Showbiz
Cuba in Africa Wins Thomas Sankara Prize at Burkina Faso Festival
By Kestér Kenn Klomegâh
From late February to early March, in Ouagadougou, the capital of Burkina Faso, there was the week-long Africa’s largest film festival FESPACO.
In fact, FESPACO was launched in 1969. This festival provided some kind of entertainment, but the most important aspect was the platform created a show screening different films with diverse themes. The competition was very keen, with rewards for winners delivering excellent results.
Wolfram Vetter, the European Union ambassador in Burkina Faso, called the film festival “an important contribution to peace and reconciliation in Burkina Faso and beyond.” The EU was the event’s largest funder after the Burkinabe government and has contributed approximately €250,000, an equivalent of ($265,000).
Records showed that there were more than 15,000 people, including cinema celebrities from African countries such as Nigeria, Senegal and Ivory Coast, and from abroad, including France and the United States. Some 1,300 films were submitted for consideration, and 100 were selected to compete from 35 African countries and the diaspora, including movies from the Dominican Republic and Haiti. Nearly half of those in the fiction competition this year were directed by women.
Among them was Burkinabe director and producer Apolline Traore, whose film “Sira” – considered a front-runner in this year’s competition – emblematic of many Burkinabes’ suffering. It tells the tale of a woman’s struggle for survival after being kidnapped by jihadis in the Sahel, as her fiancé tries to find her.
An interesting film, “Cuba in Africa”, has received a warm, emotional response all over the world. Most people never heard of this story. Screening this film, people were touched by the altruism of Cubans who sacrificed their sons and daughters on behalf of Africa.
Negash Abdurahman, producer of Cuba in Africa, told us that his film had won the Thomas Sankara Prize. Abdurahman is an Ethiopian-American filmmaker and an educational technology specialist. He is also the Founder of RI Systems Inc.
His award-winning film Cuba in Africa was years in the making, overcoming many challenges. Cuba in Africa told the story of Cuban volunteers who gave everything to win the independence of Angola and Namibia and contributed to the fall of apartheid in South Africa.
Abdurahman spoke briefly with us from Ouagadougou. Here are the interview excerpts:
How would you interpret the film festival that took place in Burkina Faso? What are the key features of this gathering?
FESPACO is the biggest, oldest and most prestigious film festival in Africa. FESPACO is the French acronym for the Pan-African Film and Television Festival of Ouagadougou. The 28th edition of FESPACO took place from February 24 to March 5 in Ouagadougou, the capital city of Burkina Faso.
The festival opened with much fanfare and cultural pageantry. The heads of state of both Burkina Faso and Mali attended the opening ceremonies. For me, one of the emotional moments of the opening ceremonies was the Sidiki Diabate of Mali playing the mesmerizing Kora, a traditional string instrument of several West African countries.
In your critical assessment, what were some of the messages translated to the audience there? Are these related to Africa’s political culture, traditions and history?
FESPACO celebrates African cinema and tells African stories through the eyes of Africans. This was very clear at this year’s festival as well. This year’s theme was “African Cinema and Culture of Peace.”
Before the festival, there was much tension because of the conflict going on in the northern part of Burkina Faso. Some people feared that it might not even be held at all. Playing on this fear, according to a few Burkinabe I spoke to, the French threatened not to protect the festival if they did not get their way.
French troops did, in fact, depart a few days before the opening of the festival. Fortunately, the Burkinabe were able to provide their protection. The festival and all associated music and cultural celebrations concluded without a hitch.
What place was the film “Cuba in Africa” in the festival? What other films have similar themes to this film during the demonstration (show) in Burkina Faso?
My film, Cuba in Africa, was an official selection in the short documentary category. Cuba was the only country in history that came to Africa’s aid without expecting anything in return. An Island nation of roughly 8 million people at the time sent over 400,000 people – military as well as civilians – to help Africans in their fight for freedom.
This was unprecedented. I am honoured to report that we won the much-coveted Thomas Sankara Prize. You can watch a two-minute trailer for Cuba in Africa at http://www.cubainafrica.com.
How was the final conclusion, in spite of the challenges and setbacks, of the festival?
The best films won trophies and monetary awards in their respective categories. The mood was celebratory. FESPACO is a truly African institution with its own warm, unique characteristics.
By Adedapo Adesanya
The 98th edition of the celebrated Academy of Motion Picture Arts and Sciences Awards, known as the Oscars, was held on Sunday, March 15.
The ceremony was hosted by actor and comedian, Conan O’Brien.
Here is the compiled list of winners at the showpiece.
