Showbiz
Davido, Tiwa Savage, Others Lighten Giants of Africa Festival
By Modupe Gbadeyanka
Fun seekers at the BK Arena in Kigali, Kenya, on Saturday, August 19, 2023, will not forget in a hurry the excitement they felt seeing their favourite African music stars perform in their presence.
Several musicians from 16 countries converged on the venue to put smiles on the faces of their fans at an event hosted by Spotify in partnership with Giants of Africa for the inaugural Giants of Africa Festival.
It was in celebration of the non-profit’s 20-year anniversary, and the week-long festival did not fall beyond expectations. The event used music and basketball to educate and empower African youths to dream big.
Davido, Tiwa Savage, Tyla and Bruce Melodie were the artists who thrilled the pan-African audience with unforgettable performances.
Tyla, a Spotify Africa RADAR artist, was first on stage as she showcased her Amapiano infused with Afrobeats, pop and R&B style music. She kicked off her performance with her collaboration with Kooldrink, Getting Late, which is also her most streamed track, according to Spotify data.
Interestingly, the market streaming the South African artist the most is Nigeria, followed by her home country. This is likely due to her collaboration with Nigeria’s Ayra Starr on Girl Next Door, which is her second most streamed track and was also included in her Giants of Africa performance. The other countries vibing with Tyla’s music include Kenya, Ghana and Tanzania.
The audience also got a chance to experience her other hits, Been Thinking, To Last and her most recent release, Water. An Amapiano performance would not be complete without choreographed dance moves, which Tyla and her dancers delivered elegantly, leaving the auditorium in awe.
Rwanda’s Bruce Melodie took the stage next, starting off with his collaboration with Khaligraph Jones, Sawa Sawa, which is his second most streamed track on Spotify.
Over the 20-minute performance, Bruce transported the fans through his musical catalogue, from Ikinyafu, Saa Moya 7:00 and Funga Macho. The crowd went wild when ELEMENT EleéeH, Rwandan producer, singer and songwriter, joined Bruce on stage for a performance of their song FOU DE TOi. Bruce then took the audience to church with his gospel song, Urabinyegeza, another of his top streamed tracks on Spotify, before closing off with Katerina, his most streamed song on Spotify. Bruce’s Spotify audience is majorly in East Africa, with Kenya streaming his music the most, followed by Rwanda, Tanzania, Uganda and finally Burundi.
Probably one of the most anticipated performances of the afternoon, Davido took to the stage next. The artist, whose audience is spread out all across the continent, from Nigeria, South Africa, Ghana, Kenya and Zambia gave an electrifying performance that left the audience wanting more.
He opened with Over Dem, from his Timeless album and one of his most streamed songs on Spotify. Davido then transported the audience back in time with hit after hit, including Dami Duro, FIA, Jowo, If, Fall and Risky among others. The showmanship continued, performing High, Ke Star and Champion Sound.
Finally, the moment for his most viral song arrived; Unavailable, is Davido’s most streamed song on Timeless, and the most exported track among 18 -24 year olds, soundtracking many dance videos. The song, the dance moves, and Davido’s close-out performance were everything and more.
The queen of Afrobeats, Tiwa Savage, was the final act on the Giants of Africa stage. Also with a pan-African audience, Tiwa’s Spotify listeners are from Nigeria, South Africa, Kenya, Ghana and Uganda. 49-99, one of her most playlisted songs on Spotify, opened her performance.
Ma Lo, her second most streamed song was next, followed by a string of other hits including KEYS TO THE KINGDOM, Like, Pick Up and an acapella version of Somebody’s Son. Who Is Your Guy was a crowd favourite, as was her most streamed song on Spotify, Koroba. Closing off with Stamina, her top exported track among 18-35-year-olds, Tiwa’s performance showed why she is still the undisputed queen of Afrobeats.
“It was a pleasure to partner with Giants of Africa, particularly for the closing concert, where the audience got to experience some of Africa’s top-tier talent. Africa’s youth are the future, and we are excited to continue to support them through partnerships such as this one,” said Jocelyne Muhutu-Remy after the concert.
By Adedapo Adesanya
The All Africa Music Awards (AFRIMA) and the British High Commission in Nigeria have entered into a cultural partnership aimed at boosting creative exchange, strengthening cultural ties, and opening more international doors for African music as the 9th AFRIMA Awards is set to hold from January 7-11, 2026.
The collaboration, formalised through a newly signed Cultural Cooperation Agreement, also affirms that the British Deputy High Commission in Lagos will co-host the Welcome Soirée for the Nominees and Guests in Lagos, the official opening event of the 9th AFRIMA Awards Week.
The exclusive gathering will take place on January 7, 2026 and in attendance will be AU officials, AFRIMA delegates, jury members, international guests, nominees, creatives, and media professionals for an evening of networking and cultural connection.
Unarguably, Africa’s global music awards, the 9th AFRIMA, is organised by the International Executive Committee of AFRIMA in partnership with the African Union Commission and the Lagos State government as the Official Host City.
Speaking of the partnership, AFRIMA’s Chief Experience Officer (CXO), Mr Adenrele Niyi, described the collaboration as a strategic move to deepen cultural diplomacy through music.
