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Court Dismisses MultiChoice Plea to Stop NBC Audit

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multichoice 2024 Step up

By Adedapo Adesanya

A Federal High Court in Abuja has refused to grant an application filed by MultiChoice Nigeria Limited seeking an interim order restraining the National Broadcasting Commission (NBC) from requesting any financial, accounting, or tax documents from them.

Justice James Omotosho, in a ruling on the ex-parte motion moved by the applicant’s counsel, Mr Moyosore Onigbanjo (SAN), rather directed all parties, in the interest of justice, not to take any step that could make the outcome of the suit nugatory.

Although the ruling was delivered on Wednesday, its certified true copy was sighted on Friday.

“The ex-parte order for Interim Injunction dated 8th day of May, 2024 and filed 16th day of May, 2024 is hereby refused,” he declared.

Justice Omotosho then adjourned the matter until May 30 for a hearing of the motion on notice.

MultiChoice Nigeria Limited and Details Nigeria Limited, a provider of the subscription-based digital terrestrial television service known as GOtv, are 1st and 2nd applicants.

In the ex-parte motion marked FHC/ABJ/CS/652/2024 dated May 8 and filed May 16 by their lawyer, they sued NBC as the sole respondent.

The applicants sought three reliefs, including an order of interim injunction, restraining NBC from carrying out any investigations of the companies to determine their annual income or NBC levy for the years between 2014 and 2024 pending the hearing and determination of the motion on notice.

They sought an order of interim injunction restraining NBC from requesting, demanding and or receiving any financial, accounting or tax documents from the companies other than the annual audited accounts of the companies already submitted to the commission.

They said this was in according to Section 2 (10) (b) of the NBC Code 6th Edition to determine her remittance of NBC levy for the 2014 to 2024 years of account pending the hearing and determination of the motion on notice.

They equally prayed an order of interim injunction restraining the commission from sanctioning, fining or suspending the companies’ license pursuant to the threats contained in its letter dated April 29 to them, pending the hearing and determination of the motion on notice.

In the affidavit deposed to by the companies’ Head of Compliance, Mr Gozie Onumonu, he averred that the firms were mandated under the various NBC Codes to pay a certain percentage of their income as annual NBC levy to the respondent.

He said that the current code; NBC Code 6th Edition, provides for 2.5 per cent of the income of a broadcaster to be paid to the respondent yearly as an annual NBC levy while the erstwhile code which was amended in 2019 provides for 1.5% of the income of a broadcaster to be paid to the defendant yearly as an annual levy.

He claimed that the companies had never defaulted in paying their annual levy to the commission.

“Income as provided by the NBC Code 6th Edition is not defined nor is it defined in any other previous editions nor in the NBC Act 2004.

“As a result of the lack of definition of what an income is, there was a dispute between the applicants and the respondent in the year 2014 about whether income should be turnover or revenue minus the cost of production.

“After due negotiations, meetings, etc., between the applicants and the respondent, it was agreed by the applicants and respondent that income should be revenue minus cost of production.

“In the year 2014, when the applicants subtracted the cost of production from their revenue in order to arrive at the then 1.5 per cent required of the applicants under the NBC Code 5th Edition, what was left for the applicants to pay to the defendant in compliance with the 1.5 per cent requirement of the NBC Code 5th Edition was negligible.

“The amount the respondent would have been entitled to, from the applicants as annual NBC levy between 2014 to 2019 if the applicants were to strictly pay the 1.5 per cent annual NBC levy provided by the 5th Edition of the Code was small and the respondent might not be able to carry out its administrative functions in view of its financial needs.

“Specifically, in the year 2014 and 2015, the amount that would have been due to the defendant as 1.5 per cent of the annual income of the 1st applicant was N2.1 million (N2,167,254)

“As a result, the respondent beseeched the applicants to consent to the payment of a fixed sum of N500 million (N500,000,000) as annual levy for the applicants’ licence period of 2014 to 2019 the sum of which was far more than what the plaintiffs were supposed to be paying to the respondent if the applicants were to pay only the 1.5 per cent of their annual income as provided by the NBC Code.

“For the years 2014 to 2019 the respondent wants to investigate to verify whether the applicants paid up to 2.5 per cent of their annual incomes as annual NBC levy, the operational NBC Code then was the NBC Code, 5th Edition and it requires broadcaster to pay 1.5 per cent of their annual incomes as annual levy,” he said.

Mr Onumonu, who said the companies had already submitted a certified true copy of their audited account for the previous year(s) to NBC, said the commission was paid over N12 billion (N12, 490, 000, 0000) as annual levy from 2014 to date.

The officer described NBC’s action as an abuse of power, urging the court to grant their plea in the interest of justice.

