Feature/OPED
Why ‘Half Of A Yellow Sun’ Didn’t Make It

Isedehi Aigbogun
Being an English teacher all my work-life, it would be a huge shame on me if I were able to, somehow, approach the criticism of the movie, Half of a Yellow Sun, from a biased point of view. So, like my colleagues and I would normally do for essays, I will list out a couple of criteria that will be used in “marking” this movie.
Remember in secondary school, where C, O, E, MA (or whichever kind is used—we have a variety of this mark scheme) stands for Content, Organization, Expression, and Mechanical Accuracy? Well, in this case, I’ll be using PTDCP (my coinage) which stands for Premise, Theme, Dialogue, Character, and Pacing.
I’m being modest here; there are over 10 criteria in the more serious international screenwriting world, and a million other points of analysis!
Let me enlighten you a bit: a lot of people do not know that a learned screenwriter can look beyond the pictures of a movie and see the script! Yes, the script! After all, Alfred Hitchcock, the Master of Suspense, has said that “to make a great movie, you need three things: the script, the script, and the script.”
There are set rules for writing a movie script; which is different from the rules Biyi Bandele used to write his screenplay; which is also extremely different from the rules Chimamanda uses to write her novels, and without wasting further time, we’ll get to some parts of it!
PREMISE:
One thing I learnt teaching English is to always give positive feedback first; so that the learner doesn’t feel entirely bad about his essay. While marking, we appreciate little aspects of the essay such as the child’s use of punctuation in some parts of the essay; his choice of words (even if it’s just one fantastic word, we dwell on it); or if there’s nothing to appreciate about the essay at all, we make comments such as “your noble intentions are appreciated, however, essay writing requires much more”. This is exactly the kind of comment I would make for this movie!
Half of a Yellow Sun details the events of a civil war in Nigeria in the midst of a love story; a story about two lovers caught up in the midst of war. Fantastic! Everyone wants to watch a love story, everyone wants to see how the troubles of our environment—the real movie—affect us domestically, economically; affect our relationship, and what have you. This is definitely deep and well appreciated, thanks to the writer of the original story, Chimamanda. Honestly, this movie could have been internationally successful if this were the only requirement.
Unfortunately for this Half of a Yellow Sun crew, screenwriting requires much more.
For these aforementioned reasons, and especially because the screenwriter is not the originator of the premise, I’ll give this aspect 8/10.
THEME:
I tried my best to follow through with the major messages that could be got from this movie. The more I tried to follow through, the more disappointments I got. A number of themes can be identified in this movie apart from War and its Effects: Love, Familial Expectations, Friendship, Wealth and Business Opportunities, Ethnic Bias, Charity, Academia, Death, and so much more. The script appears to be ambitious in its evaluation of theme, yet not encompassing in such a way that the audience feels nothing experiencing them.
This, unknown to the screenwriter is very distracting especially because he always disconnects the audience from the major story when he isn’t telling the major story, and almost like an attempt to tell different other almost disconnected stories. My point may not be clear at the moment; this is because I just might need to explain clearly what I mean with how the characters of the movie are portrayed.
If your audience is placed in a situation whereby they have to make the effort to meet you half way in your story-telling, then you’re getting some things wrong. 4/10
CHARACTERS:
I could write a 10-page essay on why all the characters in this movie do not work! One major reason is how flat they are. They are the same from the beginning to the end. Their reactions to certain situations are expected, and so there isn’t any element of surprise in the nature of the characters.
They start off all nice and noble, continue, and end the same way.
There are instances in the movie where I hoped they would change: take charge, recluse, rebel, create some tension for us, make us wait for the unexpected, but that never happens. The characters are nothing but pawns in the story; helplessly hopped around on the chess board, and not actively doing anything to change the world they live in. And this includes the major characters.
Oh, wait! I see what happened here. The movie crew probably thought that if Hollywood stars played the major roles in the movie, everyone would be mesmerized, and no one would notice just how weak the characters really are. Majority of Nigerians who applaud this movie could be fooled, but I couldn’t, and certainly not the international world!
There’s a screenwriting trick to helping you get your characters take charge and do more, and it’s as simple as creating conflict in every scene.
A screenplay has basically 40-70 scenes, and something pushy must happen in every of those scenes. These things would naturally form the base of your THEME (see above)—but nothing ever really happens in this script. The characters walk around as though they are a surprise bomb (which never explodes); like they are having the audience experience some sort of suspense, but really, they are, in fact, plain annoying, and that’s because they don’t have enough substance to enable us care about them.
