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Design Indaba, Google Unveil Colours of Africa to Showcase African Creatives

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Colours of Africa

An online initiative known as Colours of Africa has been launched by Design Indaba in partnership with Google Arts & Culture.

The project brings online and showcases 60 specially-curated artworks produced by over 60 unique African creatives chosen by Design Indaba – each invited to contribute a work that captures the ‘colour’ and character of their home country.

Selected by Design Indaba’s founder Ravi Naidoo, the creatives will showcase the best of African craft, product, industrial design, fashion, film, animation, graphic, food, music, jewellery and architecture.

“Africa is known for its bold, unapologetic use of colour. Each country, city and community is identifiable by its unique palette. As Africans, we can tell powerful stories through colour. This project tells a story of a continent through the universally accessible lens,” says Naidoo.

The first artistic undertaking of this scale, the project will allow viewers to discover stories of Africa as told by the African creative community. The artworks will be showcased online where users are invited to spin the kaleidoscope to explore the works in an effort to take users on a journey through Africa,  inviting them to view each country through the eyes of a local artist.

“Google has always been acutely aware and in full support of the immense creative melting pot that exists on the continent. Collaborating with Design Indaba on this project allows us to bring this support to fruition. By empowering and amplifying African voices to tell the unique stories of their cultures through their work and creativity, we hope to provide much-needed exposure, cultivate a newfound curiosity, and provide a window into the vast beauty that exists on the continent,” says Nitin Gajria, Managing Director at Google.

The project involves creatives from almost every discipline imaginable, from architecture, illustration, painting and ceramics through to writing, engineering, the performing arts and visual communications. Their creations have been converted into images, videos, texts and illustrations. The multidisciplinary mix of 60 artists includes Algerian photographer Ramzy Bensaadi, fashion designer Bisrat Negassi from Eritrea, filmmaker Archange Kiyindou “Yamakasi” from the Republic of Congo and visual artist Ngadi Smart from Sierra Leone.

To bring the project to life, Design Indaba collaborated with former Design Indaba conference speaker Noel Pretorius and his creative partner, Elin Sjöberg, who collaborated with Google Arts & Culture Lab to create the design concept and interface for the digital exhibition. The exhibition features a kaleidoscopic navigation tool that can be used to explore the art in a randomised way, giving the visitor a unique experience while allowing the art itself to shine.

“Nothing like this exists to date, so we’re very excited to break new ground. This is an important artistic catalogue, the first of its kind to plot the expanse of African artistry on Google Arts & Culture. We salute Google for taking this important step to provide the world with a resource like this – not everyone can afford to travel here or access physical art fairs and museums to view this kind of work,” continues Naidoo.

In addition to the Colours of Africa platform, the initiative will also see the launch of over 4 000 images, videos and 20 carefully curated exhibits from Design Indaba’s extensive archive. Award-winning initiatives like Sheltersuit, Arch for Arch and Emerging Creatives will be profiled extensively for the first time online.

New works by some of the most important creatives working on the continent and abroad will also be displayed. These include Fozia Ismail (featured creative on Serpentine Gallery’s Creative Exchange programme), Mayada Adil El Sayed (represented Sudanese women at the Generation Equality Forum) and Lady Skollie (winner of the 10th FNB art prize).

Design Indaba, which celebrated its 25th year in 2020, draws top thinkers and guests from across the globe. Acknowledged as the world’s best design conference, it continues to be a leader in foregrounding African creativity, making it the logical ‘home’ for this project.

“We look forward to giving viewers a ticket to experiencing a whole new world, one that is outside of their everyday surroundings and creative knowledge. This project answers the vital call for all to notice and embraces African art in all its wonder,” concludes Nitin Gajria at Google.

As part of the project launch, Design Indaba commissioned Nigerian multi-talented creative and accomplished professional artist, Chief Nike Monica Okundaye, to capture the unique spirit of her country in a colour which represents home to her. She created an original painting titled ‘The Female Drummer/Àyánbìnrin’.

Colour: Royal Blue

Country: Nigeria

Artwork Rationale:

The colour blue in Nigerian indigenous cultures is the colour of love. Before a king ascends the throne, he often has to wear royal indigo blue. In Yorùbá, this is called ẹtù. In northern Nigeria, the colour is also used for the chief or the king. Same in eastern Nigeria. In the north, they sometimes even pound the blue into the turban when they marry a new wife. The whole face is sometimes blue to show love to the new bride. During their Durba, they sometimes wear the shining blue colour in the turbans to show love to the people at the festival.

