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Inside the Spotify Pop-up that Proved African Sound’s Global Power Lies in Lineage

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Spotify's Greasy Tunes

The world knows African music is having a global moment, but to genuinely grasp its explosive power, one must look closely at its roots. This vital connection between deep-seated heritage and the sounds of tomorrow proved the defining story of the inaugural week at the Greasy Tunes Café, Spotify’s thrilling experiential pop-up in Lekki, Lagos.

The week anchored itself entirely on this premise: the legacy and evolution of African Sound, demonstrating how the continent’s sound shapers are intentionally weaving history into the contemporary fabric of global music. What unfolded was a masterclass in cultural cohesion, uniting ancestral spiritualism with digital-age production to showcase the music’s foundation and spectacular future.

The experience kicked off with an electrifying launch party. Group Therapy set the stage with a vital, pulsing sound, with South African DJ, Thakzin, taking control, delivering a global pulse with his Amapiano fusion. This opening night proved the café to be more than a novelty; it is a living, breathing hub for the African sounds defining a generation.

The focus then shifted sharply towards the intellectual journey powering the music, with crucial fireside chats examining African music’s’ essential makeup.

The panel “The Evolving Sounds of African Music”, moderated by Spotify Senior Editor Benewah Boateng, offered sharp insights into the dynamics of sound evolution. Producers and artists, including Nigeria’s Andre Vibes and Braye, alongside Brazilian artist Melly, collectively stressed that the core of music lies in its lineage. Andre Vibes further specified that percussion acts as the universal link that ultimately gives a track its Afrobeats identity.

Driving deeper into the music’s foundation, a pivotal, ceremonial moment arrived with a performance from the Eyo masquerade, visually and historically linking the contemporary Lagos pulse to its ancestral rhythm. This immediately set the stage for the powerful “Cultural Symbolisms & African Music” chat. Here, Nigeria’s DJ and record producer Spinall and rapper Vector, moderated by media executive Jide Taiwo, reinforced the fundamental truth: the sound is inseparable from the culture that birthed it.

This essential cultural conversation championed the exhibition of heritage, from the masquerade to global stages, stressing that preserving culture requires continuously telling its stories accurately and intentionally.

“For African music, many stories have never been told, and a lot of information has been misconstrued. It is important that people know the origin and the culture behind these things. I think Spotify is doing something great in fostering that unlearning. It is quite impactful,” said Spinall.

This powerful dialogue led perfectly into the evening’s event: RADAR Presents: FOLA – Catharsis Live. The artist, whose work is rooted in the urban Lagos experience, delivered a raw, unvarnished set. FOLA’s performance, brimming with the soulful complexity of his latest album, framed the music not just as party material, but as a form of communal emotional release powered by indigenous storytelling.

The week’s ultimate conclusion arrived with the masterful fusion of heritage and modernity presented by Adekunle Gold. In the event’s defining moment, the Afropop icon discussed his celebrated project, Fuji, articulating the entire thesis: his work is not nostalgia, but a conscious effort to carry the original roots of Nigerian music into the future.

The definitive statement came during his subsequent live performance, which showcased a mesmerising blend of traditional Fuji drumming and sleek, global soundscapes. The moment reached another level when Adekunle Gold stirred widespread emotion by inviting legend Yinka Ayefele on stage. Their performance of Ayefele’s evergreen hit, “Many People”, was truly electrifying, instantly evoking deep nostalgia among all fans present and viewing online. The sheer power of this masterful reinvention left the audience awestruck.

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Creative Industry Unites as MultiChoice Nigeria Leads Walk Against Piracy

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MultiChoice Nigeria Walk Against Piracy

The fight against content theft intensified on Thursday as MultiChoice Nigeria led stakeholders in a Walk Against Piracy from Ikeja City Mall, Lagos, drawing a powerful mix of Nollywood actors, filmmakers, directors, writers, media personalities, regulators, students, and members of the public.

The walk was part of a broader national advocacy campaign aimed at protecting Nigeria’s creative economy from the escalating damage of piracy. Participants marched through the Ikeja axis, distributing flyers, engaging passers-by, and educating the public on the dangers of piracy and its impact on livelihoods.

Veteran actor, Saidi Balogun, one of the leading voices at the walk, described piracy as “a silent killer draining the lifeblood of the creative industry.”

“People see the glamour but forget the sweat, months of work, and the hundreds of jobs behind a single film,” he said. “When you pirate a movie, you are killing someone’s dream, someone’s job, and the future of an entire industry. It must stop.”

Screenwriter and producer, Obi Emelonye, warned that piracy poses an existential threat to the next generation of creatives.

