Rite Foods Tasks Nigerian Idol Contestants to Have ‘Rite’ Energy, Mindset
By Dipo Olowookere
Contestants of the ongoing Nigerian Idol have been tasked to have the Rite energy and mindset as they perform to get the support of the viewers to clinch the coveted prize.
This charge was given by Ms Boluwatife Adedugbe, the Brand Manager of Rite Foods Limited, makers of the popular Bigi Drinks, headline sponsor of the music talent hunt competition.
She gave the advice when the company received some Nigerian Idol contestants on Friday, June 4, 2021, and she intimated the future music stars on the organisation’s corporate culture, taking them through the corporate journey and footprints in the Nigerian economy, and most importantly, the entertainment sector.
“All of you are winners for making it to this point. I would like you all to imbibe the ‘Rite’ energy in your next performances,” Ms Adedugbe said.
Business Post gathered seven contestants of the Nigerian Idol season 6 visited the corporate headquarters of Rite Foods at Opebi Ikeja, Lagos and they were Akunna Okey, Beyonce Ajomiwe, Comfort Alalade, Emmanuel Elijah, Faith Onyeje, Francis Atela, and Kingdom Kroseide.
One of them, Beyonce Ajomiwe, who is now out of the competition, revealed during the visit that her favourite Bigi variant is ginger lemon because it is good for her voice.
According to her, Bigi ginger lemon has helped her maintain her voice and tone in the contest, while Faith Onyeje revealed his love for Bigi Apple as it helps his metabolism after a good workout.
As for Akunna Okey, she reaffirmed her support for both ginger lemon and tamarind flavours, while the now-evicted Emmanuel Elijah said he loves his Bigi Apple.
Comfort Alalade declared her love for Bigi Cola; Kingdom Kroseide pitched his tenth with Bigi water and sausages, while Francis Atela declared his love for Bigi Tamarind flavour.
The visit was characterized by fun and thrilling moments as the headline sponsor of the competition. Games and singing competitions spiced up the occasion as the contestants were split into two groups, where they contested BIGI TVC song ‘BigiMy Number One’ which was creatively performed by both groups.
The sum of N1.4 million was splashed on the contestants for their creative and entertaining performances during the visit. They also carted away other Rite Foods branded items and gifts during the visit.
At the visit, the popular entertainment editor, Mr Rotimi Ige, who won the first-ever Bigi Media Idol, congratulated the contestants for making it thus far and urged them to keep working on their art and be assured that they are on the right platform, especially with Bigi, being the headline sponsor of the competition.
The contestants lauded the company for supporting young talents in the country and called on other stakeholders to emulate Rite Foods Limited in the quest for turning young acts into megastars.
The Nigerian Idol airs live every Sunday on DSTV Channel 198 and GOTV Channel 29 at 7 pm.
Reigny, Abraham Exit Nigerian Idol as Live Show Heats up
By Modupe Gbadeyanka
The duo of Reigny and Abraham have been evicted from the Nigerian Idol Season 8 after garnering the least number of votes from the viewers last week, which was the second week of the live show, leaving contestants vying for the top prize.
The remaining contestants performed last Sunday to the delight of the viewers, who are expected to vote further to keep them on the show.
Over the weekend, the host of the music talent hunt, IK Osakioduwa, announced to the audience that a contestant would be sent packing before any performance for scoring the least votes.
After dimming the light, he announced Abraham, who was devastated that it was the end of the road for him on the programme. A week earlier, he performed Michael Bolton’s Go The Distance, and some described this as the best performance of the week, but the viewers thought otherwise.
After taking five performances from the other contestants, the anchor returned to announce the exit of Reigny as the voters were not too impressed with her rendition of Heaven Sent by Keyshia Cole a week earlier.
The eight contestants remaining on the programme performed for the theme of the week, Billboard songs. They rendered some top-of-the-chart tracks.
Being the first to hit the stage immediately after the eviction was not easy. Commendably, Quest showed no emotional lapses as she set the ball rolling with an elegant performance of Damages by Tems, and was followed by Savy Henry, who performed It’s Plenty by Burnaboy.