Take a look at the dirty maid Odenigbo had to sleep with, for instance—from where to where?! The audience feels more surprised and disgusted (seems good, but isn’t, given the circumstance) in Odenigbo than solely disappointed; such behaviour was never hinted in his character from the start, and the Mom didn’t seem quite convincing either.
Maybe the maid should have been portrayed as truly tempting, you know, like a video vixen. That would have worked, but guess what, that would have changed the whole story as well, which to me would have been a better choice; a screenwriter doesn’t have to reproduce the novel’s characters verbatim; there is what is called creative license, A.K.A. tweaking. Come on, Biyi, Chimamanda has more space to create tension with such character in her novel than you do with your screenplay!
Not to forget, at some point in the movie, it appears the audience are waiting for something to happen till finally the explosion occurs at the wedding, which no character is responsible for—why the hell not? Then there is a dramatic display of Olanna caring about some lecturer friend we only met once, and who never said anything worthwhile. An explosion kills him and the audience is expected to care with Olanna?!
To crown it all, what movie doesn’t have an antagonist? I’m not even sure I met any of the villains apart from my darling Hakeem Kae-Kazim (Captain Dutse) whose character was distastefully under-developed, and unfairly allowed to be hated by the audience. Some villains can be loved by the audience too! Did you know? I’ll just stop here. 2/10
DIALOGUE:
This screenplay makes all the mistakes a script could possibly make in the aspect of dialogue. Even though there are a few memorable lines; these lines feel like perfect lines poached from the novel, or maybe, just maybe, the stubborn decision of the Hollywood actors in the movie to switch things up a bit. One of such lines would be when Odenigbo says “I’m too old to die young from smoking”, maybe Biyi Bandele wrote this himself, maybe not. But I’ll settle with not, going by the majority of dialogue lines that exist in the movie that aren’t in the same category as this.
However, the message in the dialogue of this script is always acceptable in terms of grammatical or stylistic correctness. But I guess we have to give this credit to the actors.
Most times in this movie, though, as with all our Nollywood movies, the dialogue’s too on-the-nose: too precise, saying things that are too straightforward, too explicit, or more regrettably repeating the same information again and again; letting us know so many times that the war is between two tribes; or Odenigbo’s mother continually asking for a kid and quoting traditions the audience already has a lead on. The worst mistake a screenwriter can make is saying what the audience already knows!
Except it’s going to be ambiguous, dialogue in movies should have, embedded in them, connotations with a plethora of meanings that just blows the mind of the audience either in a humorous or in a thought provoking manner.
The dialogue in this movie is a sure sign that Biyi is a pure playwright and nothing more. It is only in a play that you need to say things over and over again; maybe because of the stage set up— to avoid confusion. However, in this script, it appears the dialogue exists to take up some time, and lengthen the movie like how it’s done in a play script. When in actual fact, more action and story beats would have helped this screenplay. Or better still, punchier, quotable lines.
At some point, the script gets obsessed with making use of talking heads; people sitting around talking, with no associating action. Boring! The dialogue most times are long—quite understandably for a first draft—but that’s why it’s a first draft: the first of the other rewrites that need to be written. The dialogues could have, instead, been rewritten to achieve the “lean and mean” mantra of international screenwriting in subsequent drafts.
It is important to keep in mind that the international world is a hungry place, and movies are a learning ground; people learn to talk pretty from movies, and replicating what happens in real life in a movie dialogue isn’t going to give one that privilege of having one’s lines adopted, and when people don’t remember one’s lines, they don’t remember one! 5/10.
PACING:
This is the most overlooked aspect of film making/screenwriting in Nollywood, and I’ll show you how. Firstly, have you noticed how those block buster movies in Hollywood has your heart racing with expectations at as early as 15 minutes? You already have been introduced to all the major characters and situations have already been established by 20 mins. This tempo carries on till the end of the movie, and you can’t believe you just finished watching a 2-hour movie in what felt like 45 minutes. That’s pacing. It basically means not wasting time, going straight to the point, being mean, finishing it off, getting in as late as possible and leaving as early as possible, and what have you.
Yes, half of a Yellow Sun does that with the first 10 minutes, kinda, which makes us continue watching the movie with great hopes and with an open mind, before things stop happening, and the pacing drops till the movie ends.
