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Nigeria’s Showbiz/Media Sector Will Generate $9.9b Revenue by 2022—PwC

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By Modupe Gbadeyanka

A new report by PwC has disclosed that the entertainment and media (E&M) industry in Nigeria will generate a revenue of $9.9 billion by 2022 from the $3.8 billion raked in 2017.

In its ‘Entertainment and Media Outlook: 2018 – 2022: An African Perspective’ released today and obtained by Business Post, PwC said last year, Nigeria saw a huge 25.5 percent rise in E&M revenue, although $605 million of this $764 million rise was attributable to Internet access.

“A 21.5 percent CAGR rate is anticipated to 2022, with revenue reaching $9.9 billion in that year. Again, Internet access revenue will account for 89.6 percent of this absolute growth,” the report said.

PwC noted that in report that Africa’s entertainment and media industry has entered a dynamic new phase, a third wave of convergence.

It said the borders that once separated E&M, technology and telecommunications industries are blurring in the battle for the attention of the consumer in a world that is rapidly digitising.

As the mobile device cements itself as the pre-eminent source of the E&M experience, the most disruptive, forward-thinking companies are striving to create an integrated ecosystem suited to this consumer-driven dynamic, it said further.

According to PwC, by 2022, total E&M revenue in South Africa is expected to reach R177.2 billion, up from R129.2 billion in 2017. Internet (access and advertising) is expected to grow at a compound annual growth rate (CAGR) of 11.3 percent over the forecast period to reach R91.2 billion, up from R53.4 billion in 2017.

Overall E&M growth will be less reliant on Internet access revenue as organic growth opportunities in Internet connections start fading towards the end of the forecast period. Internet advertising will greatly exceed TV advertising in terms of growth, leading the way with a 13 percent CAGR over the forecast period to reach R9.4 billion and overtake TV advertising spend in 2022.

The Outlook is a comprehensive source of analyses and five-year forecasts of consumer and advertising spending across five countries (South Africa, Nigeria, Kenya, Ghana and Tanzania) and 14 segments: Internet, data consumption, television, cinema, video games, e-sports, virtual reality, newspaper publishing, magazine publishing, book publishing, business-to-business (b2b), music, out-of-home (OOH) and radio.

Vicki Myburgh, Entertainment and Media Leader for PwC Southern Africa, says: “It’s clear we’re in a rapidly evolving media ecosystem that’s experiencing Convergence 3.0. In Convergence 3.0, the dynamics of competition are evolving while a cohort of ever-expanding super competitors and more focussed players strive to build relevance at the right scale. And business models are being reinvented so all players can tap into new revenue streams, by, for example, targeting fans and connecting more effectively with customers to develop a membership mind-set.

“The pace of change isn’t going to let up anytime soon. New and emerging technologies such as artificial intelligence and augmented reality will continue to redefine the battleground. In an era when faith in many industries is at a historically low ebb and regulators are targeting media businesses’ use of data, the ability to build and sustain consumer trust is becoming a vital differentiator.”

South Africa’s E&M industry faced a challenging year in 2017 amidst economic and socio-political uncertainty. Total E&M revenue rose at a comparatively low rate of 6.8% year-on-year to R129.2 billion. A bounce-back in 2018 sees an anticipated 7.6% year-on-year growth, while the CAGR to 2022 is forecast at 6.5 percent.

South Africa will see a strong CAGR of 7.6 percent for consumer revenue to 2022, moving from R93.9 billion in 2017 to R135.7 billion in 2022. Beyond revenue from the Internet segment (buoyed by apps revenue) there are many success stories, most notably that of video games, which will surpass books, magazines and B2B to become the third-highest contributing consumer segment.

There is a striking difference in growth between digital and non-digital revenue, which have CAGRs of 11.4 percent and 1.8 percent respectively. Put another way, digital revenue will add R41.3 billion and non-digital revenue R6.7 billion in absolute terms to 2022. The non-digital elements of five different segments – books, magazines, newspapers, OOH and video games – will all decline to 2022.

Within this overall increase, the fastest revenue growth will be in the digitally driven segments. Virtual reality will lead the way, albeit from a low base, at a five-year CAGR of 55 percent to reach R671 billion in 2022, from R75 billion in 2017.

