Showbiz
Prestige, Impact: Why AMVCA is the People’s Award Show
By Tutu Akanni
As the 11th edition of the Africa Magic Viewers’ Choice Awards (AMVCA) approaches, public attention, once again, has been drawn to MultiChoice’s consistent excellence and ability to deliver structure and spectacle, especially in contrast to the growing dissatisfaction with other industry award platforms.
Just days after the 2025 edition of the Headies left fans and industry stakeholders disappointed, with confusion marking much of the night’s proceedings, a new conversation has taken over the Nigerian entertainment space.
While the Headies stumbled through yet another year of technical lapses and disjointed programming, attention has swiftly shifted to a platform known for its meticulous execution: Africa Magic Viewers’ Choice Awards (AMVCA), set to hold its 11th edition on 10th May.
What is surprising is not just the public frustration with the Headies but the growing number of voices openly calling on MultiChoice Nigeria, the organisers of AMVCA, to take over the management of other awards, including the Headies.
In an industry where spectacle often overshadows organisation, the AMVCA has built a reputation for doing things differently. And as many observed over the weekend, the gap in professionalism and prestige is no longer subtle; it’s glaring.
Over the last decade, the AMVCA has grown into one of the continent’s most influential cultural events. Since its debut in 2013, it has not only celebrated African storytelling with consistency and class but has also contributed significantly to the Nigerian economy. In that time, MultiChoice Nigeria has invested over ₦9 billion directly in the production of the AMVCA, including awards, training, and talent development initiatives.
More than 27,000 jobs have been created as a result of the event and its extended ecosystem, spanning event production, content creation, media, logistics, fashion, and hospitality. The awards have recognised over 300 exceptional
talents across various categories, offering a platform that truly reflects the diversity and dynamism of the continent’s film and television space.
Even more impressive is the over N623 billion channelled into the Nigerian film and television economy through MultiChoice’s broader investment in content and infrastructure, an economic impact that places AMVCA at the centre of Africa’s creative renaissance.
The contrast between AMVCA and the recent Headies could not be more pronounced. While the former struggled to hold the audience’s attention and, in some cases, even manage the basic technical requirements of a live show, the AMVCA has built a legacy of excellence, year after year. From world-class stage design to tight production schedules, transparent nomination processes to glamorous red carpet experiences, every aspect of the AMVCA is marked by intention and execution.
It’s no wonder that public sentiment is leaning heavily in favour of MultiChoice, with the public praising the structure and credibility AMVCA has consistently delivered.
These are not random musings; they reflect a real hunger for higher standards in how we celebrate and elevate African talent.
As the AMVCA returns, it is clear that it has become more than an award show. It is a cultural institution, a symbol of what is possible when investment, planning and passion come together to celebrate creativity. While other platforms grapple with inconsistency, the AMVCA continues to raise the bar, demonstrating that excellence is not accidental but built over time with vision and commitment.
This year’s AMVCA introduces a significant innovation: the ‘Best Music Score’ category.
While this might seem like a small change on paper, it’s a major shift in practice. This move addresses longstanding criticism of music’s critical role in film storytelling. By recognising composers and sound designers, the AMVCA acknowledges the intricate layers that music adds to cinematic narratives, enhancing emotional depth and audience engagement.
The introduction of this category is more than a nod to musical contributors; it signifies the AMVCA’s commitment to evolving with the industry’s standard and recognising all facets of film production. It’s a testament to the awards’ dedication to inclusivity and comprehensive recognition of talent.
Even this year’s nominee list reflects the same spirit of rebirth. While iconic names continue to appear, there’s a visible shift toward rising talents and first-time nominees. In categories like Best Lead Actress and Best Supporting Actor, younger stars like Gbubemi Ejeye and Darasimi Nnadi are taking centre stage. It’s a generational handover unfolding in real time, an intentional celebration of both legacy and new blood.
Behind the scenes, the awards maintain their credibility with a top-tier jury led by FemiOdugbemi, a respected filmmaker and culture advocate, who serves as Head Judge. His decades-long dedication to African cinema adds weight and wisdom to the selection process. The jury includes a mix of professionals across directing, cinematography, writing, and production, ensuring that recognition goes to those who truly deserve it, with fairness and rigour.
But beyond the glitz, what makes AMVCA such a powerful platform is the sense of purpose that drives it. It understands that African storytelling is not just about entertainment; it’s about identity, legacy, and pride. And it treats its audience with respect, understanding that credibility is built not just through applause but through consistency.
In stark contrast, the recent shortcomings of other award platforms highlight the importance of structure and vision in executing events that honour artistic achievements, like the recent fallout from the most recent award ceremony.
