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Nigeria Will Add $2.8b, Kenya $3.2b, SA $13.4b to E&M Sector by 2021—Report

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By Dipo Olowookere

A report by PwC titled ‘Entertainment and Media Outlook: 2017 – 2021: An African Perspective’ has revealed that during the period under review, Nigeria will contribute about $2.8 billion to the Entertainment and Media industry.

According to the report, “In terms of total E&M revenue, Nigeria is one of the fastest-growing countries in our Outlook, but this figure must be treated with caution, as a huge proportion of that growth comes from Internet access revenue alone–specifically mobile Internet access revenue.

“Of the $2.8 billion that the Nigerian market will add between 2016 and 2021, all but $452 million will come from Internet access revenue. The combined elements of TV and video will add nearly $200 million in revenue growth to 2021.”

PwC, in the report, explained that the Outlook was a comprehensive source of analyses and five-year forecasts of consumer and advertising spending across five countries (South Africa, Nigeria, Kenya, Ghana and Tanzania) and 14 segments: Internet, data consumption, television, cinema, video games, e-sports, virtual reality, newspaper publishing, magazine publishing, book publishing, business-to-business publishing, music, out-of-home, and radio.

The report further pointed out that it observed significant shifts are underway in how Africa’s E&M companies compete and generate value, as the quality of the experience they deliver to consumers becomes their primary basis for strategic differentiation and revenue growth.

To thrive in a marketplace that is increasingly competitive and crowded, companies are focusing on implementing strategies and building capabilities to engage with consumers.

It said for Kenya, “The E&M industry was worth $2.1 billion in 2016, up 13.6 percent on 2015. Revenue is forecast to grow at an 8.5 percent CAGR over the next five years, hitting the $3 billion mark in 2020, and totalling $3.2 billion in 2021.

“Internet access is the most established industry within the Kenyan market, boasting the largest revenues and one of the highest growth rates to 2021.”

However for Ghana, its E&M industry is beginning to gear up.

“In 2012, total revenue was just at $214 million, but four consecutive years of year-on-year growth above 25 percent have led it to revenues of $685 million in 2016. This is forecast to more than double over the next five years, with revenues of $1 billion being surpassed in 2019 and a total of $1.5 billion forecast for 2021, thanks to a 16.5 percent CAGR,” the report stated.

According to PwC, “Tanzania’s total E&M revenue stood at $504 million in 2016, but is set to more than double to $1.1 billion in 2021, a 17.2 percent CAGR over the coming five years.

“The symbolic crossing of the $1 billion mark is set to occur in 2021. This is significant growth from 2012 where the industry stood at just $175 million.”

The report, in its analysis of the South African market, said by 2021, total E&M revenue in the country is expected to reach R177.9 billion (about $13.4 billion), up from R132.7 billion in 2016.

It noted that internet access remains the key growth driver and will account for R27 billion of this increase.

The fastest growing sectors will be virtual reality (VR) and e-sports compounded annually at 72.6% and 39.6%, although these segments are still new revenue lines and remain the smallest in terms of absolute revenue numbers. Although overall growth in revenue will hold up, it is expected to slow down by the end of 2021.

“Companies that wish to capture value amid shifting consumer preferences and business model disruptions must focus on an increasingly prominent source of competitive advantage: the user experience. They must harness technology and data to attract, retain and engage users–and convert them into devoted fans,” says Vicki Myburgh, Entertainment and Media Industry Leader for PwC Southern Africa. These imperatives assume a larger importance because, as we document in the Outlook, the entertainment and media industry is confronting several challenges to continued top-line growth.

Digital spend will continue to drive the overall growth. Nearly 40% of total spend will be derived from Internet access in revenue. South Africa’s mobile Internet penetration is forecast to rise to 77.8% by the end of 2021 from 52.3% in 2016. This increased Internet penetration will drive mobile Internet access revenues, which are projected to grow by a CAGR of 10.7% to nearly R62 billion.

South Africa can expect a CAGR of 7.2% for consumer revenue over the forecast period, rising from R87.4 billion in 2016 to R123.7 billion in 2021. The largest contributor will be Internet access, with a 48% share in 2016 rising to 56% in 2021.

South Africa continues to remain the largest TV market on the African continent, with total revenues of R40.9 billion in 2016. The total TV market is estimated to be worth R51.2 billion by 2021. At this time, end-user spending (Pay-TV subscriptions, physical and Internet home video and license fees) will account for 56.7% of the total TV market.

The video game market is also performing well and revenue is forecast to grow at a CAGR of 15.4% to reach R5.4 billion in 2021, up from R2.6 billion in 2016. The primary growth driver in the video games market is social/casual gaming revenue, which will be worth R3.7 billion by 2021. Furthermore, the console and PC markets are experiencing a significant shift towards digital and online/micro transaction revenue, which will exceed physical sales for the first time in 2020.

The growing interest in gaming is helping to fuel the rapid growth in the related segment of VR and e-sports. As a segment that only reached consumers in 2016, almost the entire VR market is new. According to the Outlook, the consumer VR content market will be worth R455 million by 2021. Of this, R282 million will be spending on VR video.