“The exceptional growth in VR reflects the excitement in this space. VR devices and experiences are in the early stages of being accepted by the mainstream, as VR now emerges as a viable long-term platform for unique, immersive experiences, attracting major investment from media and technology companies eager to seize a share of this fast-growing market,” Myburgh adds.

After a breakthrough year, South Africa’s total e-sports revenue is forecast to rise from R29 million in 2017 to R104 million in 2022, a CAGR of 29 percent. A host of high profile events in 2017 helped to propel e-sport further towards the mainstream, and a number of similar events have been and are being held this year.

A booming social/casual sector is driving strong growth in the video games segment. Total revenue is forecast to rise from R3.1 billion in 2017 to R6.2 billion in 2022, a CAGR of 15 percent. TV and video will continue to be a major driver of consumer spend. Following growth at 4.8 percent CAGR over the forecast period, the total TV market will be worth R40.8 billion by 2022.

The shift from physical to digital media has been one of the core drivers of the global and local E&M market for many years. But different media segments have experienced strongly contrasting patterns of digitisation. In some cases, consumers have been quick to drop physical formats and embrace digital alternatives at the first opportunity.

Although the growth rate for physical books is moderate, it is notable that books are performing far better than any other non-digital sector.

“Permanency and collectability may be the reason for this. Books are seen as collectibles often owned and displayed for many years, making the loss of their physical presence more significant,” explains Myburgh.  Although books currently seem to have the best prospects of any physical media format, they are, like every other media segment, just one disruptive digital competitor away from major upheaval.

Newspapers and magazines will see revenues decline over the next five years. In 2017, total newspaper revenue fell by – 2.9 percent to R8.6 billion. The forecast for the years ahead is for decline at -4 percent CAGR. By 2022, South African total newspaper revenue is expected to drop to R7 billion.

Despite 24/7 access to media and entertainment, the appeal of shared, live experiences still attracts audiences. Music events still draw large crowds, with ticket sales set to see an 8.0 percent CAGR to 2022, helped by major tours from popular crowd-pulling acts in 2018.

Recovering admissions and rising ticket prices together with improved offerings will see box office revenue deliver modest growth at a 3.5 percent CAGR through 2022. South African audiences are prepared to pay a premium to watch big-budget films with surround sound, vibrating seats, temperature change, strobe lights and so on. Radio continues to have a solid listener base in South Africa, and a weekly reach of 91 percent. Radio revenue is projected to rise 3.9 percent CAGR over the forecast period to surpass the R5 billion mark in 2022.

Chat apps and social platforms have become an increasingly important part of day-to-day life for consumers, both in South Africa and worldwide. As usage and entertainment rise, key players from across the E&M industry have teamed up with these platforms, growing them into ‘one-stop shops’ for consumer needs.

The report shows that advertising in the E&M industry was mostly affected by South Africa’s economic environment, with cautious growth of just 1.9 percent year on year. An improvement is expected to 2022, with a 3.3 percent CAGR bringing total advertising revenue to R41.5 billion, from R35.3 billion in 2017. New technologies and devices like artificial intelligence (AI), virtual and augmented reality, voice-based smart home devices and virtual assistants look set to drive innovation in online advertising on a global scale in the coming years.

The report also said Kenya’s E&M industry saw 17 percent year-on-year growth in 2017, again propelled by growth in the Internet sector. An 11.6 percent CAGR will take the country to $2.9 billion in 2022, from $1.7 billion in 2017. Outside of the Internet space, TV and video revenue dwarfs the other segments.

In addition, Ghana’s E&M industry has more than tripled in value since 2013. Total revenue reached $752 million in 2017. It is forecast to surpass $1 billion in 2019 and to total $1.5 billion in 2022, increasing at a 14.2 percent CAGR. As with Nigeria and Kenya, Internet access spend accounts for much of this revenue and growth. Ghana is in a strong position for further E&M growth as revenue gains critical mass over the next five years.

It further said total E&M revenue in Tanzania stood at $496 million in 2017, having risen 28.2 percent year on year. Continued momentum at an 18.3 percent CAGR will see revenue reach $1.2 billion in 2022, 2.3 times the size of the market in 2017. Tanzania’s E&M revenue make-up is ostensibly similar to that of Ghana, although here Internet revenue takes a slightly less dominant position.

