By Dipo Olowookere

Popular Nigerian actor, Lateef Adedimeji, has announced the birth of three boys by his actress wife, Adebimpe Oyebade, also known as MoBimpe.

In a video shared on social media on Friday, the Airtel Nigeria ambassador said his wife had given birth to the triplets before now but had kept the news close to his chest.

“I’ve been quiet… not absent.

“I was building, protecting, and embracing the greatest blessing of my life.

“God gave me more than I prayed for: a woman who became a mother of three, and three kings to call my own.

My world. My responsibility. My legacy. Alhamdulilah,” he wrote on X, formerly Twitter, this morning.

At a colourful wedding on December 18, 2021, in Ado-Ekiti, Ekiti State, Lateef married his wife, with fans expecting them to announce this news.

I’ve been quiet… not absent.

I was building, protecting, and embracing the greatest blessing of my life.

God gave me more than I prayed for
a woman who became a mother of three, and three kings to call my own 👑👑👑

My world. My responsibility. My legacy.

Alhamdulilah! ✨ pic.twitter.com/ZQRXrrG9wO

— Adedimeji Lateef (@TheDimejiLateef) May 1, 2026

The Africa Magic Viewers’ Choice Awards have long stood as one of the most prestigious platforms celebrating excellence in African film and television.

From its earliest editions, it has consistently brought together the continent’s brightest talents, setting a strong standard for recognition, storytelling, glamour, and cultural pride.

Today, that foundation has only continued to expand and strengthen.

The AMVCA has grown into an even more expansive and dynamic platform, bigger in scale, richer in competition, and more diverse in expression while continuing to provide a stage where established icons and emerging voices are celebrated side by side.

Then: A Strong Foundation of Excellence and Recognition

In its early years, the AMVCA reflected the structure and growth of Nollywood and African storytelling at the time, an industry already rich in talent, creativity, and established stars.

Winning an AMVCA was always a mark of excellence, a recognition of outstanding work within a highly respected ecosystem of filmmakers, actors, and creatives.

Categories were structured around key pillars of storytelling, and while the industry has continued to expand over the years, the awards have consistently celebrated excellence across both on-screen and behind-the-scenes contributions.

From the beginning, recognition has always leaned toward quality performances, strong narratives, and industry-defining work. The excitement was never limited; it was rooted in celebrating the best of African cinema.

The Shift: Expansion, Structure, and Industry Depth

As African film and television continued to evolve, the AMVCA naturally expanded in scope to reflect the growing depth of storytelling across the continent.

In recent editions, the awards featured over 30 categories, split between jury-selected and audience-voted awards,  reinforcing a balanced structure that reflects both critical excellence and audience engagement.

What this evolution truly highlights is how deeply layered African storytelling has become.

Cinematography, editing, sound design, costume, and production design have all become highly competitive and widely celebrated categories, sitting alongside acting and directing as essential parts of the storytelling process.

Films like Over the Bridge, Mami Wata, Breath of Life, Brotherhood, and Eyimofe (This Is My Desire) have not only been recognised but have stood out for their artistic ambition, technical excellence, and contribution to the growth of African cinema.

At this level, the AMVCA continues to do what it has always done best: recognising and rewarding craft in all its dimensions.

Now: A Platform Reflecting a Growing and Diverse Industry

In recent editions, the AMVCA has further strengthened its role as a platform that reflects the full spectrum of African entertainment.

One of the clearest developments is the continued spotlight on emerging talent through dedicated recognition categories such as the Trailblazer Award, which highlights rising stars making a notable impact in the industry.

Categories like Best Digital Content Creator also reflect how storytelling has expanded across platforms, embracing the evolution of content creation in today’s digital era.

Across recent editions, younger actors and filmmakers continue to share the stage with industry veterans, reflecting the depth and continuity of talent within the African entertainment space.

At the 2025 edition, for instance, talents such as Genoveva Umeh and Chimezie Imo stood alongside established industry figures, while the Trailblazer Award continued its tradition of recognising emerging excellence. Digital creators were also acknowledged, reinforcing the AMVCA’s alignment with the evolving media landscape.

Even in 2023, names like Tobi Bakre and Broda Shaggi reflected the dynamic nature of modern African entertainment, where film, television, and digital culture intersect seamlessly.

Across all these moments, the AMVCA remains consistent in its purpose: celebrating excellence in all its forms while reflecting the continuous growth of African storytelling.

