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Nigeria’s Showbiz/Media Sector Will Generate $9.9b Revenue by 2022—PwC

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By Modupe Gbadeyanka

A new report by PwC has disclosed that the entertainment and media (E&M) industry in Nigeria will generate a revenue of $9.9 billion by 2022 from the $3.8 billion raked in 2017.

In its ‘Entertainment and Media Outlook: 2018 – 2022: An African Perspective’ released today and obtained by Business Post, PwC said last year, Nigeria saw a huge 25.5 percent rise in E&M revenue, although $605 million of this $764 million rise was attributable to Internet access.

“A 21.5 percent CAGR rate is anticipated to 2022, with revenue reaching $9.9 billion in that year. Again, Internet access revenue will account for 89.6 percent of this absolute growth,” the report said.

PwC noted that in report that Africa’s entertainment and media industry has entered a dynamic new phase, a third wave of convergence.

It said the borders that once separated E&M, technology and telecommunications industries are blurring in the battle for the attention of the consumer in a world that is rapidly digitising.

As the mobile device cements itself as the pre-eminent source of the E&M experience, the most disruptive, forward-thinking companies are striving to create an integrated ecosystem suited to this consumer-driven dynamic, it said further.

According to PwC, by 2022, total E&M revenue in South Africa is expected to reach R177.2 billion, up from R129.2 billion in 2017. Internet (access and advertising) is expected to grow at a compound annual growth rate (CAGR) of 11.3 percent over the forecast period to reach R91.2 billion, up from R53.4 billion in 2017.

Overall E&M growth will be less reliant on Internet access revenue as organic growth opportunities in Internet connections start fading towards the end of the forecast period. Internet advertising will greatly exceed TV advertising in terms of growth, leading the way with a 13 percent CAGR over the forecast period to reach R9.4 billion and overtake TV advertising spend in 2022.

The Outlook is a comprehensive source of analyses and five-year forecasts of consumer and advertising spending across five countries (South Africa, Nigeria, Kenya, Ghana and Tanzania) and 14 segments: Internet, data consumption, television, cinema, video games, e-sports, virtual reality, newspaper publishing, magazine publishing, book publishing, business-to-business (b2b), music, out-of-home (OOH) and radio.

Vicki Myburgh, Entertainment and Media Leader for PwC Southern Africa, says: “It’s clear we’re in a rapidly evolving media ecosystem that’s experiencing Convergence 3.0. In Convergence 3.0, the dynamics of competition are evolving while a cohort of ever-expanding super competitors and more focussed players strive to build relevance at the right scale. And business models are being reinvented so all players can tap into new revenue streams, by, for example, targeting fans and connecting more effectively with customers to develop a membership mind-set.

“The pace of change isn’t going to let up anytime soon. New and emerging technologies such as artificial intelligence and augmented reality will continue to redefine the battleground. In an era when faith in many industries is at a historically low ebb and regulators are targeting media businesses’ use of data, the ability to build and sustain consumer trust is becoming a vital differentiator.”

South Africa’s E&M industry faced a challenging year in 2017 amidst economic and socio-political uncertainty. Total E&M revenue rose at a comparatively low rate of 6.8% year-on-year to R129.2 billion. A bounce-back in 2018 sees an anticipated 7.6% year-on-year growth, while the CAGR to 2022 is forecast at 6.5 percent.

South Africa will see a strong CAGR of 7.6 percent for consumer revenue to 2022, moving from R93.9 billion in 2017 to R135.7 billion in 2022. Beyond revenue from the Internet segment (buoyed by apps revenue) there are many success stories, most notably that of video games, which will surpass books, magazines and B2B to become the third-highest contributing consumer segment.

There is a striking difference in growth between digital and non-digital revenue, which have CAGRs of 11.4 percent and 1.8 percent respectively. Put another way, digital revenue will add R41.3 billion and non-digital revenue R6.7 billion in absolute terms to 2022. The non-digital elements of five different segments – books, magazines, newspapers, OOH and video games – will all decline to 2022.

Within this overall increase, the fastest revenue growth will be in the digitally driven segments. Virtual reality will lead the way, albeit from a low base, at a five-year CAGR of 55 percent to reach R671 billion in 2022, from R75 billion in 2017.

