Feature/OPED
Why ‘Half Of A Yellow Sun’ Didn’t Make It
Isedehi Aigbogun
Being an English teacher all my work-life, it would be a huge shame on me if I were able to, somehow, approach the criticism of the movie, Half of a Yellow Sun, from a biased point of view. So, like my colleagues and I would normally do for essays, I will list out a couple of criteria that will be used in “marking” this movie.
Remember in secondary school, where C, O, E, MA (or whichever kind is used—we have a variety of this mark scheme) stands for Content, Organization, Expression, and Mechanical Accuracy? Well, in this case, I’ll be using PTDCP (my coinage) which stands for Premise, Theme, Dialogue, Character, and Pacing.
I’m being modest here; there are over 10 criteria in the more serious international screenwriting world, and a million other points of analysis!
Let me enlighten you a bit: a lot of people do not know that a learned screenwriter can look beyond the pictures of a movie and see the script! Yes, the script! After all, Alfred Hitchcock, the Master of Suspense, has said that “to make a great movie, you need three things: the script, the script, and the script.”
There are set rules for writing a movie script; which is different from the rules Biyi Bandele used to write his screenplay; which is also extremely different from the rules Chimamanda uses to write her novels, and without wasting further time, we’ll get to some parts of it!
PREMISE:
One thing I learnt teaching English is to always give positive feedback first; so that the learner doesn’t feel entirely bad about his essay. While marking, we appreciate little aspects of the essay such as the child’s use of punctuation in some parts of the essay; his choice of words (even if it’s just one fantastic word, we dwell on it); or if there’s nothing to appreciate about the essay at all, we make comments such as “your noble intentions are appreciated, however, essay writing requires much more”. This is exactly the kind of comment I would make for this movie!
Half of a Yellow Sun details the events of a civil war in Nigeria in the midst of a love story; a story about two lovers caught up in the midst of war. Fantastic! Everyone wants to watch a love story, everyone wants to see how the troubles of our environment—the real movie—affect us domestically, economically; affect our relationship, and what have you. This is definitely deep and well appreciated, thanks to the writer of the original story, Chimamanda. Honestly, this movie could have been internationally successful if this were the only requirement.
Unfortunately for this Half of a Yellow Sun crew, screenwriting requires much more.
For these aforementioned reasons, and especially because the screenwriter is not the originator of the premise, I’ll give this aspect 8/10.
THEME:
I tried my best to follow through with the major messages that could be got from this movie. The more I tried to follow through, the more disappointments I got. A number of themes can be identified in this movie apart from War and its Effects: Love, Familial Expectations, Friendship, Wealth and Business Opportunities, Ethnic Bias, Charity, Academia, Death, and so much more. The script appears to be ambitious in its evaluation of theme, yet not encompassing in such a way that the audience feels nothing experiencing them.
This, unknown to the screenwriter is very distracting especially because he always disconnects the audience from the major story when he isn’t telling the major story, and almost like an attempt to tell different other almost disconnected stories. My point may not be clear at the moment; this is because I just might need to explain clearly what I mean with how the characters of the movie are portrayed.
If your audience is placed in a situation whereby they have to make the effort to meet you half way in your story-telling, then you’re getting some things wrong. 4/10
CHARACTERS:
I could write a 10-page essay on why all the characters in this movie do not work! One major reason is how flat they are. They are the same from the beginning to the end. Their reactions to certain situations are expected, and so there isn’t any element of surprise in the nature of the characters.
They start off all nice and noble, continue, and end the same way.
There are instances in the movie where I hoped they would change: take charge, recluse, rebel, create some tension for us, make us wait for the unexpected, but that never happens. The characters are nothing but pawns in the story; helplessly hopped around on the chess board, and not actively doing anything to change the world they live in. And this includes the major characters.
Oh, wait! I see what happened here. The movie crew probably thought that if Hollywood stars played the major roles in the movie, everyone would be mesmerized, and no one would notice just how weak the characters really are. Majority of Nigerians who applaud this movie could be fooled, but I couldn’t, and certainly not the international world!