There’s a process of writing movies to be fast paced. There are rules. It might not make much sense here because we are looking at the movie, and not the script. But take it from me, executing pacing is easy peasy. 4/10.
Five criteria. One screenwriter. Other screenwriters may have more to say with other criteria (I intentionally left out “Plot” because I didn’t want to score this movie any lower), but I guess this should be more than enough to help us understand why Half of a Yellow Sun didn’t stand a chance at the international level. 23/50
Percentage: 46%
Grade: D
Isedehi Aigbogun (ISD)
B.A., M.A., PhD (in view), English Language, UNILAG.
International Screenwriter, Script Analyst, Movie Critic
Feature/OPED
When Stability Matters: Gauging Gusau’s Quiet Wins for Nigerian Football
By Barr. Adefila Kamal
Football in Nigeria has never been just a sport. It is emotion, argument, nationalism, and sometimes heartbreak wrapped into ninety minutes. That passion is a gift, but it often comes with a tendency to shout down progress before it has the chance to grow. In the middle of this noise sits the Nigeria Football Federation under the leadership of Ibrahim Musa Gusau, a man who has chosen steady hands over loud speeches, structure over drama, and long-term rebuilding over chasing instant applause.
When Gusau took office in 2022, he understood one thing clearly: the only way to fix Nigerian football is to repair its foundations. He said it openly during the 2025 NNL monthly awards ceremony — you cannot build an edifice from the rooftop. And true to that conviction, his tenure has taken shape quietly through structural investments that don’t trend on social media but matter where the future of the game is built. The construction of a players’ hostel and modern training pitches at the Moshood Abiola Stadium is one of the clearest signs of this shift. Nigeria has gone decades without basic infrastructure for its national teams, especially youth and age-grade squads. Gusau’s administration broke that pattern by delivering the first dedicated national-team hostel in our history, a project that signals an understanding that success is not luck — it is preparation.
The same thread runs through grassroots football. The maiden edition of the FCT FA Women’s Inter-Area Councils Football Tournament emerged under this administration, giving young female players a structured platform instead of the token attention they usually receive. These initiatives are not flashy. They do not dominate headlines. But they form the bedrock of any footballing nation that wants to be taken seriously.
Gusau’s leadership has also focused on lifting the domestic leagues out of years of decline. The NFF has revamped professional and semi-professional competitions, working to create consistent scheduling, fair officiating, and marketable competition structures. The growing number of global broadcasting partnerships — something unheard of in the old NPFL era — has brought more eyes, more credibility and more opportunities for clubs and players. Monthly awards for players, coaches and referees have introduced a culture of performance and merit, something our domestic game has needed for years. These are reforms that reshape the culture of football far beyond one season.
Internationally, Nigeria regained a powerful seat at the table when Gusau was elected President of the West African Football Union (WAFU B). This is not a ceremonial achievement. In football politics, influence determines opportunities, hosting rights, development grants, international appointments and the respect with which nations are treated. For too long, Nigeria’s voice in the region was inconsistent. Gusau’s emergence changes that, and it places Nigeria in a position where its administrative competence cannot be dismissed.
His administration has also made it clear that women’s football, youth development and academy systems are no longer side projects. There is a renewed intention to repair the broken pathways that once produced global stars with almost predictable frequency. If Nigeria is going to remain a powerhouse, development must become a machine, not an afterthought.
Still, for many observers, none of this seems to matter because the yardstick is always a single match, a single tournament or a single disappointing moment. Public criticism often grows louder than the facts. Fans want instant results, and when they don’t come, the instinct is to blame whoever is in office at the moment. But this approach has repeatedly sabotaged Nigerian football. Constant leadership changes wipe out institutional memory and scatter reform efforts before they mature. No nation becomes great by resetting its football house every time tempers flare.
Gusau’s leadership is unfolding at a time when FIFA and CAF are tightening their expectations for professionalism, financial transparency and infrastructure. Nigeria cannot afford scandals, disarray or combative politics. We need the kind of administrative consistency that global football bodies can trust — and this is exactly the lane Gusau has chosen. He has not been perfect; no administrator is. But he has been consistent, measured and focused. In an ecosystem that often rewards noise, this is rare.
