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Nigeria Will Add $2.8b, Kenya $3.2b, SA $13.4b to E&M Sector by 2021—Report

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By Dipo Olowookere

A report by PwC titled ‘Entertainment and Media Outlook: 2017 – 2021: An African Perspective’ has revealed that during the period under review, Nigeria will contribute about $2.8 billion to the Entertainment and Media industry.

According to the report, “In terms of total E&M revenue, Nigeria is one of the fastest-growing countries in our Outlook, but this figure must be treated with caution, as a huge proportion of that growth comes from Internet access revenue alone–specifically mobile Internet access revenue.

“Of the $2.8 billion that the Nigerian market will add between 2016 and 2021, all but $452 million will come from Internet access revenue. The combined elements of TV and video will add nearly $200 million in revenue growth to 2021.”

PwC, in the report, explained that the Outlook was a comprehensive source of analyses and five-year forecasts of consumer and advertising spending across five countries (South Africa, Nigeria, Kenya, Ghana and Tanzania) and 14 segments: Internet, data consumption, television, cinema, video games, e-sports, virtual reality, newspaper publishing, magazine publishing, book publishing, business-to-business publishing, music, out-of-home, and radio.

The report further pointed out that it observed significant shifts are underway in how Africa’s E&M companies compete and generate value, as the quality of the experience they deliver to consumers becomes their primary basis for strategic differentiation and revenue growth.

To thrive in a marketplace that is increasingly competitive and crowded, companies are focusing on implementing strategies and building capabilities to engage with consumers.

It said for Kenya, “The E&M industry was worth $2.1 billion in 2016, up 13.6 percent on 2015. Revenue is forecast to grow at an 8.5 percent CAGR over the next five years, hitting the $3 billion mark in 2020, and totalling $3.2 billion in 2021.

“Internet access is the most established industry within the Kenyan market, boasting the largest revenues and one of the highest growth rates to 2021.”

However for Ghana, its E&M industry is beginning to gear up.

“In 2012, total revenue was just at $214 million, but four consecutive years of year-on-year growth above 25 percent have led it to revenues of $685 million in 2016. This is forecast to more than double over the next five years, with revenues of $1 billion being surpassed in 2019 and a total of $1.5 billion forecast for 2021, thanks to a 16.5 percent CAGR,” the report stated.

According to PwC, “Tanzania’s total E&M revenue stood at $504 million in 2016, but is set to more than double to $1.1 billion in 2021, a 17.2 percent CAGR over the coming five years.

“The symbolic crossing of the $1 billion mark is set to occur in 2021. This is significant growth from 2012 where the industry stood at just $175 million.”

The report, in its analysis of the South African market, said by 2021, total E&M revenue in the country is expected to reach R177.9 billion (about $13.4 billion), up from R132.7 billion in 2016.

It noted that internet access remains the key growth driver and will account for R27 billion of this increase.

The fastest growing sectors will be virtual reality (VR) and e-sports compounded annually at 72.6% and 39.6%, although these segments are still new revenue lines and remain the smallest in terms of absolute revenue numbers. Although overall growth in revenue will hold up, it is expected to slow down by the end of 2021.

“Companies that wish to capture value amid shifting consumer preferences and business model disruptions must focus on an increasingly prominent source of competitive advantage: the user experience. They must harness technology and data to attract, retain and engage users–and convert them into devoted fans,” says Vicki Myburgh, Entertainment and Media Industry Leader for PwC Southern Africa. These imperatives assume a larger importance because, as we document in the Outlook, the entertainment and media industry is confronting several challenges to continued top-line growth.

Digital spend will continue to drive the overall growth. Nearly 40% of total spend will be derived from Internet access in revenue. South Africa’s mobile Internet penetration is forecast to rise to 77.8% by the end of 2021 from 52.3% in 2016. This increased Internet penetration will drive mobile Internet access revenues, which are projected to grow by a CAGR of 10.7% to nearly R62 billion.

