Feature/OPED
Video Editing Tools That Can Ease the Work of Digital Journalists and How
Digital journalism, be it a one-man-army or a small firm, both required compelling content to compete with mainstream media companies.
The ethics of media journalism and the credibility of the information source are essential factors. But the physical and visual presentation of each piece draws more attention than any other parameter.
It is important to be original and it implies journalism too. They need to master copywriting too, so that it can be leveraged over others, know more about copywriting and its importance by clicking this link here.
In this world of technology and fast-paced information — videos are the only outlets that can deliver the best-in-class results.
Need For Video
Videos find utility by the digital journalist in two ways. The first is in the form of direct content pieces. Which means your video content is the primary source of information. This video is not accompanied by any written reports or supporting articles.
Many users on the internet depend on the video format of content; this type of journalism could fetch you more eyeballs and a higher reach.
The other form of video integration is snippets or trailers within written pieces. As a digital journalist who focuses on the written article format, integrating small snippets of videos will enhance its quality.
This practice will also increase the searchability score of your page. Therefore your news article reaches a broader user based on the internet.
Some journalists also use video for cross-promotions. These are marketing or promotional content created based on the information shared on the primary website. These videos are also shared on social media platforms, email newsletters, etc.
Faster Way To Make Videos
As videos’ consumption is effortless in today’s mobile-driven world, having video content creation has become a prerequisite for all digital journalists.
We often think of video making as complicated as making a film. You imagine large computers and cameras. But the phone and the laptop are the only tools you need. The internet itself feeds you with tools to make internet-content.
Using online video editing tools is one of the best ways to create fast and accurate video content. These tools do not require a software download, professional skills, or an annual membership.
They are simple web-based applications that anybody with a computer or mobile phone can access.
These applications are designed in a way to cater to the lowest common denominator. This means if you have close to zero knowledge of video making, editing, or scripting — these platforms will help you transform your text-based articles into shareable video formats.
The Best Editing Tools For Journalists
Now that you understand the need for video and its application in digital journalism. Here are five platforms that will make your task easier.
InVideo
InVideo is the go-to choice for most online content creators. This sophisticated video creation platform allows you to make text-based or elaborate story-based videos with just a few clicks.
The highlight of Invideo is the presence of more than 3,000 templates. These templates are tailor-made to fit each need and niche. They can be customized to suit the video creator’s needs and exported directly to social media or downloaded on the computer for external use.
The platform also provides pre-designed video templates for various platforms such as YouTube, Instagram, and Facebook. The service is entirely free for anyone to use, and a premium membership will give you access to over one-million free stock footage videos and photos.
The themes and templates of InVideo revolve around current affairs, upcoming events, and festivals. This reduces the time and effort to design each video from scratch. InVideo already understands the journalist’s need.
Youtube Editor
We all think of YouTube as a video platform, but their content development window is just as useful. The YouTube creator page is a great starting point for anyone who has lesser experience with online video generation.
The YouTube platform video editor is a fundamental and straightforward tool. It does not demand any complex actions or over-the-top animations and effects. If you aim to create crisp and uncomplicated video content for posting on YouTube, this tool is a fabulous step-one.
Video Shop
VideoShop is a long-running and simple to use video editing application. It has effortless features like trimming video, integrating music, adding text, and altering the length. Many journalists use these tools to allow easy subtitling for foreign languages or hard-to-listen-audio.
Video shops also have a layering feature that lets you integrate more than one clip at a time. This tool is also available in the form of an app on IOS and Android.
Square Fit
SquareFit is not a per-say video editing tool. It is a tool that enhances video content sizes. Social media platforms like Instagram and Facebook demand videos to be in a specific resolution. SquareFit helps you optimize any video to accommodate social media norms.
They also allow you to add simple text, add filters (like on Instagram), rotate, flip video, or scale video to the needed size.
SquareFit is a mobile application that saves the video to your phone memory. The user can later upload this video on their desired platform.
InShot
Inshot is one such app that allows very detailed video edits that you might rarely use as a journalist. But very helpful at the time of a specific need. They have advanced features like freeze frame, background alteration, text animation, adaptability to change in resolution, and much more.
This application has often been referred to as user-friendly since it’s a mobile application that is self-explanatory. The digital journalist often rely on this app for its sincere user interface
Final Thoughts,
There is no denying that the need for video has it at an all-time high. Even industry leaders like Instagram and Facebook have recognized this need and created video-specific sections on their platform. (Called IG-TV and Facebook Watch, respectively)
Making videos will soon become as easy as clicking a photo on your phone. And most technological and media changes usually start from the field with journalists.
