Showbiz
Muslim Group MURIC Spits Fire over ‘This is Nigeria’ Video by Falz
By Dipo Olowookere
A Muslim group known as Muslim Rights Concern (MURIC) has directed Nigerian rapper, Folarin Falana, otherwise known as Falz, to withdraw a music video he released about a week ago entitled ‘This is Nigeria.’
The group, in a statement issued by its leader, Prof Ishaq Akintola, alleged that the artiste “denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobrium” in video by portraying women in hijab (Islamic veil) as choreographers dancing the ‘shaku-shaku’, a dance he said is “associated with a drug-related song.”
MURIC said Falz has seven days to withdraw the music, threatening a legal action if he fails to adhere to the ultimatum.
Also in the video, the singer, who is the son of a human rights lawyer, Mr Femi Falana, featured a character that dressed like a Fulani man, who suddenly abandoned his traditional guitar and beheaded a man.
MURIC described these as “thoughtless, insensitive and highly provocative, adding that it is a hate video, “Islamophobia nulli secundus.”
It said the video has the potential of causing religious crisis of unprecedented dimension.
“We therefore demand its withdrawal and an apology to Nigerian Muslims within seven days or the authors and their agents will face legal action if they fail to comply,” the group warned.
“The video manifests ethnic bias against Fulanis while it ignored the criminal activities of ethnic militia of the Middle Belt who have also massacred Fulanis and rustled their cattles in their thousands. This video has denigrated Islam, demonized Nigerian Muslims and subjected them to public opprobium.
“MURIC rejects Falz’ explanation that the the girls in hijab in his ‘Shaku Shaku’ dance symbolize the Chibok girls because nothing in the video indicates that the girls represent the Chibok girls. At least none of the Chibok girls have been seen dancing like a drunkard. They are always in pensive mood. Do they have any cause to be dancing? Are they happy? This video is the most detestable, odious and insidious Islam-bashing in recent time.
“Only the scenes portraying police brutality and the money-swallowing snake in the video are near the truth. Falz’ ‘Shaku Shaku’ video is nothing but a hate-induced production. It is a most unpatriotic handiwork of a Nigerian youth in 2018. Here is the work of a youth working towards turning Nigerians against each other; a youth inciting Nigerian Christians to hate their Muslim neighbours; a youth instigating Muslims to religious violence. This video is in bad taste. It is a hate video. It is an assault on the self-dignity of every Muslim. It is freedom of expression gone haywire.
“We call the attention of security agencies to this hate action. The tragedy facing modern societies all over the world is their criminal complicity in Islam-bashing and their hypocritical accusation of Muslims of terrorism and religious violence. On the contrary, terrorism is mere smoke. Provocation, derision and injustice are the fires which cause terrorism. We reiterate our pontification that it is naïve for a fire fighter to ignore the fire and turn his hose at the smoke. The world is treating symptoms, leaving the real ailment to fester.
“We remind Nigerians of the outcome of similar provocative actions in the past and their unpalatable outcomes. The violent reaction of Nigerian Muslims to Fun Times magazine’s blasphemous story of December 1990 in which it was alleged that “Muhammad had an illicit affair with a woman of easy virtue according to the Qur’an and later married her” shook the country to its foundation. Isioma Daniel’s article, “The World at Their Feet” published in ThisDay newspaper on Saturday, 16th November, 2002, drew the ire of Muslims across the length and breadth of Nigeria.
“Violent demonstrations broke out in 2005 when the Danish newspaper Jyllands-Posten’s published a cartoon in which Prophet Muhammad (peace be upon him) was depicted as a terrorist wearing a bomb-laden turban. In January 2015, Charlie Ebdo, the French satirical magazine used cartoons that were considered provocative by Muslims. Blood flowed on the streets of Paris.
“We condemn violence and all acts of terrorism. But we do not share the opinion that freedom of expression can go to any length. Even Pope Francis has warned people not to insult the faith of others. He said, ‘It is normal. You cannot provoke. You cannot insult the faiths of others. You cannot make fun of the faiths of others. Freedom of speech and expression are fundamental human rights. However, there should be a limit to offending and ridiculing the faiths and beliefs of others.’
“But has this advice been taken seriously? Nigerian Artistes have consistently proved that they are most willing to ignore the Pope’s advice. They provoke Muslims at the slightest opportunity. They have this habit of giving Muslim names to characters who play devilish, immoral and lowly roles in their films, e.g. Sikiratu Sindodo, Jelili Oniso, Basira Baseje, Osanle Modinat, Aminatu Pa-pa-pa are a few examples. Of recent, Muniru and Ambali play despicable roles of idiocy.
