General

Group Knocks Ohanaeze, Others over Attack on MASSOB Leader

Published

4 years ago

05/05/2022

MASSOB Leader Ralph Uwazuruike Yahaya Bello

By Modupe Gbadeyanka

A group known as the National Alliance for Democratic Governance (NADG) has condemned what it described as “unwanted attacks on the founder and leader of Movement for the Actualisation of Sovereign State of Biafra (MASSOB) and the Biafra Independent Movement, Mr Ralph Uwazurike, over his support for the presidential ambition of Governor Yahaya Bello of Kogi State.”

Mr Uwazurike had thrown his weight behind the presidential ambition of Mr Bello and this incurred the wrath of an apex Igbo socio-cultural organisation, Ohanaeze Ndigbo, and others.

The action of the critics of the MASSOB leader did not go down well with NADG, which in a statement signed by its National Coordinator, Mr James Ezema, urged the critics of the Igbo leader to always respect the opinions of others.

NADG, a pro-democracy group and accountable governance advocate, wondered why Igbo politicians who have no respect for their opinion leaders should be supported while those outside Igbo land who honoured them with consultation visits should be disregarded.

It said, “Ohanaeze Ndigbo has now turned itself into a political regulatory organisation for the South East and now infringing on people’s fundamental rights to associate.”

“In as much as Ndigbo, ahead of the 2023 general elections, are agitating for a Nigerian President of Igbo extraction as part of a visible remedy for the long years of marginalisation of the South East in particular and the old eastern region as a whole, it is undemocratic for Ohanaeze Ndigbo or any individual for that matter, to decide for another Igbo son or daughter whom to associate with.

“If indeed Uwazurike has long ago lost relevance in Igbo land as the group claimed, why is Ohanaeze Ndigbo complaining about such a person?

“The Ohanaeze Ndigbo has, by its outburst against Chief Uwazurike, manifested the age-long lack of understanding of grassroots politics by most Igbo politicians who disregard their home front in pursuit of national political relevance.

“How many Igbo sons who are contesting for President have visited major Igbo stakeholders like Uwazurike and others?

“Has any Igbo presidential aspirant consulted international figures like former Secretary-General of the Commonwealth of Nations, Chief Emeka Anyaoku?

“We have many prominent Igbo sons like the former chieftain of the National Democratic Coalition (NADECO), Chief Ralph Obioha, a staunch Igbo defender like Chief Willy Ezugwu, who is a traditional ruler and the Secretary General of Nigeria Political Parties (CNPP) and the National Coordinator of the South East Revival Group (SERG), among several other ranking Igbos opinion leaders. Who among the so-called Igbo aspirants visited them in the course of their consultations?

“Recall that Governor Yahaya Bello recently visited Chief Uwazurike at his country home in Imo State to seek his support for Presidency. How many of those presidential aspirants of Igbo extraction have visited Uwazurike to inform him of their plans to run for president?

“An Igbo proverb says Ana esi n’ụlọ ama mma apụ n’èzí (meaning that charity begins at home) and indeed, grassroots politics begins at home.

“Besides Peter Obi who visibly declared for president at a meeting with his traditional rulers and opinion leaders within his constituency, who among the Igbos contesting for president has visited traditional rulers, political elites, market women leaders or youth leaders, in South East?

“It is lack of understanding of grassroots politics that has led to such gross neglect of Igbo opinion leaders by presidential aspirants of South East extraction, yet when honour given by outsiders to these opinion leaders is returned, groups like Ohanaeze Ndigbo will kick against them rather than properly advising Igbo politicians to remember their home front if Igbos want to be united in reclaiming their lost grounds in the post-civil war Nigerian politics.

“Why should Chief Uwazurike, who merely reciprocated a gesture by Governor Yahaya Bello, be vilified as if Ndigbo are not seeing Yoruba presidential aspirants consulting their traditional rulers and opinion leaders in the South West while Igbo aspirants neglect their own?” the group said.

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Modupe Gbadeyanka

Modupe Gbadeyanka is a fast-rising journalist with Business Post Nigeria. Her passion for journalism is amazing. She is willing to learn more with a view to becoming one of the best pen-pushers in Nigeria. Her role models are the duo of CNN's Richard Quest and Christiane Amanpour.

