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Inside the Spotify Pop-up that Proved African Sound’s Global Power Lies in Lineage

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Spotify's Greasy Tunes

The world knows African music is having a global moment, but to genuinely grasp its explosive power, one must look closely at its roots. This vital connection between deep-seated heritage and the sounds of tomorrow proved the defining story of the inaugural week at the Greasy Tunes Café, Spotify’s thrilling experiential pop-up in Lekki, Lagos.

The week anchored itself entirely on this premise: the legacy and evolution of African Sound, demonstrating how the continent’s sound shapers are intentionally weaving history into the contemporary fabric of global music. What unfolded was a masterclass in cultural cohesion, uniting ancestral spiritualism with digital-age production to showcase the music’s foundation and spectacular future.

The experience kicked off with an electrifying launch party. Group Therapy set the stage with a vital, pulsing sound, with South African DJ, Thakzin, taking control, delivering a global pulse with his Amapiano fusion. This opening night proved the café to be more than a novelty; it is a living, breathing hub for the African sounds defining a generation.

The focus then shifted sharply towards the intellectual journey powering the music, with crucial fireside chats examining African music’s’ essential makeup.

The panel “The Evolving Sounds of African Music”, moderated by Spotify Senior Editor Benewah Boateng, offered sharp insights into the dynamics of sound evolution. Producers and artists, including Nigeria’s Andre Vibes and Braye, alongside Brazilian artist Melly, collectively stressed that the core of music lies in its lineage. Andre Vibes further specified that percussion acts as the universal link that ultimately gives a track its Afrobeats identity.

Driving deeper into the music’s foundation, a pivotal, ceremonial moment arrived with a performance from the Eyo masquerade, visually and historically linking the contemporary Lagos pulse to its ancestral rhythm. This immediately set the stage for the powerful “Cultural Symbolisms & African Music” chat. Here, Nigeria’s DJ and record producer Spinall and rapper Vector, moderated by media executive Jide Taiwo, reinforced the fundamental truth: the sound is inseparable from the culture that birthed it.

This essential cultural conversation championed the exhibition of heritage, from the masquerade to global stages, stressing that preserving culture requires continuously telling its stories accurately and intentionally.

“For African music, many stories have never been told, and a lot of information has been misconstrued. It is important that people know the origin and the culture behind these things. I think Spotify is doing something great in fostering that unlearning. It is quite impactful,” said Spinall.

This powerful dialogue led perfectly into the evening’s event: RADAR Presents: FOLA – Catharsis Live. The artist, whose work is rooted in the urban Lagos experience, delivered a raw, unvarnished set. FOLA’s performance, brimming with the soulful complexity of his latest album, framed the music not just as party material, but as a form of communal emotional release powered by indigenous storytelling.

The week’s ultimate conclusion arrived with the masterful fusion of heritage and modernity presented by Adekunle Gold. In the event’s defining moment, the Afropop icon discussed his celebrated project, Fuji, articulating the entire thesis: his work is not nostalgia, but a conscious effort to carry the original roots of Nigerian music into the future.

The definitive statement came during his subsequent live performance, which showcased a mesmerising blend of traditional Fuji drumming and sleek, global soundscapes. The moment reached another level when Adekunle Gold stirred widespread emotion by inviting legend Yinka Ayefele on stage. Their performance of Ayefele’s evergreen hit, “Many People”, was truly electrifying, instantly evoking deep nostalgia among all fans present and viewing online. The sheer power of this masterful reinvention left the audience awestruck.

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Dear Fashion Designer Ready-To-Wear Masterclass Holds May 28

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Ready-To-Wear Masterclass

By Modupe Gbadeyanka

On Thursday, May 28, 2026, the highly anticipated Ready-To-Wear Masterclass, organised by Dear Fashion Designer, will take place.

This event, according to the organisers, will be live and in-person, with topics to be covered including Fashion Product Life Cycle, Manufacturing for Ready-To-Wear, Fashion Law, Marketing Strategy, Digital Literacy, and 3D Fashion Technology.

These six masterclass features will have experts dissecting the topics, with each session curated to give designers practical, real-world insights, no fluff, just the tools needed to build, scale, and sustain a fashion business in today’s fast-evolving market.

Beyond the learning, attendees will also gain access to valuable networking opportunities, connecting with industry experts and like-minded designers shaping the future of African fashion.

The first edition of the initiative was powerful and successful, with participants speaking glowingly of it.

The debut virtual session had over 200 fashion designers across Africa in attendance, sparking strong testimonials around clarity, growth, and direction.

Coming off the momentum of the Dear Fashion Designer Vision Board Retreat held in January 2026, the brand continues its mission to help designers move from ideas to execution, bridging the gap between creativity and structure in the African fashion industry.

Registration for the programme is available via the link in Sonayon Cadmus’ Instagram bio, and intending participants can get more information via  [email protected].

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Bovi Ugboma and Nomzamo Mbatha: Why These Two Stars are the Perfect Pair to Host AMVCA 12

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Bovi Ugboma and Nomzamo Mbatha

Nigeria’s Bovi Ugboma and South Africa’s Nomzamo Mbatha have been officially unveiled as co-hosts for the 12th edition of the Africa Magic Viewers’ Choice Award, set to take place on May 9, 2026, at the Eko Hotel and Suites in Lagos. This announcement serves as a bold pairing, and it makes sense. Here’s why.