There’s a screenwriting trick to helping you get your characters take charge and do more, and it’s as simple as creating conflict in every scene.
A screenplay has basically 40-70 scenes, and something pushy must happen in every of those scenes. These things would naturally form the base of your THEME (see above)—but nothing ever really happens in this script. The characters walk around as though they are a surprise bomb (which never explodes); like they are having the audience experience some sort of suspense, but really, they are, in fact, plain annoying, and that’s because they don’t have enough substance to enable us care about them.
Take a look at the dirty maid Odenigbo had to sleep with, for instance—from where to where?! The audience feels more surprised and disgusted (seems good, but isn’t, given the circumstance) in Odenigbo than solely disappointed; such behaviour was never hinted in his character from the start, and the Mom didn’t seem quite convincing either.
Maybe the maid should have been portrayed as truly tempting, you know, like a video vixen. That would have worked, but guess what, that would have changed the whole story as well, which to me would have been a better choice; a screenwriter doesn’t have to reproduce the novel’s characters verbatim; there is what is called creative license, A.K.A. tweaking. Come on, Biyi, Chimamanda has more space to create tension with such character in her novel than you do with your screenplay!
Not to forget, at some point in the movie, it appears the audience are waiting for something to happen till finally the explosion occurs at the wedding, which no character is responsible for—why the hell not? Then there is a dramatic display of Olanna caring about some lecturer friend we only met once, and who never said anything worthwhile. An explosion kills him and the audience is expected to care with Olanna?!
To crown it all, what movie doesn’t have an antagonist? I’m not even sure I met any of the villains apart from my darling Hakeem Kae-Kazim (Captain Dutse) whose character was distastefully under-developed, and unfairly allowed to be hated by the audience. Some villains can be loved by the audience too! Did you know? I’ll just stop here. 2/10
DIALOGUE:
This screenplay makes all the mistakes a script could possibly make in the aspect of dialogue. Even though there are a few memorable lines; these lines feel like perfect lines poached from the novel, or maybe, just maybe, the stubborn decision of the Hollywood actors in the movie to switch things up a bit. One of such lines would be when Odenigbo says “I’m too old to die young from smoking”, maybe Biyi Bandele wrote this himself, maybe not. But I’ll settle with not, going by the majority of dialogue lines that exist in the movie that aren’t in the same category as this.
However, the message in the dialogue of this script is always acceptable in terms of grammatical or stylistic correctness. But I guess we have to give this credit to the actors.
Most times in this movie, though, as with all our Nollywood movies, the dialogue’s too on-the-nose: too precise, saying things that are too straightforward, too explicit, or more regrettably repeating the same information again and again; letting us know so many times that the war is between two tribes; or Odenigbo’s mother continually asking for a kid and quoting traditions the audience already has a lead on. The worst mistake a screenwriter can make is saying what the audience already knows!
Except it’s going to be ambiguous, dialogue in movies should have, embedded in them, connotations with a plethora of meanings that just blows the mind of the audience either in a humorous or in a thought provoking manner.
The dialogue in this movie is a sure sign that Biyi is a pure playwright and nothing more. It is only in a play that you need to say things over and over again; maybe because of the stage set up— to avoid confusion. However, in this script, it appears the dialogue exists to take up some time, and lengthen the movie like how it’s done in a play script. When in actual fact, more action and story beats would have helped this screenplay. Or better still, punchier, quotable lines.
At some point, the script gets obsessed with making use of talking heads; people sitting around talking, with no associating action. Boring! The dialogue most times are long—quite understandably for a first draft—but that’s why it’s a first draft: the first of the other rewrites that need to be written. The dialogues could have, instead, been rewritten to achieve the “lean and mean” mantra of international screenwriting in subsequent drafts.
It is important to keep in mind that the international world is a hungry place, and movies are a learning ground; people learn to talk pretty from movies, and replicating what happens in real life in a movie dialogue isn’t going to give one that privilege of having one’s lines adopted, and when people don’t remember one’s lines, they don’t remember one! 5/10.