“I used blue for this painting titled ‘The Female Drummer/Àyánbìnrin’ to illustrate both the love you see here between the drummer and her lover and the love desperately needed in the time of the coronavirus lockdown. In Yorùbá societies, the talking drummer is usually at the front of the palace, sending messages to the king through the medium of the drum — messages that the visitor themselves might not understand. The unique thing about this painting, done during the lockdown, is the use of a female drummer instead of the typical male ones seen in traditional Yorùbá art. My work involves female empowerment — I have trained disadvantaged women, widows, and young women for many years on fabric art — so I am always happy to put women at the forefront of my artistic philosophy”, says Nike Okundaye, Founder and Managing Director of Nike Center for Art and Culture.

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MasterChef Nigeria: Food Meets Fashion

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Food Meets Fashion

This week, the MasterChef Nigeria kitchen turned up the heat as the home cooks faced one of the competition’s most demanding tests yet, the very first team challenge. The team challenge was built around the two ingredients essential to every successful kitchen: leadership and teamwork.

For many, it was unfamiliar territory. Cooking under pressure is one thing, but trusting others, communicating effectively and working together against the ticking clock proved to be an entirely different challenge.

Adding an extra layer of excitement to the challenge, the home cooks were tasked with drawing inspiration from the vibrant and expressive world of Nigerian fashion. To help steer and judge this unique culinary showcase, the MasterChef Nigeria kitchen welcomed renowned fashion expert and founder of Zinkata, Ezinne Chinkata, as guest judge.

Bringing the energy and glamour of the runway into the kitchen, Ezinne introduced eight models fresh from Lagos Fashion Week, setting the stage for a challenge where fashion and food collided in spectacular style.

In a challenge where presentation was just as important as flavour, each team was tasked with creating four dishes inspired by the looks worn by the models. From bold prints and striking colours to intricate textures and silhouettes, every plate had to serve as an edible interpretation of Nigerian fashion, transforming runway style into culinary artistry.

Having secured victory in last week’s challenge, Fads entered the MasterChef Nigeria kitchen with a valuable advantage: the opportunity to select her first teammate. Without hesitation, she chose Demilade, setting the tone for what would become a closely coordinated Red Team.

Made up of Fads, Demilade, Loye and Favy, the Red Team approached the challenge with structure and intention. Under the leadership of Demilade, the team carefully mapped out their menu, ensuring that every dish aligned with the brief and that each home cook had a clearly defined role in bringing their culinary vision to life.

On the other side of the kitchen, the Blue Team — led by David embraced a more free-flowing and instinctive approach to marrying the worlds of fashion and food. However, with differing creative perspectives in the heat of competition, tensions soon surfaced, leading to an unexpected and spirited clash between Isabella and David as the pressure of the challenge mounted.

Despite their challenges, the Blue Team’s organic approach ultimately paid off. Their bold interpretation of the brief impressed the judges, earning them victory and proving that in the MasterChef kitchen, there is more than one recipe for success.

Next week, the members of the Red Team, Demilade, Fads, Loye and Favy enter the MasterChef Nigeria kitchen for the competition’s very first Pressure Test. Who will rise to the occasion and survive the heat — and whose MasterChef journey will come to an end?

Produced by Primedia Group, MasterChef Nigeria is supported by a strong coalition of leading Nigerian brands, including headline sponsor Power Oil, alongside Indomie, Dano Milk, Malta Guinness, Sonia Tomato, Kiara Rice, Golden Penny Flour, Golden Penny Sugar, Golden Penny Garri, Golden Penny Semolina, Golden Penny Chocolate Spread, and Golden Penny Wheat.

The show airs weekly on Sundays at 7 pm on Africa Magic Showcase and Africa Magic Family with rebroadcasts on Wednesdays at 6 pm on Africa Magic Showcase and Thursdays at 12 pm on Africa Magic Family.

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Museums Are Strategic Drivers of Tourism, Education, National Identity—YSMA Director

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Yemisi Shyllon Museum of Art YSMA

By Modupe Gbadeyanka

The director of the Yemisi Shyllon Museum of Art (YSMA) of Pan-Atlantic University, Lagos, Mr Jess Castellote, has described museums as not only cultural institutions, but strategic drivers of tourism, education, and national identity.

He said this when the facility welcomed a delegation of the board of trustees and governing council of the Eko Tourism Foundation (ETF) on May 11, 2026.

