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Muslim Group MURIC Spits Fire over ‘This is Nigeria’ Video by Falz

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By Dipo Olowookere

A Muslim group known as Muslim Rights Concern (MURIC) has directed Nigerian rapper, Folarin Falana, otherwise known as Falz, to withdraw a music video he released about a week ago entitled ‘This is Nigeria.’

The group, in a statement issued by its leader, Prof Ishaq Akintola, alleged that the artiste “denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobrium” in video by portraying women in hijab (Islamic veil) as choreographers dancing the ‘shaku-shaku’, a dance he said is “associated with a drug-related song.”

MURIC said Falz has seven days to withdraw the music, threatening a legal action if he fails to adhere to the ultimatum.

Also in the video, the singer, who is the son of a human rights lawyer, Mr Femi Falana, featured a character that dressed like a Fulani man, who suddenly abandoned his traditional guitar and beheaded a man.

MURIC described these as “thoughtless, insensitive and highly provocative, adding that it is a hate video, “Islamophobia nulli secundus.”

It said the video has the potential of causing religious crisis of unprecedented dimension.

“We therefore demand its withdrawal and an apology to Nigerian Muslims within seven days or the authors and their agents will face legal action if they fail to comply,” the group warned.

“The video manifests ethnic bias against Fulanis while it ignored the criminal activities of ethnic militia of the Middle Belt who have also massacred Fulanis and rustled their cattles in their thousands. This video has denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobium.

“MURIC rejects Falz’ explanation that the the girls in hijab in his ‘Shaku Shaku’ dance symbolize the Chibok girls because nothing in the video indicates that the girls represent the Chibok girls. At least none of the Chibok girls have been seen dancing like a drunkard. They are always in pensive mood. Do they have any cause to be dancing? Are they happy? This video is the most detestable, odious and insidious Islam-bashing in recent time.

“Only the scenes portraying police brutality and the money-swallowing snake in the video are near the truth. Falz’ ‘Shaku Shaku’ video is nothing but a hate-induced production. It is a most unpatriotic handiwork of a Nigerian youth in 2018. Here is the work of a youth working towards turning Nigerians against each other; a youth inciting Nigerian Christians to hate their Muslim neighbours; a youth instigating Muslims to religious violence. This video is in bad taste. It is a hate video. It is an assault on the self-dignity of every Muslim. It is freedom of expression gone haywire.

“We call the attention of security agencies to this hate action. The tragedy facing modern societies all over the world is their criminal complicity in Islam-bashing and their hypocritical accusation of Muslims of terrorism and religious violence. On the contrary, terrorism is mere smoke. Provocation, derision and injustice are the fires which cause terrorism. We reiterate our pontification that it is naïve for a fire fighter to ignore the fire and turn his hose at the smoke. The world is treating symptoms, leaving the real ailment to fester.

“We remind Nigerians of the outcome of similar provocative actions in the past and their unpalatable outcomes. The violent reaction of Nigerian Muslims to Fun Times magazine’s blasphemous story of December 1990 in which it was alleged that “Muhammad had an illicit affair with a woman of easy virtue according to the Qur’an and later married her” shook the country to its foundation. Isioma Daniel’s article, “The World at Their Feet” published in ThisDay newspaper on Saturday, 16th November, 2002, drew the ire of Muslims across the length and breadth of Nigeria.

“Violent demonstrations broke out in 2005 when the Danish newspaper Jyllands-Posten’s published a cartoon in which Prophet Muhammad (peace be upon him) was depicted as a terrorist wearing a bomb-laden turban. In January 2015, Charlie Ebdo, the French satirical magazine used cartoons that were considered provocative by Muslims. Blood flowed on the streets of Paris.

“We condemn violence and all acts of terrorism. But we do not share the opinion that freedom of expression can go to any length. Even Pope Francis has warned people not to insult the faith of others. He said, ‘It is normal. You cannot provoke. You cannot insult the faiths of others. You cannot make fun of the faiths of others. Freedom of speech and expression are fundamental human rights. However, there should be a limit to offending and ridiculing the faiths and beliefs of others.’