PACING:
This is the most overlooked aspect of film making/screenwriting in Nollywood, and I’ll show you how. Firstly, have you noticed how those block buster movies in Hollywood has your heart racing with expectations at as early as 15 minutes? You already have been introduced to all the major characters and situations have already been established by 20 mins. This tempo carries on till the end of the movie, and you can’t believe you just finished watching a 2-hour movie in what felt like 45 minutes. That’s pacing. It basically means not wasting time, going straight to the point, being mean, finishing it off, getting in as late as possible and leaving as early as possible, and what have you.
Yes, half of a Yellow Sun does that with the first 10 minutes, kinda, which makes us continue watching the movie with great hopes and with an open mind, before things stop happening, and the pacing drops till the movie ends.
There’s a process of writing movies to be fast paced. There are rules. It might not make much sense here because we are looking at the movie, and not the script. But take it from me, executing pacing is easy peasy. 4/10.
Five criteria. One screenwriter. Other screenwriters may have more to say with other criteria (I intentionally left out “Plot” because I didn’t want to score this movie any lower), but I guess this should be more than enough to help us understand why Half of a Yellow Sun didn’t stand a chance at the international level. 23/50
Percentage: 46%
Grade: D
Isedehi Aigbogun (ISD)
B.A., M.A., PhD (in view), English Language, UNILAG.
International Screenwriter, Script Analyst, Movie Critic
Feature/OPED
e-Commerce Lessons for Scaling Nigeria’s Food Distribution

By Diana Tenebe
Nigeria stands at the cusp of an agricultural revolution with the ambitious plan to significantly transform its food and agriculture sector through the launch of the $510 million Special Agro-Industrial Processing Zones (SAPZ), financed by the African Development Bank and development partners. Fueled by the integration of cutting-edge technologies aimed at boosting food production and ensuring national food security.
However, as yields increase, a formidable hurdle remains: the efficient and scalable distribution of this bounty across the nation’s diverse landscapes, often hampered by infrastructural limitations and logistical complexities.
Dr. Bosun Tijani, the Minister of Communication, Innovation, and Digital Economy, recently called on Nigerian farmers to prepare for digital and technologically advanced farming methods, emphasising their crucial role in boosting food production and security.
Building upon this call for technological integration, and to truly unlock the full potential of Nigerian agriculture and ensure increased harvests translate to accessible and affordable food for all, the sector can draw invaluable lessons from the operational prowess of e-commerce giants like Amazon. Their success in navigating complex logistics and reaching vast customer bases offers a compelling blueprint for transforming Nigeria’s food distribution network.
Amazon’s dominance in the e-commerce realm is underpinned by a meticulously crafted logistics and supply chain system. Their significant investments in sprawling fulfillment networks, coupled with the strategic deployment of technology for route optimisation and real-time inventory tracking, have created an unparalleled engine for moving goods swiftly and efficiently.
Furthermore, their optimisation of last-mile delivery, integration of automation within warehouses, and a hybrid approach blending in-house capabilities with shrewd partnerships underscore their commitment to scalability. This intricate ecosystem is designed to handle massive volumes and adapt to fluctuating demands – a crucial capability that Nigeria’s agricultural sector desperately needs.
Translating these principles to the Nigerian context requires a fundamental shift towards building a resilient delivery infrastructure specifically tailored for agricultural produce. This necessitates moving beyond traditional, often inefficient methods and embracing hybrid transportation models that account for varying road conditions and geographical challenges.
Imagine a network that leverages a combination of refrigerated trucks for long-haul transport, smaller vehicles for navigating local terrains, and even innovative solutions like riverine transport where feasible. Integrating technologies like GPS tracking for real-time visibility of produce movement and strategically establishing a network of collection and distribution hubs across key agricultural zones can significantly streamline the flow of goods.
Implementing robust systems for real-time tracking of harvests and produce, mirroring Amazon’s inventory management, will be crucial in minimising spoilage and maximizing freshness as food travels from farm to consumer. Moreover, forging strategic alliances with existing local logistics providers, leveraging their on-the-ground knowledge and infrastructure, can provide a vital springboard for building a comprehensive network without starting entirely from scratch.
