Showbiz
Top 5 Movies We Would Like to See Nominated for 12th AMVCA
The African film industry is buzzing with anticipation for the 12th edition of the Africa Magic Viewers’ Choice Awards (AMVCA). Widely regarded as the “African Oscars,” the AMVCA isn’t just an awards ceremony; it’s a high-octane celebration of our stories, our fashion, and the sheer technical brilliance of filmmakers around the continent.
With the call to entry now officially open, all eyes are on the films that defined 2025 and could dominate the ceremony in May 2026. This year also marks an exciting shift with the introduction of new categories, such as Best Indigenous Language – North Africa and Central Africa, signalling a more inclusive era for continental storytelling.
We saw a series of blockbuster releases and record-breaking titles that captured audiences and sparked conversations across the continent. While the jury ultimately decides the nominees, the streets are already talking. Based on the incredible run of films released between January and December 2025, here are a few movies we would like to see dominate the nominations:
To Kill a Monkey
If any Nigerian film broke the internet in 2025, it was To Kill a Monkey. Kemi Adetiba proves once again why she’s at the top of her game, delivering a bold and culturally resonant story full of ambition, moral conflict, and unforgettable moments. Anchored by a powerful performance from William Benson, the film explores ambition, desperation, and compromise in a way that feels deeply relatable to the Nigerian experience. With exceptional production value, a memorable soundtrack, and storytelling that sticks with you long after the credits roll, To Kill a Monkey is a film made for AMVCA recognition across major categories.
3 Cold Dishes
The AMVCAs have always stood for celebrating the very best of African storytelling, and 3 Cold Dishes fits squarely into that tradition. It is a bold, well-told story that centres African women, African realities, and the kind of cross-border narratives that reflect the continent’s shared experiences.
Led by a standout performance from Osas Ighodaro, the film flips familiar narratives by placing women at the heart of a revenge story shaped by trauma, survival, and justice. Directed by Asurf Oluseyi and executively produced by Burna Boy, the film moves across multiple African countries, using its scale to spotlight the realities of human trafficking without losing emotional depth. Its strong storytelling, cultural relevance, and ambition make 3 Cold Dishes one of the most notable African films of late 2025 and a deserving AMVCA contender.
Mother of the Brides
Africa Magic delivers another hit with Mother of the Brides, a Lagos family drama full of heart, humour, and tension. When their father dies without a will, a matriarch has just 45 days to marry off one of her four daughters or risk losing everything to tradition and scheming in-laws. Her mother works tirelessly to keep the family together amid pressure from relatives and society.
The film doesn’t just show weddings and family drama; it also highlights the darker side of titled families in Nigeria, exposing secrets, power struggles, and the lengths people will go to protect their interests. With strong performances from Gloria Anozie-Young, Kalu Ikeagwu, Linda Ejiofor, Uche Chika Elumelu, and Ibrahim Suleiman, Mother of the Brides delivers laughs, tension, and storytelling, making it a clear standout for AMVCA attention.
Baby Farm
Mo Abudu and EbonyLife hit another high note with Baby Farm, a gripping drama series that shines a light on the dark world of “baby factories.” Starring Rita Dominic and Onyinye Odokoro, the film follows a young woman lured into a prestigious Lagos NGO only to uncover a sinister trafficking ring. Heavy, intense, and impeccably executed, Baby Farm combines blockbuster production quality with socially relevant storytelling, the kind of film that has the power to dominate the AMVCA nominations.
My Father’s Shadow
A cinematic landmark, My Father’s Shadow is the first Nigerian film to grace the Cannes Official Selection. Directed by Akinola Davies Jr., the story follows two young brothers reconnecting with their elusive father against the backdrop of 1993 Lagos. With a powerhouse performance from Sope Dirisu, the film is a poetic exploration of family, memory, and a nation on the brink of change. Its visual storytelling, direction, and performances make it a strong contender for technical and acting awards.
From bold, socially conscious blockbusters to intimate, character-driven stories, 2025 was a remarkable year for African cinema. Each of these films shows the range, depth, and ambition of filmmakers across the continent, telling stories that are both locally grounded and globally resonant. As the 12th edition of the AMVCA approaches, we hope these standout titles get submitted and have the chance to be recognised for the impact, creativity, and storytelling they brought to the screen.
