Showbiz
Nigeria Will Add $2.8b, Kenya $3.2b, SA $13.4b to E&M Sector by 2021—Report

By Dipo Olowookere
A report by PwC titled ‘Entertainment and Media Outlook: 2017 – 2021: An African Perspective’ has revealed that during the period under review, Nigeria will contribute about $2.8 billion to the Entertainment and Media industry.
According to the report, “In terms of total E&M revenue, Nigeria is one of the fastest-growing countries in our Outlook, but this figure must be treated with caution, as a huge proportion of that growth comes from Internet access revenue alone–specifically mobile Internet access revenue.
“Of the $2.8 billion that the Nigerian market will add between 2016 and 2021, all but $452 million will come from Internet access revenue. The combined elements of TV and video will add nearly $200 million in revenue growth to 2021.”
PwC, in the report, explained that the Outlook was a comprehensive source of analyses and five-year forecasts of consumer and advertising spending across five countries (South Africa, Nigeria, Kenya, Ghana and Tanzania) and 14 segments: Internet, data consumption, television, cinema, video games, e-sports, virtual reality, newspaper publishing, magazine publishing, book publishing, business-to-business publishing, music, out-of-home, and radio.
The report further pointed out that it observed significant shifts are underway in how Africa’s E&M companies compete and generate value, as the quality of the experience they deliver to consumers becomes their primary basis for strategic differentiation and revenue growth.
To thrive in a marketplace that is increasingly competitive and crowded, companies are focusing on implementing strategies and building capabilities to engage with consumers.
It said for Kenya, “The E&M industry was worth $2.1 billion in 2016, up 13.6 percent on 2015. Revenue is forecast to grow at an 8.5 percent CAGR over the next five years, hitting the $3 billion mark in 2020, and totalling $3.2 billion in 2021.
“Internet access is the most established industry within the Kenyan market, boasting the largest revenues and one of the highest growth rates to 2021.”
However for Ghana, its E&M industry is beginning to gear up.
“In 2012, total revenue was just at $214 million, but four consecutive years of year-on-year growth above 25 percent have led it to revenues of $685 million in 2016. This is forecast to more than double over the next five years, with revenues of $1 billion being surpassed in 2019 and a total of $1.5 billion forecast for 2021, thanks to a 16.5 percent CAGR,” the report stated.
According to PwC, “Tanzania’s total E&M revenue stood at $504 million in 2016, but is set to more than double to $1.1 billion in 2021, a 17.2 percent CAGR over the coming five years.
“The symbolic crossing of the $1 billion mark is set to occur in 2021. This is significant growth from 2012 where the industry stood at just $175 million.”
The report, in its analysis of the South African market, said by 2021, total E&M revenue in the country is expected to reach R177.9 billion (about $13.4 billion), up from R132.7 billion in 2016.
It noted that internet access remains the key growth driver and will account for R27 billion of this increase.
The fastest growing sectors will be virtual reality (VR) and e-sports compounded annually at 72.6% and 39.6%, although these segments are still new revenue lines and remain the smallest in terms of absolute revenue numbers. Although overall growth in revenue will hold up, it is expected to slow down by the end of 2021.
“Companies that wish to capture value amid shifting consumer preferences and business model disruptions must focus on an increasingly prominent source of competitive advantage: the user experience. They must harness technology and data to attract, retain and engage users–and convert them into devoted fans,” says Vicki Myburgh, Entertainment and Media Industry Leader for PwC Southern Africa. These imperatives assume a larger importance because, as we document in the Outlook, the entertainment and media industry is confronting several challenges to continued top-line growth.
Digital spend will continue to drive the overall growth. Nearly 40% of total spend will be derived from Internet access in revenue. South Africa’s mobile Internet penetration is forecast to rise to 77.8% by the end of 2021 from 52.3% in 2016. This increased Internet penetration will drive mobile Internet access revenues, which are projected to grow by a CAGR of 10.7% to nearly R62 billion.
South Africa can expect a CAGR of 7.2% for consumer revenue over the forecast period, rising from R87.4 billion in 2016 to R123.7 billion in 2021. The largest contributor will be Internet access, with a 48% share in 2016 rising to 56% in 2021.