Between them, the five countries considered in the Outlook will, driven by Nigeria, add $12.4 billion in revenue from 2017 to 2022, at a combined CAGR of 11.9 percent. Although much of this will fall into the hands of telcos, there are significant opportunities for content providers too. The engine of growth here will be organic, with increased populations and gradually increasing disposable income swelling the ranks of potential E&M consumers – and ever-increasing Internet access greatly expanding the range of E&M opportunities available.

“To succeed in the future that’s taking shape, companies must re-envision every aspect of what they do and how they do it. It’s about having, or having access to, the right technology and excellent content, which is delivered in a cost-effective manner to an engaged audience that trusts the brand. For those able to execute successfully, the opportunities are legion,” Myburgh concludes.

Modupe Gbadeyanka is a fast-rising journalist with Business Post Nigeria. Her passion for journalism is amazing. She is willing to learn more with a view to becoming one of the best pen-pushers in Nigeria. Her role models are the duo of CNN's Richard Quest and Christiane Amanpour.

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Drama Surrounds Igwe on Latest Episode of Heartbeat

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Heartbeat Watch This Weekend on DStv

The latest episode of Africa Magic Heartbeat saw the house adjusting to recent exits and shifting relationships. Sharon’s earlier departure and Henri’s elimination in episode eight left the remaining singles settling into their pairings while trying to understand where everyone truly stands.

Hilda Reflects on Henri’s Exit

Henri’s departure is still fresh in the house, and Hilda admitted she felt bad that her decision ultimately led to him leaving the Love Pad. However, she maintained that she did not regret choosing Bosah. In her view, even if she had chosen Henri, he likely would have remained in the house pursuing other connections.

Queen Latifah Calls Out Igwe

The episode’s biggest moment began when Queen Latifah expressed concerns about Igwe’s intentions toward Shekinah. While speaking with Hilda, she suggested that Shekinah might be allowing herself to be manipulated by Igwe and questioned whether he was truly serious about her.

Queen Latifah later took the conversation directly to Shekinah, recounting how Igwe had previously shown interest in pursuing her and even suggested he was ready to compete with Ken for her attention. According to Queen Latifah, Igwe later dismissed his connection with Shekinah by saying she was “too serious” for him.

The conversation quickly escalated when Igwe walked in mid-discussion. Words were exchanged as tensions rose, and what began as a private conversation eventually turned into one of the episode’s most heated moments.

Igwe Seeks Clarity From Alvin

Following the confrontation, Igwe later pulled Alvin aside to discuss Shekinah. With the house already questioning his intentions, he wanted to know if there was still anything between Alvin and Shekinah.

Alvin made it clear that things had changed since Ceeoni arrived and that he had no intention of pursuing Shekinah if Igwe was serious about her. The conversation appeared to reassure Igwe that there was no competition from Alvin, and he seemed increasingly focused on resolving things with Shekinah.

In a surprising turn, Igwe also acknowledged that the situation had gotten out of hand and attempted to make peace with Shekinah, even reaching out to Hilda, who is close to her, in hopes of smoothing things over.

A Brief Moment of Jealousy Between Kena and Chidera

Even the strongest couples can experience moments of friction. A brief moment of jealousy surfaced when Kena noticed Chidera wearing Alvin’s jacket, something that made him visibly uncomfortable, given that the two are now committed to each other.

The tension was short-lived when Chidera quickly apologised and reassured him, bringing the moment to a calm resolution.

The episode closed on a lighter note with a couples’ game that lifted everyone’s mood and brought energy back into the Love Pad after a day full of tension. One question lingered across the Love Pad as the episode wrapped up: has Heartbeat’s resident playboy finally fallen in love?

Catch new episodes of Heartbeat every Sunday at 9 pm on Africa Magic Showcase, DStv Channel 151, and GOtv Channel 8. You can also catch up via the DStv Stream app or through Catch Up on your decoder.

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Gbemi Olateru-Olagbegi’s The Fashion Roundtable Premieres March 19

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Gbemi Olateru-Olagbegi The Fashion Roundtable

By Modupe Gbadeyanka

The new fashion interview show, The Fashion Roundtable, hosted by media personality, Gbemi Olateru-Olagbegi, will premiere exclusively on YouTube on Thursday, March 19, 2026.

The programme will unearth the real, unfiltered conversations with the key players shaping Nigeria’s fashion industry.