“This partnership reflects AFRIMA’s mission to position African music as a global force,” she said. “Beyond the awards, we are committed to building spaces where creativity meets opportunity and where African talent can confidently engage the world. Working with the British High Commission expands our platform for industry innovation, collaboration, and meaningful cultural exchange.”
Mr Niyi added that this edition of AFRIMA will place strong emphasis on strengthening global creative-industry relationships.
“Partnerships like this show just how relevant African music has become on the world stage. We’re honoured to collaborate with such an important institution, and we believe the impact will go far beyond 2025.”
The agreement, signed by Mr Gill Lever OBE, Chargé d’Affaires, British High Commission Nigeria, aligns with the UK’s ongoing support for Nigeria’s creative industries through enhanced cultural exchange and innovation.
She said, “The UK is delighted to partner with AFRIMA to celebrate the extraordinary creativity and talent of Africa’s music industry. This collaboration reflects our commitment to strengthening cultural ties between the UK and Nigeria, and across the African continent. Our Jollof and Tea campaign has shown us the power of bringing people together through culture, and we’re excited to build on that spirit. We look forward to a week of celebration that showcases the very best of African music and opens new doors for creative exchange and collaboration.”
Across the five-day celebration, the 9th AFRIMA will deliver a lineup of key events including the Diamond Showcase (January 7–8), the Africa Music Business Summit (January 8), Host City Tour and CSR Visit, the Music Village Concert (January 9), the Nominees & Industry Party (January 10), and the Red Carpet and Grand Awards Night (January 11). The awards ceremony will be broadcast live to more than 84 countries, ensuring the excitement reaches audiences around the world.
The fight against content theft intensified on Thursday as MultiChoice Nigeria led stakeholders in a Walk Against Piracy from Ikeja City Mall, Lagos, drawing a powerful mix of Nollywood actors, filmmakers, directors, writers, media personalities, regulators, students, and members of the public.
The walk was part of a broader national advocacy campaign aimed at protecting Nigeria’s creative economy from the escalating damage of piracy. Participants marched through the Ikeja axis, distributing flyers, engaging passers-by, and educating the public on the dangers of piracy and its impact on livelihoods.
Veteran actor, Saidi Balogun, one of the leading voices at the walk, described piracy as “a silent killer draining the lifeblood of the creative industry.”
“People see the glamour but forget the sweat, months of work, and the hundreds of jobs behind a single film,” he said. “When you pirate a movie, you are killing someone’s dream, someone’s job, and the future of an entire industry. It must stop.”
Screenwriter and producer, Obi Emelonye, warned that piracy poses an existential threat to the next generation of creatives.
“Piracy is a menace eating deeply into the industry. If we do nothing, young creatives coming behind us will inherit an economy with no structure, no revenue, and no incentive to create,” he stated. “We cannot allow that future.”
The regulatory perspective came from Charles Amudipe, Deputy Director of Operations at the Nigerian Copyright Commission (NCC), who emphasised both the legal and personal risks tied to piracy.
“Piracy is a criminal offence under Nigerian law, punishable by fines and imprisonment,” he said. “Beyond the legal consequences, consumers who download illegal content expose their devices to malware, identity theft, and financial fraud. It is not worth the risk.”
During the outreach, members of the public raised questions about affordability and alternatives to pirated content. The team responded by highlighting accessible, cost-friendly, and legal platforms available to consumers, underscoring that entertainment can be enjoyed responsibly without breaking the law.
Caroline Oghuma, Executive Head, Corporate Affairs at MultiChoice Nigeria, explained that the walk was a continuation of MultiChoice’s long-standing commitments to consumer education. Last month, the company led a school sensitisation programme at Kuramo Senior College in Victoria Island, teaching students how piracy harms creators and how they can unknowingly participate in it.
“We want to catch them young, take this message into communities, and meet Nigerians where they are,” Oghuma said. “Today’s walk is a reminder that protecting intellectual property is everyone’s responsibility. What we are fighting for is the survival of Nigeria’s creative future.”
Other notable participants included members of the Intellectual Property Law Advocacy Network (IPLAN), lawyers, media executives, content creators, and fans of Nigerian entertainment.
MultiChoice Nigeria reaffirmed its commitment to working with regulators, industry bodies, and stakeholders to champion policies, education, and enforcement mechanisms that safeguard creative work and ensure creators receive fair reward for their labour.
By Modupe Gbadeyanka
The Association of Nigeria Theatre Arts Practitioners (ANTP) has debunked viral news reports that that the chairman of its board of trustees, Mr Olalere Osunpaimo, well known as Lere Paimo, was dead.
In a public notice from the national Public Relations Officer (PRO) of the organisation, Mr Adejonwo Oluwafemi Femson, it was disclosed that the veteran action is “alive and well.”
Members of the public were advised to disregard the death rumour.
“We would like to inform the public that reports circulating on Facebook about the passing of Chief Olalere OsunPaimo (MFR) are FALSE.
“We have confirmed with Baba Eda Onile Ola’s wife that he is alive and in good health.
“Please disregard these false reports and be aware that they are being spread by unscrupulous individuals.
“Chief Olalere OsunPaimo (MFR), Chairman Board of Trustee Association of Nigeria Theatre Arts Practitioners (ANTP), is alive and well.
“We urge everyone to verify information before sharing to avoid spreading misinformation,” the notice disclosed.
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