The visiting team was led by the former Minister of Information and Culture, Mr Lai Mohammed. The visit reinforced the growing alignment and importance of art, heritage, and the creative economy to Lagos State’s ambitions of becoming a global cultural tourism hub.

Mr Castellote described the visit as a strong affirmation of the museum’s growing relevance within Nigeria’s tourism and cultural landscape.

“YSMA was founded with the vision of preserving Nigerian art and making it accessible to the public through learning and engagement. To see this vision align so naturally with Lagos State’s broader cultural tourism aspirations is both relevant and encouraging,” he enthused.

The Vice-Chancellor of Pan-Atlantic University, Prof. Enase Okonedo, in her remarks, stressed the importance of partnerships that connect education, culture, and public impact.

“At Pan-Atlantic University, we strongly believe that universities must contribute meaningfully to society beyond the classroom,” she remarked.

“The Yemisi Shyllon Museum of Art embodies that commitment by serving as a centre for education, cultural preservation, and community engagement. We commend ETF for the excellent work they are doing.

“Collaborations and visits of this nature strengthen the role of both the university and the museum within the wider vision of Lagos as a globally competitive cultural capital,” the university don stated.

In his speech, Mr Mohammed underscored the role of culture as the foundation of sustainable tourism and described YSMA as one of the kinds of institutions capable of reshaping how the world sees Lagos and Nigeria.

“Tourism thrives on identity, memory, and authentic experiences, and institutions like the Yemisi Shyllon Museum of Art are central to that vision,” he said.

“Lagos cannot aspire to global cultural relevance without investing in and promoting places that preserve our stories, celebrate our creativity, and project the richness of our heritage to the world. What has been built here at YSMA represents exactly the kind of cultural destination that belongs on the itinerary of every visitor to Lagos,” he added.

The former Minister donated copies of his recent book, Headlines and Soundbites: Media Moments that Defined an Administration, to the Pan-Atlantic University Library.

Established in 2019 as Nigeria’s first purpose-built and privately funded university museum, YSMA is evolving into one of West Africa’s most important cultural institutions, combining a globally significant art collection with educational and community-enriching programming.

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Facebook 2026 ‘Made by Africa’ Campaign Features Kehinde Bankole, Others

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Facebook Made by Africa Campaign

By Aduragbemi Omiyale

Social media giant, Facebook, is celebrating the 2026 Africa Day on May 25 in a bid way through the launch of the sixth edition of its pan-African campaign, ‘Made by Africa, loved by the world: Where stories spark community.’

This year’s focus is on African cinema, and it features five talents from the sector, who are Kehinde Bankole (Nigeria), Linda Mtoba (South Africa), Nomzamo Mbatha (South Africa), Osas Ighodaro (Nigeria), and Tobi Bakre (Nigeria).

The campaign features a five-part vodcast series profiling these five internationally acclaimed actors and filmmakers, hosted by leading African podcasters, I Said What I Said (Nigeria), and Because We Said So (South Africa).

Each episode explores the talent’s creative journey, global impact, and how they use Facebook to build communities and connect with fans worldwide.

Vodcast snippets will be available on the Meta Africa Facebook page, with full episodes on the I Said What I Said and Because We Said So podcasts and talent profiles.

Speaking about the campaign, Kezia Anim-Addo, Communications Director, Africa, Middle East & Turkey at Meta, said: “For six years, Made by Africa has spotlighted talent from across the continent making a mark globally. This year, film takes centre stage. From Nollywood to South African cinema, African stories are reaching audiences worldwide, and Facebook is at the heart of how people come together around cultural moments like these. This campaign backs the filmmakers driving that momentum.”

Also, the hosts of I Said What I Said, FK Abudu & Jola Ayeye, said, “We’re excited about this partnership and the chance to collaborate with Facebook in celebrating Africa Day with other brilliant African creatives. Being able to spotlight creators with global impact feels incredibly special to us, and we look forward to more partnerships and opportunities to champion African creativity.”

Also, the anchors of Because We Said So, Zama Marubelela & Landzy Gama, said, “As young African content creators, we’re passionate about celebrating African excellence, identity, and culture through honest and relatable conversations. Having Nomzamo Mbatha and Linda Mtoba on Because We Said So made this collaboration with Meta even more special, as they both continue to represent Africa on a global stage while sharing authentic African stories with the world. We’re excited to amplify these voices and be part of a campaign that celebrates African talent, creativity, and storytelling on a global scale.”

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