The show will feature a powerful lineup of guests, including celebrity stylists Swazzi & Zack Aminu, model Ruth Vader, men’s footwear designer Kiing Davids, creative designers, Nkiru Achukwu of Zephans & Co, Morenike Olusanya of Bawsty, Aanuoluwa Ajide-Daniels of Aso and a host of other notable fashion entrepreneurs and industry players.

Viewers can anticipate standout revelations, such as designer Kiing Davids’ attempt at making women’s shoes that he ultimately abandoned, the story of Zephans & Co selling a staggering 35,000 outfits in one year, and the moment Bawsty’s first pop-up saw 600 registrations and sold out in less than two hours.

The host intends to look beyond the glitz and glamour, providing an intimate space for designers, models, and stylists to share their true behind-the-scenes stories.

The Fashion Roundtable is a direct response to the global attention Nigerian fashion is currently receiving, providing an essential platform to document the industry’s complexities.

Each episode features guests who discuss how they started, the significant challenges they face, how they recovered from failures, and how they financed their businesses. The series is committed to giving a voice to all parts of the fashion ecosystem, not just the designers.

“I created The Fashion Roundtable because I wanted a space to have real, honest conversations with the people who are shaping Nigeria’s fashion industry.

“We often only see the finished product, the beautiful outfits, but we rarely hear from the people behind the scenes about the work that goes into the process. Nigerian fashion is getting so much attention globally, and now feels like the perfect time to share these voices and their stories,” Olateru-Olagbegi said.

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Before Season 4: The Characters Who Shaped the Rise and Fall of Wura

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Wura Season 4

Power has shifted, loyalties have been tested, and secrets are no longer buried. As Wura returns for Season 4, before the next chapter unfolds, it’s the perfect moment to revisit the characters whose ambition, secrets, and rivalries have driven the series’ gripping tale of power and consequence. Here are the characters who have shaped the story so far from Season 1 -3.

Mrs Adeleke (Wura)

The boss lady, ruthless CEO of Frontline Gold Mine and the woman at the centre of it all.

Wura built her empire on carefully buried secrets and ruthless decisions. Anyone who threatened her power in the last seasons was silenced, and every move she made was calculated to keep her throne intact.

But power built without mercy eventually demands payment. In the end, Wura’s world collapsed when she discovered the most devastating truth of all: the daughter she had killed in her quest to protect her secrets was actually her own. Faced with the weight of her actions, she pulled the trigger on herself, leaving behind a legacy of power, destruction, and unanswered questions.

Tumininu (Tumi)

Tumi’s journey began with a simple mission: find the truth about her father. What followed was a dangerous path filled with lies, betrayals, and powerful enemies.

Determined and fearless, Tumi chased every clue and confronted the darkest secrets surrounding her family. But the biggest revelation came too late, the woman she had grown to hate the most was the one who gave birth to her.

In her pursuit of justice, Tumi paid the ultimate price. Sometimes the truth costs everything.

Jeje

Jeje was the man caught between two worlds.

Husband to Tumi, yet deeply connected to Wura’s shadowy reality.

For a long time, he carried dangerous truths that could destroy everything. When Jeje finally revealed that Wura was responsible for Tumi’s father’s death, it set off a chain reaction that neither love nor loyalty could stop. His confession changed the course of every life connected to the Frontline empire.

Mr Adeleke

A respected man sworn to fight crime and uphold justice. Yet the greatest criminal in his life was the woman he loved, Wura.

Mr Adeleke shared a home with Wura, blind to the darkness hiding in plain sight. Even as the signs became impossible to ignore, his love for her clouded his judgment.

It raises a haunting question: how do you police an entire city, yet fail to see the truth inside your own home?

Iyabo

Iyabo was the quiet force that kept the family together until one truth shattered everything.

Without warning, she revealed the secret that changed the entire story: Tumi was not her biological daughter. No preparation. No gentle explanation. Just a truth that landed like a storm in a fragile family. Family secrets destroy everyone.

As Wura launches its Season 4 this March, the story moves beyond the secrets. With the truth now exposed and the consequences still unfolding, the next chapter promises new power struggles, shifting loyalties, and choices that change everything.

In Wura’s world, the past never stays buried, and the next season may prove that the real battle is only just beginning.

To upgrade, subscribe, or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.

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