Best Picture
Bugonia
F1: The Movie
Frankenstein
Hamnet
Marty Supreme
One Battle After Another – WINNER
The Secret Agent
Sentimental Value
Sinners
Train Dreams
Best Actor
Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Michael B. Jordan, Sinners – WINNER
Wagner Moura, The Secret Agent
Best Actress
Jessie Buckley, Hamnet – WINNER
Rose Byrne, If I Had Legs I’d Kick You
Kate Hudson, Song Sung Blue
Renate Reinsve, Sentimental Value
Emma Stone, Bugonia
Best Supporting Actor
Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Delroy Lindo, Sinners
Sean Penn, One Battle After Another – WINNER
Stellan Skarsgård, Sentimental Value
Best Supporting Actress
Elle Fanning, Sentimental Value
Inga Ibsdotter Lilleaas, Sentimental Value
Amy Madigan, Weapons – WINNER
Wunmi Mosaku, Sinners
Teyana Taylor, One Battle After Another
Best Director
Chloé Zhao, Hamnet
Josh Safdie, Marty Supreme
Paul Thomas Anderson, One Battle After Another – WINNER
Joachim Trier, Sentimental Value
Ryan Coogler, Sinners
Original Screenplay
Robert Kaplow, Blue Moon
Jafar Panahi, It Was Just an Accident
Ronald Bronstein & Josh Safdie, Marty Supreme
Eskil Vogt & Joachim Trier, Sentimental Value
Ryan Coogler, Sinners – WINNER
Adapted Screenplay
Will Tracy, Bugonia
Guillermo del Toro, Frankenstein
Chloé Zhao & Maggie O’Farrell, Hamnet
Paul Thomas Anderson, One Battle After Another – WINNER
Clint Bentley & Greg Kwedar, Train Dreams
Animated Feature
Arco
Elio
Kpop Demon Hunters – WINNER
Little Amélie or the Character of Rain
Zootopia 2
Documentary Feature
The Alabama Solution
Come See Me in the Good Light
Cutting Through Rocks
Mr Nobody Against Putin – WINNER
The Perfect Neighbor
International Feature
The Secret Agent, Brazil
It Was Just an Accident, France
Sentimental Value, Norway – WINNER
Sirāt, Spain
The Voice of Hind Rajab, Tunisia
Best Editing
Stephen Mirrione, F1: The Movie
Ronald Bronstein & Josh Safdie, Marty Supreme
Andy Jurgensen, One Battle After Another – WINNER
Olivier Bugge Coutté, Sentimental Value
Michael P. Shawver, Sinners
Cinematography
Dan Laustsen, Frankenstein
Darius Khondji, Marty Supreme
Michael Bauman, One Battle After Another
Autumn Durald Arkapaw, Sinners – WINNER
Adolpho Veloso, Train Dreams
Original Score
Jerskin Fendrix, Bugonia
Alexandre Desplat, Frankenstein
Max Richter, Hamnet
Jonny Greenwood, One Battle After Another
Ludwig Göransson, Sinners – WINNER
Best Casting
Nina Gold, Hamnet
Jennifer Venditti, Marty Supreme
Cassandra Kulukundis, One Battle After Another – WINNER
Gabriel Domingues, The Secret Agent
Francine Maisler, Sinners
Best Production Design
Frankenstein – WINNER
Production Design: Tamara Deverell; Set Decoration: Shane Vieau
Hamnet
Production Design: Fiona Crombie; Set Decoration: Alice Felton
Marty Supreme
Production Design: Jack Fisk; Set Decoration: Adam Willis
One Battle After Another
Production Design: Florencia Martin; Set Decoration: Anthony Carlino
Sinners
Production Design: Hannah Beachler; Set Decoration: Monique Champagne
Best Costume Design
Deborah L. Scott, Avatar: Fire and Ash
Kate Hawley, Frankenstein – WINNER
Malgosia Turzanska, Hamnet
Miyako Bellizzi, Marty Supreme
Ruth E. Carter, Sinners
Best Visual Effects
Avatar: Fire and Ash – WINNER
F1: The Movie
Jurassic World Rebirth
The Lost Bus
Sinners
Best Sound
F1: The Movie – WINNER
Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, & Juan Peralta
Frankenstein
Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke, & Brad Zoern.
One Battle After Another
José Antonio García, Christopher Scarabosio, & Tony Villaflor.
Sinners
Chris Welcker, Benjamin A. Burtt, Felipe Pacheco, Brandon Proctor, & Steve Boeddeker.
Sirât
Amanda Villavieja, Laia Casanovas, & Yasmina Praderas.
Best Makeup and Hairstyling
Frankenstein – WINNER
Mike Hill, Jordan Samuel, & Cliona Furey
Kokuho
Kyoko Toyokawa, Naomi Hibino, & Tadashi Nishimatsu
Sinners
Ken Diaz, Mike Fontaine, & Shunika Terry
The Smashing Machine
Kazu Hiro, Glen Griffin, & Bjoern Rehbein
The Ugly Stepsister
Thomas Foldberg & Anne Cathrine Sauerberg
Best Original Song
Dear Me
from Diane Warren: Relentless; Music and Lyric by Diane Warren
Golden – WINNER
from KPop Demon Hunters; Music and Lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon, and Teddy Park
I Lied to You
from Sinners; Music and Lyric by Raphael Saadiq and Ludwig Goransson
Sweet Dreams of Joy
from Viva Verdi!; Music and Lyric by Nicholas Pike
Train Dreams
from Train Dreams; Music by Nick Cave and Bryce Dessner; Lyric by Nick Cave
Best Live-Action Short
Butcher’s Stain
A Friend of Dorothy
Jane Austen’s Period Drama
The Singers – WINNER (TIE)
Two People Exchanging Saliva – WINNER (TIE)
Best Documentary Short
All the Empty Rooms – WINNER
Armed Only With a Camera: The Life and Death of Brent Renaud
Children No More: “Were and Are Gone”
The Devil Is Busy
Perfectly A Strangeness
Best Animated Short
Butterfly
Forevergreen
The Girl Who Cried Pearls – WINNER
Retirement Plan
The Three Sisters.