The Experience of Watching: A Journey Through Time

Reading AMVCA history feels like moving through the evolution of African cinema itself.

Earlier editions reflect the strong foundations of structured storytelling and established excellence. Middle years highlight expansion in scale, ambition, and creative depth. Recent editions reflect a more global, refined, and experimental expression of African film and television.

Across this journey, one thing remains consistent: excellence has always been the standard.

The experience moves from familiar faces to exciting new recognitions, from predictable narratives of success to more layered and competitive storytelling moments, and from national recognition to wider continental and global relevance.

Today, the AMVCA stands not as a shift in purpose, but as a continuous reflection of a growing industry, one that has always celebrated the best of African creativity and continues to do so at an even greater scale.

If the early AMVCAs celebrated stars, the current editions continue to celebrate legacies in motion.

And perhaps that is the real story, not a change in direction, but a steady expansion of excellence, recognition, and impact across African cinema.

By Adedapo Adesanya

The UK-Nigeria Technology Hub has launched its Creative Fund, a first‑phase grants initiative designed to address critical technical capacity gaps across Nigeria’s film, fashion, and music industries.

According to a statement on Tuesday, the fund will support the development of local digital production capacity, encourage the adoption of modern creative technologies, and promote the responsible use of Artificial Intelligence (AI) to strengthen Nigeria’s creative value chain.

The initiative directly supports the priorities of the UK‑Nigeria Economic Transformation and Investment Partnership (ETIP) Creatives Working Group, launched in March 2025 and delivers on commitments made during President Tinubu’s State visit to the UK in March 2026.

It is designed to ensure that high-potential creative projects can access the technical talent, tools, and resources required to produce, scale and complete their work locally.

Funded by the UK-Nigeria Tech Hub, under the UK Government’s Digital Access Programme and implemented by Tech4Dev, the Creative Fund responds directly evidence gathered through the State of the Creative Innovation Ecosystem in Nigeria, study in 2024. Drawing on over 1,700 survey responses, and fieldwork across seven states, the research showed that Nigeria’s creative economy employs approximately 4.2 million people and contributes around US$3 billion to GDP annually.

Despite this scale, the sector continues to face structural constraints – over 80 per cent of practitioners are self-taught, fewer than 10 per cent have access to formal financing, and high-value technical work is routinely outsourced outside the country. The Creative Fund is a direct response to these gaps and is central to the work of the ETIP Creative Working Group.

Speaking on this, Mrs Oyinkansola Akintola‑Bello, Director of the UK‑Nigeria Tech Hub, said, “Nigeria’s creative sector already delivers real economic value, and both governments have committed under the UK‑Nigeria Economic Transformation and Investment Partnership to supporting its growth. Through the ETIP Creatives Working Group, we are moving from ambition to action.

”The Creative Fund is a practical first‑phase intervention that addresses critical gaps in skills, infrastructure, and access to advanced tools, enabling Nigerian creatives to produce and scale high‑quality work locally.”

The fund will support high-potential creative projects covering three industries: Film, Fashion, and Music and will focus on initiatives that demonstrate strong potential for impact, scalability, and job creation.

It will subsidise projects that need to close technical gaps, including critical specialists like VFX artists, sound engineers, post-production editors, and design professionals, or the digital tools and resources that make professional-quality work possible locally, for example, digital asset management systems, content delivery tools, Digital Rights Management solutions, and AI-driven production technologies. The aim is straightforward: Nigeria’s best creative work should be made in Nigeria.

On his part, Mr Abraham Akpan, Tech4Dev’s Country Manager for Nigeria and Sub-Saharan Africa, said the Creative industries are a core part of the digital economy, bringing together technology, culture and entrepreneurship.

“This Fund is about ensuring that Nigeria’s creative success is underpinned by sustainable local talent and capacity, while deliberately expanding access to tools, skills and finance for those who have been historically excluded. By prioritising women-led enterprises, youth-led ventures, and underrepresented groups, the fund embeds inclusion into every stage of delivery.”

The Fund is open to creative companies, studios, production houses, fashion enterprises, and music labels leading projects with clear technical needs. Applications will be assessed on project quality, their potential for local and international impact, and the applicant’s level of commitment to co-investment. The initiative also encourages the responsible use of emerging technologies, including artificial intelligence, with selected projects expected to explore its application in production, storytelling, and innovation.

Applications are open now and will be accepted on a rolling basis throughout the programme period.