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General

The Poster That Breathes: Designing Visuals That Feel Alive Even When Still

Published

4 hours ago

11/12/2025

Dipo Olowookere

Have you ever noticed a poster that seemed to move, not actually, but emotionally? Perhaps its colors seemed to pulse or the composition changed with your eyes. That’s the magic of visual rhythm, when static design seems cinematic, living, and breathing.

With Dreamina, making that illusion happen is a breeze. You can create your posters to appear as if they’re breathing in color and breathing out mood, fueled by creativity and the magic of an AI photo generator that transforms rich descriptions into expressive designs.An actually great poster moves the eye, even statically. It directs attention as choreography, each color and shape is part of a silent dance.

Here’s how designers create static images that seem alive:

Directional flow: Diagonal or curved lines imply movement.
Circular composition: Reeks of energy captured during spin.
Gradient play: Gradual color transitions mimic emotional movement.

Emotional pacing: imparting stillness with a heartbeat

Emotion in a piece of design isn’t about faces or movement; it exists in pacing, the way contrast, tone, and texture work together. Much like film, where tension builds and then abates, posters can convey rhythm in visual contrast and silence.

Designers build this heartbeat by:

Blending light and dark areas to replicate pulses of energy and serenity.
Employing color temperature changes — to cool, warm — to convey mood shift.
Creating layered depth, so that observers feel air and space even on a two-dimensional surface.

Creating a poster that feels cinematic

To create something cinematic, start thinking like a storyteller. What moment are you stopping in time? What feeling should resonate beyond the edge of the frame?

Cinematic posters tend to feature:

Thoughtful framing — all that leads the viewer in one emotional direction.
Atmospheric lighting — the shadows are as full of feeling as highlights.
Anticipation — the feeling that the next frame is about to be cut in.

When silence speaks louder

Action doesn’t always arise out of noise. Sometimes, sparse design shouts louder than a dense one.

For example:

One feather drifting across black space can feel like time standing still.
A whispery ripple over calm water evokes emotional tension.
A texture dissolving into nothing feels like wind blowing through light.

Bringing identity to logos

Even little things like logos can have rhythm. A new logo isn’t necessarily stiff; it can be fluid, as if it’s part of an organism. Designers can create marks that “breathe” by tweaking form, gradient, or weight.

This is where an AI logo generator proves useful. It allows one to try out infinite combinations of shape and mood until the symbol begins to feel at home, not stiff but alive. Such a logo not only represents a brand but moves in tandem with its narrative.

Giving your poster life with Dreamina

Now that you’ve learned about how emotion and rhythm inform design, it’s time to create your own living visual with Dreamina. Its workflow is creative, quick, and unexpectedly intuitive.

Step 1: Write a text prompt

Navigate to Dreamina and start off by articulating your vision, and be as colorful and passionate as you can. Think of your words like paint strokes. The more descriptive you can be with your words, the more life your image will possess.

Example prompt:

A surreal poster of a glowing dancer made of particles of sunlight caught mid-twirl in nebulous mist, with cinematic lighting and soft contrast, dreamy and atmospheric.

The detail is Dreamina’s way of knowing the rhythm and feeling you are looking for, this is how stillness begins to move.

Step 2: Adjust parameters and generate

The next stage is setting the details of your prompt. After interpreting, select the aspect ratio of the model based on your final posters layout, either vertical or landscape. Next, select a resolution and size, choose 1K for early drafts and 2K for fully requested post-production.

When ready, simply select Dreamina’s icon and the purely automated generation process will begin. In a moment’s time, you will experience concept materialize as a visual pulse full of depth and atmospheric feeling.

Step 3: Customize and download

People often talk about polishing up images with tools like those in Dreamina. You can try inpaint feature to sort out small details. Or expand the whole thing to make the composition broader. Remove those annoying distractions too. Retouch helps refine the overall tone.

When the image starts to feel balanced. It breathes softly with its light and colors. That is the time to hit download. You end up with a static design. Yet it carries emotional movement.

Editing: the art of breathing room

After the initial generation, editing makes the poster come alive. Subtle tweaks matter a lot. Think of a soft edge here. A shadowed spot in the corner there. Even shifting the color temperature. All that sets the pacing right. The AI image editor shines in this phase. It lets you adjust finely without losing any emotion.

Editing feels like handling breath itself. You add elements. Hold them in place. Then release until the rhythm flows properly.