“But has this advice been taken seriously? Nigerian Artistes have consistently proved that they are most willing to ignore the Pope’s advice. They provoke Muslims at the slightest opportunity. They have this habit of giving Muslim names to characters who play devilish, immoral and lowly roles in their films, e.g. Sikiratu Sindodo, Jelili Oniso, Basira Baseje, Osanle Modinat, Aminatu Pa-pa-pa are a few examples. Of recent, Muniru and Ambali play despicable roles of idiocy.

“The idea behind this is to make Muslims feel ashamed of the ordinary Muslim name. It is inhuman, despicable and bully-motivated. MURIC will defend the Muslim name with every legitimate tool at its disposal.

“There is no gainsaying the fact that a culture of impunity pervades the arts in Nigeria. The National Film And Video Censors Board (NFVCB), a regulatory agency set up by Act No. 85 of 1993 to regulate films and the video industry has a case to answer. ‘Shaku Shaku’ video was shot and released under its watch. What is its alucutus. What will it say if Muslims elect to go violent over this primitive, irresponsible and reckless production? What will it say if hundreds of lives and properties worth billions of dollars are lost in the ensuing violence due to its negligence?

“As we round up, MURIC warns Nigerian artists to stop giving Muslim names to devilish and lowly characters. We appeal to Muslims all over the country to simmer down. Let us adopt a civilized approach to ‘Shaku Shaku’ and teach agents provocateur some lessons in respect for human feelings. Instead of going violent, Nigerian Muslims should take those behind the ‘Shaku Shaku’ video to court in order to serve as a deterrent to others.

“We therefore give notice of impending legal action against the artist behind the ‘Shaku Shaku’ video unless the latter is withdrawn and an apology is widely published within seven days,” MURIC said in the statement.

Dipo Olowookere is a journalist based in Nigeria that has passion for reporting business news stories. At his leisure time, he watches football and supports 3SC of Ibadan. Mr Olowookere can be reached via [email protected]

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These Breakout Stars Could Push African Music Boundaries in 2025

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African Music Boundaries in 2025

African artists always capture hearts, souls and playlists and 2024 was no different for the continent’s culture-making, record-breaking stars. Shining bright from Afrobeats to  Amapiano and beyond, Spotify Wrapped2024 looks at African artists who made magic and those you need to add to your library in 2025.

Afrobeats to Amapiano hitmakers to look out for

The Amapiano movement saw new acts like Scotts Maphuma and singer-songwriter Zee Nxumalo shine bright, with respective hits Yebo Lapho and Thula Mabota. These tunes stood out for fans and brought the pair to the top two spots on their local breakout artists lists.

DJ duo Shakes & Les follow thanks to their electro-amapiano-infused debut album MKHAYA, which attracted new fans and propelled them to be the third most discovered artists in South Africa according to Spotify data. Soweto-born vocalist Lee McKrazy was one of the most featured artists of 2024, making him a hitmaker to look out for this year.

Nigeria’s embrace of Amapiano could see even more collaborations in the new year. As the second-highest Amapiano consumer with over 50 billion streams, Nigeria’s artists are giving local fans what they want by working Amapiano elements into genres like Afrobeats. Songs like Are You There, by leading breakout artist Ayo Maff are further signs of this trend. The self-proclaimed Prince of the Street is a performer to watch out for in 2025.

Tml Vibez’s piano-driven rhythms and hymn-like melodies took second place in Nigeria’s breakout artists list. BoyPee won hearts and feet and the third breakout artist position with his infectious mix of Afro Soul, Afro Pop, and traditional sounds. Tracks like Ogechi with Davido, illustrate the musical blends that make BoyPee an artist to look out for this year.

Afrobeats star KAESTYLE is Nigeria’s fourth-ranking new musician, thanks to his feel-good anthems dedicated to joy, unity and resilience. And Llona’s passionate Afropop songs, like Cold War with compatriot FAVE, reflected the challenges and aspirations of his growing fanbase – earning him fifth place on Spotify’s breakout artists charts.

