Showbiz
GOtv: Bridge Between Entertainment and Culture Preservation
In the age of globalisation, there is an inherent risk of cultural dilution, misrepresentation, and possibly extinction. But in this era, the Nigerian entertainment and culture projection is on an upward trajectory. Afrobeats is now a global phenomenon. Nollywood and the Nigerian fashion industry are attracting global attention and investment like never before, and our talents gaining global recognition.
This new evolution is not from the blue. It is a result of years of deliberate focus on promoting indigenous content: movies, shows, and programmes that project traditions and narratives that might otherwise be overshadowed by the global mainstream.
The broadcast media, especially the Digital Terrestrial Television platforms, have been major contributors to this development. Key in this regard is GOtv, which is the market leader. With an array of dedicated local content channels, GOtv broadcasts shows, events, movies and other content that project the diverse culture and heritage of Nigerian communities directly into millions of homes.
“I think it is important for us to know that even the Nigerian audience has been revolutionised. A platform like Africa Magic has reconnected us to who we are. It permitted us to be all that we can be as Africans, embracing our stories, history and heritage, and it is on these legs that we can go to the world and stand tall. In an era of globalisation, unless you know and express who you are uniquely in this world, you are very likely to be irrelevant,” said ace movie producer, Femi Odugnemi.
Africa Magic currently has seven channels (AM Showcase, Yoruba, Hausa, Igbo, AM Epic, Family and AM Urban). The channels are dedicated to indigenous stories that tell unique African stories that reflect the everyday lives of African communities. Six of these channels are available on GOtv, which makes the platform a catalyst for preserving and evolving the rich cultural heritage of communities.
In celebration of Africa Magic’s 20th anniversary, MultiChoice announced that the platform had produced over 35,000 hours of indigenous content. The rich collection of Africa Magic originals such as Battleground, Ajoche, Riona, Irora Iya, Enakhe, and Hotel Majestic, among others, have graced GOtv channels over the years.
According to Caroline Oghuma, Executive Head, Corporate Affairs, MultiChoice (West Africa), GOtv celebrates and promotes the rich culture, customs and traditions of Nigeria and Africa with its reach and affordability. “GOtv is a digital fusion of high-quality entertainment and affordability. At MultiChoice, we invest heavily in local content, by commissioning and licensing stories that project the culture and heritage of Africa, in line with global production standards. These stories convey our rich values, beliefs and traditions while providing top-notch entertainment to the audience. And we make the rich array of content available to lower-income customers in rural and urban communities, via the GOtv platform,” Oghuma said.
Beyond the realms of fiction, reality TV shows and music programmes air constantly across GOtv channels. Nigeria’s music industry has become a global force, and GOtv ensures that this phenomenon is not confined to exclusive spaces. Through music channels that spotlight both established and emerging artists, GOtv celebrates the richness that emanates from every corner of the country. From Afrobeat to highlife, viewers experience the heartbeat of Nigeria through their screens.
Speaking further, Oghuma said the company is taking customer experience on GOtv a notch higher with the newly launched live stream app. “GOtv Stream reshapes the content consumption pattern of GOtv customers by offering real-time access to their favourite content. The introduction of GOtv Stream underscores our commitment to delivering top-quality service, powered by innovation and technology to our customers.
“GOtv Stream also enables a personal viewing experience and connection, as it grants users the flexibility to create up to four profile accounts, download preferred content for offline viewing, create a watchlist and control content suggestions on the app,” she added.
GOtv’s impact is not confined to urban centres. It extends to the farthest corners of Nigeria. In rural communities, GOtv is a window to the broader world of Nigerian culture, which affords families to gather around their screens, and share moments that resonate with their personal experiences.
GOtv services are currently accessible in 46 cities across 25 states of the country. By matching reach, top-quality indigenous content with affordability for customers, GOtv continues to be a vehicle of culture transmission and preservation in Nigeria and by extension, Africa.