South Africa continues to remain the largest TV market on the African continent, with total revenues of R40.9 billion in 2016. The total TV market is estimated to be worth R51.2 billion by 2021. At this time, end-user spending (Pay-TV subscriptions, physical and Internet home video and license fees) will account for 56.7% of the total TV market.
The video game market is also performing well and revenue is forecast to grow at a CAGR of 15.4% to reach R5.4 billion in 2021, up from R2.6 billion in 2016. The primary growth driver in the video games market is social/casual gaming revenue, which will be worth R3.7 billion by 2021. Furthermore, the console and PC markets are experiencing a significant shift towards digital and online/micro transaction revenue, which will exceed physical sales for the first time in 2020.
The growing interest in gaming is helping to fuel the rapid growth in the related segment of VR and e-sports. As a segment that only reached consumers in 2016, almost the entire VR market is new. According to the Outlook, the consumer VR content market will be worth R455 million by 2021. Of this, R282 million will be spending on VR video.
Alongside video, the B2B market is showing continued growth. In 2016 revenues grew by 3.8% to R9.7 billion and by 2021 this is forecast to rise to R11 billion, a CAGR of 2.6%. The slowdown in growth is largely attributable to ongoing macroeconomic challenges which are likely to weigh on B2B revenues.
The South African cinema sector currently presents a mixed picture. Overall revenue, including box office and cinema advertising, is expected to reach R2.2 billion in 2021, up from R1.9 billion in 2016. South Africa continues to be an attractive destination for international filmmakers. Although some short-term economic and political issues are impacting the film sector, it is expected in the long term to continue to expand.
South Africa’s music industry is on a growth curve with live music being a key driver. Live music revenue is expected to rise from R1.2 billion in 2016 to R1.7 billion in 2021, a CAGR of 7.4% over the forecast period.
It is notable that only one digital subcomponent is seeing a significant decline in the entire Outlook – digital music downloading revenue, which is forecast to see a -15.7% CAGR, as consumers shift from ownership to access. Digital music streaming revenue is forecast to rise at a CACR of 34.5% to 2021, reaching R518 million in that year. This growth rate is only beaten by new revenue lines from VR and e-sports.
Among the largely non-digital segments, magazines and newspaper revenue are set to continue their decline. Total newspaper revenue in the South African newspaper market has been unpredictable. The market showed growth in 2013, declined in 2014 and bounced back marginally in 2015, contracting at a slower rate. In 2016, total newspaper revenue was worth R8.9 billion, but this figure is forecast to drop to R7.4 billion in 2021. Marginal growth is expected for the book publishing industry over the next five years. The educational book market will contract by a -0.1% CAGR. On the contrary, professional titles and consumer books will exhibit some growth as e-book revenues continue to grow.
The report shows that South Africa’s total entertainment and media advertising revenue is expected to rise to R54.2 billion by 2021 from R45.3 billion in 2016, representing a 3.7% CAGR. TV advertising remains dominant, but in terms of absolute growth it is Internet advertising that is almost an equal contributor, helped by a sizeable 12.9% CAGR.
Myburgh says: “It is clear that something fundamental has changed in the entertainment and media industry. E&M companies that have become accustomed to competing and creating differentiation, based primarily on content and distribution, need to focus more intensely on the user experience. The marketplace has increasingly become more competitive, slower-growing and dependent on personal recommendations.
“Thriving in this new world of intense competition and continual disruption will be challenging. The opportunities are, however, immense. Across the industry, the resulting quest to create the most compelling, engaging and intuitive user experiences is now the primary objective for growth and investment strategies, with technology and data at the centre.
“Accordingly, companies will need to develop strategies to engage, grow and monetise their most valuable customers: their fans.”
Showbiz
The Women of Africa Magic on GOtv: Bold, Unfiltered & Unapologetic

The women of Africa Magic on GOtv don’t just play their roles, they own them. With talent, confidence, and undeniable presence, they bring stories to life in ways that keep us hooked. Sometimes, they could be a little bit chaotic, but that’s exactly why we can’t stop watching.
From captivating dramas to reality TV that keeps us talking, Africa Magic on GOtv continues to showcase women who bring stories to life in the most compelling ways. Let’s dive into some of the shows where these women take centre stage.
