Showbiz
Muslim Group MURIC Spits Fire over ‘This is Nigeria’ Video by Falz
By Dipo Olowookere
A Muslim group known as Muslim Rights Concern (MURIC) has directed Nigerian rapper, Folarin Falana, otherwise known as Falz, to withdraw a music video he released about a week ago entitled ‘This is Nigeria.’
The group, in a statement issued by its leader, Prof Ishaq Akintola, alleged that the artiste “denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobrium” in video by portraying women in hijab (Islamic veil) as choreographers dancing the ‘shaku-shaku’, a dance he said is “associated with a drug-related song.”
MURIC said Falz has seven days to withdraw the music, threatening a legal action if he fails to adhere to the ultimatum.
Also in the video, the singer, who is the son of a human rights lawyer, Mr Femi Falana, featured a character that dressed like a Fulani man, who suddenly abandoned his traditional guitar and beheaded a man.
MURIC described these as “thoughtless, insensitive and highly provocative, adding that it is a hate video, “Islamophobia nulli secundus.”
It said the video has the potential of causing religious crisis of unprecedented dimension.
“We therefore demand its withdrawal and an apology to Nigerian Muslims within seven days or the authors and their agents will face legal action if they fail to comply,” the group warned.
“The video manifests ethnic bias against Fulanis while it ignored the criminal activities of ethnic militia of the Middle Belt who have also massacred Fulanis and rustled their cattles in their thousands. This video has denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobium.
“MURIC rejects Falz’ explanation that the the girls in hijab in his ‘Shaku Shaku’ dance symbolize the Chibok girls because nothing in the video indicates that the girls represent the Chibok girls. At least none of the Chibok girls have been seen dancing like a drunkard. They are always in pensive mood. Do they have any cause to be dancing? Are they happy? This video is the most detestable, odious and insidious Islam-bashing in recent time.
“Only the scenes portraying police brutality and the money-swallowing snake in the video are near the truth. Falz’ ‘Shaku Shaku’ video is nothing but a hate-induced production. It is a most unpatriotic handiwork of a Nigerian youth in 2018. Here is the work of a youth working towards turning Nigerians against each other; a youth inciting Nigerian Christians to hate their Muslim neighbours; a youth instigating Muslims to religious violence. This video is in bad taste. It is a hate video. It is an assault on the self-dignity of every Muslim. It is freedom of expression gone haywire.
“We call the attention of security agencies to this hate action. The tragedy facing modern societies all over the world is their criminal complicity in Islam-bashing and their hypocritical accusation of Muslims of terrorism and religious violence. On the contrary, terrorism is mere smoke. Provocation, derision and injustice are the fires which cause terrorism. We reiterate our pontification that it is naïve for a fire fighter to ignore the fire and turn his hose at the smoke. The world is treating symptoms, leaving the real ailment to fester.
“We remind Nigerians of the outcome of similar provocative actions in the past and their unpalatable outcomes. The violent reaction of Nigerian Muslims to Fun Times magazine’s blasphemous story of December 1990 in which it was alleged that “Muhammad had an illicit affair with a woman of easy virtue according to the Qur’an and later married her” shook the country to its foundation. Isioma Daniel’s article, “The World at Their Feet” published in ThisDay newspaper on Saturday, 16th November, 2002, drew the ire of Muslims across the length and breadth of Nigeria.
“Violent demonstrations broke out in 2005 when the Danish newspaper Jyllands-Posten’s published a cartoon in which Prophet Muhammad (peace be upon him) was depicted as a terrorist wearing a bomb-laden turban. In January 2015, Charlie Ebdo, the French satirical magazine used cartoons that were considered provocative by Muslims. Blood flowed on the streets of Paris.
“We condemn violence and all acts of terrorism. But we do not share the opinion that freedom of expression can go to any length. Even Pope Francis has warned people not to insult the faith of others. He said, ‘It is normal. You cannot provoke. You cannot insult the faiths of others. You cannot make fun of the faiths of others. Freedom of speech and expression are fundamental human rights. However, there should be a limit to offending and ridiculing the faiths and beliefs of others.’
“But has this advice been taken seriously? Nigerian Artistes have consistently proved that they are most willing to ignore the Pope’s advice. They provoke Muslims at the slightest opportunity. They have this habit of giving Muslim names to characters who play devilish, immoral and lowly roles in their films, e.g. Sikiratu Sindodo, Jelili Oniso, Basira Baseje, Osanle Modinat, Aminatu Pa-pa-pa are a few examples. Of recent, Muniru and Ambali play despicable roles of idiocy.
“The idea behind this is to make Muslims feel ashamed of the ordinary Muslim name. It is inhuman, despicable and bully-motivated. MURIC will defend the Muslim name with every legitimate tool at its disposal.
“There is no gainsaying the fact that a culture of impunity pervades the arts in Nigeria. The National Film And Video Censors Board (NFVCB), a regulatory agency set up by Act No. 85 of 1993 to regulate films and the video industry has a case to answer. ‘Shaku Shaku’ video was shot and released under its watch. What is its alucutus. What will it say if Muslims elect to go violent over this primitive, irresponsible and reckless production? What will it say if hundreds of lives and properties worth billions of dollars are lost in the ensuing violence due to its negligence?