Alongside video, the B2B market is showing continued growth. In 2016 revenues grew by 3.8% to R9.7 billion and by 2021 this is forecast to rise to R11 billion, a CAGR of 2.6%. The slowdown in growth is largely attributable to ongoing macroeconomic challenges which are likely to weigh on B2B revenues.

The South African cinema sector currently presents a mixed picture. Overall revenue, including box office and cinema advertising, is expected to reach R2.2 billion in 2021, up from R1.9 billion in 2016. South Africa continues to be an attractive destination for international filmmakers. Although some short-term economic and political issues are impacting the film sector, it is expected in the long term to continue to expand.

South Africa’s music industry is on a growth curve with live music being a key driver. Live music revenue is expected to rise from R1.2 billion in 2016 to R1.7 billion in 2021, a CAGR of 7.4% over the forecast period.

It is notable that only one digital subcomponent is seeing a significant decline in the entire Outlook – digital music downloading revenue, which is forecast to see a -15.7% CAGR, as consumers shift from ownership to access. Digital music streaming revenue is forecast to rise at a CACR of 34.5% to 2021, reaching R518 million in that year. This growth rate is only beaten by new revenue lines from VR and e-sports.

Among the largely non-digital segments, magazines and newspaper revenue are set to continue their decline. Total newspaper revenue in the South African newspaper market has been unpredictable. The market showed growth in 2013, declined in 2014 and bounced back marginally in 2015, contracting at a slower rate. In 2016, total newspaper revenue was worth R8.9 billion, but this figure is forecast to drop to R7.4 billion in 2021. Marginal growth is expected for the book publishing industry over the next five years. The educational book market will contract by a -0.1% CAGR. On the contrary, professional titles and consumer books will exhibit some growth as e-book revenues continue to grow.

The report shows that South Africa’s total entertainment and media advertising revenue is expected to rise to R54.2 billion by 2021 from R45.3 billion in 2016, representing a 3.7% CAGR. TV advertising remains dominant, but in terms of absolute growth it is Internet advertising that is almost an equal contributor, helped by a sizeable 12.9% CAGR.

Myburgh says: “It is clear that something fundamental has changed in the entertainment and media industry. E&M companies that have become accustomed to competing and creating differentiation, based primarily on content and distribution, need to focus more intensely on the user experience. The marketplace has increasingly become more competitive, slower-growing and dependent on personal recommendations.

“Thriving in this new world of intense competition and continual disruption will be challenging. The opportunities are, however, immense. Across the industry, the resulting quest to create the most compelling, engaging and intuitive user experiences is now the primary objective for growth and investment strategies, with technology and data at the centre.

“Accordingly, companies will need to develop strategies to engage, grow and monetise their most valuable customers: their fans.”

Dipo Olowookere is a journalist based in Nigeria that has passion for reporting business news stories. At his leisure time, he watches football and supports 3SC of Ibadan. Mr Olowookere can be reached via [email protected]

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TikTok Partners NITDA, DSN in Second Phase of Digital Safety Programme

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By Adedapo Adesanya

Social, short-form video content platform, TikTok has announced the launch of the second phase of its #SaferTogether digital safety and awareness programme in collaboration with the National Information Technology Development Agency (NITDA) and Data Science Nigeria (DSN).

The initiative, which began in 2022, aims to enhance digital safety across Nigeria by educating parents, teachers, and guardians on how to help young people navigate TikTok and the broader digital landscape safely.

The first phase of the #SaferTogether campaign successfully educated 537 teachers and 1,037 parents in cities like Abuja, Lagos, and Kano about TikTok’s safety features and promoting positive mental health online.

Now, building on this success, the second phase will include NITDA as a strategic partner, aligning with its mission to foster digital literacy and enhance technology infrastructure.

The company said Phase 2 will extend the programme’s reach to additional regions, including Edo and Kaduna, and will cover critical topics such as misinformation, cyberbullying, sexting, digital citizenship, fake news, child sexual violence, and data protection.

Workshops will engage a wide range of stakeholders, including civil society organizations, government representatives, community leaders, parents, teachers, and guardians.

Speaking on this development, Mr Fortune Mgwili-Sibanda, TikTok’s Government Relations and Public Policy Director for Africa, emphasized the importance of digital literacy.

“Empowering parents, teachers, and guardians with digital literacy skills is crucial for creating a safer digital environment. Our commitment to community safety is unwavering, and through local partnerships, we are extending these educational resources beyond our platform,” he said.

Adding his input, Mr Olubayo Adekanmbi, Founder and CEO of Data Science Nigeria, highlighted the shared responsibility in making the digital world safer, adding that the organisation will continue to advance this goal.

“We are excited to continue with the Safer Together campaign, providing essential insights on digital wellness to parents, teachers, and guardians.”

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Nigerian Mum Gives Tips on How to Avoid Living Room Conflict

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Fight Night (2)

It’s the weekend. Time to kick back, relax, and catch up on favourite shows, right? Wrong! As a mum with toddlers and a sports-fanatic husband, weekends at my house can also mean the “Battle of the Remote,” with everyone fighting to watch their favourite show, movie, or football game.