As a journalist, you face situations where adaptability is the need of the hour. This video transformation is one such change. However, these online editing tools help them get the work done faster.
Gives them time to focus on their primary job – reporting.
Feature/OPED
Building 234 Solutions: A Response to Everyday Workforce Challenges
By Owoloye Emmanuel
Every business starts with a problem. For us, that problem was hiding in plain sight.
Across organisations, we kept seeing HR professionals, payroll teams, and business leaders spend significant time navigating processes that should be simpler. Employee records sat across multiple systems, payroll processes required manual intervention, and routine workforce tasks often became more complicated than they needed to be.
As businesses grow, workforce operations naturally become more complex. Yet many organisations still rely on disconnected tools and workflows that create unnecessary friction for both employers and employees.
The consequence is more than operational inefficiency. HR teams spend valuable time managing systems instead of supporting people. Business leaders struggle to access timely workforce insights, while employees experience delays in processes that should be seamless.
These weren’t isolated challenges. They were recurring realities across workplaces, regardless of industry or size.
That observation led us to a simple question: what if workforce management could be easier?
What if HR, payroll, and workforce operations could work together within a single, connected experience?
That question became the foundation for 234 Solutions.
We are building 234 Solutions with a clear belief that workplace technology should reduce complexity, not add to it. Our goal is to help organisations spend less time navigating processes and more time focusing on productivity, growth, and people.
As we prepare for launch, our focus remains simple: building practical solutions for real workplace challenges and helping organisations create better experiences for the people who power them every day.
Owoloye Emmanuel is the founder of 234 Solutions
Feature/OPED
The Role of TV in Preserving African Stories and Identity
Scroll through social media today, and you will notice something interesting: everyone is either reacting to a series, quoting a movie line, or debating a character as though they personally know them. Beneath the memes and binge-watch culture, however, lies something deeper. Television remains one of the most powerful tools shaping how Africans see themselves, remember their history, and tell their own stories. In a continent as diverse and expressive as Africa, that matters more than ever.
TV as a Cultural Archive, Not Just Entertainment
Long before streaming algorithms began shaping our viewing habits, television was already preserving African identity. From Nollywood dramas that capture the rhythm of everyday Lagos life to documentaries exploring Maasai traditions and Ghanaian folklore, TV has served as a living archive of the continent’s stories.
It preserves more than entertainment; it preserves language, culture, humour, values, and shared experiences. Unlike fleeting social media content, television allows stories to unfold with depth, exploring the realities of family, tradition, ambition, and modern African life without reducing them to stereotypes. That is the power of TV: preserving not just stories, but perspective.
Why Representation on TV Still Matters
There is a subtle but important truth: if people do not see themselves on screen, they may begin to believe their stories are not worth telling. This is why African TV content is more than entertainment; it is affirmation.
Seeing a character who speaks like you, struggles like you, or celebrates like your community does something powerful. It validates identity and challenges outdated narratives that have historically defined Africa through external lenses.
This is where MultiChoice Group, through platforms such as DStv and GOtv, plays an important role. They do not simply broadcast content; they help distribute cultural memory at scale.
GOtv, DStv, and the Everyday African Viewer
Think about a typical evening in many African homes: the TV is on in the background, someone is laughing at a comedy show, another person is watching a local series, and someone else is catching up on the news. That shared viewing experience remains very real.
Through platforms such as DStv and GOtv, African households are exposed to a blend of local storytelling and global content. More importantly, they have helped amplify African-produced content by bringing Nollywood films, African reality shows, talk shows, and documentaries into mainstream rotation.
It is not just about access. It is about visibility.
A young filmmaker in Lagos today is more likely to believe their story matters because they have seen similar stories broadcast widely. A child in Accra grows up hearing familiar accents and seeing environments that look like their own on screen, not as exceptions, but as the norm.
TV Is Also Shaping Modern African Identity
African identity is not static; it is evolving. Television reflects that evolution in real time.
Today, audiences see:
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Young Africans balancing tradition and modern dating culture
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Stories tackling mental health in African households
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Fashion and music influences spreading through TV series
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Political satire shaping public conversation
Conversations that were once confined to homes are now being explored on screen, giving audiences the language to discuss issues that were previously unspoken.
In many ways, television is doing what oral tradition has always done: passing stories, values, humour, warnings, and history from one generation to the next. The difference is that today’s griots are writers, directors, and broadcasters.
The Future: From Watching to Owning Our Narratives
The next stage of African storytelling is not just about being seen; it is about ownership.
As more African creators produce content and platforms continue to invest in regional storytelling, television becomes more than a mirror. It becomes a tool for shaping how Africa is represented to itself and to the world.