“The exceptional growth in VR reflects the excitement in this space. VR devices and experiences are in the early stages of being accepted by the mainstream, as VR now emerges as a viable long-term platform for unique, immersive experiences, attracting major investment from media and technology companies eager to seize a share of this fast-growing market,” Myburgh adds.

After a breakthrough year, South Africa’s total e-sports revenue is forecast to rise from R29 million in 2017 to R104 million in 2022, a CAGR of 29 percent. A host of high profile events in 2017 helped to propel e-sport further towards the mainstream, and a number of similar events have been and are being held this year.

A booming social/casual sector is driving strong growth in the video games segment. Total revenue is forecast to rise from R3.1 billion in 2017 to R6.2 billion in 2022, a CAGR of 15 percent. TV and video will continue to be a major driver of consumer spend. Following growth at 4.8 percent CAGR over the forecast period, the total TV market will be worth R40.8 billion by 2022.

The shift from physical to digital media has been one of the core drivers of the global and local E&M market for many years. But different media segments have experienced strongly contrasting patterns of digitisation. In some cases, consumers have been quick to drop physical formats and embrace digital alternatives at the first opportunity.

Although the growth rate for physical books is moderate, it is notable that books are performing far better than any other non-digital sector.

“Permanency and collectability may be the reason for this. Books are seen as collectibles often owned and displayed for many years, making the loss of their physical presence more significant,” explains Myburgh.  Although books currently seem to have the best prospects of any physical media format, they are, like every other media segment, just one disruptive digital competitor away from major upheaval.

Newspapers and magazines will see revenues decline over the next five years. In 2017, total newspaper revenue fell by – 2.9 percent to R8.6 billion. The forecast for the years ahead is for decline at -4 percent CAGR. By 2022, South African total newspaper revenue is expected to drop to R7 billion.

Despite 24/7 access to media and entertainment, the appeal of shared, live experiences still attracts audiences. Music events still draw large crowds, with ticket sales set to see an 8.0 percent CAGR to 2022, helped by major tours from popular crowd-pulling acts in 2018.

Recovering admissions and rising ticket prices together with improved offerings will see box office revenue deliver modest growth at a 3.5 percent CAGR through 2022. South African audiences are prepared to pay a premium to watch big-budget films with surround sound, vibrating seats, temperature change, strobe lights and so on. Radio continues to have a solid listener base in South Africa, and a weekly reach of 91 percent. Radio revenue is projected to rise 3.9 percent CAGR over the forecast period to surpass the R5 billion mark in 2022.

Chat apps and social platforms have become an increasingly important part of day-to-day life for consumers, both in South Africa and worldwide. As usage and entertainment rise, key players from across the E&M industry have teamed up with these platforms, growing them into ‘one-stop shops’ for consumer needs.

The report shows that advertising in the E&M industry was mostly affected by South Africa’s economic environment, with cautious growth of just 1.9 percent year on year. An improvement is expected to 2022, with a 3.3 percent CAGR bringing total advertising revenue to R41.5 billion, from R35.3 billion in 2017. New technologies and devices like artificial intelligence (AI), virtual and augmented reality, voice-based smart home devices and virtual assistants look set to drive innovation in online advertising on a global scale in the coming years.

The report also said Kenya’s E&M industry saw 17 percent year-on-year growth in 2017, again propelled by growth in the Internet sector. An 11.6 percent CAGR will take the country to $2.9 billion in 2022, from $1.7 billion in 2017. Outside of the Internet space, TV and video revenue dwarfs the other segments.

In addition, Ghana’s E&M industry has more than tripled in value since 2013. Total revenue reached $752 million in 2017. It is forecast to surpass $1 billion in 2019 and to total $1.5 billion in 2022, increasing at a 14.2 percent CAGR. As with Nigeria and Kenya, Internet access spend accounts for much of this revenue and growth. Ghana is in a strong position for further E&M growth as revenue gains critical mass over the next five years.

It further said total E&M revenue in Tanzania stood at $496 million in 2017, having risen 28.2 percent year on year. Continued momentum at an 18.3 percent CAGR will see revenue reach $1.2 billion in 2022, 2.3 times the size of the market in 2017. Tanzania’s E&M revenue make-up is ostensibly similar to that of Ghana, although here Internet revenue takes a slightly less dominant position.

