Connect with us

Showbiz

TAFTA Helping to Solve Unemployment Crisis in Nigeria—Lai Mohammed

Published

on

TAFTA unemployment crisis in Nigeria

By Aduragbemi Omiyale

The Minister of Information and Culture, Mr Lai Mohammed, has praised the management of Terra Academy for The Arts (TAFTA) for its contribution to helping the government to solve the unemployment crisis in Nigeria.

Speaking last Friday at a ceremony in Lagos for the graduation of the first cohort of the organisation, he promised that the government would support TAFTA so as to lift more youths from poverty.

TAFTA is a provider of world-class creative education, career support, and entrepreneurial opportunities. It is an initiative of Terra Kulture, headed by Ms Bolanle Austen-Peters.

Its goal is to build and empower a community of young Nigerians who will impact the economy and society by transforming the creative industry.

TAFTA offers an innovative curriculum with specialised courses in sound design, stage lighting, animation, and scriptwriting, all of which were incorporated with entrepreneurship modules.

In his keynote address, Mr Mohammed said, “Nigeria’s creative industry is the new crude oil. Today, Nigeria has taken the world by storm and found itself in the global space, be it through music, movies, fashion, literature, or theatre.

“As Nigeria’s population comprises a 70 per cent youth demographic, many of whom are unemployed or underemployed, TAFTA could not come at a more auspicious time.

“I can say with conviction that TAFTA is contributing its quota to the efforts to solve the unemployment crisis in Nigeria.

“I also want to congratulate the graduates and admonish them to make the best use of this rare opportunity afforded to them.

“TAFTA continues to be a partner of progress, and its efforts are impressive and highly commendable. The Ministry looks forward to exploring greater means of partnerships with TAFTA to extend their invaluable training across the length and breadth of Nigeria,” the Minister said.

In her speech, Ms Austen-Peters explained that, “The dream of TAFTA is a story of possibilities. It was during the pandemic when industries were shutting down, and few were harder hit than the creative industry, that we realized how important it is for us to use our creativity to create wealth.

“As Terra Kulture, we trained hundreds of talents each year who have become superstars in their respective fields, an opportunity we wanted to extend to the greater public.”

Speaking further, she said, “TAFTA was established as a gateway to impacting the lives of young Nigerians. The training we provide allows our graduates to build their entrepreneurial skillsets, ensuring that they are capable of providing for themselves and their families.

“I am delighted that what was thought impossible has been made possible. My sincere congratulations to our graduates today who have taken the next steps to transform their lives.”

Terra Academy for the Arts was launched in 2021 with the mission to upskill 65,000 underserved Nigerian youths through innovative, creative education and practical training strategically designed by handpicked experts in the creative industry.

The initial program runs for six weeks, with an additional two-week practical workshop designed to ensure the hands-on application of the course materials.

Notable alumni from the academy include Moshood Fattah, best known for his role as ‘Michael’ in Netflix’s hit series “Far From Home”; Queen Celestine, Theatre performer and Miss Nigeria Universe 2014; and Bunmi Olunloyo, actor, dancer, and fitness instructor.

Present at the graduation ceremony hosted by Akah Nnani were Prof. Duro Oni, President of the Nigerian Academy of Letters; Rev Olasupo Ayokunle, President of the Christian Association of Nigeria (CAN); Femi Odugbemi, award-winning Filmmaker; Omotola Jalade Ekeinde, actress; Deyemi Okanlawon, actor; and Mike Afolarin, actor; amongst other key players in the industry.

Showbiz

Lights, Camera, Talent! Nigerian Idol Season 10 Starts with a Bang

Published

on

Nigerian Idol

The wait is over – Nigerian Idol Season 10 is finally here, and the premiere delivered all the excitement and talent fans of the show hoped for.

Back on the judges’ panel are Omawumi and Ric Hassani. Last season, we saw them strike a balance between fun and honest feedback, and this year, they’re stepping it up.

Ric shared that he’s watching out for contestants with soul, skill, and voices that are just genuinely enjoyable to hear. Omawumi is looking for something more instinctive, a spark of originality, showmanship, and a voice that immediately makes people sit up.

Then there is Iyanya, the newest judge at the table. As a product of a reality music show himself, he knows the pressure these contestants are under. For him, it’s all about raw talent, star quality, and people who are ready to command the stage.

From the first auditions, you could tell the competition this season is going to be tough. There were strong voices, bold performances, and yes, a few funny and unexpected moments that reminded everyone why the audition stage is a fan favourite.

One standout moment was the return of Mikky, the very first contestant to ever receive a Platinum Ticket in the history of Nigerian Idol. He came back this season stronger and more confident and delivered a performance that had the judges impressed again. It earned him another Platinum Ticket, proving that when talent meets growth, it’s a winning combo.

So far, the scorecard reads: 17 yeses, 9 no’s, and 1 Platinum Ticket gone, with two still up for grabs.

Season 10 is shaping up to be one worth watching. If this first episode is anything to go by, we’re in for a season full of standout moments and new stars in the making.

Catch all-new episodes every Sunday at 7 p.m. on Africa Magic Showcase (DStv ch. 151, GOtv ch. 12) and Africa Magic Family (DStv ch. 154, GOtv ch. 2). For non-stop Idol content from auditions to backstage moments, tune in to the 24/7 Idol Extra channel on DStv channel. 198 and GOtv channel. 49.