South Africa can expect a CAGR of 7.2% for consumer revenue over the forecast period, rising from R87.4 billion in 2016 to R123.7 billion in 2021. The largest contributor will be Internet access, with a 48% share in 2016 rising to 56% in 2021.

South Africa continues to remain the largest TV market on the African continent, with total revenues of R40.9 billion in 2016. The total TV market is estimated to be worth R51.2 billion by 2021. At this time, end-user spending (Pay-TV subscriptions, physical and Internet home video and license fees) will account for 56.7% of the total TV market.

The video game market is also performing well and revenue is forecast to grow at a CAGR of 15.4% to reach R5.4 billion in 2021, up from R2.6 billion in 2016. The primary growth driver in the video games market is social/casual gaming revenue, which will be worth R3.7 billion by 2021. Furthermore, the console and PC markets are experiencing a significant shift towards digital and online/micro transaction revenue, which will exceed physical sales for the first time in 2020.

The growing interest in gaming is helping to fuel the rapid growth in the related segment of VR and e-sports. As a segment that only reached consumers in 2016, almost the entire VR market is new. According to the Outlook, the consumer VR content market will be worth R455 million by 2021. Of this, R282 million will be spending on VR video.

Alongside video, the B2B market is showing continued growth. In 2016 revenues grew by 3.8% to R9.7 billion and by 2021 this is forecast to rise to R11 billion, a CAGR of 2.6%. The slowdown in growth is largely attributable to ongoing macroeconomic challenges which are likely to weigh on B2B revenues.

The South African cinema sector currently presents a mixed picture. Overall revenue, including box office and cinema advertising, is expected to reach R2.2 billion in 2021, up from R1.9 billion in 2016. South Africa continues to be an attractive destination for international filmmakers. Although some short-term economic and political issues are impacting the film sector, it is expected in the long term to continue to expand.

South Africa’s music industry is on a growth curve with live music being a key driver. Live music revenue is expected to rise from R1.2 billion in 2016 to R1.7 billion in 2021, a CAGR of 7.4% over the forecast period.

It is notable that only one digital subcomponent is seeing a significant decline in the entire Outlook – digital music downloading revenue, which is forecast to see a -15.7% CAGR, as consumers shift from ownership to access. Digital music streaming revenue is forecast to rise at a CACR of 34.5% to 2021, reaching R518 million in that year. This growth rate is only beaten by new revenue lines from VR and e-sports.

Among the largely non-digital segments, magazines and newspaper revenue are set to continue their decline. Total newspaper revenue in the South African newspaper market has been unpredictable. The market showed growth in 2013, declined in 2014 and bounced back marginally in 2015, contracting at a slower rate. In 2016, total newspaper revenue was worth R8.9 billion, but this figure is forecast to drop to R7.4 billion in 2021. Marginal growth is expected for the book publishing industry over the next five years. The educational book market will contract by a -0.1% CAGR. On the contrary, professional titles and consumer books will exhibit some growth as e-book revenues continue to grow.

The report shows that South Africa’s total entertainment and media advertising revenue is expected to rise to R54.2 billion by 2021 from R45.3 billion in 2016, representing a 3.7% CAGR. TV advertising remains dominant, but in terms of absolute growth it is Internet advertising that is almost an equal contributor, helped by a sizeable 12.9% CAGR.

Myburgh says: “It is clear that something fundamental has changed in the entertainment and media industry. E&M companies that have become accustomed to competing and creating differentiation, based primarily on content and distribution, need to focus more intensely on the user experience. The marketplace has increasingly become more competitive, slower-growing and dependent on personal recommendations.

“Thriving in this new world of intense competition and continual disruption will be challenging. The opportunities are, however, immense. Across the industry, the resulting quest to create the most compelling, engaging and intuitive user experiences is now the primary objective for growth and investment strategies, with technology and data at the centre.

“Accordingly, companies will need to develop strategies to engage, grow and monetise their most valuable customers: their fans.”

