Showbiz
Sound Sultan: The Poetic Ambassador on Migration UN Never Had
By Segun Adesokan
Motherland, referring to Nigeria in his song, at the time of its release, was timely and its messages even till the present day is rich and timeless as it could be passed off as an immigrant travel guide.
The early part of the song had reminded us about how Chinedu had borrowed some money to fund his trip to Chicago. It further adds: how Nnamdi had also sold off his car to facilitate the trip of a beloved to America. In the middle of it all is also the emotionally drained lover or spouse left behind, whose wellbeing and fragile mind is left hanging in the balance, sadly in some instances, some partners never return.
The song perhaps appears to have critically observed the obsession of many immigrants whose inordinate or misplaced quest for survival believes that immigrating to the West or other European countries is a critical means by which survival is sought, hence Sound Sultan’s Motherland came in handy: offering some counsel, suggesting that sometimes, a sojourner may have to beat a retreat by returning to his ancestral home, Motherland, given the fact that sometimes, in a bid to survive in a foreign land, the unpredictability of such adventures may unavoidably require one to do so.
As often the case with many immigrants from Nigeria and by extension many others from African countries, who had at one time or the other undertaken such adventurous trips in search of greener pasture abroad, even the period leading to their departure also comes at a great cost and sacrifices as some families sell off assets and other prized possessions to fund such trips, unsure whether the risk would eventually pay off or not.
While the craze in search of the golden fleece rage on, some Africans in their desperation may have also thrown caution in the air, leading to situations where thousands have reportedly died in the wake of risky voyages across Mediterranean or Sahara wastelands, as hundreds have also fallen prey to wild beasts, transnational armed syndicate and human traffickers who deal in drugs and séx slaves, having promised many unsuspecting victims an elusive Eldorado life, waiting for them in Europe.
Many African households have believed some of these false narratives built into their psyche for many years and it has become so difficult to undo.
The late singer was never opposed to the idea of people seeking better opportunities or greener pastures outside the country, but rather also reminds them about home and the need for them to apply cautious optimism where applicable, in their quest to travelling overseas.
Notwithstanding, the home would still be home regardless of the prevailing circumstance which may have forcibly led to one’s uneventful return.
This writer believes late Olarewaju Fasasi, fondly called Sound Sultan, as a social crusader, an iconic singer using his musical crafts as a vehicle to remind us about the need to be introspective, also feels compelled to note that Motherland, mirroring the life of most immigrants and some of the challenges often associated with it, brings to the fore also a social problem and the need for concerned international organisations like UN and its relevant agencies to do more in terms of advocacy and policies in reversing the tales of woes of many migrants.
Though UN’s 2030 Agenda for Sustainable Development recognizes for the first time the contribution of migration to its sustainable development, thus, 11 out of the 17 Sustainable Development Goals (SDGs) contain targets and indicators relevant to migration or mobility for which parts of its Agenda’s core principle is to “leave no one behind,” not even migrants.
The SDGs’ central reference to migration is made in some of its major targets, which is to facilitate orderly, safe, regular and responsible migration and mobility of people, including through the implementation of planned and well-managed migration policies.
Other targets directly related to migration mention trafficking, remittances, international student mobility, and more. Moreover, migration is indirectly relevant to many more cross-cutting targets.
UN, more recently, through International Organization on Migration, a leading partner on the inter-governmental organisation in the field of migration works to ensure the orderly and humane management of migration, to promote international cooperation on migration issues, to assist in the search for practical solutions to migration problems and to provide humanitarian assistance to migrants in need, including refugees and internally displaced people.
In 2016, IOM entered into an agreement with the United Nations, becoming one of its specialized agencies.
However, the above plans and efforts of UN appear commendable but today’s realities in some part of Europe and other Asian countries, judging by their immigration policies at present largely remains a far cry from the much-advertised SDG’s policies.
While many Africans battle so hard to grapple with harsh realities and hostilities of their host countries ranging from racism, prejudice, little or too rigid legal documentation processes for immigrants, and biting chances of economic survival, many have also become susceptible to illegal drug dealings which in most cases often result in cruel fate or even avoidable deaths.
The sad news on the passing of Sound Sultan, one of Nigeria’s notable songwriter, artist, producer, and comedian, who a few weeks ago was reported to have lost the battle to a cancerous related aliment around the throat, brings with it feelings of pain, grief, and national loss.