Showbiz
Paramount+, HBO Max to Become One Streaming Entity After WBD Deal
By Adedapo Adesanya
Paramount+ and HBO Max will become a single, unified streaming service after Paramount Skydance stepped in to acquire Warner Bros. Discovery (WBD) following the surprise exit of Netflix from the bid.
The company’s chief executive officer (CEO), Mr David Ellison, announced during a call with investors on Monday that the company plans to merge Paramount+ and HBO Max into a single, unified platform.
“Our combined company will be home to many of the greatest, most recognisable and beloved franchises in the world, from ‘Harry Potter’ to ‘Top Gun,’ ‘Star Trek’ to ‘Looney Tunes,’ ‘Game of Thrones’ to ‘Yellowstone.’ This represents a tremendous opportunity, and we fully intend to invest in the creative engines of both studios, making them the most sought-after destination for the industry’s leading creative talent,” he said.
Mr Ellison also reassured investors that HBO’s identity and creative vision as a studio would remain unchanged.
“Our viewpoint is HBO should stay HBO.” He also committed to maintaining a robust theatrical slate, pledging 15 films per year, per studio, for a total of at least 30 annual theatrical releases.
This announcement comes on the heels of Paramount’s recent agreement to acquire WBD in a deal estimated at $110 billion. The merger would bring together a vast array of film, TV, and news assets under one corporate entity and is expected to upend the Hollywood landscape as we know it. It also furthers the trend of consolidation seen among other major streaming platforms, such as the combination of Disney+ and Hulu.
With a projected subscriber base of over 200 million, the new streaming service will be positioned as a serious contender among the top streaming giants.
However, the merger also invites close scrutiny from the US Department of Justice over concerns about media concentration and market competition.
Also, industry observers warn that the merger is likely to result in significant job cuts, heightening employee anxieties over layoffs and wage reductions.
There have also been concerns over editorial independence, particularly in light of the Ellison family’s political connections to Donald Trump and increasing scrutiny of newsrooms at CBS and CNN.
Regardless of the concerns, Mr Ellison was optimistic that the transaction would move forward smoothly.
He described the merger as “pro-competition, pro-consumer, and pro-creative community,” emphasising the transaction will “create a stronger Hollywood and global production ecosystem, one that expands consumer choice and unlocks opportunities for creative talent.”
Showbiz
Netflix Walks Away from Warner Bros Deal After Paramount’s Huge Offer
By Adedapo Adesanya
Streaming giant, Netflix, has backed away from its proposal to buy Warner Bros Discovery, clearing the way for Paramount Skydance to win the long battle for one of Hollywood’s most storied studios in a deal worth over $100 billion.
Warner Bros, which announced it was up for sale last year, said Paramount’s latest bid was “superior” to the one from Netflix, which in turn refused to raise its offer.
Paramount, which has been insistent regarding the deal, would also need approval from the US Department of Justice as well as European regulators.
Netflix executives say they have declined to match Paramount’s bid as “the deal is no longer financially attractive” at that price.
The buyer would gain control of the iconic studio along with its films and media networks.
The takeover has been touted to significantly reshape the global media landscape, which includes the streaming market.
Last December, Warner Bros agreed to a takeover offer from Netflix for some of its assets, in a deal worth roughly $82 billion, including debt.
Paramount then made a rival proposal, which was refused by Warner Bros, but an increased offer was made earlier this week, boosted by $1 per share.
“The transaction we negotiated would have created shareholder value with a clear path to regulatory approval,” Netflix co-chief executives Ted Sarandos and Greg Peters said in a statement. “However, we’ve always been disciplined.”
“This transaction was always a ‘nice to have’ at the right price, not a ‘must have’ at any price,” the Netflix executives added.
The announcement came just hours after Mr Sarandos had visited the White House on Thursday.
The development marks the possible end of the saga that saw offers and refusals and could possibly change the global streaming market as Paramount is backed by some of the biggest names in the industry, including Oracle owner, Mr Larry Ellison.