Adedapo Adesanya is a journalist, polymath, and connoisseur of everything art. When he is not writing, he has his nose buried in one of the many books or articles he has bookmarked or simply listening to good music with a bottle of beer or wine. He supports the greatest club in the world, Manchester United F.C.

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Pop Culture Collectibles for Modern Fans and Collectors

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Youtooz Collectibles

Pop culture collectibles have transitioned from niche hobby-shop items into highly sought-after products that drive ecommerce revenue and audience engagement. For entrepreneurs, affiliate marketers, and agencies targeting fandom-driven communities, knowing which items sell, how to verify authenticity, and where to promote listings is crucial. Working with Youtooz Collectibles provides insight into the types of figures and limited-edition items that modern collectors value, along with sourcing strategies, valuation and preservation essentials, and practical selling tactics—all presented with actionable guidance that businesses can use to boost traffic, conversions, and brand authority.

Why Pop Culture Collectibles Matter For Fans And Sellers

Pop culture collectibles matter because they bridge emotional value and market value. For fans, a collectible can be a tangible connection to a beloved franchise, a limited-run expression of identity, or an heirloom. For sellers, especially online store owners, dropshippers, and affiliate sites, those same emotional drivers create predictable demand cycles tied to film releases, anniversaries, conventions, and social trends.

From an ecommerce perspective, collectibles present several advantages: higher average order values, cross-sell potential (e.g., figure + display case), and strong content marketing opportunities. Niche-focused SEO and link-building campaigns can drive targeted traffic that converts at above-average rates: authoritative backlinks from fan sites, review blogs, and industry press amplify visibility for product pages and category hubs.

But, sellers must also navigate seasonality, counterfeits, and fickle trends.

Top Types Of Pop Culture Collectibles

Collectible categories vary in liquidity, storage needs, and audience. Below are the primary types modern fans and collectors pursue, with notes on market behavior.

Action Figures, Toys, And Vinyl Figures

Action figures and vinyl figures (e.g., Funko Pops, designer vinyl) remain top sellers thanks to broad fan bases and affordable price points. Limited runs, convention exclusives, and artist collaborations command premiums. For sellers, boxed mint condition items are easiest to monetize, while rarer loose figures can require restoration expertise.

Comics, Graphic Novels, And Books

Comics and graphic novels have both nostalgic and investment appeal. First issues, variant covers, and signed editions attract collectors and speculators. The comics market responds strongly to on-screen adaptations: a hit series or film frequently spikes demand for original runs.

Movie, TV, And Music Memorabilia

Autographed posters, screen-used props, and concert-worn clothing are high-ticket items. Provenance and certificates of authenticity are critical here, buyers will pay for verified history. Sellers who can source items tied to cultural moments often find passionate, deep-pocketed buyers.

Video Games, Consoles, And Gaming Merchandise

Retro consoles, limited-run cartridges, and sealed games are appreciating assets. Gaming merchandise, soundtracks, artbooks, collector’s editions, performs well alongside new releases. Marketplace demand often clusters around nostalgia waves and remasters.

Limited-Edition Art, Statues, And Designer Toys

High-end statues, limited-run prints, and gallery toys appeal to collectors who prioritize scarcity and craftsmanship. These items require careful storage and targeted marketing: they often sell through specialty sites, auctions, and gallery drops rather than mass marketplaces.

How To Source Rare Finds And Build Inventory

Sourcing determines margins and differentiation. A mixed approach, online research, real-world hunting, and creator partnerships, works best for steady inventory flow.

Online Marketplaces, Auctions, And Market Research

Monitoring eBay, Mercado Libre, Heritage Auctions, and specialized auction houses uncovers underpriced lots and cross-border arbitrage opportunities. Use saved searches, completed-listing data, and market-watch tools to identify price trends. Competitor backlink profiles and topical content can reveal where collectors congregate, valuable intel for outreach and link-building.

Conventions, Local Stores, Estate Sales, And Thrift Hunting

Conventions and local comic shops are goldmines for exclusives and trade-ins. Estate sales and thrift stores sometimes hold miscataloged treasures, signed books, rare comics, original posters. Successful sellers develop quick authentication instincts and a network of local contacts to source before items hit public listings.

Working With Creators, Wholesalers, And Dropship Partners

Direct relationships with creators and licensed wholesalers secure early access and confirmed authenticity. Dropship partnerships reduce upfront inventory risk, useful for testing niche demand. For high-ticket collectibles, working with trusted consignors and offering pre-orders can minimize capital exposure while guaranteeing exclusivity.

Authenticity, Grading, And Valuation Essentials

Trust is the currency of the collectibles market. Clear authentication practices, standardized grading, and transparent valuation make listings more competitive and reduce disputes.