Viewers have called out the chaotic sequencing, last-minute venue changes, and awkward stage moments that plagued the event.
In a time when many industries are re-evaluating what excellence looks like, the AMVCA stands as proof that African institutions can lead at a global standard. And it continues to grow, not by accident but by design.
In the final analysis, the question may no longer be how to fix broken platforms but how to replicate what the AMVCA has done right. And if recent conversations are anything to go by, more and more people believe that the answer lies in letting those who understand structure, scale, and purpose lead the way.
Akanni, a culture enthusiast, writes from Lagos
Showbiz
Watching BBN and the World Cup Is No Longer a Location Thing
Big Brother Naija Reunion is on, the World Cup tournament is kicking off, or that new DStv/GOtv series everyone has been talking about just dropped, and somehow, you’re not at home. Maybe you’re in traffic, at work, or just not near a TV. In moments like these, the real question is no longer “what’s showing?” but “how do I not miss it?”
That shift is precisely why the DStv and GOtv Stream have become more than just viewing platforms. They are now part of how people actually experience television on the move, at home, on phones, and in real time.”
Whether it’s someone trying to catch a live show while commuting, watching highlights during a break at work, or simply preferring to stream directly from their device instead of using a decoder, these apps have quietly changed how entertainment is consumed.
But beyond streaming and access, many users still don’t fully understand how to navigate them properly. Here’s a simple guide.
1. Getting Started
Download the DStv Stream or GOtv Stream app from your device’s app store and sign in using your DStv or GOtv account details.
Once you’re logged in, you’ll land on the home page, where you’ll find a mix of live TV, recommended content, trending titles, and recently added shows.
2. Watching Live TV
One of the easiest ways to use the platform is through the Live TV section.
Simply:
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Tap on Live TV
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Browse available channels
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Select the channel you want
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Start watching instantly
This is especially useful for:
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Big Brother Naija live broadcasts
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Football matches and tournaments
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News coverage
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Reality shows
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Live events
You can move between channels just as you would on a decoder.
3. Finding Shows and Movies
For viewers who already know what they want to watch, the search feature offers a quick way to find specific shows, movies, channels, or sporting events without scrolling through categories.
The platform also organizes content into categories, making it easier to discover something new.
4. Catch Up on Missed Episodes
If you missed an episode because you were busy, the catch-up feature allows you to watch selected programs after they have aired. Instead of waiting for reruns, you can simply search for the show and pick up right where you left off. This feature is especially useful during busy periods when it can be difficult to keep up with daily shows.
5. Explore Recommended and Trending Content
The home page regularly highlights:
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Trending shows
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Newly added content
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Popular movies
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Recommended titles based on viewing habits
If you’re not sure what to watch next, this section can help you discover content you may have otherwise missed.
6. Accessing Showmax Content
One of the biggest additions to the streaming experience is the integration of Showmax content.
Viewers can now access a wide range of Showmax movies, series, and entertainment content directly through the streaming platform, making it easier to move between live TV and on-demand viewing without constantly switching services.
From international blockbusters to local favorites, there’s significantly more content available to explore.
7. Creating a Personal Viewing Experience
The platform allows users to:
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Continue watching from where they stopped
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Save favorite content
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Browse viewing history
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Discover personalized recommendations
This makes it easier to keep track of ongoing series and find content that matches your interests.
With the DStv Stream and GOtv Stream, live channels, catch-up viewing, on-demand entertainment, and Showmax content are all available in one place, making it easier than ever to watch what you want, when you want, and wherever you are.
Showbiz
Drama, Tears, and Showdowns: BBNaija Reunion Starts on Heated Note
The Big Brother Naija Season 10 reunion kicked off yesterday, and honestly, nobody was prepared for how quickly things went from zero to heated. From unresolved tensions to emotional confessions, it looks like the housemates came ready to finally say everything they’ve been holding back.
If episode one is anything to go by, the rest of the reunion is set to be explosive.
Here are some of the highlights from Episode 1 of the reunion:
Sabrina opened up about her early exit, saying that if she had stayed longer, viewers would have seen more of her personality, and that a love interest storyline likely wouldn’t have happened.
Tracy reflected on her time in the house, admitting she didn’t feel emotionally prepared for the experience. She also expressed that while she wanted a deeper connection with Kuture, things felt too physical for her.
Zita revisited her time in the house as well, insisting her fight with Mide was not performative and that she often felt cornered by how things played out. Mide, however, pushed back, saying Zita misunderstood her intentions and that she is not condescending.
Zita and Danboskid also addressed their failed “ship,” finally laying the relationship drama to rest.