The Real Housewives of Lagos
Scarlet Gomez—Alex from Oil & Gas
Scarlet Gomez as Alex in Alex from Oil & Gas is proof that being the smartest person in the room doesn’t mean you have to lose your charm. She’s ambitious, confident, and knows exactly how to make things work in her favour. But what makes Alex stand out isn’t just her ability to handle business; it’s the way she does it with a mix of strategy and effortless cool. She makes winning look good, and even when things don’t go her way, you know she’s already planning her next move.
Stephanie Coker—Indomie Love Bowl Host
Hosting isn’t just about asking questions; it’s about setting the vibe, and Stephanie Coker does it effortlessly on Indomie Love Bowl. She’s got that mix of warmth and energy that makes you feel like you’re hanging out with a friend, not just watching a show. She hypes up the fun, keeps the conversations flowing, and makes sure every moment is one you actually want to watch. She’s not just a host; she’s the person who makes everything come alive.
Linda Ejiofor—Tinsel
Linda Ejiofor as Bimpe Adekoya in Tinsel is the life of the party; she is bubbly and always in the middle of something. Whether she’s chasing fame, stirring up drama, or just being her lovable, dramatic self, she brings a light-hearted energy that balances out all the serious moments. But she’s not just about laughs and mischief. She has her struggles, learns hard lessons, and somehow always finds a way to land on her feet. That’s what makes her stand out.
Oluwatoyin Albert, aka Tomama—My Flatmates
Some characters are so effortlessly funny, you forget they’re acting. That’s Oluwatoyin Albert, aka Tomama, in My Flatmates. She’s the kind of woman who enters a scene, and you just know something hilarious is about to happen. Her character has depth, emotions, and moments that make you see beyond the comedy. That’s what makes her so unforgettable; she’s not just funny, she’s real.
When watching these women, one thing is clear: they don’t just play their roles; they become them. Whether they’re delivering unforgettable performances, keeping us hooked on reality TV, or owning the stage as hosts, they bring something special every time.
Beyond these shows, they’re part of a bigger story, one that proves time and time again that the industry is filled with women who are not just talented but truly unforgettable. The best part is you can watch these incredible women by just subscribing to GOtv; dial *288# to subscribe or download the MyGOtv app and enjoy your shows anywhere and anytime.
Showbiz
EFCC to Arraign Jude Okoye on Fresh Theft Allegations

By Adedapo Adesanya
The Economic and Financial Crimes Commission (EFCC) will on Tuesday arraign Mr Jude Okoye on a fresh charge of $1 million and £34,537.59 theft before the Lagos State Special Offences Court sitting in Ikeja.
The accused is the elder brother and former manager of Paul and Peter Okoye of the defunct music group, P-Square.
Justice Rahman Oshodi will hear the four counts charge filed before the court on January 27 by the EFCC Prosecutor, Mr Aso Larry Peters.
Mr Okoye’s arraignment before the court was initially slated for Monday (today) but could not go on because the defendant was absent in court as the Ikoyi Correctional Centre where he was remanded said it had not received any information for his arraignment.
In the charge, the EFCC accused Mr Okoye of dishonestly converting to his use the sum of $767,544.15, which was paid by Lex Records Limited as payment for music digital distribution/publishing royalties with intent to permanently deprive Mr Peter Okoye his special interest in the asset.
He was also accused to have sometimes between 2016 and 2023, dishonestly converted the sum of £34,537.59, paid by Lex Records Limited as payment for music digital distribution/ publishing royalties with intent to permanently deprive, Mr Peter Okoye his special interest in the asset.
The commission also alleged that Jude Okoye dishonestly converted the sum of $133,566.49, a sum paid by Kobalt Music digital distribution/publishing royalties with intent to permanently deprive his brother, Mr Peter Okoye, his special interest in the asset.
The anti-graft agency also said the defendant dishonestly converted the sum of $118,652.23, paid by Mtech Limited as payment for music digital distribution publishing royalties, with intent to permanently deprive his brother of his special interest.
According to the EFCC, the offences committed between 2016 and 2023, contravene sections 278 and 285 of the criminal laws of Lagos State 2011.
