Showbiz
Meet the Characters You’ll Love, Hate, or Side-Eye on Africa Magic Shows
If you’ve spent any time glued to Africa Magic, you already know the characters aren’t just actors, they’re living rent-free in your head. Whether you’re rooting for the underdog, side-eyeing the shady bestie, or yelling “this man again?” every time a villain walks on screen, one thing’s for sure: Africa Magic knows how to build unforgettable characters.
Here’s a rundown of the personalities lighting up your screens, and why you can’t stop talking about them.
The Ones You Can’t Help But Love
Nnanna from Cheta’ M

Nnanna is deep in love, like “my whole world begins and ends with Adanna” kind of deep. He’s loyal, supportive, and always ready to stand up for their relationship, even when it’s clearly getting messier by the day. His heart’s in the right place… even if his judgment sometimes isn’t.
Odafe Jr from The Yard
Odafe wants real change. Passionate, principled, and gutsy, he’s taking on corruption at Ajagoro bus park, even when it puts him at odds with his own father. He believes in doing things the right way, and that kind of moral compass? Easy to love.
The Ones You Love to Hate
Tiny from Our Husband

At first, you feel for Tiny. Her heartbreak feels raw and real. But the more her story unfolds, the more you start asking: How didn’t she know? Was she blind to the signs, or just willfully ignoring them? You want to root for her, but sometimes… It’s complicated.
The Ones You’ll Definitely Side-Eye
Dayo from Hustle

Dayo is the definition of good intentions, questionable execution. He’s just trying to survive Lagos, and he stays upbeat even while making the kind of decisions that’ll have you shouting at your screen. He’s messy, chaotic, and lowkey lovable… but your eyebrow is definitely raised.
Deino from Wings