Precious Mac had the first standing ovation of the season after another splendid vocal performance of Overload by Mavin Records All-stars, while Chisom got everyone on their feet with his rendition of Peace Be Unto You by Asake.
Another contestant, Goodness, did not fail to impress with Ladipoe’s Feelings, as Constance showed that she could cope with the pressure by delivering Alone by Burnaboy, while Ose Daniel, in his usual calm manner, delivered Bandana by Fireboy, as Victory capped another splendid Nigerian Idol Season 8 week with his smooth performance of As it Was by Harry Styles.
Viewers can still vote to keep their favourite contestants on the show through the different voting channels. They can access 100 votes on the Africa Magic website and another 100 votes on the mobile site, and 2500 votes on MyDStv or MyGOtv app. Voting closes on Thursday, June 8, at 9 pm.
Forces of Change in the Creative Industries – Going Beyond Tech
By Amine Djouahra
As we are nearing the end of the first half of 2023, we have all become more comfortable with change and disruption. Whether it is the pandemic, environmental factors, unstable global economic conditions, or tech evolution, we have learned to bounce back quickly. One industry that has had to be particularly agile during the past few years is the filmmaking industry.
Canon’s new report (written in conjunction with The Future Laboratory) – The Future of Filmmaking, reveals the industry’s efforts to be a catalyst of change that inspires the creative industry to transform its narrative and to shine its spotlight on topics that will be significant in shaping the future of our world, and that of the African continent.
Interestingly, the report sheds light on the human landscape and its power to create, cultivate, and drive change. The power of people ultimately makes things happen and pushes us toward progress and advancement in any industry. The report highlights four crucial aspects that may be driven by tech but not necessarily led by tech. In my view, these are significant factors directly proportional to the content creation and filmmaking industries and will undoubtedly shape the future of these industries.
Rise of the Creative Class
According to the UNESCO report, global cultural and creative industries (CCIs) are estimated to generate about $2.25 trillion annually, which accounts for 3% of the global GDP and employment of around 30 million people worldwide. It is fascinating to see the rise of this creator economy, which the report identifies as the “New Creative Class”. As we witnessed an unprecedented boom in digitalisation over the last 10 years, this creative class sprang into action using technologies to deliver a fresh and novel take on content creation.
If we lens in on the African continent, which is closer to home and more interesting to me, we see some remarkable trends in the creative economy. In Nigeria, as this report shows, the sector employs 4.2 million people and is expected to employ a further 2.7 million by 2025, an increase of more than 50% in the next two years.
Despite the significant contribution made by the new creative class toward societal and economic progress, there still seems to be a gap in recognition compared to other industries. The emerging community of content creators is striving to achieve fair working conditions, equitable payment models, and new standards in the industry that reflect their value and contributions. This is a positive development for the creative sector in its rightful plea to be recognised and treated fairly compared to other industries.
The explosion of digital technologies may have given us the power to do anything from anywhere, but like all things, too much of anything is not always good and has its consequences. An interesting trend emerged with the plethora of content choices that suddenly became available for audiences to consume worldwide. People slowly started taking their eyes off the global stage and shifted their gaze towards local and homemade content that told stories of their land and their people.
Given our natural desire as humans to find meaning, connectivity, and relatability, the narrative of authentic stories led independent storytellers, documentary-makers, content creators, and filmmakers to explore topics that local people resonate with. So, it’s no surprise that global streaming giants like Netflix and Disney are investing in Africa to tap the unexplored potential and talent. The report encapsulates the essence of the ‘Stay global, go local’ movement and asserts that media organisations and creative firms will progressively be compelled to shift sight closer to home when it comes to entertainment and content production.
The current climate crisis affects us all, no matter which industry or walk of life we come from. The severity of climate change needs to be taken seriously globally, and genuine efforts must be made for scaled initiatives to reduce our carbon footprints. The streaming industry is no exception to this; the carbon impact of the industry drastically needs to be reduced by adopting a more sustainable approach towards this issue.