Beyond the physical movement of goods, the power of data, a cornerstone of Amazon’s success, holds immense potential for revolutionising Nigerian food distribution. Leveraging data analytics can provide invaluable insights into regional demand patterns, allowing for more accurate forecasting of optimal harvest and distribution times.
This data-driven approach can help match agricultural supply with consumer needs with greater precision, reducing waste and ensuring that the right produce reaches the right markets at the right time – much like Amazon utilizes data for personalized recommendations and understanding customer purchase behavior. Imagine farmers making informed decisions about planting based on predicted market demands or logistics providers optimizing routes based on real-time demand fluctuations.
Furthermore, adopting Amazon’s unwavering focus on customer convenience and trust is paramount, especially when dealing with perishable goods. Establishing reliable delivery schedules, ensuring the quality and freshness of produce upon arrival, and implementing transparent processes throughout the supply chain are crucial for building confidence among both farmers and consumers. This might involve implementing quality control measures at various stages, providing clear communication about delivery timelines, and potentially even exploring traceability systems that allow consumers to understand the journey of their food.
Finally, navigating the complexities and dynamism of the Nigerian market demands a long-term vision and a high degree of adaptability, mirroring Amazon’s sustained focus and agility in the ever-evolving e-commerce landscape.
The Nigerian agricultural sector must be prepared to iterate, learn from its experiences, and continuously refine its distribution strategies in response to local challenges and opportunities. This requires a collaborative approach involving government agencies, agricultural organisations, technology providers, and logistics companies working together to build a sustainable and efficient food distribution ecosystem.
By strategically adapting these e-commerce-inspired lessons in logistics, technology adoption, data-driven decision-making, and customer focus to the unique context of Nigerian agriculture, the nation can forge a distribution system capable of efficiently handling increased production. This transformative approach is not merely about moving food; it’s about ensuring that the fruits of Nigeria’s agricultural advancements reach every corner of the country, contributing significantly to food security, mitigating the rising cost of food, and ultimately cultivating a thriving and efficient agricultural future for all Nigerians.
Diana Tenebe is the Chief Operating Officer of Foodstuff Store
Feature/OPED
The Blood Profits of Nigerian Banks

By Michael Owhoko, PhD
The astronomical rise in banks’ profits as reflected in the 2024 full year financial report has exposed the banking industry as a lucrative enterprise powered by arbitrary charges imposed on unwilling customers. In some cases, these inexplicable fees and other unholy electronic deductions, leave customers to reel on the throes of pains, with impact on their blood.
That the Central Bank of Nigeria (CBN) has been penalizing the banks for flouting stipulated guidelines as contained in its Guide to Charges by Banks, Other Financial, and Non-bank Financial Institutions is a confirmation that these banks deliberately use arbitrary and excessive charges to fleece customers, obviously to boost profitability.
Since these painful charges constitute part of the big profits made by banks at the expense of customers, they are likened to blood profits. Like blood money, which is obtained at the expense of another’s man’s life, blood profits are earnings gained by banks at the cost of customers’ blood.
In context, blood here refers to the sweat, sacrifice, pains, frustration and helplessness customers go through when deductions veiled in hidden and arbitrary charges are made on their accounts.In other words, bank earnings are tantamount to blood profits when viewed against the backdrop of resultant pains suffered by helpless customers who bear the brunt of arbitrary charges.
These charges are embedded in crazy debits alerts sent through SMS notifications and emails, and sometimes,they are delivered incoherently, in arrears or at odd hours, perhaps,to shield or distract customers from scrutinizing the alerts. Besides causing general body imbalance, the charges also trigger mood swings and countenance upset among customers, once received.
Some of these crazy charges include, but not limited to commission on turnover, withdrawal fees, transfer charges, electronic money transfer, processing fees, VAT charges, ATM fees, debit or credit cards issuance, replacement or renewal fees, account maintenance fees, NIP transfer charges, SMS alert charges, stamp duty fees, interest charges, SMS VAT charges, hardware token charges, cybersecurity levy, bills payment fees, and other random levies.