Gospel, Rap and Arbantone hitmakers to know

Beyond Amapiano and Afrobeats sounds, Durban-born rapper Usimamane got South Africa’s hip-hop heads saying his name with his breakthrough single Cheque. Getting together with familiar names like YoungstaCPT, ANATII and K.O made sure his debut album would turn heads and establish Usimamane as an exciting prospect for the continent’s rap scene.

Rapper and producer King Paluta’s dynamic blend of traditional rhythms and hiplife made him a name to be reckoned with. Fans have gravitated to his bumping beats and confessional loverboy lyrics on songs like Makoma. At the end of 2024, he dropped his debut album, Give Time Some Time, giving fans more Reggae, Afrobeat, and Gospel-inspired sounds to sink into in the new year.

Gospel sounds continue to prosper on the continent as groups like Team Eternity Ghana reached the masses in 2024. Starting as a fellowship of school students, they combine enchanting melodies with evangelical messages that resonate with spiritual song seekers. Tracks like Defe Defe which put them on the map, were remixed for genres like Drill, thus attracting younger fans who found the group through viral dance challenges.

Kweku Smoke uses religious metaphors and imagery on his Kewku Jesus and Born in Hell albums. His vibrant rap with lyrics in Twi, Pidgin and English made him a standout artist in 2024. He took on themes like the struggle between authenticity and a new identity as one rises to stardom. Asakaa and Drill-inspired singer-songwriter, Xlimkid, made a name for himself with party bangers like Valley of Trappers and the emotionally loaded Lonely Road.  Goodsin hitmaker Olivetheboy continued to ride the wave from his debut project Avanna, shaking up Ghana’s music scene in 2024 with the Deluxe release of the album. Being tapped for a feature on King Promise’s True To Self album allowed new listeners to discover Olivetheboy.

Kenya’s Arbantone is expected to continue growing in popularity this year. Singer, dancer, and choreographer Sean MMG was one of the breakout names of the genre and fellow rapper YBW Smith also solidified his breakthrough with viral hits like Pop Like This. Lil Maina’s Genge urban sounds and Swahili, Sheng and English lyrics made him a household Arbantone name and one to keep an eye on this year. Spotify has also supported the growth of the genre through unique playlists showcasing new and established artists.

These up-and-coming artists show the bright future that African music has ahead of it. From Afrobeats and Amapiano blends to linguistic fusions that connect with fans on emotional and spiritual levels, the continent’s sonic identity is more vibrant than ever. These artists should be on your radar as we look forward to the breakout hits of 2025.

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The Trend For Nigerian Filmmaking In 2025

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Nigerian Filmmaking In 2025

By Dele Ashiru

Nigerian film audiences, especially Nollywood enthusiasts, can look forward to a dynamic shift in their beloved industry in 2025. With technology driving innovation and audiences craving richer, more relatable stories, the Nigerian movie industry is set for significant evolution.

Key trends are emerging that will boost efficiency, grow audiences, and redefine what’s possible in Nollywood. These trends promise benefits for everyone involved: filmmakers, crew members, streaming platforms, and, most importantly, the audiences.

The AI Era: Artificial Intelligence (AI) and machine learning are becoming essential tools in the filmmaking process. In Nollywood, where budgets and schedules are often tight, AI offers opportunities to streamline production.

While AI-generated imagery can assist in creating realistic environments and special effects, human actors will remain central to Nigerian storytelling, as emotional authenticity drives audience connection. With AI, filmmakers can save time and reduce costs while maintaining high production quality — a crucial advantage in Nollywood’s fast-paced environment.

Immersive Film Sets: Nollywood’s growth in genres such as fantasy, sci-fi, and epic historical dramas means that immersive virtual film sets are becoming more relevant. Technologies like LED walls and real-time rendering allow filmmakers to create intricate digital worlds without relying on expensive international locations.

With access to these tools, Nigerian filmmakers can tell ambitious, larger-than-life stories while keeping production local. Imagine epic Nigerian folklore tales or futuristic Lagos cityscapes brought to life with stunning virtual environments.