“The idea behind this is to make Muslims feel ashamed of the ordinary Muslim name. It is inhuman, despicable and bully-motivated. MURIC will defend the Muslim name with every legitimate tool at its disposal.
“There is no gainsaying the fact that a culture of impunity pervades the arts in Nigeria. The National Film And Video Censors Board (NFVCB), a regulatory agency set up by Act No. 85 of 1993 to regulate films and the video industry has a case to answer. ‘Shaku Shaku’ video was shot and released under its watch. What is its alucutus. What will it say if Muslims elect to go violent over this primitive, irresponsible and reckless production? What will it say if hundreds of lives and properties worth billions of dollars are lost in the ensuing violence due to its negligence?
“As we round up, MURIC warns Nigerian artists to stop giving Muslim names to devilish and lowly characters. We appeal to Muslims all over the country to simmer down. Let us adopt a civilized approach to ‘Shaku Shaku’ and teach agents provocateur some lessons in respect for human feelings. Instead of going violent, Nigerian Muslims should take those behind the ‘Shaku Shaku’ video to court in order to serve as a deterrent to others.
“We therefore give notice of impending legal action against the artist behind the ‘Shaku Shaku’ video unless the latter is withdrawn and an apology is widely published within seven days,” MURIC said in the statement.
As the countdown to the 12th edition of the Africa Magic Viewers’ Choice Awards (AMVCA) draws closer, fans across Africa still have a chance to do more than just watch, they can decide.
Voting is officially in its final days, and this is the moment for audiences to show up for their favourite actors, filmmakers, and stories that have made an impact over the past year.
The AMVCA has always stood out as an award platform that gives viewers a choice, allowing fans directly influence who takes home some of the biggest honours on the night. From standout performances to fan-favourite productions, every vote contributes to shaping the final outcome.
Voting is quick, simple, and free. You can cast your vote via the official AMVCA website or through the myDStv and myGOtv apps. Simply log in or create an account, select your favourites across the categories, and submit. You can also vote multiple times across these platforms to increase your support.
Voting for AMVCA 12 closes on April 26, 2026, at 9:00 PM WAT, and once that window closes, that’s it, no extra time and no second chances.
A lot of people wait until the last minute and either forget or run into issues trying to vote at the same time as everyone else. It’s always better to get it done early.
The awards night will come, the winners will be announced, and conversations will happen again, but between now and then is the only time you actually get to influence the outcome.
So if there’s someone you’re rooting for, or a project you genuinely believe deserves it, this is the time to show up.
Don’t just watch how it plays out. Be part of the reason it plays out that way.
For many aspiring filmmakers, the ultimate culmination of their cinematic dreams is to be able to live through the art form they love.
Filmmakers don’t just want to make a film. They want to build a career doing it. To achieve that, they need training that equips them with industry-relevant skills of the highest standard.
For the MultiChoice Talent Factory (MTF), this understanding is integral to all of its programmes. Academy graduates are equipped with the precise skills required by their industry, empowering them to become prime-time TV professionals.
Since MTF is a MultiChoice initiative, its three academies – in Lusaka, Nairobi and Lagos – provide training in the specific, high-demand technical skills needed by the industry-leading content producer.
MultiChoice, a Canal+ company, is the largest producer of authentic, original content on the African continent. “Africa’s most-loved storyteller” produced 5 340 hours of world-class local content in 2025.
MTF students are trained to these exacting MultiChoice standards. This leaves them well placed to excel in the industry once they graduate.
And excel, they do. MTF graduates speak with pride of the success they have found since leaving the highly respected hub of African film and television training.
Technical skills
Actor, producer, writer and storyteller Myde Glover went on from MTF West Africa Academy to host film festivals and win Africa Magic Viewers’ Choice Awards (AMVCAs).
He credits much of his success to the storytelling skills he learned at MTF, as well as the technical standards the MTF Academy sets.
“The storytelling skills I gained at MTF helped me become a better actor, producer and director. It helps me put the story first,” he says. “However, I was also taught the technical and delivery requirements for submitting projects to platforms like DStv, GOtv, and Showmax. I approach every project with those standards in mind, understanding that quality matters in every aspect.”