“As we round up, MURIC warns Nigerian artists to stop giving Muslim names to devilish and lowly characters. We appeal to Muslims all over the country to simmer down. Let us adopt a civilized approach to ‘Shaku Shaku’ and teach agents provocateur some lessons in respect for human feelings. Instead of going violent, Nigerian Muslims should take those behind the ‘Shaku Shaku’ video to court in order to serve as a deterrent to others.
“We therefore give notice of impending legal action against the artist behind the ‘Shaku Shaku’ video unless the latter is withdrawn and an apology is widely published within seven days,” MURIC said in the statement.
As anticipation builds for the 12th edition of the Africa Magic Viewers’ Choice Awards(AMVCA), the conversation has officially shifted from speculation to action. With nominees unveiled and voting now open, this year’s awards are shaping up to be one of the most competitive and expansive yet, featuring a record number of films and talent from across the continent. From established stars to emerging voices in African cinema, the AMVCA continues to celebrate excellence in storytelling, technical craft, and cultural impact, reinforcing its position as one of the most influential platforms for African creativity.
Host & Jury:
While the official host for the main awards night is yet to be confirmed, the nominations announcement was led by Chimezie Imo, offering a first glimpse into the tone of this year’s event. On the adjudication side, veteran actress Joke Silva leads as Head of Jury. Her role underscores the awards’ continued emphasis on credibility, with a panel tasked with evaluating technical excellence, storytelling depth, and overall craft across non-voting categories.
Voting: How It Works
One of the defining features of the AMVCAs is its hybrid voting system, and 2026 is no exception. Out of the total 32 categories, 11 are open to public voting, giving audiences a direct role in deciding key outcomes, while 18 categories are determined by the jury alongside special recognition honours. Voting is conducted through the official Africa Magic platform, where registered users can select their preferred nominees and cast up to 100 votes per platform.
Voting for this year officially opened on March 29, 2026, giving audiences enough time to vote for their favourites. The window will close on April 26, 2026, after which attention shifts to the main awards night, scheduled for May 9, 2026.
Leading Names & Notable First‑Timers
This year’s nominations reveal clear frontrunners. Films like The Herd, Gingerrr, and My Father’s Shadow lead the nominations, highlighting a rising preference for ambitious, high-concept storytelling. Actor Lateef Adedimeji stands out with three nominations, making him the most nominated actor for the year, highlighting his range across both lead and supporting roles.
The 2026 list also includes notable first‑time nominees. Popular Content Creator and actress Kidaby earned her first nomination for her performance in Oversabi Aunty, and Ariyike Owolagba received her first nod for her role in Something About the Briggs, signalling the emergence of new talent within the industry.
In addition to competitive categories, the awards will present special recognition honours, such as the Lifetime Achievement Award and the Trailblazer Award, acknowledging industry veterans and breakthrough achievements.
What Feels Different This Year
Beyond the usual red carpet glamour and viral moments, AMVCA 2026 reflects a broader shift in focus. There is more intentional representation across the continent, with categories such as Best Indigenous Language (North Africa and Central Africa) highlighting a wider African storytelling ecosystem, rather than the usual strongholds. This signals a deliberate push to capture the continent’s linguistic and cultural diversity.
This edition represents a significant milestone for the industry, with Diageo featuring brands like Guinness serving as the full portfolio sponsor, while premium tequila brand Don Julio headlines as the main sponsor. Their involvement highlights AMVCA’s expanding role as a premier celebration of African creativity.
AMVCA 2026 is more than just another awards season; it shows the current pulse of African cinema. From how voting is structured, to the jury making the calls, to the wide range of nominated films and emerging talent, it’s clear the industry is evolving: more inclusive, more participatory, and shaped as much by audiences as by creators.
With voting now open, the results won’t just reflect the opinions of industry experts; they will also carry the voice of viewers from across the continent, making this year’s awards truly a celebration of African storytelling.
Easter is here, and whether you are spending the long weekend with family, friends or simply enjoying some well-deserved solo downtime, there is no shortage of great shows to keep you entertained. From gripping African drama to timeless animated classics, this holiday weekend has something for every mood and every member of the family.
The best part? We have done the work for you. Here are five shows worth watching this Easter, from binge-worthy Nigerian television and epic historical documentaries to beloved family favourites, all available to stream on DStv Stream.
- Wura S4 — Africa Magic Showcase & Africa Magic Family
After three seasons of betrayal, manipulation, and bloodshed, Wura is back, and Season 4 may be its most dangerous chapter yet. The critically acclaimed telenovela returns with Scarlet Gomez as Wura Amoo Adeleke, a ruthless matriarch now haunted by guilt and surrounded by enemies on all sides.
Directed by Rogers Ofime, the new season finds Wura’s carefully built empire cracking under the weight of secrets and relentless pressure, as alliances shift, loyalties crumble, and the Adeleke dynasty teeters on the brink of collapse. Family-friendly and thoroughly addictive.
