Showbiz
South African Fashion Expands into Eurasian, Russian Markets
By Kestér Kenn Klomegâh
Organized by the Fashion Foundation with the support of the Moscow Government, the second Moscow Fashion Week was held from March 2 to 7, 2024. As part of the bilateral cooperation agreements signed at the BRICS+ Fashion Summit, directors of fashion weeks and councils from Brazil, Russia, India, China and South Africa, and new members, including Ethiopia, Egypt and UAE, were represented.
Generally, most designers are keen on creating routes for new business and focusing on cultural exchanges a step forward in exporting brands beyond the United States and Europe.
The Moscow Fashion Week attracted designers from Brazil, China, India, Indonesia, Turkey, Serbia, South Africa and other foreign countries, who had an excellent opportunity to showcase world-class brands with premium quality and long history to a wide audience and attract new buyers and customers. Designers and brand specialists used the chance to gain exposure and network with industry professionals.
The South African designers participated and presented their unique collections at the Manege Central Exhibition Hall.
Stephen Manzini, the organizer of the South African group’s participation in this spectacular grandest business event, is the founder and CEO of Soweto Fashion Week.
In this interview, Stephen Manzini offers his assessment and the importance of the Moscow Fashion Week and further emphasizes diverse fashion trends in the global markets. Here are the interview excerpts.
As the founder of Soweto Fashion Week, is it interesting to know the common sentiments among fellow Russian participants and other foreign designers during the recently held Moscow Fashion Week?
The current Moscow Fashion Week has been rebranded due to cities becoming global trendsetters. You will notice that all the big fashion weeks around the world are named after cities or towns (Soweto Fashion Week), hence, the rebranding from the Russian Fashion Week to Moscow Fashion Week.
It is my understanding that the sentiments are similar, and these include production challenges, costs of production, understanding and cracking foreign markets and differentiating between cultural and propriety in materials, as well as meeting business overheads at the end of each month.
What are your corporate views about potentials in South Africa for Russia, and in Russia for the South African designer industry?
Russia and South Africa have an excellent relations. Based on the existing cordial relations, I truly believe there’s great potential for both countries. The potential for South Africa in Russia includes access to an open and curious market. We bring our rich cultural background to the table, cultural materials, design, print and overall make which is very colourful based on tribal colours and inspiration. It’s something different for the curious fashions in Russia. It may be a niche market today B2C until with time it is tapped into the B2B economy.
Russia for the South African designer industry. I truly view it as a much easier transition. Our mainstream wear in retail stores is very much inspired by European apparel, if they can match the final price tags in the market, they should be able to make way in a short space of time B2B.
Have you anything to say about setbacks, challenges and policy blocs in penetrating the Russian and Eurasian markets? What are the popular complaints in the fashion industry?
One of the most popular setbacks, challenges and policy blocs include financial backing for South African design houses to expand into Eurasian and Russian markets. It is not only that; if you pay attention to the import-export index, it is mostly about importing to South Africa rather than exporting. Sometimes, little or too much leads to product dumping and fast fashion. The BRICS bilateral political agreements have made it easier and simpler for the removal or reduction of policy blocs to Russia and Eurasia.
Do you consider market competition and the changing corporate realities as challenges?
Of course, every business has to consider these factors. There are always bigger and international brands with advanced access to information or sometimes absorbing a traditional South African designer to get inside trade secrets on cultural propriety. This squeezes the emerging designer’s niche marking and forces them to close or better yet adapt and reinvent themselves. I reckon it is the same in Russia and Eurasian markets.
Do you think the media as part of a decisive factor in building effective cultural ties, including the fashion business, with Russia and South Africa?
Media is one of the decisive factors in my point of view. The media drives the narrative and paints a picture that makes ties desirable, it carries a message that will attract newer ties and build stronger current ones. Even more so in the fashion business which is driven by visuals that the media projects across the globe giving evidence and a track record of the ties.
From the above narratives, what measures or steps do South African designers together with Russian counterparts suggest for unlocking and tapping for cooperation?
The necessity to establish continual exchange until tangible results are realized. The goals we seek to achieve will not happen after a once-off attempt of continual media coverage, exchange, learning and adapting to each country and consumer needs. South African designers are all emerging in Russia and Russian designers are emerging in South Africa, this narrative alone suggests that there is a lot of work to be done and we look to achieve solid cooperation.
What other areas have you already identified, besides fashion, to engage in as part of fostering the scope of people-to-people gathering (public outreach) between Russia and South Africa?
I have identified a unique water purification process that caters for self-service or an intimate community which could work well in South Africa. The business of purified water is the future gold business in my viewpoint as we already have a shortage of healthy clean water in certain parts of South Africa. That’s another industry that needs to engage as a matter of urgent necessity.
Any wider possibilities such as the BRICS platform, both Russia and South Africa are members of this association?
As you may be aware BRICS (Brazil, Russia, India, China and South Africa) platform is expanding. That is the main focus at the moment, and emerging global markets are coming together to build for each other industries outside of Western Europe and the United States. It doesn’t get wider than that, in my point of view, as that is the future of the world.
Showbiz
From E! Africa to Bravo Africa: Where Your Favourite Reality Shows Live Now
If you’ve been wondering where all your favourite reality TV shows went after E! Africa went off air, this is for you! Bravo Africa is officially the new plug.
In late August 2025, E! Africa announced it would be discontinuing, with the channel set to go dark on October 7, 2025. For fans who had built their entire reality TV routine around it, the news hit hard. But the gap didn’t stay empty for long.