By national loss, Nigeria just lost a voice and a social crusader reputed for his numerous campaigns against bad governance, injustice, corruption, and bad leadership a major clog in the wheel of Nigeria’s progress. He will fondly be remembered for his many statesmanly roles towards mobilizing the citizens through his several songs on how to constructively hold them accountable to their constitutional functions.
To the memory of the late singer, President Muhammadu Buhari also penned a glowing tribute to him for his contribution to basketball development in Nigeria.
He was even reported to have co-owned a basketball team. D’Tigers, the Nigerian men basketball national team, would also honour the late singer by wearing T-shirts bearing the late singer’s name and image on it, for his roles in promoting the sports.
Coincidentally, his death would also leave a lasting memory following D’Tiger’s phenomenal triumph over the US men basketball national team, a feat no African team had ever done, the same day he was said to have died.
The Motherland crooner died at age 44 in the US and his remains have since been buried in the US, same day, according to Islamic rites, leaving behind his three kids and his beloved wife.
By Aduragbemi Omiyale
Social media giant, Facebook, is celebrating the 2026 Africa Day on May 25 in a bid way through the launch of the sixth edition of its pan-African campaign, ‘Made by Africa, loved by the world: Where stories spark community.’
This year’s focus is on African cinema, and it features five talents from the sector, who are Kehinde Bankole (Nigeria), Linda Mtoba (South Africa), Nomzamo Mbatha (South Africa), Osas Ighodaro (Nigeria), and Tobi Bakre (Nigeria).
The campaign features a five-part vodcast series profiling these five internationally acclaimed actors and filmmakers, hosted by leading African podcasters, I Said What I Said (Nigeria), and Because We Said So (South Africa).
Each episode explores the talent’s creative journey, global impact, and how they use Facebook to build communities and connect with fans worldwide.
Vodcast snippets will be available on the Meta Africa Facebook page, with full episodes on the I Said What I Said and Because We Said So podcasts and talent profiles.
Speaking about the campaign, Kezia Anim-Addo, Communications Director, Africa, Middle East & Turkey at Meta, said: “For six years, Made by Africa has spotlighted talent from across the continent making a mark globally. This year, film takes centre stage. From Nollywood to South African cinema, African stories are reaching audiences worldwide, and Facebook is at the heart of how people come together around cultural moments like these. This campaign backs the filmmakers driving that momentum.”
Also, the hosts of I Said What I Said, FK Abudu & Jola Ayeye, said, “We’re excited about this partnership and the chance to collaborate with Facebook in celebrating Africa Day with other brilliant African creatives. Being able to spotlight creators with global impact feels incredibly special to us, and we look forward to more partnerships and opportunities to champion African creativity.”
Also, the anchors of Because We Said So, Zama Marubelela & Landzy Gama, said, “As young African content creators, we’re passionate about celebrating African excellence, identity, and culture through honest and relatable conversations. Having Nomzamo Mbatha and Linda Mtoba on Because We Said So made this collaboration with Meta even more special, as they both continue to represent Africa on a global stage while sharing authentic African stories with the world. We’re excited to amplify these voices and be part of a campaign that celebrates African talent, creativity, and storytelling on a global scale.”
The MasterChef Nigeria kitchen is no stranger to unexpected twists — and this week delivered one of its biggest surprises yet.
In a dramatic turn of events, previously eliminated home cooks Fads, Pearl and Margaret were given an extraordinary second chance: a shot at redemption and an opportunity to fight their way back into the competition.
With a place back in the MasterChef kitchen — and a chance to compete for the life-changing ₦73 million prize — on the line, the trio faced a high-pressure Redemption Challenge centred around one deceptively simple ingredient: eggs.
Tasked with mastering three culinary fundamentals in just 10 minutes, the contestants had to deliver the perfect poached egg, boiled egg and omelette — a challenge designed to test precision, timing and technical skill under immense pressure.
In a dramatic cook-off, it was Fads who rose to the occasion, impressing the judges with her execution and earning her place back in the MasterChef kitchen. For Pearl and Margaret, however, the challenge marked the end of their MasterChef journey, as they bid farewell to the competition for good.