For progress to hold, Nigeria must shift from the culture of outrage to a culture of constructive contribution. The media, civil society, ex-players, club owners, fan groups — everyone has a role. The truth is that Nigerian football’s biggest enemy has never been the NFF president, whoever he might be at the time. The real enemies are impatience, instability and emotional decision-making. They derail strategy. They kill reforms. They weaken institutions. And they turn football — our greatest cultural asset — into a battlefield of blame.
Gusau’s effort to reposition the NFF is a reminder that real development is rarely glamorous. It is slow, disciplined and often misunderstood. But it is the only route that leads to the future we claim to want: a football system built on structure, modern governance, infrastructure, youth development and global influence. Nigeria will flourish when we start protecting our institutions instead of tearing them down after every misstep.
If we truly want Nigerian football to rise, we must recognise genuine work when we see it. We must support continuity when it is clearly producing a roadmap. And we must resist the temptation to substitute outrage for analysis. Ibrahim Musa Gusau’s tenure is not defined by noise. It is defined by groundwork — the kind that elevates nations long after the shouting stops.
Barr. Adefila Kamal is a legal practitioner and development specialist. He serves as the National President of the Civil Society Network for Good Governance (CSNGG), with a long-standing commitment to transparency, institutional reform and sports governance in Nigeria
Feature/OPED
Unlocking Capital for Infrastructure: The Case for Project Bonds in Nigeria
By Taiwo Olatunji, CFA
Nigeria’s infrastructure ambition is not constrained by vision, but by the financing architecture. The public sector balance sheet, which has been the primary source of financing, has become very tight, while financing from the private sector is available and increasing, with a focus on long-term, naira-denominated assets. Hence, the challenge lies in effectively connecting this capital to bankable projects at scale and with discipline. Project bonds, created, structured and distributed by investment banks, are the instruments required to bridge the country’s infrastructure needs.
The scale of the need is clear. Nigeria’s Revised NIIMP (2020–2043) estimates ~US$2.3 trillion, about US$100bn, a year is required annually for the next 30 years to lift infrastructure to 70% of GDP. Africa’s pensions, insurers and sovereign funds already hold over US$1.1 trillion that can be mobilised for this purpose, but they require new and innovative approaches to enhance their participation in addressing this challenge.
What is broken with the status quo?
Nigeria continues to finance inherently long-dated assets through the issuance of local currency public bonds, Sukuk and Eurobonds. This approach creates a heavy burden on the government’s balance sheet while sometimes causing refinancing risk and FX exposures, where naira cash flows service dollar liabilities. It has also led to the slow conversion of the pipeline of identified projects because many infrastructure projects have not been prepared, appraised and structured to attract the private sector.
Why project bonds and where they sit in the stack
Project bonds are debt securities issued by project SPVs and serviced from project cash flows, typically secured by concessions, offtake agreements, or availability payments. Unlike typical bonds (corporate or government), which are backed by the sponsor’s balance sheets, project bonds are backed by the cash flow generated by the financed project. They often have longer duration, are tradeable, aligned with the long operating life of infrastructure projects and best suited for pension and insurance investors.
Globally, this type of instrument has been used to finance major projects such as toll roads, power plants, and social infrastructure. For example, in Latin America, transportation and energy projects have been financed through project bonds from local and international investors, through the 144A market, a U.S. framework that allows companies to access large institutional investors without going through a full public offering. Similarly, in India, rupee-denominated project bonds have benefited from partial credit guarantees provided by institutions like Crédit Agricole Corporate and Investment Bank, which help lower investment risk and attract more investors.
In practice, project bonds can be structured in two ways: (i) as a take-out instrument, refinancing bank or DFI construction loans once an asset has reached operational stability; or (ii) as a bond issued from day one for brownfield or late-stage greenfield projects where revenue visibility is high, often supported by credit enhancements such as guarantees.
In both cases, the instrument achieves the same outcome: aligning long-term, project cash flows with the long-term liabilities of domestic institutional investors.
The enabling ecosystem is already emerging
1. Nigeria is not starting from zero. Regulatory infrastructure is already in place. The Securities and Exchange Commission (SEC) has issued detailed rules governing Project Bonds and Infrastructure Funds, creating standardized issuance structures aligned with global best practice and familiar to institutional investors. The SEC is also mulling the inclusion of the proposed rules on Credit Enhancement Service Providers in the existing rules of the Commission.