As a journalist, Deino is fearless, smart, and principled. But behind the scenes, her personal life is anything but clear-cut. Her lines get blurry fast, and sometimes you’re not sure whether she’s upholding the truth or being pulled under by it. She’s sharp, but her moral compass? TBD.
Africa Magic has mastered the art of building layered, human characters who reflect real struggles, triumphs, and messy in-betweens. Whether they’re navigating love triangles, power struggles, or moral dilemmas, these characters feel real, which is why you’re still thinking about them long after the credits roll.
So next time you sit down to watch, prepare for the full emotional rollercoaster: the love, the rage, the eye-rolls, and the group chat debates. Because with Africa Magic, it’s never just a show, it’s personal.
Showbiz
Beyond Awards Night: How AMVCA Intentionally Celebrates Every Layer of the Industry
There’s a bigger truth at the heart of every award season: an entire industry can’t be neatly packaged into a list of winners and nominees.
It’s just not that simple.
There are too many moving parts. Too many stories. Too many people are doing the actual work on screen, behind the scenes, in rooms nobody sees, on sets that don’t trend, on projects that don’t always make the final cut of conversations.
And yet, that’s what most award shows try to do. Wrap everything up in one night. Hand out plaques. Roll credits.
But the Africa Magic Viewers’ Choice Awards (AMVCA) approaches it differently, and that difference shows in how the entire week is designed.
Because instead of compressing the industry into one moment, AMVCA stretches it out. It creates space. It acknowledges that different parts of the industry need different kinds of recognition.
Take Young Filmmakers’ Day, for example. This is not about who has “arrived.” It’s about who is coming. The ones still figuring it out, still building, still trying to get seen in an industry that doesn’t always make room easily. This day shifts the focus from applause to access. It says the future of the industry deserves its own spotlight, not as an afterthought, but as a starting point.
Then there’s Icons Night, and this is where memory comes in. Because long before the current wave, before the buzz, before the visibility, there were people who held things together. Who created, contributed, and carried the industry in ways that don’t always translate into award categories. AMVCA makes room for that kind of recognition, too, the kind that isn’t about competition but about contribution.
Cultural Night does something else entirely. It reminds you that beyond the films and the series and the technical credits, there’s identity. There’s heritage. There’s a deeper layer to the work being celebrated. It’s expressive, it’s vibrant, it’s fun, but it’s also grounding. Because storytelling doesn’t exist in isolation; it’s shaped by culture, by language, by lived experience. And this night leans fully into that.
And then, finally, Awards Night. The part everyone shows up for. The glamour, the wins, the reactions, the moments that will dominate timelines. It’s the culmination, the high point.
But when you look at everything that happens before it, you start to realise something important:
The awards are just one piece of the puzzle.
What AMVCA gets right is understanding that the industry is not one story; it’s many stories happening at once. Some loud, some quiet. Some celebrated, some overlooked. And if you’re going to truly honour that, you have to go beyond a single night.
So instead of trying to make everything fit into one frame, AMVCA expands the frame.
And in doing that, it doesn’t just celebrate winners. It celebrates the work, the people, and the layers that make the industry what it is.
Showbiz
20 Complete MultiChoice Talent Factory Training in Grand Style
By Modupe Gbadeyanka
No fewer than 20 young filmmakers from Nigeria and Ghana have completed the 2026 cohort of the MultiChoice Talent Factory West Africa Academy.
This is an initiative of MultiChoice, a Canal + Company, designed to develop young talent for Africa’s film and television industry.
The nine-month programme, put in place in partnership with Pan-Atlantic University, blends academic excellence with hands-on industry exposure, offering specialised training in directing, producing, scriptwriting, cinematography, and editing.
Demonstrating their readiness for the business of film, five graduates launched two independent companies during the academic year: Muri Marun Stories, a production house founded by Tolulope Akande, Opeyemi Obasa, and Dorathy Ufot; and CineX Mart Limited, a marketing and distribution firm established by Abdulsalam Ibrahim Oladimeji and Audu Israel Yakubu.
In recognition of this innovation, Muri Marun Stories Limited was announced as the recipient of the CEO’s Entrepreneurial Award, accompanied by a N2 million prize to support the company’s growth.
CineX Mart Limited also received special recognition for its strong business potential and early industry traction. It is already making significant industry inroads, having successfully placed the short film The Phone Call on Minflix and managing the marketing for the MTF film Trouble for Two.
Individual creative excellence was equally prominent, with student Kwaku Edusei Acquah earning the Audience Choice Award at the Lift-Off Global Network Film Festival for his film. The Imperfect Plan, alongside notable projects from peers Amirat Yakub and Emmanuella Nwachukwu.
Further recognising his outstanding creativity, Kwaku Edusei Acquah was awarded the Creative Innovator Award by the University for the Creative Arts, presented by Seyi Agboola, Senior International Recruitment Manager. The award comes with a £1,500 prize to support his continued development.
“This graduation marks a defining moment not just for these students, but for the future of African storytelling. They are no longer learners, but part of a distinguished creative community shaping narratives across the continent.
“Through their work, they are already creating jobs, inspiring communities, and positioning African stories where they belong; at the centre of the global stage,” the chief executive of MultiChoice Nigeria, Ms Kemi Omotosho, said.
On his part, the Dean for the School of Media and Communication at Pan Atlantic University, Mr Ikechukwu Obiaya, said, “This is the end of a phase, but only the beginning of your journey. You must commit to continuous learning, collaboration, and curiosity. The industry does not reward complacency; it rewards those who are intentional about growth.”
MTF’s long-term impact is best mirrored in the global success of its alumni. Most recently, the Class of 2021’s digital platform, Filmmakers Mart, received World Bank Group support to fuel a five-country expansion. Furthermore, Blessing Bulus earned the Women in Arts Impact Grant for the documentary Mi Tazi, while Ebuwa Desmond Ekunwe secured a prestigious fellowship at Germany’s Filmakademie Baden-Württemberg.
Additionally, Alice Johnson has stepped into a key leadership role at the Goethe-Institut, coordinating Africa-Europe cultural partnerships.
Showbiz
AMVCA Young Filmmakers Day: Where African Talent Meets Opportunity
As African storytelling continues to reach new audiences around the world, a new generation of filmmakers is stepping up with bold ideas, fresh perspectives, and stories that feel anything but ordinary. Helping to drive this momentum is the MultiChoice Talent Factory, which is setting the stage for Young Filmmakers Day ahead of its Awards Night on May 6.
This special gathering is more than a pre-awards celebration. It serves as a bridge connecting aspiring filmmakers with the industry experts who are actively shaping Africa’s creative economy. The focus is clear: create a space where talent meets opportunity, and where ideas are not only shared but refined into careers.
A Space for Audacious Storytelling
With the theme “Audacious Storytelling & Attracting The Right Opportunities,” the event is positioned as a call to action for young creatives across the continent. It reflects a growing shift in African storytelling, one that encourages risk-taking, originality, and authenticity.
From script development to production insights, participants will have the opportunity to engage directly with industry professionals, gaining practical guidance on how to navigate an increasingly competitive film landscape. The conversations are expected to move beyond inspiration into how stories are shaped, funded, and positioned for both local and global audiences.
Building the Next Generation of African Filmmakers
What makes Young Filmmakers Day significant is its intentional focus on access. For many emerging creatives, breaking into the film industry is not just about talent; it is about connection. This initiative seeks to close that gap by placing young storytellers in the same room as decision-makers, mentors, and established creators.
Backed by Canal+ through its investment in creative development across Africa, the program reinforces a long-term vision: to strengthen the continent’s storytelling pipeline and ensure African narratives continue to evolve on global platforms.
How to Participate
Aspiring filmmakers interested in attending are encouraged to register by sending an email to [email protected]. Slots are limited to reinforce the exclusivity and value of direct engagement with industry leaders.
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