Meanwhile, another court, the Federal High Court sitting in Ikoyi, Lagos on Monday granted a N100 million bail to the defendant, Mr Jude Okoye.
Justice Alexander Owoeye granted him bail with two sureties in the like sum.
The judge held that “one of the sureties must be the owner of a landed property, while the other surety must be a business owner with verifiable address.
“Both sureties shall show an affidavit of means”.
Justice Owoeye also ordered that the property title as well as the Bank Verification Number (BVN) shall be deposited before the court.
“The defendant shall not travel out of the country, pending the hearing and determination of the charges. The defendant shall continue to be remanded at the Ikoyi Correctional Centre, pending the fulfillment of his bail conditions,” the judge held.
The case was adjourned till April 14, for the commencement of trial.
One of his brothers, Paul (second part of the former PSquare), who now goes by the stage name, Rude boy, was present in court to give support to the defendant.
Mr Okoye was arraigned on February 26, 2025, before the court, by the EFCC for an alleged crime of money laundering involving N1.38 billion, $1 million, and £34,537.59.
He was arraigned alongside his company, Northside Music Limited, on seven counts preferred against him by EFCC.
The Commission told the court that the defendant alongside his Northside Music Limited sometime in 2022, in Lagos, directly acquired a landed property known as No 5, Tony Eromosele Street Parkview Estate, Ikoyi, Lagos worth N850,000,000.(Eight hundred and fifty million naira) with money he knew or reasonably ought to have known forms part of the proceeds of unlawful activities.
The anti-graft agency also alleged that Okoye and his company, in 2022, used a Bureau De Change to convert $1,019,762.87, held in an Access Bank account operated by Northside Music Ltd, into naira and transferred the funds into various bank accounts to conceal the illicit origin of the money.
According to EFCC, the offences committed contravene Sections 18 (2)(a) of the Money Laundering Prevention and Prohibition Act and are punishable under Section 18 (3) of the same Act.
Mr Jude Okoye pleaded not guilty to all the counts.
Showbiz
Osinbajo, Gbajabiamila Salute Design Week Lagos, Ecobank

Former Vice President of Nigeria, Prof. Yemi Osinbajo, and the Chief of Staff to the President, Mr Femi Gbajabiamila, have commended the organizers of the ongoing Design and Innovation Exhibition at the Ecobank Pan African Centre (EPAC) in Lagos, noting its role in providing young entrepreneurs with a global platform to showcase their talents.
The exhibition is organized by Design Week Lagos, in partnership with Ecobank Nigeria and the Ministry of Arts, Culture, Tourism, and the Creative Economy.
During his visit to the exhibition on Saturday, Prof. Osinbajo expressed his admiration for the innovative products and designs on display. He stressed that, with the right support, these young innovators possess the potential to take the nation to new heights.
He also acknowledged Ecobank for its significant role in advancing Nigeria’s design and creative industries and urged for more public-private collaborations to foster further growth in the sector.
“It’s truly inspiring to see these remarkable products and designs created by young entrepreneurs. You can see the vision, potential, ideas, and passion they’ve poured into these projects. This exhibition bridges talent with commerce, and it’s essential that we encourage them. I commend Ecobank and the organizers for supporting these youths and this industry,” he remarked.
Similarly, Mr Gbajabiamila expressed his gratitude to Ecobank for its support of the initiative.
The former Vice President and the Chief of Staff, along with their wives, were given a guided tour of the exhibition by Titi Ogufere, Founder of Design Week Lagos; Bolaji Lawal, Managing Director/Regional Executive of Ecobank Nigeria; and other exhibition organizers and partners.
The 2025 edition of the exhibition showcases Nigeria’s top talents in furniture, product, and industrial design. Under the theme Building a Made-in-Nigeria Brand, the exhibition celebrates Nigerian designers’ creativity, innovation, and craftsmanship, while also focusing on industrialization and the export potential of locally made products.
The exhibition features the Manufacturer and Designer’s Pavilion, highlighting collaborations between manufacturers and designers, as well as the Designer’s Pavilion, where 50 individual designers present fresh concepts across various disciplines, including furniture, toys, automotive, and industrial design, reflecting Nigeria’s diverse creative landscape.
The exhibition, which began on Tuesday, February 25, will run until Sunday, March 2.
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