Continue Reading

Showbiz

You Are Too Poor for Pay-Per-View

Published

on

Pay-Per-View

It is 8:30 pm on a Saturday. You have fought your way through Lagos traffic, spent too much on suya that burns more than it pleases, and finally settled in to watch the Champions League final. But nothing comes easy. Your options are limited, and none of them make sense.

First, there is PHCN. Whether you are Band A or B, you are gambling that the light stays long enough to catch the final whistle. It rarely does. Next, your rusty generator. With fuel costing between N900 and N1,000 per litre, keeping the lights on through the match will cost at least N10,000.

Then there is online streaming. Between expensive data and Nigeria’s unpredictable internet, you might spend N5,000 or more only for the stream to freeze just as Lamine Yamal winds up for a shot. Now add the cost of the actual pay-per-view fee. All these troubles and expense for three hours of content that might be disrupted anyway.

Here is the part many people still do not understand. Pay-per-view is not just another subscription model. It is a separate service where viewers pay an additional one-time fee to watch exclusive live events. These are not your average football matches or soap operas. PPV is for blockbuster fights, high-stakes UFC showdowns, or exclusive concerts. You pay once, you watch once, and that is it. It is not Netflix, it is not YouTube, and it certainly is not DStv Catch-Up.

In fact, Pay-TV like DSTV does not even offer PPV. Let that sink in. If you are watching a Champions League final or a UFC main event, you are not paying extra. You are watching it as part of your existing subscription. No hidden or additional charges. No tricks. Just the monthly bouquet, a stable signal, and whatever power source you can afford that evening.

So, when people scream, “Why can’t we have PPV like abroad?”, they miss the plot. Abroad, PPV can cost $80. Here, that’s half your salary. Meanwhile, DStv bundles the same content into your monthly plan. That’s a steal, not a scam.

Let’s do the math. A N100,000 PPV ticket, which is less than the average of $80 (N130,000), is more than two to three months of DStv subscription or a whole year of GOtv. For a country where the minimum wage is N77,000 and salaries barely cross N200,000, that’s not premium access. That’s financial suicide.

Please forget comparisons to the US or UK. Over there, $80 is lunch money. Over here, it’s food, transport, and school fees. Systems differ. Wallets do too.

The truth? Hardly anyone in Nigeria is paying for PPV, because they don’t have to. TV is already made accessible with our Pay-TV. So, before you attack broadcasters, remember where the real problem lies. The Naira is in free-fall, inflation is wild, and income is stuck. Access isn’t the issue. Affordability is.

So, the next time you are tempted to go online and shout about how Nigeria deserves real PPV, take a step back. Ask yourself if you can genuinely afford it without going hungry for two weeks. If the answer is no, then it is time to renew your regular subscription, plug in your rechargeable fan, and pray for NEPA. Because in Nigeria, PPV is not a right. It is a reckless indulgence.

Continue Reading

Showbiz

Celebrating African Cinema: AMVCA’s Growing Influence in Global Entertainment

Published

on

AMVCA Celebrating African Cinema

The Africa Magic Viewers’ Choice Awards (AMVCA), often compared to the Oscars, has evolved beyond a simple awards ceremony into an influential platform boosting African cinema’s global visibility. As the 11th edition approaches, the AMVCA continues to highlight African filmmakers’ work, helping to position Africa’s cinematic output as a significant force in international entertainment.

Initially established to showcase Africa’s diverse storytelling traditions, the AMVCA has grown from a regional event into one of the most anticipated events on the global film calendar. This increased prominence reflects the growing recognition of Africa’s cinematic quality and originality. The AMVCA brings together a wide range of African filmmaking talents, enhancing the event’s global recognition. As African content expands on streaming platforms like Showmax, the awards provide filmmakers with access to broader international audiences.

While the comparison to the Oscars speaks to its prestige, the AMVCA’s true value lies in showcasing authentic African stories and talent. Celebrating both established and emerging creative voices, it creates a space where African filmmakers receive recognition for their contributions to global cinema. This is particularly important as African stories gain  traction on the international stage.

Recognition from the AMVCA extends beyond trophies, opening doors to new opportunities and global collaborations. Past winners have seen their careers blossom through international film festival invitations, co-productions, and global distribution deals. The award serves as a validation that elevates African filmmakers’ work to the international stage.

A key strength of the AMVCA is its recognition of the full spectrum of industry talent. The awards highlight not only actors and directors but also the technical experts- cinematographers, editors, sound engineers, costume designers, and music composers- emphasising African cinema’s diverse talent pool. The addition of the best music score category further acknowledges how original compositions enhance storytelling and emotional impact in African films.

As African films increasingly appear on global platforms and receive critical acclaim, the AMVCA has become an industry cornerstone. With its 11th edition approaching, the awards’ role in recognising and celebrating African cinema remains vital. By recognizing excellence across all filmmaking aspects, from visual storytelling to musical composition, the AMVCA provides a comprehensive platform for honouring the complete artistic vision behind each production.

The global entertainment industry is paying attention, and the AMVCA ensures that African cinema is not just part of the conversation but actively shapes it. This evolution from a regional awards show to a globally recognized institution demonstrates the growing influence of African cinema and the diverse talent emerging from the continent. Through categories like Best Music Score, the AMVCA continues to elevate all components that make African storytelling unique and compelling on the world stage.

Continue Reading

Trending