|
The latest episode of Africa Magic Heartbeat saw the house adjusting to recent exits and shifting relationships. Sharon’s earlier departure and Henri’s elimination in episode eight left the remaining singles settling into their pairings while trying to understand where everyone truly stands. Hilda Reflects on Henri’s ExitHenri’s departure is still fresh in the house, and Hilda admitted she felt bad that her decision ultimately led to him leaving the Love Pad. However, she maintained that she did not regret choosing Bosah. In her view, even if she had chosen Henri, he likely would have remained in the house pursuing other connections. Queen Latifah Calls Out IgweThe episode’s biggest moment began when Queen Latifah expressed concerns about Igwe’s intentions toward Shekinah. While speaking with Hilda, she suggested that Shekinah might be allowing herself to be manipulated by Igwe and questioned whether he was truly serious about her. Queen Latifah later took the conversation directly to Shekinah, recounting how Igwe had previously shown interest in pursuing her and even suggested he was ready to compete with Ken for her attention. According to Queen Latifah, Igwe later dismissed his connection with Shekinah by saying she was “too serious” for him. The conversation quickly escalated when Igwe walked in mid-discussion. Words were exchanged as tensions rose, and what began as a private conversation eventually turned into one of the episode’s most heated moments. Igwe Seeks Clarity From AlvinFollowing the confrontation, Igwe later pulled Alvin aside to discuss Shekinah. With the house already questioning his intentions, he wanted to know if there was still anything between Alvin and Shekinah. Alvin made it clear that things had changed since Ceeoni arrived and that he had no intention of pursuing Shekinah if Igwe was serious about her. The conversation appeared to reassure Igwe that there was no competition from Alvin, and he seemed increasingly focused on resolving things with Shekinah. In a surprising turn, Igwe also acknowledged that the situation had gotten out of hand and attempted to make peace with Shekinah, even reaching out to Hilda, who is close to her, in hopes of smoothing things over. A Brief Moment of Jealousy Between Kena and ChideraEven the strongest couples can experience moments of friction. A brief moment of jealousy surfaced when Kena noticed Chidera wearing Alvin’s jacket, something that made him visibly uncomfortable, given that the two are now committed to each other. The tension was short-lived when Chidera quickly apologised and reassured him, bringing the moment to a calm resolution. The episode closed on a lighter note with a couples’ game that lifted everyone’s mood and brought energy back into the Love Pad after a day full of tension. One question lingered across the Love Pad as the episode wrapped up: has Heartbeat’s resident playboy finally fallen in love? Catch new episodes of Heartbeat every Sunday at 9 pm on Africa Magic Showcase, DStv Channel 151, and GOtv Channel 8. You can also catch up via the DStv Stream app or through Catch Up on your decoder. |
By Modupe Gbadeyanka
The new fashion interview show, The Fashion Roundtable, hosted by media personality, Gbemi Olateru-Olagbegi, will premiere exclusively on YouTube on Thursday, March 19, 2026.
The programme will unearth the real, unfiltered conversations with the key players shaping Nigeria’s fashion industry.
The show will feature a powerful lineup of guests, including celebrity stylists Swazzi & Zack Aminu, model Ruth Vader, men’s footwear designer Kiing Davids, creative designers, Nkiru Achukwu of Zephans & Co, Morenike Olusanya of Bawsty, Aanuoluwa Ajide-Daniels of Aso and a host of other notable fashion entrepreneurs and industry players.
Viewers can anticipate standout revelations, such as designer Kiing Davids’ attempt at making women’s shoes that he ultimately abandoned, the story of Zephans & Co selling a staggering 35,000 outfits in one year, and the moment Bawsty’s first pop-up saw 600 registrations and sold out in less than two hours.
The host intends to look beyond the glitz and glamour, providing an intimate space for designers, models, and stylists to share their true behind-the-scenes stories.
The Fashion Roundtable is a direct response to the global attention Nigerian fashion is currently receiving, providing an essential platform to document the industry’s complexities.
Each episode features guests who discuss how they started, the significant challenges they face, how they recovered from failures, and how they financed their businesses. The series is committed to giving a voice to all parts of the fashion ecosystem, not just the designers.
“I created The Fashion Roundtable because I wanted a space to have real, honest conversations with the people who are shaping Nigeria’s fashion industry.
“We often only see the finished product, the beautiful outfits, but we rarely hear from the people behind the scenes about the work that goes into the process. Nigerian fashion is getting so much attention globally, and now feels like the perfect time to share these voices and their stories,” Olateru-Olagbegi said.
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