Showbiz
Why Wildlife Shows Hook Us: The Allure of NatGeo Wild
There is something undeniably captivating about wildlife documentaries. The moment a predator locks eyes with its prey, the awe of seeing animals in their natural habitat, the thrill of nature’s drama playing out in real time. These are experiences that rein us in and refuse to let go. NatGeo Wild doesn’t just show the wild; it invites us to feel it, understand it, and marvel at it.
What is it about the wild that keeps pulling us back, no matter how many times we watch?
The Explorer in All of Us
At our core, we are wired much like the animals we watch. Curiosity drives us the way it drives a leopard to investigate a sound in the distance. Wildlife shows activate that instinct. We scan scenes like hawks from above, reading body language, anticipating danger, noticing subtle shifts in behaviour. In these moments, we’re more than viewers; we’re explorers, investigators, and sometimes even adventurers.
It’s a way to witness danger safely. A way to test our instincts and a way to connect with the power and beauty of the natural world, all from the comfort of home.
The Comfort of Nature’s Stories
Nature may be ruthless, but it is rarely random. Like a herd moving in rhythm or a pack operating with purpose, wildlife shows follow a structure we instinctively understand: predator and prey, threat and escape, loss and resilience.
Within a single episode, chaos settles into balance. Even in harsh environments, there is order just as there is in the wild. That predictability offers comfort, reminding us that survival follows rules, patterns, and rhythms older than humanity itself.
NatGeo Wild Shows That Keep Us Glued to the Screen
Over the years, NatGeo Wild has mastered the art of storytelling that moves like nature itself, quiet when it needs to be, explosive when it matters most. These are not just documentaries; they are immersive experiences that sharpen the senses and stir instinct.
Africa’s Deadliest
Step into the African wilderness, where survival is a daily contest of speed, strength, and strategy. Africa’s Deadliest introduces us to predators that hunt with the patience of chess players and the precision of seasoned warriors. From crocodiles lying in wait beneath murky waters to lions coordinating attacks across the savannah, each episode breaks down how instinct, timing, and dominance decide who eats and who doesn’t.
Wild, Smart and Deadly
Wild, Smart and Deadly is where brains meet brawn in the animal kingdom. This series delves into the intelligence behind nature’s deadliest hunters, showcasing creatures that use strategy, cunning, and sheer wit to survive. From octopuses escaping predators with mind-blowing tricks, to predators setting up elaborate ambushes, every episode reveals how survival in the wild is a high-stakes chess game. Watching it feels like witnessing nature’s most elite tacticians at work, where one smart move can mean the difference between life and death.
Born in Africa
In the wild, birth is only the beginning. Born in Africa follows young animals from their first breath into a world that offers no mercy. Every stumble, chase, and lesson learned is part of a race against time. From a giraffe learning to stand within minutes to lion cubs discovering the rules of dominance, the series captures vulnerability, growth, and resilience in its purest form.
Wild Mediterranean
The Mediterranean may look serene, but beneath its surface lies a battlefield of survival. Wild Mediterranean uncovers a world where predators hunt in crystal waters and creatures adapt to shifting coastlines and hidden dangers. From dramatic underwater pursuits to life along rugged shores, the series reveals a region shaped by adaptation, resilience, and quiet ferocity.
Hostile Planet
Here, nature shows no mercy. Hostile Planet explores environments so extreme they feel uninhabitable, yet life persists. Animals endure freezing tundras, scorching deserts, and violent storms, adapting in ways that defy belief. Every episode is a testament to resilience, revealing how instinct, evolution, and sheer willpower allow life to survive against impossible odds.
These shows captivate because they do more than entertain; they educate, inspire, and transport us into worlds we’d rarely get to see otherwise. Every episode is an invitation to explore, learn, and marvel at the wonders of nature.
Catch all these incredible wildlife stories on NatGeo Wild, GOtv Channel 100.
Subscribers can also enjoy more value with the We Got You offer, available until 28th February 2026. Pay for your current package and automatically get upgraded to the next one at no extra cost, giving access to more channels, more shows, and more moments like these.
To subscribe, upgrade, or reconnect, download the MyGOtv App or dial *288#. You can also stream anytime with the GOtv Stream App.
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