The final exhale

Creating a poster that breathes means adding feeling to the quiet parts. It stays away from adding actual movement. Instead, it reveals a rhythm. The kind hidden between colors and calm. Dreamina makes it possible. You turn words into images that live and breathe. Start however you want. From a simple prompt. A flowing logo. Or a careful edit. The result is an image pulsing with life. Open Dreamina now. Take a deep breath. Let your next design release a story. It remains still. But clearly full of life.

General

FCCPC Seals Ikeja Electric Headquarters Over Alleged Consumer Rights Violation

Published

8 hours ago

11/12/2025

Adedapo Adesanya

By Adedapo Adesanya

The Federal Competition and Consumer Protection Commission (FCCPC) on Thursday sealed the premises of the Ikeja Electric Distribution Company (IKEDC) in the Alausa area of Lagos for alleged violation of consumer rights.

Leading FCCPC official to carry out to closure, the Director of Surveillance and Investigation, Mr Bola Adeyinka, said the move was in line with the Federal Competition and Consumer Protection Act (FCCPA) 2018 after repeated attempts to resolve the matter.

“Sealing this facility is a proportionate enforcement measure taken only after repeated engagement and several opportunities for voluntary compliance,” Mr Adeyinka said in a statement.

“The seal will remain in place until Ikeja Electric complies fully with the directives issued by both NERC and the FCCPC and provides written evidence of that compliance,” he added.

According to the FCCPC, the Nigerian Electricity Regulatory Commission (NERC) issued a binding decision directing Ikeja Electric to unbundle a Maximum Demand account into 20 non-Maximum Demand accounts, to recognise each of the 19 residential units and a service point owned by the complainant as separate customer units, and to provide the required metering and connection.

“Ikeja Electric did not carry out that decision,” the statement read in part. “Because of this failure, the complainant has been without electricity supply for more than two and a half years.

“This was despite paying all charges requested by Ikeja Electric and meeting every obligation. The lack of electricity has prevented the complainant from putting the 19 residential units to use.”

It said the move followed unsuccessful attempts to resolve the issues through warnings and dialogue.

FCCPC listed one of such attempts to include a directive to the company in April 2025 on the steps required and the timelines for compliance.

However, “No action was taken. On 2nd October 2025, the Commission issued a Compliance Notice requiring full compliance within seven business days.

“The company still did not comply,” the commission explained.

As of press time, Ikeja Electric, which supplies electricity to several areas in Lagos, has not yet commented on the matter.

General

What to do to Unlock Africa’s Access to Global Digital Assets—Mumuni

Published

8 hours ago

11/12/2025

Aduragbemi Omiyale

By Aduragbemi Omiyale

The Chief Digital Officer of MTN Nigeria, Ms A’isha Umar Mumuni, has said though Africa has immense cultural capital and talent, the lack of infrastructure, ownership, and platform control prevent creators from benefiting fully.

However, she highlighted some steps that can be taken by the governments, investors, and stakeholders to change the narrative.

Ms Mumuni, while speaking at the Nigerian Entertainment Conference (NECLive) 2025 in Lagos, themed, Powering Africa Through Creative Enterprise, “Africa has the cultural capital, the skills, and the talent. What we do not yet have is global access at scale, and that is the gap we must close. Africa’s talent cannot be ignored.

“Africa is a cultural paradise without global access or control. Africa needs global cultural influence, but we do not control global data, we do not own the platform, and we export to other countries without a consistent home platform. We explore creativity, but we import the system without profiting from it.”

The MTN executive explained that unlocking Africa’s access to global digital assets requires transforming local customs, people, and platforms to ensure creativity can flourish and generate sustainable revenue.

She noted that African content, whether in music, film, fashion, or digital media, must be positioned strategically to compete and succeed on the global stage.

Emphasising the need for Africa to invest in technology and digital skills to drive the creative economy, she said, “Africa has the youngest population on earth, which is a leverage. We must invest in AI, coding, digital skills, and content production. Creativity without a platform cannot sail.”

Ms Mumuni noted that broadband policies, digital copyright protections, and clear monetisation opportunities are critical for African creators to earn from their content and reach global audiences.

She warned Africans that without investment and strategic planning, African innovation risks remaining local, while foreign platforms reap the benefits, urging African creators to ensure their stories are shared globally while retaining cultural identity.

“The world expects good stories. Africa’s stories are rooted in culture, resilience, and spirituality.

“To unlock Africa’s access to global digital assets, we must transform investment, policy, and perception,” she said.