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Muslim Group MURIC Spits Fire over ‘This is Nigeria’ Video by Falz

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By Dipo Olowookere

A Muslim group known as Muslim Rights Concern (MURIC) has directed Nigerian rapper, Folarin Falana, otherwise known as Falz, to withdraw a music video he released about a week ago entitled ‘This is Nigeria.’

The group, in a statement issued by its leader, Prof Ishaq Akintola, alleged that the artiste “denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobrium” in video by portraying women in hijab (Islamic veil) as choreographers dancing the ‘shaku-shaku’, a dance he said is “associated with a drug-related song.”

MURIC said Falz has seven days to withdraw the music, threatening a legal action if he fails to adhere to the ultimatum.

Also in the video, the singer, who is the son of a human rights lawyer, Mr Femi Falana, featured a character that dressed like a Fulani man, who suddenly abandoned his traditional guitar and beheaded a man.

MURIC described these as “thoughtless, insensitive and highly provocative, adding that it is a hate video, “Islamophobia nulli secundus.”

It said the video has the potential of causing religious crisis of unprecedented dimension.

“We therefore demand its withdrawal and an apology to Nigerian Muslims within seven days or the authors and their agents will face legal action if they fail to comply,” the group warned.

“The video manifests ethnic bias against Fulanis while it ignored the criminal activities of ethnic militia of the Middle Belt who have also massacred Fulanis and rustled their cattles in their thousands. This video has denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobium.

“MURIC rejects Falz’ explanation that the the girls in hijab in his ‘Shaku Shaku’ dance symbolize the Chibok girls because nothing in the video indicates that the girls represent the Chibok girls. At least none of the Chibok girls have been seen dancing like a drunkard. They are always in pensive mood. Do they have any cause to be dancing? Are they happy? This video is the most detestable, odious and insidious Islam-bashing in recent time.

“Only the scenes portraying police brutality and the money-swallowing snake in the video are near the truth. Falz’ ‘Shaku Shaku’ video is nothing but a hate-induced production. It is a most unpatriotic handiwork of a Nigerian youth in 2018. Here is the work of a youth working towards turning Nigerians against each other; a youth inciting Nigerian Christians to hate their Muslim neighbours; a youth instigating Muslims to religious violence. This video is in bad taste. It is a hate video. It is an assault on the self-dignity of every Muslim. It is freedom of expression gone haywire.

“We call the attention of security agencies to this hate action. The tragedy facing modern societies all over the world is their criminal complicity in Islam-bashing and their hypocritical accusation of Muslims of terrorism and religious violence. On the contrary, terrorism is mere smoke. Provocation, derision and injustice are the fires which cause terrorism. We reiterate our pontification that it is naïve for a fire fighter to ignore the fire and turn his hose at the smoke. The world is treating symptoms, leaving the real ailment to fester.

“We remind Nigerians of the outcome of similar provocative actions in the past and their unpalatable outcomes. The violent reaction of Nigerian Muslims to Fun Times magazine’s blasphemous story of December 1990 in which it was alleged that “Muhammad had an illicit affair with a woman of easy virtue according to the Qur’an and later married her” shook the country to its foundation. Isioma Daniel’s article, “The World at Their Feet” published in ThisDay newspaper on Saturday, 16th November, 2002, drew the ire of Muslims across the length and breadth of Nigeria.

“Violent demonstrations broke out in 2005 when the Danish newspaper Jyllands-Posten’s published a cartoon in which Prophet Muhammad (peace be upon him) was depicted as a terrorist wearing a bomb-laden turban. In January 2015, Charlie Ebdo, the French satirical magazine used cartoons that were considered provocative by Muslims. Blood flowed on the streets of Paris.

“We condemn violence and all acts of terrorism. But we do not share the opinion that freedom of expression can go to any length. Even Pope Francis has warned people not to insult the faith of others. He said, ‘It is normal. You cannot provoke. You cannot insult the faiths of others. You cannot make fun of the faiths of others. Freedom of speech and expression are fundamental human rights. However, there should be a limit to offending and ridiculing the faiths and beliefs of others.’

“But has this advice been taken seriously? Nigerian Artistes have consistently proved that they are most willing to ignore the Pope’s advice. They provoke Muslims at the slightest opportunity. They have this habit of giving Muslim names to characters who play devilish, immoral and lowly roles in their films, e.g. Sikiratu Sindodo, Jelili Oniso, Basira Baseje, Osanle Modinat, Aminatu Pa-pa-pa are a few examples. Of recent, Muniru and Ambali play despicable roles of idiocy.