2. Market benchmarks are already available. The sovereign yield curve, published by the Debt Management Office (DMO) through its regular monthly auctions, provides a transparent reference point for pricing. This curve serves as the base risk-free rate, against which project bond spreads can be calibrated to reflect construction, operating, and sector-specific risks.
3. The National Pension Commission (PenCom) has revised its Regulation on the investment of Pension Fund Assets, increasing the amount of the country’s N25.9 trillion pension assets to be allocated to infrastructure.
4. InfraCredit has established a robust local-currency guarantee framework, supporting an aggregate guaranteed portfolio of approximately ₦270 billion. The portfolio carries a weighted average tenor of ~8 years, with demonstrated capacity to extend maturities up to 20 years. (InfraCredit 2025)
Why merchant banks should lead
Merchant banks sit at the nexus of origination, structuring, underwriting, and distribution, and they need to work with projects sponsors, financiers and government to develop a pipeline of bankable infrastructure projects. A pipeline of bankable infrastructure projects is important to attract investors as they prefer to invest in an economy with a recognizable pipeline. A pipeline also suggests that a structured and well-thought-out approach was adopted, and the projects would have identified all the major risks and the proposed mitigants to address the identified risks.
This “banks-as-catalysts” model, an economic framework that states banks can play an active and creative role in promoting industrialization and economic development, particularly in emerging markets, can be adopted to structure and mobilise domestic private finance into Infrastructure projects.
Coronation Merchant Bank’s role and vision
At Coronation, we believe the identification, structuring and testing of bankable infrastructure projects are the constraints to mobilization of private capital into the infrastructure space. We bring an integrated platform across Financial Advisory, Capital Mobilization, Commercial Debt, Private Debt and Alternative Financing to identify, structure, underwrite and distribute infrastructure debt into domestic institutions. The Bank works with DFIs, guarantee providers and other banks to scale issuance. Our franchise has supported infrastructure debt issuances via the capital markets, likewise Nigerian corporates and the Government.
From Insight to Execution
If you are considering the issuance of a project bond or you want to discuss pipeline readiness, kindly contact [email protected] or call 020-01279760.
Taiwo Olatunji, CFA is the Group Head of Investment Banking at Coronation Merchant Bank
Feature/OPED
Nigeria’s “Era of Renewed Stability” and the Truths the CBN Chooses to Overlook
By Blaise Udunze
At the Annual Bankers’ Dinner, when the Governor of the Central Bank of Nigeria, Yemi Cardoso, recently stated that Nigeria had “turned a decisive corner,” his remark aimed to convey assurance that inflation was decelerating with headline inflation eased to 16.05percent and food inflation retreating to 13.12 percent, the exchange rate was stabilizing, and foreign reserves ($46.7 billion) had climbed to a seven-year peak. However, beneath this announcement, a grimmer and conflicting economic situation challenges households, businesses, and investors daily.
Stability is not announced; it is felt. For millions of Nigerians, however, what they are facing instead are increasing difficulties, declining abilities, diminished buying power, and susceptibilities that dispute any assertion of a steady macroeconomic path.
The 303rd MPC gathering was the most significant in recent times, revealing policies and statements that prompt more questions than clarifications. It highlighted an economy striving to appear stable, in theory, while the actual sector struggles to breathe.
This narrative explores why Cardoso’s assertion of “restored stability” is based on a delicate and partial foundation, and why Nigeria continues to be distant from attaining economic robustness.
Manufacturing: The Core of Genuine Stability Remains Struggling to Survive
A strong economy is characterized by growth in production, increased investment, and competitive industries. Nigeria lacks all of these elements.
The Manufacturers Association of Nigeria (MAN) expressed this clearly in its response to the MPC’s choice to keep the Monetary Policy Rate at 27 percent. MAN stated that elevated interest rates are now” hindering production, deterring investment, and weakening competitiveness.
Producers are presently taking loans at rates between 30-37 percent, an environment that renders growth unfeasible and survival challenging. MAN’s Director-General, Segun Ajayi-Kadir, emphasized that although stable exchange rates matter, no genuine industry can endure borrowing expenses to those charged by loan sharks.
The CBN’s choice to maintain elevated interest rates is based on drawing foreign portfolio investors (FPIs) to support the naira’s stability. However, FPIs are well-known for being short-term, speculative, and reactive to disturbances. They do not signify long-term stability. Do they represent genuine economic development?