Thelma had an emotional moment while defending herself in the Isabella and Kayinkumi situation, with tensions rising further when Big Soso jumped into the conversation, escalating things between her and Thelma.
We also saw more tension unfold between Tega and Thelma, with revelations that added even more weight to their already strained dynamic.
And just when we thought it couldn’t get any hotter, the episode ended on a cliffhanger, with Kola and Doris going head-to-head, leaving viewers waiting for what comes next.
If this is just episode one, the rest of the reunion promises nothing short of chaos, clarity, and confrontations.
Big Brother Naija S10 reunion is clearly not holding back this year. You can catch all the drama at 10 pm on Africa Magic Showcase and 10:30 pm on Africa Magic Family on DStv and GOtv.
Showbiz
SuperSport Wakes Up the Continent with ‘The Morning Cup’ – A FIFA World Cup Daily Breakfast Show Like No Other
Nigerian comedy heavyweight Basketmouth and South African broadcast royalty Phat Joe lead a pan-African cast in a new morning show blending football, culture, lifestyle and entertainment.
As the 2026 FIFA World Cup kicks off across the globe, SuperSport will launch The Morning Cup, a live daily breakfast show designed to redefine how fans start their World Cup mornings.
Premiering on Wednesday, 10 June, the show brings together football, music, entertainment and conversation in a fast-paced, pan-African studio format.
Anchored by SuperSport presenters Lwazi Ziqubu and Fiso Mazibuko, the show features Basketmouth, Phat Joe, Sarah Hassan and Sirayah Shiraz as part of its rotating co-host lineup.
“I am excited because it is different,” Basketmouth says. “It is not just football, it is an experience. Music, culture, our vibe, everything coming together from a perspective you will not find anywhere else.”
“I will be hanging out with some really funny guys, too. Humour is everywhere, and my job is to find those moments and bring them into the conversation.”
On what to expect from him on the show, he adds:
“We are your recovery crew, replaying the best moments you might have missed and keeping it fun. I am bringing the Naija flavour into it. SuperSport did great with this one.
For Phat Joe, the show marks both a return and a new kind of stage.
“Look, anytime you get a call from SuperSport to do a show for a billion people, you answer,” he says.
“But when it’s for a brand-new show with a fresh format and a pan-African cast of hosts? That’s not just a gig, that’s an invitation to be part of something special. I’m hyped to be back in the building. I never left TV, I just took a strategic pause.”
Highlighting the tone of the show, he adds:
“The energy. Most shows talk at you. The Morning Cup feels like it’s waking up with you, family fun every morning with your favourite personalities during the World Cup. Morning TV means I actually get to sleep like a normal human being again. So, my wife is thrilled.”
Earlier today, the cast teased the launch through a cross-continental radio takeover, with Basketmouth on Brila FM in Nigeria and Phat Joe on 947 in South Africa, giving a preview of the show’s tone of banter and chemistry.
And that chemistry, according to Phat Joe, is already questionable.
“Chemistry? What chemistry? I think the producers messed up. I’m asking them to recast some of the positions as we speak,” he jokes.
“Sarah Hassan is a math nerd. You know she studied to be an actuarial scientist? Actress, my foot. She’s going to be busy trying to predict when all the cast members are going to die.”
“Basketmouth is probably going to try to re-kick-start his rap career again on the show for the umpteenth time. The only cast member I like is Sirayah. The producers needed someone to make me look taller, she’s 4’11”, you know.”
Kenyan actress Sarah Hassan brings a contrasting energy to the lineup.
“I am incredibly excited. It’s a true honour to work alongside Joe and the pan-African team. It’s great to be on a show that’s going to give perspectives from all over Africa with hosts from all parts of the continent. It’s a truly African morning show,” she says.
“I’m loving every moment of this journey and honestly don’t want it to end. This is an absolute dream come true. To be here at SuperSport hosting a show of this magnitude, at such an exciting time for football, is fantastic. I am truly at a loss for words.”
She adds: “Being in South Africa right now, it only feels right to throw my full support behind Bafana Bafana. My beloved Kenya would always be my first choice if they were here, but in their absence, I’m Bafana all the way.”
Set against a communal, vibrant backdrop, The Morning Cup captures the rituals and emotions that define the World Cup experience.
Viewers can expect international football legends, daily hot takes, round-table discussions, comedy inserts, fashion segments and on-the-ground content from across Africa and the United States.
Fans can tune in daily from Wednesday, 10 June at 6:00 am to 7:00 am on SuperSport’s FIFA World Cup Central (DStv Channel 202), with multiple replays and on-demand viewing available on DStv Stream and GOtv Stream.
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