Between them, the five countries considered in the Outlook will, driven by Nigeria, add $12.4 billion in revenue from 2017 to 2022, at a combined CAGR of 11.9 percent. Although much of this will fall into the hands of telcos, there are significant opportunities for content providers too. The engine of growth here will be organic, with increased populations and gradually increasing disposable income swelling the ranks of potential E&M consumers – and ever-increasing Internet access greatly expanding the range of E&M opportunities available.

“To succeed in the future that’s taking shape, companies must re-envision every aspect of what they do and how they do it. It’s about having, or having access to, the right technology and excellent content, which is delivered in a cost-effective manner to an engaged audience that trusts the brand. For those able to execute successfully, the opportunities are legion,” Myburgh concludes.

Modupe Gbadeyanka is a fast-rising journalist with Business Post Nigeria. Her passion for journalism is amazing. She is willing to learn more with a view to becoming one of the best pen-pushers in Nigeria. Her role models are the duo of CNN's Richard Quest and Christiane Amanpour.

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TikTok Partners NITDA, DSN in Second Phase of Digital Safety Programme

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By Adedapo Adesanya

Social, short-form video content platform, TikTok has announced the launch of the second phase of its #SaferTogether digital safety and awareness programme in collaboration with the National Information Technology Development Agency (NITDA) and Data Science Nigeria (DSN).

The initiative, which began in 2022, aims to enhance digital safety across Nigeria by educating parents, teachers, and guardians on how to help young people navigate TikTok and the broader digital landscape safely.

The first phase of the #SaferTogether campaign successfully educated 537 teachers and 1,037 parents in cities like Abuja, Lagos, and Kano about TikTok’s safety features and promoting positive mental health online.

Now, building on this success, the second phase will include NITDA as a strategic partner, aligning with its mission to foster digital literacy and enhance technology infrastructure.

The company said Phase 2 will extend the programme’s reach to additional regions, including Edo and Kaduna, and will cover critical topics such as misinformation, cyberbullying, sexting, digital citizenship, fake news, child sexual violence, and data protection.

Workshops will engage a wide range of stakeholders, including civil society organizations, government representatives, community leaders, parents, teachers, and guardians.

Speaking on this development, Mr Fortune Mgwili-Sibanda, TikTok’s Government Relations and Public Policy Director for Africa, emphasized the importance of digital literacy.

“Empowering parents, teachers, and guardians with digital literacy skills is crucial for creating a safer digital environment. Our commitment to community safety is unwavering, and through local partnerships, we are extending these educational resources beyond our platform,” he said.

Adding his input, Mr Olubayo Adekanmbi, Founder and CEO of Data Science Nigeria, highlighted the shared responsibility in making the digital world safer, adding that the organisation will continue to advance this goal.

“We are excited to continue with the Safer Together campaign, providing essential insights on digital wellness to parents, teachers, and guardians.”

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Nigerian Mum Gives Tips on How to Avoid Living Room Conflict

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Fight Night (2)

It’s the weekend. Time to kick back, relax, and catch up on favourite shows, right? Wrong! As a mum with toddlers and a sports-fanatic husband, weekends at my house can also mean the “Battle of the Remote,” with everyone fighting to watch their favourite show, movie, or football game.

When my toddlers are awake, it’s a marathon of kids’ content all day long. If this sounds familiar, don’t worry! I’ve found an affordable way to enjoy my favourite drama series and movies in peace while my husband watches every Premier League match without interruption. Here’s my secret to avoiding living room conflict and enjoying a peaceful weekend where everyone gets their fair share of screen time.

First, make sure you have an internet device. You can check here for a list of devices that are compatible.

Next, sign up for Showmax and subscribe to Showmax Premier League Mobile and Showmax Entertainment All devices plan for just 5,400 naira monthly. This plan allows us to watch Premier League matches live and stream Showmax’s entertainment content on multiple mobile devices. For those with smaller budgets, Showmax has plans as low as ₦1,600 for Entertainment mobile-only. Click here for more details.

