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Inside the Spotify Pop-up that Proved African Sound’s Global Power Lies in Lineage

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Spotify's Greasy Tunes

The world knows African music is having a global moment, but to genuinely grasp its explosive power, one must look closely at its roots. This vital connection between deep-seated heritage and the sounds of tomorrow proved the defining story of the inaugural week at the Greasy Tunes Café, Spotify’s thrilling experiential pop-up in Lekki, Lagos.

The week anchored itself entirely on this premise: the legacy and evolution of African Sound, demonstrating how the continent’s sound shapers are intentionally weaving history into the contemporary fabric of global music. What unfolded was a masterclass in cultural cohesion, uniting ancestral spiritualism with digital-age production to showcase the music’s foundation and spectacular future.

The experience kicked off with an electrifying launch party. Group Therapy set the stage with a vital, pulsing sound, with South African DJ, Thakzin, taking control, delivering a global pulse with his Amapiano fusion. This opening night proved the café to be more than a novelty; it is a living, breathing hub for the African sounds defining a generation.

The focus then shifted sharply towards the intellectual journey powering the music, with crucial fireside chats examining African music’s’ essential makeup.

The panel “The Evolving Sounds of African Music”, moderated by Spotify Senior Editor Benewah Boateng, offered sharp insights into the dynamics of sound evolution. Producers and artists, including Nigeria’s Andre Vibes and Braye, alongside Brazilian artist Melly, collectively stressed that the core of music lies in its lineage. Andre Vibes further specified that percussion acts as the universal link that ultimately gives a track its Afrobeats identity.

Driving deeper into the music’s foundation, a pivotal, ceremonial moment arrived with a performance from the Eyo masquerade, visually and historically linking the contemporary Lagos pulse to its ancestral rhythm. This immediately set the stage for the powerful “Cultural Symbolisms & African Music” chat. Here, Nigeria’s DJ and record producer Spinall and rapper Vector, moderated by media executive Jide Taiwo, reinforced the fundamental truth: the sound is inseparable from the culture that birthed it.

This essential cultural conversation championed the exhibition of heritage, from the masquerade to global stages, stressing that preserving culture requires continuously telling its stories accurately and intentionally.

“For African music, many stories have never been told, and a lot of information has been misconstrued. It is important that people know the origin and the culture behind these things. I think Spotify is doing something great in fostering that unlearning. It is quite impactful,” said Spinall.

This powerful dialogue led perfectly into the evening’s event: RADAR Presents: FOLA – Catharsis Live. The artist, whose work is rooted in the urban Lagos experience, delivered a raw, unvarnished set. FOLA’s performance, brimming with the soulful complexity of his latest album, framed the music not just as party material, but as a form of communal emotional release powered by indigenous storytelling.

The week’s ultimate conclusion arrived with the masterful fusion of heritage and modernity presented by Adekunle Gold. In the event’s defining moment, the Afropop icon discussed his celebrated project, Fuji, articulating the entire thesis: his work is not nostalgia, but a conscious effort to carry the original roots of Nigerian music into the future.

The definitive statement came during his subsequent live performance, which showcased a mesmerising blend of traditional Fuji drumming and sleek, global soundscapes. The moment reached another level when Adekunle Gold stirred widespread emotion by inviting legend Yinka Ayefele on stage. Their performance of Ayefele’s evergreen hit, “Many People”, was truly electrifying, instantly evoking deep nostalgia among all fans present and viewing online. The sheer power of this masterful reinvention left the audience awestruck.

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More Than TV: How GOtv Empowers Local Businesses to Retain Customers

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GOtv

In today’s competitive landscape, customer experience is paramount for any thriving business. Throughout Nigeria, entrepreneurs are recognising that ensuring customer satisfaction is as crucial as driving sales. The age-old adage remains true: a satisfied customer is a paying, returning customer.

Businesses across various sectors are constantly seeking innovative ways to boost customer satisfaction, whether through exceptional service, friendly interactions, or even the content displayed on television. While this last detail might appear trivial, it can significantly impact the experience for many small business owners.

The Importance of Engaging Content

Imagine sitting in a quiet waiting room surrounded by outdated magazines compared to being in a lively barbershop where a thrilling football match is on, or a bustling restaurant where patrons can catch up on the evening news while they wait for their meals. The contrast is striking: one scenario feels tedious, while the other is vibrant and engaging.

For local businesses, the objective extends beyond merely passing the time. It’s about turning those waiting moments into enjoyable experiences. When customers are entertained, they lose track of time. A ten-minute wait for a haircut seems to fly by, and a lengthy salon appointment becomes much more pleasant when a captivating Nollywood drama or a trending reality show is playing.

The Ripple Effect on Your Bottom Line

Entertainment plays a crucial role in shaping customer perceptions of a business. A friendly and inviting atmosphere encourages patrons to linger longer, spend more, and return frequently. It also fosters patience during minor delays. Over time, these positive experiences cultivate customer loyalty and generate valuable word-of-mouth referrals, which are essential for the growth of small businesses in Nigeria.

This is where GOtv for business transcends mere background entertainment. It becomes an integral part of a deliberate customer experience strategy. With its wide array of local and international content, GOtv enables businesses to create memorable and inviting environments that customers will cherish and recommend.

Making It Work for Your Business

For small business owners managing tight budgets, adding entertainment can seem like an unnecessary cost. GOtv, however, provides a practical and affordable solution. Its packages are designed with flexibility in mind, allowing businesses to choose content that matches their audience and operations, whether it is a neighbourhood barbershop, a small restaurant, or a community viewing centre.

Sports bars can stream live Premier League and AFCON matches, bukkas can play Nollywood films or music channels, and salons can keep clients engaged with lifestyle and reality shows. GOtv’s affordability means the cost of subscription can easily be offset by the increase in customer retention and repeat visits.