“The idea behind this is to make Muslims feel ashamed of the ordinary Muslim name. It is inhuman, despicable and bully-motivated. MURIC will defend the Muslim name with every legitimate tool at its disposal.

“There is no gainsaying the fact that a culture of impunity pervades the arts in Nigeria. The National Film And Video Censors Board (NFVCB), a regulatory agency set up by Act No. 85 of 1993 to regulate films and the video industry has a case to answer. ‘Shaku Shaku’ video was shot and released under its watch. What is its alucutus. What will it say if Muslims elect to go violent over this primitive, irresponsible and reckless production? What will it say if hundreds of lives and properties worth billions of dollars are lost in the ensuing violence due to its negligence?

“As we round up, MURIC warns Nigerian artists to stop giving Muslim names to devilish and lowly characters. We appeal to Muslims all over the country to simmer down. Let us adopt a civilized approach to ‘Shaku Shaku’ and teach agents provocateur some lessons in respect for human feelings. Instead of going violent, Nigerian Muslims should take those behind the ‘Shaku Shaku’ video to court in order to serve as a deterrent to others.

“We therefore give notice of impending legal action against the artist behind the ‘Shaku Shaku’ video unless the latter is withdrawn and an apology is widely published within seven days,” MURIC said in the statement.

Dipo Olowookere is a journalist based in Nigeria that has passion for reporting business news stories. At his leisure time, he watches football and supports 3SC of Ibadan. Mr Olowookere can be reached via [email protected]

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Heartbeat: First Looks, Bold Choices and the Start of Something Real!

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Heartbeat Watch This Weekend on DStv

Heartbeat wasted no time turning up the heat in its premiere episode, kicking off with instant attraction, bold choices and dynamics that immediately set the tone for the season.

Ten singles, five men and five women, stepped into the Love Pad, but instead of long introductions, they were thrown into their first test. Each person had to make an initial choice based solely on photos, no conversations, no context, just instinct.  Chidera, a 30-year-old who revealed she had been single for ten years, was the first to choose, picking Alvin, a 25-year-old actor. Alvin, however, followed his own instinct and selected Queen Latifa, a 26-year-old entrepreneur whose calm confidence stood out instantly.

As the house filled up, it became clear that some singles were already emerging as early favourites. Igwe, a 26-year-old oil and gas professional, quickly became one of the most sought-after men, attracting interest from more than one woman. On the other side, Hilda, a 28-year-old actress from Ghana, found herself drawing repeated attention, setting the stage for potential rivalry and connection.

The dynamics shifted again with the introduction of the Love Nest, a private room designed for two singles to spend the night away from the rest of the house. A hidden key added suspense, and when Kenna found it, he made a bold move by choosing Queen Latifa. The decision made them the first pair to share the Love Nest and instantly altered the energy in the house.

Next came the Love Dip game, where housemates picked numbers from a ballot box. Matching numbers meant becoming partners for the night, creating unexpected pairings and opening the door to fresh conversations. New combinations like Igwe and Hilda, Shekina and Alvin, Toria and Henry, and Chidera and Kenna sparked curiosity, chemistry, and a few raised eyebrows.

By the end of the episode, the singles had settled into the Love Pad, but emotionally, nothing was settled. The men openly discussed attraction and possibilities, while the women made it clear they were watching closely and not ready for half-hearted intentions or games.

Episode One didn’t give all the answers, but it asked the right questions. With overlapping interests, early connections, and choices already creating tension, Heartbeat is clearly gearing up for deeper emotions, surprises and evolving relationships.

Catch Heartbeat every Sunday at 9 pm on Africa Magic Showcase, GOtv Channel 8, and Showmax.

To upgrade, subscribe, or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.

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6 Things We Expect To See On Africa Magic’s ‘Heartbeat’

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Africa Magic's Heartbeat

The first episode of Africa Magic’s newest dating reality show, Heartbeat, premiered on Sunday night, January 11, 2026, and it is clear that Sunday nights are about to get a lot more fun. The singles came in and wasted no time in giving a show.

With Seyitan Atigarin at the helm and ten eclectic singles searching for a “Promise Lock,” the stage is set for a 12-week journey that promises to be more than just your average dating show.

Following an impressive first episode, here are five things we expect to see as the season unfolds.

1) Strong Personalities:

These singles came in with all confidence in who they are and what they represent. They have an idea of what they are looking for and seem like they will be going for it. Will there be a personality clash at some point or even ego bruises over partners? Time will definitely tell, and we’ll all be watching.

2) The Inevitable (and Messy) Love Triangle

If the First Glance reveal told us anything, it’s that tastes in the house are overlapping fast. We’ve already seen Henri and Ken eyeing the same ladies, while more than one woman seems intrigued by Igwe’s “cool and collected” energy. We expect a classic love triangle to form by the end of week two. There is nothing like a little competition to turn a “Love Pad” into a pressure cooker, and we are here for every bit of the “who-chose-who” drama.