They Represent the Breadth of African Entertainment

The AMVCA has always positioned itself as a continental celebration, not just a Nigerian one. Putting a West African comedian and a South African actress on the same stage reinforces that. Bovi’s comedy is rooted in everyday African life, which has built him audiences well beyond borders. Nomzamo, on the other hand, rose to prominence through the South African drama Isibaya, crossed over to Hollywood with Coming 2 America, and currently stars as Queen Nandi in Shaka iLembe, where she also serves as executive producer. Between the two of them, they cover a lot of ground.

Bovi Knows How to Work a Room

Stand-up comedy is probably the best training ground for live hosting. You have to read the room, recover from dead moments, and keep energy up for hours. Bovi has been doing that at the highest level for years. He’s described the opportunity as significant, noting the platform’s influence across the continent, and says he intends to bring energy and laughs to the ceremony while celebrating African storytelling.

Nomzamo Brings Credibility Beyond Entertainment

Off-screen, Nomzamo is a UNHCR Goodwill Ambassador, a climate advocate, and founder of the Nomzamo Lighthouse Foundation. That kind of profile adds weight to her presence on a stage that’s increasingly watched across the continent and beyond. She’s not just a famous face, she’s someone with a serious body of work and a reputation that extends outside of acting.

The Balance Between Them is Practical

Awards shows need two things from their hosts: someone to keep the energy light and moving, and someone who can anchor the more formal moments. Bovi brings sharp wit and comedic timing, while Nomzamo adds elegance and global star power.

It Fits Where African Entertainment Is Right Now

African storytelling is getting serious global attention, from streaming platforms to cinema screens, the continent’s creative industry is at a defining moment. Having two hosts who reflect different parts of that story is a reasonable way to reflect that reality on stage. The AMVCA, presented by MultiChoice, a subsidiary of Canal+, honours outstanding achievements in television, film, and digital storytelling across Nollywood and the wider African creative landscape and the hosting choice reflects exactly that ambition.

The 12th edition also introduces two new award categories: Best Indigenous Language (North Africa) and Best Indigenous Language (Central Africa), signalling a broader pan-African direction for the awards. The hosting choice fits that direction.

Bovi keeps the energy moving, Nomzamo brings the presence and credibility. Together, they cover everything an awards show of this scale needs.

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AMVCA 2026: Broadening Spotlight with New North, Central Africa Categories

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AMVCA Celebrating African Cinema

For over a decade, the Africa Magic Viewers’ Choice Awards has stood as the continent’s biggest film and television awards platform. Now, it is expanding its scope in a way that brings even more of Africa into the spotlight.

This year, two new categories have been introduced: Best Indigenous Language (North Africa) and Best Indigenous Language (Central Africa). They now sit alongside existing categories for West, East and Southern Africa, creating a full five-region structure for the first time.

This change speaks to where the AMVCA is headed, not just as an entertainment event, but as a truly pan-African platform. The languages in these new categories, including Arabic dialects, Berber, Lingala and Sango, are widely spoken across their regions. They are the languages people use in their everyday lives to tell stories, express emotions and share culture. Giving them recognition on a stage like the AMVCA matters.

Across countries like Morocco, Algeria, Tunisia, Chad, Cameroon, the Central African Republic and Congo, the film and television industries have been growing steadily, even if they do not always get continental attention. For filmmakers in these regions, being included in the AMVCA is more than just a chance to win an award. It brings visibility, credibility and a sense that their work is being seen.

There is also a cultural angle to this move. Films made in indigenous languages help keep those languages alive. By recognising these works, the AMVCA is reinforcing the idea that telling authentic stories in native languages is important and valuable.

Beyond recognition, this expansion also creates room for connection. Filmmakers from North and Central Africa now have a stronger presence on the same platform as their peers from West, East, and Southern Africa. This opens the door for collaboration, shared ideas, and creative exchange across the continent.

African cinema has always been rich in diversity, but it has not always had a single platform bringing it all together. While these two new categories will not fix everything overnight, they are a meaningful step forward.

This development comes as the 12th edition shapes up to be highly competitive. There are 32 award categories in total, including 18 decided by judges and 11 open to audience votes. There will also be special recognition awards, including Lifetime Achievement and the Trailblazer Award.

Veteran actress Joke Silva will serve as Head Judge, taking over from Femi Odugbemi.

Nominees were announced on March 29, 2026, hosted by actor Chimezie Imo. As expected, Nigerian films dominate the list. Gingerrr and The Herd lead with nine nominations each, followed by To Kill A Monkey with eight and My Father’s Shadow with seven.

Actors like Sola Sobowale, Uzor Arukwe, and Lateef Adedimeji earned nominations in multiple categories, while Genoveva Umeh received her first Best Lead Actress nomination.

At first glance, adding two categories to a list of 32 may not seem like much. But in the bigger picture, it shows a shift. The AMVCA is slowly becoming what it has always set out to be a platform that reflects the full diversity of African storytelling.

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