General
8 million in Dire Conditions in Borno, Adamawa, Yobe—UN
By Adedapo Adesanya
The United Nations has issued an alert over the deteriorating situation for millions of mainly women and children in northeast Nigeria who continue to be affected by protracted armed conflict, just as the country enters the lean season.
The body said that well over 8 million people are in need of assistance in Borno, Adamawa and Yobe (BAY) States and an estimated 600,000 face emergency levels of food insecurity because of extremist violence centred around the Lake Chad region, that’s now in its 12th year.
The UN’s top relief official to Nigeria, Mr Matthias Schmale revealed that although the previously dominant Boko Haram militia have been significantly weakened since the group’s leader was killed over a year ago, it continues to carry out indiscriminate attacks.
Another extremist offshoot, ISWAP, is also dangerous, although it had also suffered setbacks, he noted.
As in previous years, a staggering one million people are also beyond the reach of international aid teams, said Mr Schmale.
More than 80 per cent of those in need are women and children, who also face “abductions, rape and abuse”, while indiscriminate attacks in Borno state make it the most “unstable place to be”, he added.
He told journalists in Geneva that the UN was aiming to support at least 5.5 million, out of the 8.4 million in need overall.
“The conflict has left 2.2 million people presently displaced. We’ve just entered what is called the lean season that normally lasts until September; last year it lasted until November, so we’re also seeing the impact of climate change.”
Mr Schmale noted that although Nigeria is a major oil producer, it lacks refineries which means that it has not benefited from the global surge in energy prices, linked to the war in Ukraine.
“It’s early days yet in terms of understanding the full impact, as you may know, in Nigeria from the beginning there was speculation as to whether Nigeria would benefit as an oil-producing country.
“We’re not seeing that in fact at all, because Nigeria, as contradictory as this may sound, depends very largely on imports of refined oil so, the price rises we’ve seen are not benefiting Nigeria, that’s one concern.”
In time, the massive country could feed itself and avoid ever costlier food imports, the UN official insisted, although, for the moment, it lacks the infrastructure and agricultural investment required to be competitive at a global level.
It noted that there is a particular concern for 1.74 million children under five who are expected to be suffer from acute malnutrition in the northeast in the coming months.
“A key message is ringing the alarm bell,” Mr Schmale said. “If we don’t get immediate funding soon for an initial multisector response plan worth $350 million, we will have a crisis that will be much worse in a couple of months.”
He added: “We hope that the international community realises that you ignore a situation like in the north-east of Nigeria at your own peril; it could have far-reaching consequences beyond the borders of Nigeria if we’re not able to keep it stable.”
General
The Poster That Breathes: Designing Visuals That Feel Alive Even When Still
Have you ever noticed a poster that seemed to move, not actually, but emotionally? Perhaps its colors seemed to pulse or the composition changed with your eyes. That’s the magic of visual rhythm, when static design seems cinematic, living, and breathing.
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Directional flow: Diagonal or curved lines imply movement.
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Circular composition: Reeks of energy captured during spin.
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Gradient play: Gradual color transitions mimic emotional movement.
Emotional pacing: imparting stillness with a heartbeat
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Blending light and dark areas to replicate pulses of energy and serenity.
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Employing color temperature changes — to cool, warm — to convey mood shift.
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Creating layered depth, so that observers feel air and space even on a two-dimensional surface.
Creating a poster that feels cinematic
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Thoughtful framing — all that leads the viewer in one emotional direction.
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Atmospheric lighting — the shadows are as full of feeling as highlights.
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Anticipation — the feeling that the next frame is about to be cut in.
When silence speaks louder
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One feather drifting across black space can feel like time standing still.
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A whispery ripple over calm water evokes emotional tension.
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A texture dissolving into nothing feels like wind blowing through light.