3) Romance and Some “Heated” Tension:

If there is one thing that was obvious in the first episode, it is that the singles may have some physical attractions already. All thanks to the love pad, we got a first kiss from Ken and Queen Latifa, and one can only wonder what is to come in the following weeks.

4) High-Stakes “Compatibility” Challenges

Heartbeat isn’t just about sitting around and looking pretty. We expect to see weekly games and challenges specifically designed to test more than just physical attraction. From teamwork exercises that reveal who has a short fuse to “compatibility quizzes” that expose how well the pairs actually know each other, these tasks will likely be the catalyst for the season’s biggest arguments and its most romantic breakthroughs.

5) Intellectual Fireworks (The “Slumflower” Effect)

With Chidera Eggerue (The Slumflower) in the house, we aren’t just getting romance; we’re getting a masterclass in boundaries and emotional intelligence. Chidera has already made it clear she isn’t here for “bare minimum” energy. We expect her presence to challenge the men to step up their game, not just with flashy gifts, but with deep, intentional conversation. Expect some heated debates on feminism, dating standards, and “the patriarchy” over breakfast.

6) The “Promise Lock” Pressure Cooker

The show’s ultimate prize isn’t just a partner; it’s the Promise Lock. As the 12-week deadline approaches, the pressure to “lock it in” is going to turn friends into foes. We expect the final episodes to be a high-stakes showdown where couples have to decide if their “house romance” can survive a Lagos traffic jam or a Ghanaian family meeting. Who will commit, and who will leave their partner hanging at the gate?

Heartbeat Episode 1 successfully set the stage for a season of “romance, tension, and side-eyes.” If what we saw on the first episode is any indication, we’re in for a very messy, very entertaining three months. Catch the next episode on Africa Magic Showcase (DStv Channel 151 | GOtv Channel 8) at 9 pm on Sunday. You can also watch all the drama on the go via the DStv and GOtv Stream apps, available on the iOS and Play stores.

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What I Want to be Remembered for—Ckay

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Ckay CNN International African Voices

By Modupe Gbadeyanka

Love Nwantiti crooner, Chukwuka Chukwuma Ekweani, professionally known as Ckay, recently told CNN International on African Voices, which aired on January 10, 2026, the legacy he intends to leave behind.

Speaking in his home studio with the show anchor, Larry Madowo, the singer said, “I want my legacy to be that I innovated the sound, I advanced the culture, and I made the world a better place than I met it.”

Ckay, who also doubles as a songwriter and producer, further said, “I would say it’s definitely made its mark in the history books of Afrobeats, definitely, and I’m really proud to, you know, be a part of this whole culture.”

While explaining the rationale behind his biggest hit, Love Nwantiti, with over a billion streams on Spotify, said, “I was in between relationships at the time I wrote that song […]. I was making a beat, and I freestyled on the beats. I was just vibing my feelings straight from the heart. Like most times I don’t always take a pen and write songs. Sometimes I like to just pour it straight from the heart.”

With other popular releases such as Emiliana and Felony, Ckay spoke to his growth as an artist, saying, “As a person I’ve grown in love with each time I make a song. If you listen to the lyrics and what I’m saying, you can tell that I’ve grown in love […]. I’m a lot more mature now and my music has grown with it as well.”

Ckay broke out by going viral on TikTok and reflects on the phenomenon of social media trends and he said, “There was a time when in the early stages of this people would laugh that I was making TikToks for songs. People didn’t think it was cool to make TikToks. Fast forward now because people have seen the impact, everybody is making TikToks.”

He is carving his own path in the world of Afrobeats. His music comes under the subgenre of Emo Afrobeats. He tells Madowo how this sound came about, “Being a cancer, cancers are known to be emotional people. We’re known to be very like in touch with our feelings. As a creative, my essence, which is my feelings, just naturally comes through my music even without me really trying. Afrobeats being my cultural heritage, I just felt like for me to come into this space, it was very important that I brought a different perspective to the sound.”

Despite using the term ‘Afrobeats’, Ckay addresses the overgeneralisation of the style of music, saying, “Africa has over 50 countries, more than 50 cultures. Nigeria alone has over 36 ethnic groups with different languages, food, music, rhythm. With the music they also have their own instruments also not all of them play guitar and piano, there’s African instruments too. Coming to a whole continent and just calling everything Afrobeats, it’s not the most apt, but it’s a start, right? I think for the Western world, it’s a start to help them understand African music.”

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