Authentication Methods And Common Certificates

Authentication methods include COAs (Certificates of Authenticity), third-party authenticator stamps (e.g., PSA/DNA for signatures), and provenance documentation (receipts, photos of original acquisition). Digital verification, serialized QR codes or blockchain provenance, has emerged for premium items and limited editions.

Grading Standards And Condition Notes Collectors Care About

Grading protocols differ by category. Comics often use CGC grades: trading cards use PSA: vinyl/statues rely on detailed condition notes (mint, near mint, very fine). Sellers must describe defects, yellowing, seam splits, box crushes, with photos and standard terminology. Accurate grading reduces returns and builds reputation.

Key Factors That Drive Market Value And Price Trends

Scarcity, cultural relevance (tie-ins to media releases), condition, and provenance drive value. Secondary factors include artist/designer notoriety, variant rarity, and international demand. Sellers watching pre-release hype, convention exclusives, and media calendars can anticipate price spikes and adjust inventory strategies.

Storage, Preservation, And Display Best Practices

Proper care preserves value. Whether storing inventory for sale or curating a showroom, small investments in preservation pay off when items sell for premium prices.

Proper Storage, Packaging, And Climate Considerations

Climate control matters: humidity and temperature fluctuations damage paper, vinyl, and fabric. Store comics and books in acid-free sleeves and boxes: keep figures in original packaging when possible and use silica packs to control moisture. For long-term storage, aim for stable, moderate temperatures and low humidity.

Display Strategies For Collectors And For Ecommerce Photography

Displays should protect while showcasing. Use UV-filtering cases for signed posters and dust-free shelves for vinyl figures. For ecommerce photography, shoot both staged lifestyle images and close-ups of condition details: include measurements and scale references. High-quality visuals improve conversion and reduce questions from buyers.

Insurance, Documentation, And Provenance Tracking

Insure high-value inventory and keep digitized records of COAs, receipts, and photos. A simple inventory management system that tags provenance data makes it easier to verify authenticity during sale and supports claims for insurance or dispute resolution.

Selling, Monetizing, And Promoting Pop Culture Collectibles

Turning a collection into recurring revenue requires platform strategy, listing optimization, and community engagement.

Choosing Platforms: Marketplaces, Your Store, And Niche Sites

Marketplaces (eBay, Etsy, StockX) provide reach and discovery: your own ecommerce store offers brand control and higher margins. Niche marketplaces and forums (comic consignment sites, collector communities) attract serious buyers for premium lots. An omnichannel approach, list flagship items on marketplaces and reserve exclusives for the store, balances traffic and margin.

Pricing, Listing Optimization, And SEO Tips For Higher Visibility

Price with data: use completed sales to set competitive ranges and factor in fees and shipping. Optimize listings with keyword-rich titles, structured bullets, and clear condition notes. For organic search, create content hubs, buying guides, value charts, and trend pieces, that naturally attract backlinks. Link-building campaigns targeting fan blogs, review sites, and pop culture publications increase domain authority and lift product pages in search results.

Building Community, Partnerships, And Repeat Customers

Community fuels collectible sales. Host drop announcements, run loyalty programs, and partner with influencers for unboxing content. Affiliate partnerships and guest posts on niche sites drive targeted referral traffic: agencies focusing on backlink strategy can tailor campaigns that place the seller in front of engaged fan audiences. Repeat customers often buy multiple items, offer bundles, pre-order lists, and restock alerts to capture lifetime value.

Conclusion

Pop culture collectibles combine emotional resonance with monetizable demand, an attractive proposition for ecommerce operators and marketers. Success hinges on sourcing smart, verifying thoroughly, preserving carefully, and promoting strategically. For businesses aiming to scale, investing in SEO, high-quality content, and targeted link-building amplifies reach to dedicated fans and converts interest into profitable sales. With the right systems, inventory controls, authentication processes, and promotional partnerships, collectibles can become a dependable, high-margin pillar of a modern ecommerce portfolio.

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MTF’s 2023 Best Graduating Student Heads to Italy’s New York Film Academy

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New York Film Academy

By Aduragbemi Omiyale

The 2023 Best Graduating Student of MultiChoice Talent Factory (MTF), Mr Oluwasegun Ogundeyi, is on his way to Italy to attend the New York Film Academy in Florence.

While at the academy, the filmmaker will hone his skills and be exposed to the latest innovations in the creative industry and meet others from across the globe.

His acceptance to the New York Film Academy’s Florence campus reflects not only personal advancement but also the continued success of MTF’s global training pipeline.

Through its partnership-driven approach, MTF continues to create pathways that position African filmmakers for international relevance while keeping their storytelling rooted in authentic local perspectives.

The fully funded scholarship provided by MTF marks a significant milestone in a career already defined by versatility, discipline, and award-winning storytelling.