Besides, the CBN’s recent introduction of on-site and off-site charges during cash withdrawals at ATM machines,is also unhelpful and inimical to current plight of bank customers, who are now compelled to pay withdrawal fees for use of ATM machines owned by banks other than theirs. But where such transactions are carried out in customers’ own banks, such transactions attract no charges. This introduction is coming on the heels of a fresh increase of SMS alerts charges from N4 to N6 per transaction, further compounding the woes of customers.
Implicitly, these charges constitute huge burden on the average bank customer who contends daily with depletion in his or her account balances. Corporate customers or businesses are also not spared from these questionable charges that have become a drain on the balance-sheet of companies.
With about 312 million active accounts bank-wide as at December 2024, these irrational charges have contributed immensely to the bottom line, occupying a larger space in the profit basket of banks, dislodging loans and foreign exchange sources of profits, which have diminished overtime by high-interest rate regime and prevailing foreign exchange dynamics.
For example, from the 2024 financial year report of just five of the tier 1 banks, the profit growth rose enormously with pre-tax profit hitting N4.56 trillion, approximately 69.5 percent increase compared to N2.69 trillion declared in 2023, while their net profit after tax rose by 66.2 percent in 2024, amounting to N3.78 trillion, as against N2.27 trillion recorded in 2023.
These five tier 1 banks, whose total combined assets in 2024 reached N108.21 trillion, from just N72.80 trillion recorded in 2023, include First Holdco Plc, GTCO Plc, Zenith Bank Plc, UBA Plc,and Stanbic IBTC Holdings Plc.
Specifically, First Holdco grew its profit before tax to N862.39 billion in 2024 from N356.15 recorded in 2023, just as its profit after tax rose to N736.7 billion in 2024 from N308.4 billion it earned in 2023. GTCO on the other hand, grew its pre-tax profit from N609.3 billion in 2023 to N1.27 trillion in 2024, with its net profit rising to N1.02 trillion in 2024 from N529.66 billion made in 2023.
Also, Zenith Bank grew its profit before tax to N1.33 trillion in 2024 from N795.96 billion recorded in 2023, just as its profit after tax rose from N676.9 billion in 2023 to N1.03 trillion in 2024. Similarly, UBA grew its pre-tax profit to N803.72 billion in 2024 from N757.68 billion it recorded in 2023, with its net profit increased from N607.7 billion in 2023 to N766.6 billion in 2024.
In the same vein, Stanbic IBTC Holdings reported a profit before tax of N303.8 billion in 2024 from N172.91 billion it made in 2023. Its profit after tax rose to N225.3 billion in 2024, compared to N140.62 it recorded in 2023.
With charges as sources of cheap revenue, banks are no longer motivated to embark on constructive and creative efforts in their quest for profit generation. Profits gained from matching of deposit funds against credit lendingin consonant with traditional banking, are now waning. Perhaps, this explains the drop in number of banks’ female employees deployed to chase depositors for cheap funds.
Though, lacking ingenuity and industry,use of charges as sources ofcheap profits, can make the ordinary businessman to be envious of bank owners. Even Aliko Dangote, as the richest man in Africa, perhaps, may be regretting for allowing his bank, Liberty Merchant Bank, to go under, just like previous bank owners whose banks have closed shop. Their banks might have been sources of value addition to their wealth.
Regrettably, rather than portray the banks in positive light, these colossal profits shunned out by Nigerian banks, are stirring negative public perception about their operational methods, believed generally to be unhelpful to individual and business ventures, particularly, small and medium business enterprises.
The Federal Government and CBN are complicit in this unjustifiable charges and levies. Reason: the Federal Government recently received approximately N84.05 billion from Electronic Money Transfer Levy alone in the first quarter of this year, 2025. This is unhealthy, and a nightmare for the average Nigerian bank customer, who sees it as sheer extortion.