For an average of 72 days, Big Brother Naija becomes a constant part of daily life for millions of Nigerians and Africa at large. Whether they are streaming the 24-hour live feed on their devices during the day or catching up with the drama after the Saturday night party, viewers are completely locked in. The show consistently dominates social media feeds, stays glued to the top of X trend tables, and becomes the main topic of conversation in offices and friendship groups across the country.
Yet, while the non-stop drama and eviction twists keep everyone talking, the real story happens entirely off-camera. At the heart of BBNaija’s massive influence is a fiercely loyal fanbase that does far more than just vote. What starts as simple everyday support for a favourite housemate quickly grows into highly organised, real-world communities. Long after the season ends, these fan bases evolve into tight-knit communities that build lifelong friendships, support businesses, and fund major charity projects.
Beyond the Screen: Strangers Becoming Family
Season 10 housemate Koyin with members of his fan community, the Koyinators.
For members of the “Koyinators”, the fan community dedicated to Season 10 (10/10) housemate Koyin Sanusi, supporting their favourite contestant has evolved into a tight-knit community that crosses borders.
“Koyinators are the best. We are like family,” says Juliet, a long-time BBNaija viewer. “I have made a lot of friends through the community. Everyone is genuine and supportive.”
Juliet had actually planned to retire from active fan groups after supporting Efe in Season 2 and casually following Phyna. But Koyin changed that. “Our shared love for Koyin brought us together, but it is the love and togetherness in the community that has kept me here.”
Violet, one of the community’s administrators, points out that this bond now stretches far beyond Nigeria. “We have members from Ghana, Liberia, and Benin,” she says. “It is amazing how one person can bring so many people together.”
Mobilising for Good
While fan communities are famous for their intense voting campaigns and social media trends, their real impact happens behind the scenes.
The Koyinators regularly step up to support the brands Koyin represents. When he partnered with Minimie Noodles, the fan base organised outreach initiatives, visiting schools to distribute noodles to students. They also mobilised heavily for his Guinness campaign, proving that fan bases can drive real-world commercial value long after a season ends.
More importantly, these groups function as emotional and financial safety nets for their members.
“There was a time a member’s son had an accident, and everyone contributed to support her,” Juliet recalls. “I also experienced that love during a health scare. A lot of people turned up for me.”
For Violet, these moments define the true spirit of the fandom. “The love we show each other is real. It is hard to fake that kind of love.”
Life Lessons Amid the Drama
Despite the show’s massive popularity, critics sometimes dismiss reality television as a mere distraction. However, dedicated viewers see it differently. They view the Arena Games, Head of House challenges, and weekly wager presentations as masterclasses in creativity, teamwork, resilience, and strategic thinking.
“I do not see the show as a distraction,” Violet argues. “It helps me relax. If people call BBNaija a distraction, then they should also call the World Cup a distraction.”
For both Juliet and Violet, what draws them to a housemate is authenticity. They look for contestants who are real, active, and competitive. It provides them with entertainment, stress relief, and a shared experience that brings their own families closer together.
An Enduring Legacy
After ten seasons, Big Brother Naija’s legacy is no longer just about the winners it crowns or the celebrity careers it launches. Its truest impact lives in the communities built around it.
The physical Big Brother House closes its doors after 71 days, but the virtual communities stay open. Long after the cameras stop rolling, fans continue to celebrate milestones together, champion charitable causes, and welcome new friends.
For millions of viewers, BBNaija is no longer just a show they watch; it is a community where they truly belong.
By Modupe Gbadeyanka
More than 4.8 million violative videos were removed by TikTok on its platform in Nigeria in the first quarter of 2026, the company’s Q1 2026 Community Guidelines Enforcement Report revealed.
It was disclosed that this number only represents 0.6 per cent of the total number of videos uploaded by the Nigerian TikTok community between January and March 2026.
Analysis showed that 99.8 per cent of the violating content was detected and removed before it was reported by users, while 92.8 per cent of violating content was removed within 24 hours of being posted.
Globally, TikTok yanked off over 184 million videos in the period under review, representing only 0.5 per cent of the total number of videos uploaded on TikTok.
Also, TikTok said it strengthened its anti-spam policy by removing about 118,000 pieces of content in Nigeria under the policy for edited media and AI-generated content (AIGC), while more than 86 million fake accounts were deleted globally.
Further, more than three billion videos have now been labelled as AI-generated content using TikTok’s combination of Content Credentials, creator disclosure tools and invisible watermarking technology, marking a significant milestone in helping people better understand when content has been created or significantly edited using AI.