Authentic Storytelling: Authenticity has always been Nollywood’s strongest suit. Nigerian audiences crave relatable stories reflecting their lives, struggles, and triumphs. Platforms like Africa Magic, Showmax and IrokoTV have already shown the power of hyperlocal content.

Globally, there’s a rising appetite for diverse stories, presenting a golden opportunity for Nollywood. Expect to see more stories rooted in local languages, cultural practices, and regional identities — stories that celebrate Nigeria’s diversity while connecting with global viewers.

Sustainable Filmmaking: Sustainability is becoming a priority across industries, and Nollywood is no exception. Film productions, particularly large-scale ones, can have significant environmental footprints.

One effective approach is sourcing cast, crew, and logistics locally to minimize transportation emissions. Nigeria is already seeing a rise in homegrown talent, supported by training institutions such as the MultiChoice Talent Factory (MTF) Academy in Lagos.

By prioritizing local talent and sustainable practices, Nollywood can reduce costs, empower local communities, and protect the environment.

Building Communities: In Nigeria, movie releases are more than just events — they’re cultural moments. Social media platforms like X (formerly Twitter), Instagram, and TikTok play a key role in amplifying movie buzz, creating fan communities, and driving discussions long after the credits roll.

These communities are not just audiences; they’re active participants in the storytelling experience. For producers, fan engagement on digital platforms isn’t just a marketing tool — it’s part of the movie’s life cycle.

A Thriving Future for Nollywood: The Nigerian film industry is on the cusp of an exciting transformation. With technology, authenticity, and community engagement driving growth, Nollywood is set to tell even bigger, bolder, and more impactful stories.

While the future of filmmaking may still hold surprises, one thing is certain: Nigerian films will continue to entertain, inspire, and resonate with audiences at home and abroad.

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Nigerian Skit Maker Mark Angel Laments Loss of $3.7m to Forex Trading

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mark angel

By Aduragbemi Omiyale

Popular Nigerian skit maker, Mark Angel, has narrated how he also committed suicide in 2024 after he lost about $3.7 million to foreign exchange (FX) trading.

The Port Harcourt, Rivers State-based comedian stated that the situation left him in a huge debt, noting that his “pastor and his wife stood by me” during the period.

“The year 2024 began like every other year, but I had no idea how much it would test me how much it would break me, yet ultimately reshape me. It was the year I lost everything. I trusted the wrong hands in forex and lost all my money. Nobody knew except my family and closest circle.

“The weight of the loss, over $3.7 million was suffocating. I was drowning in debts, and one by one, I watched all my properties slip into the hands of loan sharks. It felt like my world was crumbling, and in my darkest moments, I considered ending it all.

“But God… If not for His mercies, I wouldn’t be here writing this. He sent angels into my life when I needed them the most. Blessing, my friend who became family, never gave up on me.

“My pastor and his wife stood by me, praying and guiding me. My daughters, Victoria and Mila, reminded me of the beauty of life, even when it felt unbearable.

“My ex-wife Mandy extended a hand of kindness I will never forget. My son, Schoolboy, showed me strength beyond his years. And Bright, my social media assistant, stood as a pillar in moments I thought I’d collapse.

“While I was still trying to heal, undergoing therapy to recover from the trauma, life dealt another blow. A scandal hit, shaking the foundation of my career and questioning the loyalty of those around me.

“It was in that storm that God began to uncover the truth. He exposed the fake friends, the pretenders, and the ones who had been silently sabotaging my peace and my circle. It was painful, but it was necessary.

“2024 was the hardest year of my life, but it was also the year God drew me closer to Him. Through the ashes, He taught me resilience, faith, and the true meaning of grace. I don’t take it for granted that I’m alive today. To everyone who stood with me, prayed for me, and held me up when I had no strength left, thank you.

“Here’s to God’s unwavering faithfulness. If 2024 taught me anything, it’s that even in the darkest valleys, His light never stops shining,” Mark Angel narrated.

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