Since the government is a direct beneficiary of these charges, CBN may have been reluctant to exercise strict and regular oversight over the banks on compliance with its guidelines. And this may have unwittingly,encouraged the banks to thrive in unbridled manner, particularly, in “under the table transactions.” These boom and windfall profits would have been near impossible under a sane financial environment typified by global best banking practices.
So, while the banks jubilate for a job well done for full year 2024 financial reports, the real sector and individual customers for which the banks were established to support, groan and suffocate in pains due to business decline and losses suffered, including, in some cases, complete closure of operations and insolvency.
Put differently, the banking system has become a pain in the neck of customers. While customers are experiencing frustrations from incessant debit alerts attributable to subjective and jumbled charges, corporate customers, in addition,also suffer from inability to access simple credits to run businesses,including foreign exchange to settle Letters of Credit.
It is therefore imperative to compel the banks to function appropriately without putting the customers through pains. Gaps created by CBN’s unimpressive efforts at enforcing compliance with rules guiding bank charges, should be filled by various consumer protection agencies for the good of customers.
The Federal Competition and Consumer Protection Commission (FCCPC) and other non-governmental organisations (NGOs) established to protect the interest of consumers should rise to the challenge of banks’growing quest for abnormal profit through use of arbitrary charges,devoid of empathy for emotional state of customers.
Some of the policies that necessitated the bank charges should be reviewed,so as not to discourage Nigerians from optimizing the services of the banking industry. Failure to do this, could undermine government’s cashless policy, with implication on banks’ total clientele base. Moreso, as the country is still underbanked.
The banks must therefore, wake up,smell the coffee,feel the impulse of customers, and shore up the dwindling integrity and reputation of the banking industry.
Dr. Mike Owhoko, Lagos-based public policy analyst, author, and journalist, can be reached at www.mikeowhoko.com, and followed on X {formerly Twitter} @michaelowhoko.
Feature/OPED
Unlocking the Dividends of Democracy in Yobe

By Abba Dukawa
Despite political scepticism from opposition politicians, Governor Mai Mala Buni has proven his commitment to serving Yobe State’s people, prioritizing their needs over personal interests since taking office. His political vision aligns with the masses’, focusing on their welfare and well-being.
Notwithstanding the challenges, Governor Mai Mala Buni remains committed to Yobe State’s, focusing on state and citizens’ needs despite obstacles
Since taking office, Governor Mai Mala Buni’s administration has made significant strides in various sectors, including infrastructure development, healthcare, education, road construction, agriculture, and women and youth empowerment. Notably, the administration has offered local and foreign scholarships, boosting citizens’ confidence in the state.”
Despite insurgency and insecurity challenges in the state, Governor Mai Mala Buni has made concerted efforts to combat insecurity. Notably, he has engaged with Service Chiefs and Heads of Security Agencies to find lasting solutions, ensuring peace and security across the state. Over the past six years, the Yobe State government has provided over 400 vehicles to support the Nigerian Army, Air Force, Police, and other security agencies, enhancing their operational capabilities.
Under Governor Mai Mala Buni’s leadership, Yobe State has made significant strides in transforming education. To address the pressing issue of out-of-school children, he convened the state’s inaugural education summit, seeking solutions. With approximately 4.4 million out-of-school children residing in Yobe (about a third of Nigeria’s 13.2 million), the summit marked a crucial milestone in the administration’s efforts to revamp the education sector.
To expand access to education, the administration established model primary and junior secondary schools in each of the state’s three senatorial districts, with plans for further expansion to all 17 local government areas. This initiative has yielded significant results, including increased school enrollment and the rehabilitation of structures damaged by Boko Haram insurgents.
Furthermore, Governor Buni’s administration has established six new Model Schools, seven Mega Schools, nine Government Girls’ Day Senior Secondary Schools, eight co-educational Government Day Senior Secondary Schools, one additional boys’ school, and an IDP School in Buni-Yadi.” These initiatives were complemented by the construction of new classrooms, laboratories, ICT centers, hostels, and other essential facilities, as well as the provision of teaching and learning materials to primary, secondary, and tertiary institutions, fostering a conducive learning environment for students and pupils. These new schools are strategically located in affected areas, aligning with the administration’s State of Emergency Declaration on Education initiative.” The administration has also awarded scholarships to hundreds of high-achieving students, both male and female, to pursue various fields, including Petro-Engineering, Medicine, Anesthesia, and Pharmacy, locally and internationally.