While streaming continues to grow, television, particularly accessible platforms such as GOtv, remains one of the most effective ways to reach everyday audiences across different income levels and regions. After all, storytelling only matters if people can access it.
African stories are not new. They have always existed in families, on streets, in markets, in history books, and through oral traditions. What television has done, and continues to do, is give those stories a stage wide enough for millions to experience them at once.
The next time you watch a local series or documentary on DStv or GOtv, remember that you are not just being entertained. You are participating in the preservation of African identity itself.
Feature/OPED
The Future of AI in Nigerian SMEs: Overcoming Barriers to Implementation
By Kehinde Ogundare
Ask a tech entrepreneur in San Francisco what AI means for their business, and they are likely to talk about competitive advantage, product differentiation, and scale. Ask a small business owner in Kano or Onitsha the same question, and the conversation shifts entirely.
For many Nigerian SMEs, the priority is keeping the lights on, managing costs, and finding sustainable ways to grow in a challenging economic environment. This difference in perspective explains why the global AI conversation, often shaped by assumptions about stable infrastructure, deep capital, and abundant technical talent, frequently fails to address the realities facing Nigerian SMEs.
This matters because Nigerian SMEs are not a peripheral concern. In 2024 alone, MSMEs contributed 46.32% to Nigeria’s GDP, accounting for 96.9% of businesses and 87.9% of employment. These businesses are the backbone of the Nigerian economy, and if AI is going to mean anything for Nigeria’s development, it has to work for them in the daily conditions they actually operate in.
However, research drawing on empirical data from 144 Nigerian SMEs found that inadequate infrastructure, low digital literacy, skills shortages, and regulatory gaps are collectively preventing them from meaningfully engaging with AI. Awareness of AI is high and growing. What is missing is a clear and honest conversation about what adoption actually requires in this specific context. The barriers are real, but none of them are insurmountable. The question is whether the tools, pricing models, and support structures being offered to Nigerian SMEs are designed with those barriers in mind, or whether they have been built for another market entirely.
Subscription models making AI affordable for small businesses
When most small business owners hear “AI,” they imagine expensive software, specialist consultants, and a hefty upfront bill.
That assumption is not entirely wrong, but it describes a particular way of buying technology, not AI itself. The shift that makes AI genuinely accessible at the SME level is the move away from large, one-time capital purchases towards tools that charge a predictable monthly subscription. Businesses can pay for what they use, scale back when necessary, and avoid the debt that a major technology investment can create.
The deeper opportunity here is consolidation. Many SMEs are already spending money across multiple disconnected tools—one for invoicing, another for customer records, another for stock tracking—none of which talk to each other. An integrated platform that handles several of these functions together, with AI built in, can actually cost less than the sum of those separate subscriptions while giving business owners a clearer picture of their operations.
With margins already under pressure, any technology a business adopts needs to visibly show an increase in productivity or bottom line. Subscription-based, integrated platforms, priced transparently and honestly, are the model that best fits this reality.
Infrastructure challenges demand a mobile-first approach
No conversation about technology in Nigeria is complete without confronting the infrastructure problem, and AI is no exception. Nigeria continues to face major infrastructure barriers, including limited broadband access, unreliable power supply, and high data costs, all of which constrain deeper AI adoption. These are structural features of the operating environment that any sensible technology strategy must account for today.
The electricity situation alone is significant. The World Bank estimates that the lack of stable electricity costs Nigeria’s economy approximately $26.2 billion annually, equivalent to about 2% of GDP, forcing many businesses to run on expensive diesel generators. That cost ripples outward.
In practical terms, AI tools built for Nigeria cannot assume a stable broadband connection or a computer that is always powered on. The tools that will actually get used are the ones that work on a smartphone, consume minimal data, and can function offline when connectivity drops, syncing back up when it returns. The mobile phone is already how many Nigerian SME owners run their businesses. AI that meets them there, rather than demanding infrastructure they do not have, is AI that has a genuine future in this market.
The direction is clear: build capability from within, using tools that make that possible. Recent AI performance research reveals that 64% of African workers are already actively using AI at work, signalling massive grassroots readiness and driving forward-thinking organisations across Nigeria, Kenya, and South Africa to aggressively prioritise internal upskilling frameworks to bridge the talent gap.
As the policy groundwork is being laid, the commercial ecosystem is beginning to respond. What remains is a clear-eyed acceptance that AI tools built for this market need to look different from those built for markets with different realities. Low cost, low bandwidth, and usability for non-technical people are not modest ambitions; they are the actual requirements. Build for those realities, and AI has a real future in Nigeria’s SME economy.
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