The report underpins the significance of consumer demand as a key driver toward adopting sustainable practices and better industry standards. With people gaining more awareness about the environmental impact of their consumption choices, they are likely to demand pro-environmental practices, thus compelling the industry to adopt a pro-active approach towards sustainability.
The Future of Filmmaking report highlights the positive development of inclusivity and diversity. It emphasises that the new creative class is at the forefront of inclusivity and is not afraid to challenge the already-established broadcasters. This new generation of creators identifies technology to harness change and propel social progress. Decentralisation will be a key trend touching every area of the industry, from financing to licensing and distribution and more, creating new opportunities for the underrepresented creators and bringing them closer to their fans.
Continuing the Legacy of Storytelling
These trends are a wake-up call to many in the industry to pay attention to the changing needs of people and to evolve with them. However, we must always return to the basics and remember the importance of telling stories. While these trends affect the industry by and large, the shifts create more freedom for storytellers to come forth and tell their stories in unique and inspiring ways, enabling them to create content that is responsive to the tastes, locations, and ethics of their audiences in a way that has never been possible before.
All in all, the report tells me that this is an exciting time to be a creator, with the industry opening its doors to new opportunities that reflect change, growth, development, and progress.
Amine Djouahra is the B2C BU Director for Canon Central & North Africa
Africa Day: YouTube Honours Nollywood, African Storytelling
Nollywood stars, creators, and creative community members gathered together at a YouTube event titled Celebration of Nollywood on Africa Day.
This event celebrated the enchanting world of Nollywood and marked the significant contributions of African storytelling through cinema, paying tribute to the creators who bring these narratives to life.
The event welcomed 150 attendees and assembled prominent celebrities and influential personalities from the Nollywood industry.
Notable guests included veteran actress Sola Sobowale, AMVCA comedian of the year Bimbo Ademoye, Adeyemi Okanlawon, Debo Adedayo aka Mr Macaroni, and Linda Ejiofor-Suleiman.
Top Nigerian YouTube content creators such as Apaokagi-Greene Maryam aka Taaooma, AMVCA award winner Samuel Animashaun Perry aka Broda Shaggi, and Chukwuebuka Emmanuel Amuzie aka Brainjotter, also graced the event.
Among the sessions at the event was a panel discussion addressing Nollywood’s growth and the potential of digital technology in the industry. The panellists, including Murphy Ben, CEO of Murphy Ben International and Aforevo, YouTube content creator Taaooma, and Nollywood actress and movie producer Rahama Sadau, shared invaluable insights on leveraging digital technology for industry growth and scalability.
Alex Okosi, YouTube EMEA Managing Director for Emerging Markets, acknowledged the significant impact of Nollywood and the transformative power of storytelling.
He emphasized YouTube’s dedication to partnering with Nollywood and serving as a platform where meaningful stories are shared and celebrated globally.
Okosi stated, “Your work is reshaping global narratives about Africa and Nigeria. It’s not merely entertainment – it’s powerful, transformative, and making a real difference. The stories you tell and the emotions you evoke resonate with audiences worldwide. YouTube is privileged to partner with you and provide a platform to share and celebrate these impactful narratives globally.”
Olumide Balogun, Interim Country Lead at Google Nigeria, shed light on YouTube’s commitment to supporting and promoting the Nollywood industry by promoting movies, actors, producers, and other industry members. He outlined a two-month-long program designed to spur the growth of Nollywood on YouTube.
Acclaimed actors, talented producers, and influential film community members enlivened the event, contributing to the celebratory ambience. The event showcased Africa’s dynamic culture and creativity, emphasising Nollywood’s significant role in shaping global perceptions and narratives.
In a world full of diverse stories, YouTube has remained committed to supporting black creatives across the globe, recognizing their invaluable contributions to the platform and beyond.
This commitment is exemplified by initiatives such as the #YouTubeBlack Voices Fund, a global fund aimed at amplifying Black voices and perspectives and facilitating the creation of fresh narratives that educate audiences about racial justice. With a deep gratitude for the creative community, YouTube fosters an environment where diverse voices are heard, respected, and empowered.
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