Yobe State’s health sector has seen significant achievements, the state government has constructed, refurbished, and equipped over 138 Primary Health Care centers, increasing access to essential services. Free Dialysis Program*: hundreds patients receive free dialysis treatment every month at the Yobe State University Teaching Hospital.
Yobe State was recognized as a leader in primary healthcare, winning $500,000 in the North-East sub-region leadership challenge.The state allocated 15% of its 2025 budget to the health sector, to promote healthcare delivery services. The state has upgraded four general hospitals to specialist facilities and eight Primary Health Care centers to general hospitals, enhancing healthcare infrastructure.
The Buni Expanded Free Healthcare Scheme provides free basic healthcare to vulnerable populations, including pregnant women, children under five, and people living with disabilities. More than hundred thousands residents have been enrolled in the scheme, with 222 primary healthcare providers and 24 secondary healthcare facilities supported through capitation and fee-for-service arrangements. Yobe State University Teaching Hospital has secured full accreditation to train 25 resident doctors, a monumental achievement for the state’s healthcare sector.
Since 2019, the state has witnessed unprecedented infrastructural development under the current administration. Yobe State’s infrastructure development under Governor Mai Mala Buni’s administration has seen significant progress in various sectors. Construction and rehabilitation of over 500 kilometers of roads, connecting communities and fostering economic growth complete road projects. Township roads and drainages in five local government areas. Damaturu flyover construction.
Commissioning of new electricity infrastructure for the Nguru Mass Housing Estate, Expansion of the National Grid to more communities. Installation of solar streetlights in 11 local government areas. Mass Housing Policy delivering 2,350 housing units with basic amenities at a 50% discount on an owner-occupier basis. Improved water supply with new solar-powered boreholes and reticulations in Damaturu, Buni-Yadi, Nguru, Geidam, and Potiskum. Construction of modern markets in Potiskum, Geidam, Yunusari, and Ngalda, Damaturu Mega Shopping Mall construction and Potiskum Truck Transit Park development. These infrastructure developments aim to drive economic growth, enhance the quality of life for residents, and support the state’s overall progress
Despite financial constraints, Governor Buni’s administration has successfully implemented developmental projects that enhance human capital development. To achieve its socioeconomic objectives, the administration is proactively seeking local and international investments to leverage the state’s natural mineral resources. Notably, Governor Buni has engaged with Qatari investors to explore opportunities for establishing a cement company and meat processing factory in Yobe State.
The administration has revitalized and upgraded government-owned industries, including the Gujba Fertiliser Blending Plant, Polythene, Woven Sacks Factory, Yobe Flour and Feed Mills, and Sahel Aluminium Companies, to enhance production capacity. This initiative seeks to boost internal revenue generation and create jobs.
To realize its vision for Yobe State, the administration has introduced transformative policies and programs designed to unlock the state’s vast potential and propel it towards greatness. Building on the substantial progress achieved over the past six years, Governor Mai Mala Buni has consistently prioritized the welfare of the people, eschewing political expediency and personal interests for the greater good.
As Chairman of the APC’s Caretaker/Extraordinary Convention Planning Committee, Governor Mai Mala Buni spearheaded the party’s transformation, bridging internal rifts and rebranding it to appeal to a wider demographic. Under his leadership, the APC has attracted notable defections, including governors from Zamfara, Ebonyi, and Cross River states, as well as prominent figures such as Gbenga Daniel, Lt. Gen. Ihejirika, Yakubu Dogara, Dimeji Bankole, and Barnabas Gemade. Governor Buni’s people-centric approach has earned him recognition as a diligent and empathetic leader. His administration’s commitment to enhancing citizens’ lives reflects his sense of duty and selflessness.
Dukawa writes in from Kano and can be reached at abbahydukawa@gmail.com
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