When my toddlers are awake, it’s a marathon of kids’ content all day long. If this sounds familiar, don’t worry! I’ve found an affordable way to enjoy my favourite drama series and movies in peace while my husband watches every Premier League match without interruption. Here’s my secret to avoiding living room conflict and enjoying a peaceful weekend where everyone gets their fair share of screen time.

First, make sure you have an internet device. You can check here for a list of devices that are compatible.

Next, sign up for Showmax and subscribe to Showmax Premier League Mobile and Showmax Entertainment All devices plan for just 5,400 naira monthly. This plan allows us to watch Premier League matches live and stream Showmax’s entertainment content on multiple mobile devices. For those with smaller budgets, Showmax has plans as low as ₦1,600 for Entertainment mobile-only. Click here for more details.

To sign up for Showmax, visit the Showmax website, select “Sign up,” choose your plan, and create an account using your email address, mobile number, and password. After verifying your mobile number and entering your payment details, you’re all set to enjoy amazing content without any living room conflict.

Speaking of shows, here are my favourite shows streaming on Showmax this November.

FIGHT NIGHT: THE MILLION DOLLAR HEIST | New Episodes Every Wednesday

Emmy nominee Kevin Hart leads an all-star cast as “Chicken Man,” a smooth-talking hustler who hosts Atlanta’s most exclusive event—until it spirals into chaos. When millions vanish, Chicken Man becomes suspect number one for Detective JD Hudson, one of the city’s first Black detectives.

This series stars the Peacock Original’s stellar cast and also includes Oscar nominees Samuel L Jackson, Taraji P Henson, and Terrence Howard.

With a 96% critics rating on Rotten Tomatoes and holding the #21 spot on their list of the best Watch the trailer here.

THE GOOD DOCTOR S7 | Binge All Episodes Now on Showmax

Dr. Shaun Murphy, a surgeon with autism and Savant syndrome, as he navigates personal and professional challenges. In its farewell season, Shaun and Lea (Paige Spara) adjust to parenthood while Shaun faces a crucial case involving two babies needing the same heart.

Created by Emmy-winning David Shore (House MD), the series has earned an 8/10 IMDb rating and multiple award nominations for Freddie Highmore, including Golden Globe and Critics Choice nods.

The series ends on a high note, with its final episode achieving a 9.4/10 rating on IMDb

Watch the trailer here

LAW & ORDER: ORGANISED CRIME S4 | Binge from Monday, 18 November

In Season 4 of Law & Order: Organized Crime, Emmy nominee Christopher Meloni returns as Elliot Stabler, reprising his iconic role from Special Victims Unit. Now back at the NYPD after a personal loss, Stabler tackles a complex criminal underworld.

This season features guest stars such as Oscar winners Ellen Burstyn and Keith Carradine, BAFTA winner Jennifer Ehle, and Dean Norris from Breaking Bad as Stabler’s brother, Randall. Special SVU cast members Tamara Tunie, Peter Scanavino, and Dann Florek appear in several crossover episodes.

Organized Crime has already been renewed for a fifth season. Watch the trailer here

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Dune: Prophecy, Found S2 Available on Showmax This November

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Showmax

Showmax has unveiled a list of top international series available to customers on the platform this November.

Top on the list is the much anticipated HBO series Dune: Prophecy. Inspired by the 2012 novel Sisterhood of Dune, the series stars Emily Watson, Olivia Williams, and Travis Fimmels. This series is set for global premiere on 18 November and Showmax customers can stream the first episode the same day.

Also scheduled for Showmax this November is season two of the intriguing series, Found, available for streaming from Tuesday, 26 November. Peacock Original’s stellar cast series, Fight Night: The Million Dollar Heist is now available for streaming on Showmax and customers can catch new episodes on Wednesdays. The cast includes Oscar nominees Samuel L Jackson, Taraji P Henson, and Terrence Howard.

The November lineup includes an array of foreign series perfect for binge-watching. Devil’s Peak season 1, and The Good Doctor season 7 both available for streaming; Taktiek season 1, and Chicago PD season 11 are also available for streaming; Law and Order: Organised Crime season 4, available from November 18; and Billy the Kid season 2, available from November 25.

For lovers of top-quality international movies, Showmax collection for the month includes The Fall Guy coming to Showmax on November 18; Civil War by Oscar-nominated writer, Alex Garland set for Showmax on November 25; Kung Fu Panda 4 available for streaming from November 29;  Aquaman And The Lost Kingdom streaming now; The End We Start From, featuring Benedict Cumberbatch, Mark Strong, and Gina McKee, available from November 21.

Other international movies to look out for on Showmax in the month are Pet Sematary: Bloodlines available for streaming now; Heist 88 featuring Emmy’s award winner, Courtney B Vance, available from November 25; Justice League: Crisis On Infinite Earths part one, and all seven blockbusters of Mission Impossible to be available for binge-watch from November 25.

Customers can access all series and movies on Showmax by subscribing to the Showmax Entertainment mobile plan for N1,600. Visit www.showmax.com to sign up

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