Genuine stability demands assurance, in manufacturing beyond financial tightening. Manufacturers are expressing, clearly and persistently, that no progress has been made.
Oil Output and Revenue: The Engine Behind Nigeria’s Stability Is Misfiring
Nigeria’s oil sector, which is the backbone of its fiscal stability, is underperforming. The 2025 budget presumed:
- $75 per barrel oil price
- 2.06 million barrels per day production
Both objectives have fallen apart. Brent crude lingers near $62.56 under the benchmark. Contrary to the usual explanations, experts attribute the decline not mainly to external shocks but to poor reservoir management, outdated models, weak oversight, and delayed technical decisions.
Engineer Charles Deigh, a regarded expert in reservoir engineering, clearly expressed that Nigeria is experiencing production losses due to inadequate well monitoring, obsolete reservoir models, and technical choices lacking fundamental engineering precision. These shortcomings result directly in decreased revenue. By September 2025:
– Nigeria had accumulated N62.15 trillion from oil revenue
– instead of the N84.67 trillion budgeted.
– In September, the Federal Inland Revenue Service reported a startling 49.60 percent deficit in revenue from oil taxes.
A nation falling short of its main revenue goals by 50 percent cannot assert stability. Instead, it will take loans. Nigeria has taken loans.
A Stability Built on Debt, Not Productivity
Nigeria is now Africa’s largest borrower, and the world’s third-biggest borrower from the World Bank’s IDA, with $18.5 billion in commitments. By mid-2025, the total public debt amounts to N152.4 trillion, marking a 348.6 percent rise since 2023.
From July to October 2025, the government secured contracts for: $24.79 billion, €4 billion, ¥15 billion, N757 billion, and $500 million Sukuk loans. Nevertheless, in spite of these acquisitions, infrastructure continues to be manufacturing remains limited, and social welfare is still insufficient.
Uche Uwaleke, a finance and capital markets professor, cautions that Nigeria’s debt service ratio is “detrimental to growth.” Currently, the government spends one out of every four naira it earns on servicing debts. Taking on debt is not harmful in itself, provided it finances projects that pay for themselves. In Nigeria, it supports subsistence. A country funding today, through the labour of the future, cannot assert restored stability.
The Naira: A Currency Supported by Fragile Pillars
The CBN contends that elevated interest rates and enhanced market confidence have contributed to the naira’s stabilisation. However, this steadiness is based on grounds that cannot endure even the slightest global disturbance. The pillars of a stable currency are:
– Rising domestic production
– Expanding exports
– Reliable energy supply
– Strong security
– A thriving manufacturing base
None of these is Nigeria’s current reality. What Nigeria actually receives is capital from portfolio investors, and past events (2014, 2018, 2020, 2022) have demonstrated how rapidly these funds disappear.
Unemployment: “Stable” Figures Mask a Rising Youth Crisis
The CBN touts a reported unemployment rate of 4.3 percent. However, the International Labour Organisation (ILO), along with economists, cautions that the approach conceals more serious issues in the labour market.
Youth joblessness has increased to 6.5 percent, and the Nigerian Economic Summit Group cautions that Nigeria needs to generate 27 million formal employment opportunities by 2030 or else confront a disastrous labour crisis. The employment crisis is a ticking time bomb. A country cannot maintain stability when its youth are inactive, disheartened, and financially marginalized.
FDI Continues to Lag Despite CBN’s Positive Outlook
During the 2025 Nigerian Economic Summit, NESG Chairman, Niyi Yusuf stated that Nigeria’s efforts to attract direct investment (FDI) continue to be sluggish despite the implementation of reforms. FDI genuinely reflects investor trust, not portfolio inflows. FDI signifies enduring dedication, manufacturing plants, employment, and generating value. Nigeria does not have any of this as of now. An economy unable to draw long-term investments lacks stability.
139 Million Nigerians in Poverty: What Stability?
The recent development report from the World Bank estimates that 139 million Nigerians are living in poverty, and more than half of the population faces daily struggles. This is not stability. It is a humanitarian and economic crisis.
Food inflation continues to stay structurally high. The cost of a food basket has risen five times since 2019. Low-income families currently allocate much, as 70 percent of their earnings to food. A government cannot claim stability when its citizens go hungry.
