-first platforms |
| 6 | Mubert | Rapid utility-based soundtrack trials | Social and commercial content | More functional than emotionally nuanced |
| 7 | AIVA | Structured compositional direction testing | Soundtrack and arrangement-minded users | Less instantly approachable |
| 8 | Loudly | Creator workflow experimentation | Broader creator ecosystem use | Can feel less focused at first touch |
| 9 | Boomy | Easy first tests for non-musicians | Beginner experimentation | Lower ceiling for deep control |
| 10 | Musicfy | Vocal style and voice direction testing | Voice-centered projects | More specialized than all-purpose |
Why ToMusic Is the Strongest First Recommendation
ToMusic ranks first because it does more than generate music. It helps users organize uncertain ideas into a workable creative process.
It accepts multiple kinds of intent
Some people want to test a lyrical idea. Some want to test mood. Some want to know whether an instrumental version will serve the project better than a vocal one. ToMusic supports all of these without forcing users into a single rigid input style.
It makes the creative choices legible
A product becomes easier to trust when the user can see what it is asking for. ToMusic’s visible modes, model choices, and input paths reduce confusion and make experimentation more deliberate.
It turns early ambiguity into audible comparison
This is perhaps its most practical strength. A user can start with a basic direction, hear the result, identify what feels off, and then refine from there. That is how real creative work usually develops.
Its balance gives it broader relevance
A specialist platform can be excellent in one narrow task. ToMusic’s advantage is that it handles several adjacent tasks well enough to remain useful across different kinds of projects.
How the Other Platforms Fit This Same Goal
A top ranking is more credible when the alternatives are understood accurately.
Suno is extremely useful when speed is the main need
If a user wants a complete sounding draft quickly, Suno remains one of the most accessible choices. It is especially useful when the purpose is to judge direction rather than to finalize detail immediately.
Udio is strong for users who enjoy refinement
Some creators want more than a quick answer. They want a platform that invites comparison and iterative musical shaping. Udio often attracts those users.
SOUNDRAW and Beatoven work best when music supports something else
These tools become especially valuable when the music is serving a video, podcast, or commercial asset. In those cases, the question is often not “Is this a great song?” but “Does this create the right atmosphere?”
Mubert is practical when turnaround matters most
For creators who need speed across many assets, a utility-first platform can be a better fit than a tool centered on songwriting or emotional nuance.
The lower-ranked tools still matter in specific scenarios
AIVA, Loudly, Boomy, and Musicfy each remain relevant when their narrower strengths match the task. The ranking is not about dismissal. It is about general usefulness across a broad set of creative tests.
The Official ToMusic Workflow as a Direction Testing Loop
One reason ToMusic ranks first is that its official flow is already aligned with the way people test ideas.
Step 1. Choose the creation route
Users begin by selecting a simpler or more custom path and then choose the model that suits the kind of result they want.
Step 2. Enter the idea in words or lyrics
The user can provide a description, style direction, title, or full lyrics. If vocals are not needed, instrumental mode is available.
Step 3. Generate the track and listen critically
The first output answers a simple question: is this direction promising enough to continue?
Step 4. Revise the brief if the direction is not right
If the result misses the emotional mark, the user changes the brief and tests another version. That cycle is the core of the product’s practical value.
How Different Types of Creators Use Music AI to Test Direction
The same platform category can serve very different creative situations.
Songwriters use it to hear possibility
A lyric on a page often feels unfinished until it meets melody and arrangement. AI tools help writers find out whether a phrase carries emotional weight in performance.
Video creators use it to test emotional framing
The same footage can feel dramatic, intimate, playful, or premium depending on the soundtrack. Music AI makes those comparisons much faster.
Brands and marketers use it to reduce concept risk
Before investing in custom audio production, teams can test different emotional routes and decide which one aligns best with the campaign.
Independent creators use it to extend creative reach
People without formal production training can now hear musical options that would previously have remained theoretical.
Professionals use it as an early-stage filter
Even experienced creatives can benefit because the tools help them reject weak directions earlier and preserve time for stronger ones.
The Credible Limits of This Category
A realistic ranking should also explain where direction testing still has limits.
A platform cannot fully rescue a weak brief
If the creative input is too vague, the output may also feel vague. Clear intent still matters.
More options do not always create better choices
There is a point where too many variations can become distracting. Good users still need taste and selection discipline.
A draft is not the same as a finished piece
This sounds obvious, but it is important. The value of AI often appears before final production, not only at the point of release.
Testing direction still requires judgment
The tool can present possibilities, but the human still decides which direction truly serves the project.
Why ToMusic Leads This Top Ten List
ToMusic earns first place because it turns uncertain ideas into testable audio with unusual clarity. It supports both descriptive prompting and lyric-driven input. It offers multiple model paths instead of forcing every task through one system. It includes an instrumental route, which expands its usefulness well beyond full vocal songs. And most importantly, it makes the workflow easy to understand at the moment when users are still deciding whether their idea is worth pursuing.
That does not mean every competitor is weak. Suno remains a powerful recommendation for users who want immediate full-song outputs. Udio is attractive for people who enjoy deeper exploration of musical feel. SOUNDRAW, Beatoven, and Mubert are all very sensible choices when the assignment is media-first rather than song-first. AIVA, Loudly, Boomy, and Musicfy each make sense when their specialty aligns with the task.
But when the question is which platform best helps a broad range of creators test direction quickly, clearly, and repeatedly, ToMusic stands above the others. It meets users at the earliest stage of creation, where uncertainty is highest and decision value is greatest. In that stage, speed alone is not enough. Clarity matters. Flexibility matters. Interpretability matters. That is why ToMusic deserves the first position here.
The broader lesson is that music AI is becoming most valuable not where it imitates finished production most perfectly, but where it helps creators think in sound sooner. Once that happens, ideas stop waiting in silence. They become something a person can hear, compare, reject, improve, or move forward with. That shift is larger than novelty. It is a new way of making creative judgment practical.
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