Bringing identity to logos
Giving your poster life with Dreamina
Step 1: Write a text prompt
Step 2: Adjust parameters and generate
Step 3: Customize and download
Editing: the art of breathing room
The final exhale
General
FCCPC Seals Ikeja Electric Headquarters Over Alleged Consumer Rights Violation
By Adedapo Adesanya
The Federal Competition and Consumer Protection Commission (FCCPC) on Thursday sealed the premises of the Ikeja Electric Distribution Company (IKEDC) in the Alausa area of Lagos for alleged violation of consumer rights.
Leading FCCPC official to carry out to closure, the Director of Surveillance and Investigation, Mr Bola Adeyinka, said the move was in line with the Federal Competition and Consumer Protection Act (FCCPA) 2018 after repeated attempts to resolve the matter.
“Sealing this facility is a proportionate enforcement measure taken only after repeated engagement and several opportunities for voluntary compliance,” Mr Adeyinka said in a statement.
“The seal will remain in place until Ikeja Electric complies fully with the directives issued by both NERC and the FCCPC and provides written evidence of that compliance,” he added.
According to the FCCPC, the Nigerian Electricity Regulatory Commission (NERC) issued a binding decision directing Ikeja Electric to unbundle a Maximum Demand account into 20 non-Maximum Demand accounts, to recognise each of the 19 residential units and a service point owned by the complainant as separate customer units, and to provide the required metering and connection.
“Ikeja Electric did not carry out that decision,” the statement read in part. “Because of this failure, the complainant has been without electricity supply for more than two and a half years.
“This was despite paying all charges requested by Ikeja Electric and meeting every obligation. The lack of electricity has prevented the complainant from putting the 19 residential units to use.”
It said the move followed unsuccessful attempts to resolve the issues through warnings and dialogue.
FCCPC listed one of such attempts to include a directive to the company in April 2025 on the steps required and the timelines for compliance.
However, “No action was taken. On 2nd October 2025, the Commission issued a Compliance Notice requiring full compliance within seven business days.
“The company still did not comply,” the commission explained.
As of press time, Ikeja Electric, which supplies electricity to several areas in Lagos, has not yet commented on the matter.
General
What to do to Unlock Africa’s Access to Global Digital Assets—Mumuni
By Aduragbemi Omiyale
The Chief Digital Officer of MTN Nigeria, Ms A’isha Umar Mumuni, has said though Africa has immense cultural capital and talent, the lack of infrastructure, ownership, and platform control prevent creators from benefiting fully.
However, she highlighted some steps that can be taken by the governments, investors, and stakeholders to change the narrative.
Ms Mumuni, while speaking at the Nigerian Entertainment Conference (NECLive) 2025 in Lagos, themed, Powering Africa Through Creative Enterprise, “Africa has the cultural capital, the skills, and the talent. What we do not yet have is global access at scale, and that is the gap we must close. Africa’s talent cannot be ignored.
“Africa is a cultural paradise without global access or control. Africa needs global cultural influence, but we do not control global data, we do not own the platform, and we export to other countries without a consistent home platform. We explore creativity, but we import the system without profiting from it.”
The MTN executive explained that unlocking Africa’s access to global digital assets requires transforming local customs, people, and platforms to ensure creativity can flourish and generate sustainable revenue.
She noted that African content, whether in music, film, fashion, or digital media, must be positioned strategically to compete and succeed on the global stage.
Emphasising the need for Africa to invest in technology and digital skills to drive the creative economy, she said, “Africa has the youngest population on earth, which is a leverage. We must invest in AI, coding, digital skills, and content production. Creativity without a platform cannot sail.”
Ms Mumuni noted that broadband policies, digital copyright protections, and clear monetisation opportunities are critical for African creators to earn from their content and reach global audiences.
She warned Africans that without investment and strategic planning, African innovation risks remaining local, while foreign platforms reap the benefits, urging African creators to ensure their stories are shared globally while retaining cultural identity.
“The world expects good stories. Africa’s stories are rooted in culture, resilience, and spirituality.
“To unlock Africa’s access to global digital assets, we must transform investment, policy, and perception,” she said.
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