The scholarship is part of an ongoing partnership between MTF and the New York Film Academy, designed to strengthen global exposure for emerging African filmmakers while building meaningful creative and industry connections between Nollywood and Hollywood.

“Storytelling is connection. It is expression, impact, and community. My mission is to tell African stories that are nuanced, human, and real, stories that remind us of who we are,” Mr Ogundeyi, who is a director, cinematographer, and storyteller, stated.

Since his time at MTF, Mr Ogundeyi has steadily built a portfolio that demonstrates both range and creative leadership. His directorial debut, Her Dark Past, earned top recognition by winning the MTF category at the 2024 Africa Magic Viewers’ Choice Awards (AMVCA), validating the promise he displayed during his training at MTF.

As Director of Photography on the short film Threshold, he contributed to a project that secured selections at both the Ibadan Indie Film Awards and the Malabo International Film Festival 2025.

He directed Bridging Hope, a documentary produced for Drug Aid Africa, demonstrating his ability to craft compelling narratives for social impact.

His commercial work includes directing the Máadán Lipgloss launch campaign, bringing cinematic sensibility to branded content. Currently, his cinematography work on Transparent Boy is in post-production, with festival submissions anticipated.

Beyond individual projects, his MTF experience yielded lasting professional partnerships. In June 2024, he co-founded NINE NINE Productions Limited with a fellow MTF graduate, transforming their collaboration on Threshold into a sustainable creative enterprise.

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Afreximbank-Backed CCInc Invests in Nigerian Feature Film Clarissa

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By Adedapo Adesanya

The intellectual property investment subsidiary backed by Afreximbank’s Fund for Export Development in Africa (FEDA), CANEX Creations Incorporated (CCInc), has announced an investment in the feature film Clarissa, a Nigerian-produced drama directed by twin filmmakers, Arie and Chuko Esiri.

A contemporary reimagining of Virginia Woolf’s novel, relocated to Lagos, Clarissa was shot on 35mm in Lagos and Delta States. The film follows society woman Clarissa as she prepares to host a party at her home, only to encounter once-intimate friends from her youth. Over the course of a single night, memories of intricate relationships, passionate love, hidden desires, and lost aspirations give rise to a bittersweet reckoning.

The film has been acquired for worldwide distribution by NEON, which will oversee theatrical release in the United States and international markets, with NEON International handling foreign sales.

Clarissa features an acclaimed ensemble cast including Sophie Okonedo (Academy Award and Emmy Award nominee), David Oyelowo (Golden Globe and BAFTA nominee), Emmy Award winner Ayo Edebiri, alongside India Amarteifio (Bridgerton), Toheeb Jimoh (Ted Lasso), Nikki Amuka-Bird (Knock at the Cabin), and a broader cast of distinguished performers.

The film is written, directed, and produced by Arie and Chuko Esiri, whose debut feature Eyimofe (This Is My Desire) premiered at the Berlinale, won multiple African Movie Academy Awards, and was subsequently released by Janus Films before being selected for the Criterion Collection, a rare distinction that signals enduring artistic significance.

The Esiri brothers produce Clarissa alongside Theresa Park (Per Capita Productions) and Nicholas Weinstock (Invention Studios), with co-producers Nina Gold and Thomas Bassett. Executive producers include Sophie Okonedo, Dolly Omodolapo Kola-Balogun, Osahon Okunbo, and Jason Reif.

Commenting on the investment, Mr Osahon Akpata, Chief Executive Officer of CCInc. said, “Clarissa exemplifies the type of globally resonant, IP-driven storytelling that CANEX Creations Inc (CCInc) was established to support. The film combines literary heritage, world-class filmmaking, and African production capacity, while remaining firmly rooted on the continent. Its acquisition by NEON validates both the creative ambition of the filmmakers and the viability of Africa-backed financing structures for internationally scalable film content.”

Reflecting on the film’s creative vision, Mr Chuko Esiri, writer, director and producer, said, “From the beginning, it was important to us that Clarissa be both rooted and resourced on the continent where it is set. Having African institutions back a film of this scale reflects a growing confidence that our stories can be produced from within.

“Clarissa is a story centred on time and memory, and in bringing it to life, we chose to shoot on 35mm in the hope it will first feel, then stand next to the great films of modern cinema”.

Production financing for filming in Nigeria was provided entirely by Africa-based institutions, led by CCInc. alongside MBO Capital, underscoring the growing capacity of African capital to support globally competitive film projects.

The acquisition was negotiated by NEON’s Kate Gondwe, with UTA Independent Film Group representing the filmmakers.

According to a statement, CCInc. said Clarissa marks its continued commitment to investing in high-quality Global Africa intellectual property with clear pathways to international markets, in line with its mandate to catalyse export-ready creative assets across film, television, music, fashion, and other IP-intensive sectors.

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