Some businesses even turn their GOtv programming into marketing opportunities, offering match-day discounts, themed events, or special viewing nights. These ideas not only attract new customers but also encourage existing ones to return.

The Bigger Picture

At its core, this goes beyond just television. It emphasises the importance of detail in competitive markets, where success hinges on every facet of the customer experience. From the quality of service to the ambience within your establishment, each element influences how customers perceive and remember your business.

While having GOtv available does not substitute for excellent service or fair pricing, it enriches the atmosphere and fosters a deeper connection with customers. For numerous local business owners, it has emerged as a small yet impactful tool for cultivating loyalty and enhancing community engagement.

By transforming routine visits into memorable shared experiences, GOtv empowers small businesses throughout Nigeria to do more than simply entertain their patrons; it plays a crucial role in encouraging repeat visits and customer retention.

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Canon Supports Nora Awolowo’s Racket Queen Short Film

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Nora Awolowo's Racket Queen

By Modupe Gbadeyanka

A new short film shot by a Nigerian filmmaker, Ms Oreoluwa Racheal Awolowo, otherwise known as Nora Awolowo, has received the backing of the leader in imaging technology, Canon.

The film, Racket Queen, shot entirely on the Canon EOS C400 cinema camera, was screened in Lagos recently with several stakeholders in attendance, including journalists from across arts, culture, entertainment, business, and technology publications, as well as other filmmakers, peers, and Canon’s creative network.

The production was a testament Ms Awolowo’s creative excellence, visual storytelling finesse, and technical mastery, with her work speaking powerfully for itself.

Canon said it partnered with the filmmaker because her work aligns with its Innovation, Customer, and Employee Experience (ICE) strategy, which focuses on innovation, customer empowerment, and long-term partnerships.

By enabling filmmakers with cutting-edge imaging technology, Canon reinforces its position as the go-to brand for professional videography in Nigeria and across Africa.

“At Canon, we believe in the power of storytelling and the importance of equipping creators with the right tools to express their vision.

“Our collaboration with Nora on Racket Queen reflects how technology and artistry come together to elevate filmmaking in Africa.

“We’re proud to continue empowering creators and building a thriving creative community across the region,” the B2C Business Unit Director for Canon Central and North Africa, Mr Rashad Ghani, said.

The Canon EOS C400, designed for professional filmmakers, played a pivotal role in capturing the film’s striking visuals and emotional depth, showcasing Canon’s ongoing commitment to supporting the region’s creative community with advanced imaging tools.

The company used the event to feature a soft launch of its new EOS C50, an entry-level cinema camera designed to empower emerging filmmakers.

Compact yet powerful, the C50 expands Canon’s professional cinema lineup, making high-quality production more accessible to new creators.

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Content Creators Must Develop Clear Personal Brand Identity—Nitro 121 Boss

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UBA Business Series Content Creators

By Aduragbemi Omiyale

Content creators have been advised to go beyond aesthetics or trends to focus on value, purpose, and agility.

This advice was given by the chief executive of Nitro 121, Mr Lampe Omoyele, during his keynote address at the UBA Business Series held last Thursday at the Tony Elumelu Amphitheatre in UBA Head Office, Marina, Lagos.

At the event themed Content that Converts: Building Influence and Driving Growth Through Strategic Marketing, he said, “You can create something out of what appears to be nothing.”

He also charged content creators to aim to make a difference by developing a clear personal brand identity and remain consistent in delivering messages that resonate with their audience.

The UBA Business Series, held every quarter, brings together some of Africa’s most dynamic digital entrepreneurs and influencers to discuss the secrets behind building impactful online communities.

At this last edition, it featured an impressive line-up of digital entrepreneurs and content creators, including Digital Creator and Actor, Elozonam Ogbolu; Digital Health Educator, Chinonso Egemba (Aproko Doctor); Kenyan Actress and Media Entrepreneur, Catherine Kamau; Content Creator, Nasiru Lawal (Nasboi) and Digital Influencer, Enioluwa Adeoluwa, who was also the moderator of the event.

“For the younger creators here, my best advice is this: please prioritise your growth. As a creator, the moment you become famous, you no longer move at your own pace; you move at the people’s pace. It is therefore important to ensure you grow consistently and then overtime, the recognition and the money begins to roll in,” Nasiru Lawal stated.

Re-echoing this, Elozonam Ogbolu said, “Content creators have to engage their audience with proper storytelling, because brands are always out to carefully choose their creators. For the brands, you must pick your influencer or ambassador very deliberately and work together over time to grow. That is when you will see a proper return on investment.”

In his submission, Chinonso Egemba, said, “If you’re building a business or doing content creation, treat content creation as a business. When you treat it as a business, it needs proper structure. Otherwise, it won’t last. If you don’t put structure in place, you’ll end up responsible for everything, and that leads to burnout. You have to build structure, because if you want longevity, structure is very essential.”

For Catherine Kamau, “What I realized is I have a community that keeps me grounded, and that’s family. When you get famous, you tend to forget where you come from, you know, social media is an illusion and you start assuming that it is your real family until bad things happen to you. So please remember the real people in your life, because fame can get to your head, but those are not the people who are going to have your back when things go south.”

While welcoming the participants, the Group Head of Digital Banking at UBA, Mr Kayode Olubiyi, reaffirmed the bank’s commitment to empowering entrepreneurs across Africa through knowledge-sharing and capacity-building initiatives such as the Business Series.

On her part, the Group Head of Marketing and Corporate Communications, Ms Alero Ladipo, praised the management of the lender for organising conversations like this because of its positive impact on the economy.

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