True to the spirit of MasterChef Nigeria, the competition was far from over. The Top 8 immediately faced another challenge — a celebration of the Staples of Success — where culinary skill met high stakes. With an impressive ₦2 million up for grabs, the home cooks had yet another opportunity to prove themselves in the MasterChef kitchen.
The arrival of the white apron cook was met with excitement in the MasterChef Nigeria kitchen, as the home cooks embraced the moment with enthusiasm and ambition.
However, while some rose to the occasion, others struggled to meet the judges’ exacting standards.
Derry’s dish was dealt a major setback when her chicken was found to be undercooked. David’s red chilli starter and roasted chicken main failed to deliver the impact the judges had hoped for and overwhelmed by emotion, Favy faced a challenge of her own when her panna cotta refused to set, forcing her to rethink her dish under pressure.
Demilade impressed the judges with a standout combination of Potato Crisps and a creative Plantain Split, showcasing both confidence and flair in the kitchen. Fads, meanwhile, delivered a remarkable comeback with her comforting yet elevated take on Yam Chips and Potato Soup — a dish that earned high praise from the judges. Clearly impressed, Chef Eros described Fads’ creation as “restaurant ready.”
Demilade and Fads rose above the competition to secure coveted spots in the Top 2, earning themselves a shot at the ₦2 million prize.
In the end, it was Fads who claimed Dish of the Day, completing an impressive comeback story as she walked away with ₦2 million and renewed confidence in the MasterChef Nigeria kitchen.
Next week, tensions rise as the Top 8 take on a high-pressure Fashion Challenge, with the MasterChef kitchen also welcoming special guest judge Ezinne Chinkata.
Produced by Primedia Group, MasterChef Nigeria is supported by a strong coalition of leading Nigerian brands, including headline sponsor Power Oil, alongside Indomie, Dano Milk, Malta Guinness, Sonia Tomato, Kiara Rice, Golden Penny Flour, Golden Penny Sugar, Golden Penny Garri, Golden Penny Semolina, Golden Penny Chocolate Spread, and Golden Penny Wheat.
The show airs weekly on Sundays at 7 pm on Africa Magic Showcase and Africa Magic Family, with rebroadcasts on Wednesdays at 6 pm on Africa Magic Showcase and Thursdays at 12 pm on Africa Magic Family.
By Adedapo Adesanya
Data from Netflix reveals that more than $325 billion was contributed to the global economy over the past decade, creating more than 425,000 jobs in over 50 countries, including Nigeria.
A decade ago, Netflix expanded into almost every country in the world in a single day, and since then, it has been “a champion of local stories”, spotlighting them on a global stage.
Netflix signalled its Nigeria ambitions with the acquisition of Lionheart, a film produced in 2018 by industry veteran, Genevieve Nnaji, as its first original film in the country.
The streamer has since commissioned and co-produced multiple original series and films in the years since.
However, in late 2024, it was reported that Netflix was exiting the Nigerian market; it denied the reports, but has since cut back on original productions.
Viewing of non-English language titles represented less than a tenth of total viewing on Netflix ten years ago, while today it’s more than a third.
Netflix says the data underscores its continued commitment to supporting creative communities everywhere.
In Nigeria, some Netflix-affiliated films have amassed hit followings and series, such as Gingerrr, King of Boys, The Black Book, Anikulapo, Sugar Rush, Hijack ’93, among others.
Speaking on the development, Mr Ted Sarandos, co-CEO of Netflix, commented: “[…] what really matters are the people behind those numbers — the writers, directors, carpenters and electricians, the small business owners and community members and of course, the fans who make everything possible.”
This data is revealed as Netflix launches The Netflix Effect, designed to bring together stories from around the world that explore the economic and cultural impact Netflix has had on the entertainment industry.
“Over the last decade, Netflix shows and movies have consistently shaped what people read, buy, listen to, eat, wear and play. We’ve pushed old songs back up the musical charts, helped niche sports go mainstream, and boosted sales of everything from chess sets to Halloween costumes, to home storage.” Mr Sarandos added.
“Now we have a responsibility to keep that flywheel going. That’s why, while other entertainment companies pull back, we’re leaning in — spending tens of billions of dollars on content every year, investing in production facilities from Spain to New Jersey, and growing the entertainment industry through training programmes that have reached over 90,000 people across more than 75 countries.”
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