Bravo Africa stepped in on GOtv Channel 36 with something even better. A fully dedicated space for premium, drama-filled reality television. And if you’re a fan of bold personalities, luxury lifestyles, and unfiltered storytelling, this is one channel you should already have on rotation.
So, what exactly makes Bravo Africa worth your time?
First, the content lineup is stacked. From the iconic Real Housewives franchise, with all its glam, shade, and unforgettable moments, to fan favourites like Below Deck and Married to Medicine, Bravo Africa delivers the kind of addictive TV that keeps you glued episode after episode. It’s the same high-quality reality content E! lovers enjoyed, just more focused and consistently curated.
What also stands out is how the channel leans fully into reality TV culture. This isn’t a mix-and-match entertainment channel; it knows its audience and delivers exactly what they want: drama, relationships, ambition, luxury, and real-life chaos (the good kind).
For viewers who loved E! Africa’s blend of lifestyle and celebrity-driven content, Bravo Africa feels like a natural transition. It’s cleaner, more intentional, and built around shows that already have global fanbases and proven engagement.
Access is pretty straightforward, too. If you’re on GOtv Jolli or any higher package, you already have it, no extra stress, no additional subscription needed.
To upgrade, subscribe, or reconnect, download the MyGOtv App or dial *288#. For catch-up and on-the-go viewing, download the GOtv Stream App and enjoy your favourite shows anytime, anywhere.
Showbiz
Davis Offor ‘Clarus’ of New Masquerade Comedy Sitcom Dies
By Modupe Gbadeyanka
A veteran Nigerian actor, Mr Davis Offor, who dazzled many viewers with his role as Clarus in the famous New Masquerade, is dead.
The death of the 83-year-old actor was confirmed on Tuesday by Mr Tony Akposheri, who acted as Zaki in the now-rested comedy sitcom.
“Davis Offor, fondly known as Davis Offor, our own Clarus from New Masquerade, is gone.
“We crossed into the New Year together, laughing, talking, sharing memories, and speaking hopefully about the days ahead. We spoke about life, about plans, about how far we had come. None of us knew that time was already counting differently for you.
“Life, as always, had its own plans.
“You were more than a familiar face on screen. You were a friend, a brother, a man with warmth, humour, and a presence that could light up any space. Knowing you personally was a gift I will always be grateful for.
“It is hard to believe that the voice I heard not long ago is now a memory. Hard to accept that someone so full of life can suddenly become a story we tell.
“Rest well, my friend. You came, you gave joy, you made your mark, and you will never be forgotten,” Mr Akposheri wrote on his Facebook page.
Showbiz
The Yard, The Low Priest, Mother of the Brides Score AMVCA 12 Nominations
If you’ve been sleeping on Africa Magic Originals, consider this your wake-up call. Shows like The Yard, The Low Priest, and Mother of the Brides are racking up nominations at the 12th Africa Magic Viewers’ Choice Awards. From gripping social drama to supernatural chaos and family madness, these homegrown productions are proof that Africa Magic has some of the continent’s most compelling storytelling.
With the awards set to take place on May 9 in Lagos, now is the perfect time to catch up on these standout series. Whether you’re watching for the first time or catching up, Africa Magic Originals are proving why they’re leading the charge in bold, diverse, and unforgettable storytelling.
The Yard
If you love a story where the hero slowly becomes the villain, The Yard was made for you. The series delves into the brutal world of the Ajako bus park, ruled by the ruthless Chief Odafe. It follows Tega, a struggling bus driver, and Odafe Junior, the chairman’s privileged son, who form an unlikely alliance to challenge the system, only to realise that power comes at a dangerous cost.
At AMVCA 12, The Yard is nominated for Best Scripted M-Net Original, Best Series Scripted, and Simileoluwa Hassan is up for Best Supporting Actor for his role in the series.
Our Husband
Our Husband tells the story of Zara Nnamani, whose seemingly perfect life unravels when she discovers her husband’s infidelity. His sudden fatal heart attack leaves her with a devastating secret, forcing an unlikely alliance with his mistress, Ololade, bound together by a truth that could destroy them both.
The writing is just as sharp as the drama, as the series earned a Best Scripted M-Net Original and Best Writing TV Series nomination for this series, proving that the storytelling is as compelling as the plot itself.
Mother of the Bride
Imagine finding out that your entire inheritance depends on marrying off one of your daughters in 45 days. That’s the premise of Mother of the Brides, and it is as chaotic and delightful as it sounds.
The series is a family drama about a Lagos matriarch who, after her husband’s death, discovers she has 45 days to marry off one of her four daughters or lose her inheritance to tradition. Every episode is basically a masterclass in family pressure, wedding drama, and the very specific madness of Nigerian matchmaking culture.
Gloria Anozie-Young is nominated for Best Lead Actress, alongside a Best Scripted M-Net Original nod for the show itself.
The Low Priest
This one is for everyone who loves their drama laced with supernatural twists. The Low Priest follows two rivals who trespass into a sacred shrine, triggering a fate where one is chosen by the gods and the other is cursed. Directed by Femi Ogunsanwo, the series spans 130 episodes packed with ancient forces, mortal grudges, and moral dilemmas that keep you hooked.
The Low Priest is nominated for Best Scripted M-net Movie.
Cast Your Votes and Catch Up
Public voting is underway and closes on April 26, 2026. Head to africamagic.tv/amvca to cast your votes.
You can also catch these shows on the DStv / GOtv Stream app.
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