A Fragile, Failing Power Sector
The power sector, another cornerstone of economic stability, is failing. Over 90 million Nigerians are without access to electricity, which is one of the highest figures globally. Even homes linked to the grid get 6.6 hours of electricity daily. Companies allocate funds to generators rather than to technology, innovation, or growth. Nigeria has now emerged as the biggest importer of solar panels in Africa, not due to environmental goals but because the national power grid is unreliable.
A country cannot achieve stability if it is unable to supply electricity to its residences, industrial plants, or medical centers.
Insecurity: The Silent Pillar Undermining All Economic Policy
Banditry, terrorism, abduction, and militant attacks persist in agriculture, manufacturing, logistics, and investment. Nigeria forfeits $15 billion each year due to insecurity and resources that might have fueled industrial development.
Food price increases are mainly caused by instability, and farmers are unable to cultivate, gather, or deliver their products. Nevertheless, the MPC approaches inflation predominantly as an issue of policy. In a country where insecurity fundamentally hinders the economy tightening policy cannot ensure stability.
Inflation Figures Under Suspicion
Questions have also emerged regarding the reliability of inflation data. Dr. Tilewa Adebajo, an economist, affirmed that the CBN might not entirely rely on the NBS inflation figures, highlighting increasing apprehension. A sharp decrease to 16 percent inflation clashes with market conditions.
Families are facing the food costs in two decades. Costs, for transport, housing rent, education fees, and necessary items keep increasing. Food prices cannot decline when farmers are abandoning their farmlands and fleeing for safety. If inflation figures are manipulated or partial, the stability story based on them becomes deceptive. There is, quite frankly, a significant disconnect between governance and the lived experience of ordinary Nigerians.
Foreign Reserves: A Story of Headlines vs Reality
Even Nigeria’s celebrated foreign reserves require scrutiny. The CBN reported $46.7 billion in reserves. However, a closer examination shows:
– Net usable reserves are only $23.11 billion
– The remainder is connected to commitments, swaps, and debts
Gross reserves make the news. Net reserves protect the currency. The difference is too large to assert that the naira is stable.
Nigeria’s Economic Contradiction: Stability at the Top, Volatility at the Bottom
In reality, Nigeria is caught between official proclamations of stability and lived experiences of volatility. The disparity between the CBN’s account and the actual experiences of Nigerians highlights a reality:
– Macroeconomic changes have failed to convert into improvements in human well-being.
– Nigeria might appear stable officially. Its citizens are experiencing instability in truth.
– Taking on debt is increasing
– Poverty is worsening
– Manufacturing is contracting
– Jobs are scarce
– Authority is breaking down
– Feelings of insecurity are growing stronger
– Inflation is undermining dignity
– Companies are struggling to breathe
– Capital is escaping
– Misery, among humans, is expanding
A strong economy is one where advancement is experienced, not announced.
What Genuine Stability Demands
To move from paper stability to real stability, Nigeria must:
- Support domestic production. Cut interest rates for manufacturers, reduce borrowing costs, and provide targeted credit.
- Fix oil production technically. Revamp reservoir engineering, implement surveillance. Allocate resources to adequate technical oversight.
- Prioritize security. Secure farmlands, highways, and industrial corridors.
- Reform the power sector. Invest in grid reliability, renewable integration, and private-sector-led transmission.
- Attract real FDI. Streamline rules, enhance the framework, and maintain consistent policy guidance.
- Anchor debt on productive projects. Take loans exclusively for infrastructure projects that produce income.
- Prioritize reforms in welfare. Adopt crisis-responsive, domestically funded safety nets.
- Improve transparency. Ensure inflation, employment, and reserve data reflect reality.
Stability Is Not Given; It Has to Be Achieved
The CBN Governor’s statement of “renewed stability” is hopeful. It remains unproven. The inconsistencies are glaring, the statistics too. The real-world experiences are too harsh. Nigerians require outcomes, not slogans. Stability is gauged not through statements on policy but by whether:
– Manufacturing plants are creating (factories operate at full capacity),
– Food is affordable,
– Young people have jobs
– The naira is strong without artificial props,
– Electricity is reliable,
– Security is assured,
– Poverty rates are decreasing.
Unless these conditions are met, Nigeria is not experiencing a period of restored stability. Instead, it is going through a phase of recovery, one that will collapse if the actual economy keeps worsening while decision-makers prematurely applaud their successes. The CBN must rethink its approach. Nigeria needs productive stability, not statistical stability.
Blaise, a journalist and PR professional, writes from Lagos, can be reached via: [email protected]
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