It no doubt that AI is opening up exciting new opportunities for creativity and storytelling, but as technology evolves, it can also be misused to mass-produce spam that crowds out original creators and undermines trust.
To stay ahead of these evolving challenges, TikTok is testing enhanced detection systems designed to identify accounts dedicated to posting AI-generated spam.
To sanitise its platform, especially as regards TikTok LIVE, efforts have been made to collaborate with local government organisations, such as the Office of the National Security Adviser (ONSA), as well as civil society organisations, ensuring a coordinated and robust response to any potential challenges.
In three months, TikTok suspended 120,000 LIVE sessions in Nigeria for violating Community Guidelines, 40,000 more than in the previous reporting period, proving that the platform has bolstered safety measures.
Globally, more than 58 million LIVE enforcement actions were taken, including the suspension of 50,791,858 LIVE sessions and warnings or demonetisation for 21,966,667 LIVE creators for violating policies.
Warnings serve as an opportunity to educate creators when their content may breach LIVE monetisation policies, allowing them to make necessary changes.
TikTok also emphasises its commitment to keeping the TikTok LIVE experience safe. These efforts include a continuous focus on interrupting violating streams and executing monetisation enforcement actions (both demonetisation and warnings).
TikTok says it remains committed to providing greater visibility into its enforcement efforts through its Community Guidelines Enforcement Reports. As part of this commitment, it has refreshed the design and usability of its reports, making them easier for users to navigate and understand.
Showbiz
Former BBNaija Housemates Reflect on Life, Growth, Success Beyond the Show at Season 11 Media Launch
Big Brother Naija’s evolution from a reality show into a platform for creativity, entrepreneurship and career growth took centre stage at the Media Launch for season 11 on Wednesday, 15 July 2026. Former housemates Uriel, Doyin, Kola and DJ Flo reflected on how the show helped shape their careers while sharing the lessons they have learnt navigating life after reality television.
During the conversation, the former housemates agreed that while Big Brother Naija gave them visibility and opened doors, building successful careers after the show has required intentionality, consistency and a willingness to evolve beyond their reality television personas.
Doyin David from Season 7 Level Up and Season 8 All Stars shared one of the day’s most personal reflections, revealing that her biggest lesson began while she was still in the house.
“One of my biggest lessons actually started in the House. Watching myself back made me realise I did not know myself as much as I thought I did.”
She explained that finding a balance between her personal life and her public brand was a gradual process.
“As for balancing my personal life and my brand, it did not happen immediately after the show. I had to learn along the way, make mistakes, grow from them and eventually find that balance.”
Uriel Oputa from Season 2 See Gobbe and Season 8 All Stars spoke about building a career around wellness, explaining that her passion for healthy living did not begin after the show but became more visible because of the platform Big Brother Naija provided.
“I did not have to find a balance because healthy living is already my lifestyle. It is what I do every day. It is not something I switch on or off because of the entertainment industry; it is simply who I am.”
Flora Chiedo, popularly known as DJ Flo from Season 9 No Loose Guard, emphasised that while Big Brother Naija creates opportunities, success ultimately depends on what housemates do after leaving the House.
“Vision without execution is just hallucination. The show gives you an opportunity, but it does not do the work for you. You have to come out here and put in extra work every day.”
Kola Omotosho, Season 10 10/10 housemate, echoed the sentiment, describing Big Brother Naija as a valuable platform that gave him visibility while stressing that passion, drive and consistency are essential for staying relevant.
“Big Brother Naija gave me visibility, and I am grateful for that. But staying relevant requires passion, drive and consistency.”
The discussion reinforced one of the defining impacts of Big Brother Naija over the years. Beyond entertainment, the show has continued to serve as a launching pad for creatives, entrepreneurs and entertainers, providing contestants with the visibility to pursue careers across different industries. As the former housemates’ experiences have shown, the platform opens the door, but sustained success depends on what each individual chooses to build from the opportunity.
Big Brother Naija Season 11 premieres on Sunday, 26 July 2026, with the live launch show airing from 7:00 p.m. on Africa Magic Showcase and Africa Magic Family. The season marks betPawa’s debut as the Headline Sponsor, while House of Guinness joins as the Gold Sponsor and Minimie returns as the Associate Sponsor. Hosted by Ebuka Obi-Uchendu, the 24-hour live show will air on DStv Channel 198 and GOtv Channel 49. Fans can also watch the show live via DStv and GOtv Stream.