Glover says the three most important things for aspiring filmmakers to remember are teamwork, being open to constructive criticism, and staying focused on their goal.
“Strong collaboration improves the quality of any production, feedback helps you grow creatively, and focus ensures you see projects through without losing sight of why you started,” he says.
Lifetime network
Graduating from MTF provides filmmakers with a network that can last a lifetime. Alumni often hire each other as they evolve through their working lives, creating a self-sustaining ecosystem of skilled professionals.
Bahati Kajigi Benjamin from DRC found that MTF gave him the network he needed to tell stories close to his heart.
“My experience with MTF was incredible,” says Benjamin. “I formed a family with my fellow students, and we bonded deeply. We collaborated on numerous films and wrote one that is particularly meaningful to me, illustrating the struggles of my people.”
That film was titled The Canvas, a Zee World project.
Benjamin currently works as a camera operator and editor at Sauti Media Hub in Uganda, producing Kampala Creme, one of the top East African reality shows. He says he secured the position through a recommendation from a fellow MTF alumnus.
Benjamin says his time at MTF was invaluable in honing his skills in cinematography and colour grading.
“I gained extensive knowledge about camera techniques, lighting, and colour harmony in film, which I am currently applying in my role at Kampala Creme.
Benjamin appreciates the importance of paying opportunities forward. He recently shared his cinematography expertise on a three-month online platform called Film Chat, aimed at empowering up-and-coming African creatives.
His advice to young creatives is to never overlook the importance of marketing themselves, and to remember that filmmaking is a business.
“Funders want to understand more than just the script or story,” he says. “You should spend time discussing the financial aspects and the impact the film will create. This is what appeals to investors. Ultimately, it’s an investment for a return.”
Career transformation
MTF West Africa graduate Allen Onyige pursued his passion for human behaviour and storytelling at MTF after leaving university and working in live broadcasting. He describes his time at MTF West Africa as “transformative”.
“MTF refined my creative vision, strengthened my technical skills, and played a pivotal role in shaping my journey as a filmmaker,” he says. “The experience changed my life and set me on the path toward meaningful visual storytelling.”
He says understanding the business side of broadcasting was just as important as the creative skills he gained.
After he left MTF, his production company was commissioned by Africa Magic to produce several series and feature films, including Ikenna’s Trial, Sikiru, Elenini, Kadara, and Dear Future Me.
In 2024, Onyige won the Best Indigenous Language Series award at the AMVCAs for Irora Iya. He also served as director of photography on Grind, now on Amazon Prime. His documentary Sunset in Makoko was nominated for Best Documentary at the AMVCAs. He also worked as a cinematographer on the Emmy Award–winning documentary Mothers of Chibok.
Onyige says young people looking to build a career in film and TV should first look to learn the craft and business of filmmaking, but to master one specific skill. Secondly, he recommends being a team player who sets high standards.
“Be a man or a woman of excellence,” he says. “Integrity will get you jobs that talent alone may not be able to give you.”
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To learn more about the MultiChoice Talent Factory and how to launch a career in African film and television, visit https://
multichoicetalentfactory.com -
Applications for the 2027 intake are still open, and the closing date is 27 May 2026.
By Modupe Gbadeyanka
On Thursday, May 28, 2026, the highly anticipated Ready-To-Wear Masterclass, organised by Dear Fashion Designer, will take place.
This event, according to the organisers, will be live and in-person, with topics to be covered including Fashion Product Life Cycle, Manufacturing for Ready-To-Wear, Fashion Law, Marketing Strategy, Digital Literacy, and 3D Fashion Technology.
These six masterclass features will have experts dissecting the topics, with each session curated to give designers practical, real-world insights, no fluff, just the tools needed to build, scale, and sustain a fashion business in today’s fast-evolving market.
Beyond the learning, attendees will also gain access to valuable networking opportunities, connecting with industry experts and like-minded designers shaping the future of African fashion.
The first edition of the initiative was powerful and successful, with participants speaking glowingly of it.
The debut virtual session had over 200 fashion designers across Africa in attendance, sparking strong testimonials around clarity, growth, and direction.
Coming off the momentum of the Dear Fashion Designer Vision Board Retreat held in January 2026, the brand continues its mission to help designers move from ideas to execution, bridging the gap between creativity and structure in the African fashion industry.
Registration for the programme is available via the link in Sonayon Cadmus’ Instagram bio, and intending participants can get more information via [email protected].
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