Catch the new episodes every weeknight at 8 pm on Africa Magic Showcase (DStv Channel 151, GOtv Channel 8) and at 8:30 pm on Africa Magic Family (DStv Channel 154, GOtv Channel 7). Episodes 1 – 3 are currently available to stream on DStv Stream.
- Dividends — Africa Magic Showcase
What happens when the promise of “double your money” collides with the brutal realities of everyday survival? Africa Magic’s newest dramedy, Dividends, answers that question with sharp wit and painful relatability.
The show that premiered on March 30, 2026, dives into the chaotic aftermath of a collapsed Ponzi scheme, following three strangers whose lives unexpectedly collide in the wreckage.
Dividends airs on Africa Magic Showcase (DStv Channel 151) from Mondays to Wednesdays at 8:30 PM WAT, with episodes also available via DStv Stream and GOtv platforms.
- Gladiators: Warriors of the Ancient World — National Geographic
This six-part National Geographic documentary series wraps up with a finale worthy of the arena. Gladiators: Warriors of the Ancient World chronicles the lives of Rome’s greatest fighters, from Spartacus’s defiant rebellion to Flamma’s ultimate sacrifice, exposing how bloodsport shaped Roman power, culture, and identity.
Packed with vivid dramatisations and sharp historical depth, Episode 6 brings this brutal, fascinating world full circle, revealing how the rise and fall of gladiatorial combat left a permanent mark on an empire built on violence and glory. The episodes are available for streaming on DStv Stream.
- Twist of Fate: New Era — Zee World (DStv 166)
Fans of high-stakes romance and family drama will find plenty to love in Twist of Fate: New Era. Acting as a continuation of the beloved Kumkum Bhagya story, this Indian telenovela now follows Purvi Kohli, daughter of Prachi and Ranbir, as she navigates a turbulent marriage to the complicated Rajvansh “RV” Malhotra.
With a scheming rival in Monisha and a family determined to tear them apart, Purvi’s journey is one of love tested at every turn. Emotional, dramatic, and thoroughly binge-worthy. Watch all episodes of Twist of Fate on DStv Stream.
- The Prince of Egypt
No Easter watchlist is complete without The Prince of Egypt. This animated musical masterpiece retells the story of Moses, from his privileged life as Egyptian royalty to his extraordinary calling as the liberator of an enslaved people.
When Moses discovers his true identity as a Hebrew, he must confront his adoptive brother Pharaoh Rameses, setting in motion a story of faith, sacrifice, plagues, and the iconic parting of the Red Sea. With stunning animation and themes that align perfectly with the Easter season, it is the ultimate family watch for the holiday weekend.
This Easter, skip the scroll and go straight to the good stuff. From nail-biting Nigerian dramas to family-friendly classics, there is something for everyone on DStv Stream.
The nominee announcement on Sunday has officially kicked off the countdown to the 12th AMVCAs, and as expected, the conversation is split between celebration and the inevitable debate over who didn’t make the cut. While previous years were often dominated by a few blockbusters with double-digit nominations, the 2026 field is defined by how spread out the talent is. With Gingerrr and The Herd leading with nine nominations each, and To Kill A Monkey following with eight, the race to May 9th is wide open. This year’s list shows a clear shift in how African cinema is being viewed. While the AMVCAs have always stood for excellence, this 12th edition has moved toward a much stricter evaluation of craft that looks past how popular a project is on social media.
Under the leadership of veteran actress Joke Silva as Head Judge, the message from the organisers is clear: the bar for entry has become more specialised. In an era where trending on social media is often mistaken for technical brilliance, the AMVCAs is looking deeper into the structural integrity of the work. This explains the takes currently fueling debates online. While a project might dominate the cultural conversation for months or break box office records, the jury’s mandate, backed by the auditing rigour of Deloitte, is to look past the viral numbers and focus on the technical blueprints. A film can be a massive audience success and still find its lighting, sound design, or screenplay structure measured against a new, more rigorous professional rubric.
Out of the 32 categories this year, 18 are now strictly decided by the jury, including the major Best Lead Actor and Best Lead Actress awards. This change moves the recognition of acting talent away from the emotional pull of public voting and puts it into the hands of industry experts. For the stars and directors who didn’t find their names on the list, it isn’t a comment on their talent, but a reflection of a very tight field where there is almost no room for error. The fact that acting awards now sit alongside technical categories like cinematography and editing proves that the Academy is rewarding the quality of the work just as much as the fame of the person.
As voting opens for the remaining 11 public-choice categories ahead of the May 9th ceremony, the tension surrounding the list is actually a sign of industry health. It proves that the volume of high-quality African storytelling has reached a point where being a fan favourite is no longer a guarantee of a trophy.
By prioritising technical precision over social media sentiment, the AMVCAs are forcing a necessary evolution. On May 9, the statues will be handed out, but the real takeaway from Sunday is that Nollywood has moved into an era where the craft must finally match the hype.
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