“Piracy is a menace eating deeply into the industry. If we do nothing, young creatives coming behind us will inherit an economy with no structure, no revenue, and no incentive to create,” he stated. “We cannot allow that future.”

The regulatory perspective came from Charles Amudipe, Deputy Director of Operations at the Nigerian Copyright Commission (NCC), who emphasised both the legal and personal risks tied to piracy.

“Piracy is a criminal offence under Nigerian law, punishable by fines and imprisonment,” he said. “Beyond the legal consequences, consumers who download illegal content expose their devices to malware, identity theft, and financial fraud. It is not worth the risk.”

During the outreach, members of the public raised questions about affordability and alternatives to pirated content. The team responded by highlighting accessible, cost-friendly, and legal platforms available to consumers, underscoring that entertainment can be enjoyed responsibly without breaking the law.

Caroline Oghuma, Executive Head, Corporate Affairs at MultiChoice Nigeria, explained that the walk was a continuation of MultiChoice’s long-standing commitments to consumer education. Last month, the company led a school sensitisation programme at Kuramo Senior College in Victoria Island, teaching students how piracy harms creators and how they can unknowingly participate in it.

“We want to catch them young, take this message into communities, and meet Nigerians where they are,” Oghuma said. “Today’s walk is a reminder that protecting intellectual property is everyone’s responsibility. What we are fighting for is the survival of Nigeria’s creative future.”

Other notable participants included members of the Intellectual Property Law Advocacy Network (IPLAN), lawyers, media executives, content creators, and fans of Nigerian entertainment.

MultiChoice Nigeria reaffirmed its commitment to working with regulators, industry bodies, and stakeholders to champion policies, education, and enforcement mechanisms that safeguard creative work and ensure creators receive fair reward for their labour.

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Veteran Nigerian Actor Lere Paimo Alive—ANTP

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lere paimo

By Modupe Gbadeyanka

The Association of Nigeria Theatre Arts Practitioners (ANTP) has debunked viral news reports that that the chairman of its board of trustees, Mr Olalere Osunpaimo, well known as Lere Paimo, was dead.

In a public notice from the national Public Relations Officer (PRO) of the organisation, Mr Adejonwo Oluwafemi Femson, it was disclosed that the veteran action is “alive and well.”

Members of the public were advised to disregard the death rumour.

“We would like to inform the public that reports circulating on Facebook about the passing of Chi​ef Olalere OsunPaimo (MFR) are FALSE.

“We have confirmed with Baba Eda Onile Ola’s wife that he is alive and in good health.

“Please disregard these false reports and be aware that they are being spread by unscrupulous individuals.

“Chief Olalere OsunPaimo (MFR), Chairman Board of Trustee Association of Nigeria Theatre Arts Practitioners (ANTP), is alive and well.

“We urge everyone to verify information before sharing to avoid spreading misinformation,” the notice disclosed.

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Nivea, inDrive Sponsor TikTok’s 2025 Sub-Saharan Africa Awards

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Forex Advice on TikTok

By Modupe Gbadeyanka

The duo of Nivea and inDrive has been announced as the title sponsors of TikTok’s 2025 Sub-Saharan Africa Awards, while Coca-Cola, Dis-Chem and PEP Stores are the category sponsors.

As title sponsors, inDrive and NIVEA (Beiersdorf) will play key roles in amplifying creator recognition, supporting event experiences, and on-the ground activations.

NIVEA (Beiersdorf) will sponsor the Creator of the Year award, while inDrive will present the Storyteller of the Year award, both reflecting a shared passion for innovation, inclusivity and celebrating African voices making a global impact.

In addition, Coca-Cola is sponsoring Food Creator of the Year award, Dis-Chem is for the Social Impact Creator of the Year award, and PEP Stores is for the Entertainment Creator of the Year award.

This year’s event is slated for Saturday, December 6. It would be used to celebrate the continent’s most inspiring and innovative creators who are using the platform to educate, entertain, and empower their communities.

 “We are delighted to partner with TikTok, as we share a long-standing relationship across the globe, including in the Sub-Saharan region. TikTok is a unique platform that enables us to engage with young audiences in a language and format that truly resonates with them.

“We extend our gratitude to the company for organizing The 2025 TikTok Awards Sub-Saharan Africa and congratulate all guests and participants on this remarkable event,” the Marketing Lead of inDrive Africa, Mikita Ponarin, stated.

“TikTok is proud to partner with great local and regional brands that support Africa’s creative economy. What excites us about these partnerships is the shared vision.

“These brands are making a conscious choice to invest in African creativity at a pivotal moment. They see what we see: that when we uplift creators, we strengthen entire communities and economies across the continent,” the Head of Content Operations for Sub-Saharan Africa,” Boniswa Sidwaba, said.

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