To sign up for Showmax, visit the Showmax website, select “Sign up,” choose your plan, and create an account using your email address, mobile number, and password. After verifying your mobile number and entering your payment details, you’re all set to enjoy amazing content without any living room conflict.

Speaking of shows, here are my favourite shows streaming on Showmax this November.

FIGHT NIGHT: THE MILLION DOLLAR HEIST | New Episodes Every Wednesday

Emmy nominee Kevin Hart leads an all-star cast as “Chicken Man,” a smooth-talking hustler who hosts Atlanta’s most exclusive event—until it spirals into chaos. When millions vanish, Chicken Man becomes suspect number one for Detective JD Hudson, one of the city’s first Black detectives.

This series stars the Peacock Original’s stellar cast and also includes Oscar nominees Samuel L Jackson, Taraji P Henson, and Terrence Howard.

With a 96% critics rating on Rotten Tomatoes and holding the #21 spot on their list of the best Watch the trailer here.

THE GOOD DOCTOR S7 | Binge All Episodes Now on Showmax

Dr. Shaun Murphy, a surgeon with autism and Savant syndrome, as he navigates personal and professional challenges. In its farewell season, Shaun and Lea (Paige Spara) adjust to parenthood while Shaun faces a crucial case involving two babies needing the same heart.

Created by Emmy-winning David Shore (House MD), the series has earned an 8/10 IMDb rating and multiple award nominations for Freddie Highmore, including Golden Globe and Critics Choice nods.

The series ends on a high note, with its final episode achieving a 9.4/10 rating on IMDb

Watch the trailer here

LAW & ORDER: ORGANISED CRIME S4 | Binge from Monday, 18 November

In Season 4 of Law & Order: Organized Crime, Emmy nominee Christopher Meloni returns as Elliot Stabler, reprising his iconic role from Special Victims Unit. Now back at the NYPD after a personal loss, Stabler tackles a complex criminal underworld.

This season features guest stars such as Oscar winners Ellen Burstyn and Keith Carradine, BAFTA winner Jennifer Ehle, and Dean Norris from Breaking Bad as Stabler’s brother, Randall. Special SVU cast members Tamara Tunie, Peter Scanavino, and Dann Florek appear in several crossover episodes.

Organized Crime has already been renewed for a fifth season. Watch the trailer here

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Dune: Prophecy, Found S2 Available on Showmax This November

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Showmax

Showmax has unveiled a list of top international series available to customers on the platform this November.

Top on the list is the much anticipated HBO series Dune: Prophecy. Inspired by the 2012 novel Sisterhood of Dune, the series stars Emily Watson, Olivia Williams, and Travis Fimmels. This series is set for global premiere on 18 November and Showmax customers can stream the first episode the same day.

Also scheduled for Showmax this November is season two of the intriguing series, Found, available for streaming from Tuesday, 26 November. Peacock Original’s stellar cast series, Fight Night: The Million Dollar Heist is now available for streaming on Showmax and customers can catch new episodes on Wednesdays. The cast includes Oscar nominees Samuel L Jackson, Taraji P Henson, and Terrence Howard.

The November lineup includes an array of foreign series perfect for binge-watching. Devil’s Peak season 1, and The Good Doctor season 7 both available for streaming; Taktiek season 1, and Chicago PD season 11 are also available for streaming; Law and Order: Organised Crime season 4, available from November 18; and Billy the Kid season 2, available from November 25.

For lovers of top-quality international movies, Showmax collection for the month includes The Fall Guy coming to Showmax on November 18; Civil War by Oscar-nominated writer, Alex Garland set for Showmax on November 25; Kung Fu Panda 4 available for streaming from November 29;  Aquaman And The Lost Kingdom streaming now; The End We Start From, featuring Benedict Cumberbatch, Mark Strong, and Gina McKee, available from November 21.

Other international movies to look out for on Showmax in the month are Pet Sematary: Bloodlines available for streaming now; Heist 88 featuring Emmy’s award winner, Courtney B Vance, available from November 25; Justice League: Crisis On Infinite Earths part one, and all seven blockbusters of Mission Impossible to be available for binge-watch from November 25.

Customers can access all series and movies on Showmax by subscribing to the Showmax Entertainment mobile plan for N1,600. Visit www.showmax.com to sign up

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