Dipo Olowookere is a journalist based in Nigeria that has passion for reporting business news stories. At his leisure time, he watches football and supports 3SC of Ibadan. Mr Olowookere can be reached via [email protected]

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Popular Telenovela Wura Returns for Season 4 on Africa Magic March 30

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Wura Season 4 returns

By Modupe Gbadeyanka

The popular Nigerian telenovela, Wura, is making a return to the screens on Monday, March 31, 2026, for the fourth season.

The programme will be aired exclusively on Africa Magic Showcase (DStv Channel 151, GOtv Channel 8) and Africa Magic Family (DStv Channel 154, GOtv Channel 7), Business Post gathered.

It will air every weeknight at 8 pm on Africa Magic Showcase (DStv Channel 151, GOtv Channel 8) and at 8:30 pm on Africa Magic Family (DStv Channel 154, GOtv Channel 7).

Directed by Mr Rogers Ofime, Season 4 raises the stakes as Wura’s carefully built empire begins to crack under the weight of secrets, betrayal, and relentless pressure from every side. As alliances shift and loyalties are tested, the Adeleke dynasty stands on the brink of collapse.

A statement disclosed that the new season continues to follow the story of Wura Amoo Adeleke, the ruthless matriarch played by Scarlet Gomez, as she fights to survive the fallout from Season 3’s explosive ending.

Haunted by guilt and surrounded by enemies, Wura must protect her empire while her own family turns against her.

Wura Season 4 features an ensemble cast, including Ray Adeka, Yomi Fash-Lanso, Ego Iheanacho, Modesinuola Ogundiwin and many more.

“Season 4 is about consequences. Everything Wura has done, every choice she’s made, is coming home to roost. This season, we’re not holding back,” Mr Ofime said.

Also commenting, the Executive Head of Content and Channels at MultiChoice, Ms Atinuke Babatunde, said, “Wura represents the calibre of bold, compelling storytelling that Africa Magic was built to showcase.

“Bringing this powerhouse series to our platform is a statement about our commitment to premium African content. We’re proud to bring Wura to millions of viewers across the continent.”

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Oscars 2026: The Complete Winners List

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2026 oscar winners

By Adedapo Adesanya

The 98th edition of the celebrated Academy of Motion Picture Arts and Sciences Awards, known as the Oscars, was held on Sunday, March 15.

The ceremony was hosted by actor and comedian, Conan O’Brien.

Here is the compiled list of winners at the showpiece.

Best Picture

Bugonia

F1: The Movie

Frankenstein

Hamnet

Marty Supreme

One Battle After Another – WINNER

The Secret Agent

Sentimental Value

Sinners

Train Dreams

Best Actor

Timothée Chalamet, Marty Supreme

Leonardo DiCaprio, One Battle After Another

Ethan Hawke, Blue Moon

Michael B. Jordan, Sinners – WINNER

Wagner Moura, The Secret Agent

Best Actress

Jessie Buckley, Hamnet – WINNER

Rose Byrne, If I Had Legs I’d Kick You

Kate Hudson, Song Sung Blue

Renate Reinsve, Sentimental Value

Emma Stone, Bugonia

Best Supporting Actor

Benicio del Toro, One Battle After Another

Jacob Elordi, Frankenstein

Delroy Lindo, Sinners

Sean Penn, One Battle After Another – WINNER

Stellan Skarsgård, Sentimental Value

Best Supporting Actress

Elle Fanning, Sentimental Value

Inga Ibsdotter Lilleaas, Sentimental Value

Amy Madigan, Weapons – WINNER

Wunmi Mosaku, Sinners

Teyana Taylor, One Battle After Another

Best Director

Chloé Zhao, Hamnet

Josh Safdie, Marty Supreme

Paul Thomas Anderson, One Battle After Another – WINNER

Joachim Trier, Sentimental Value

Ryan Coogler, Sinners

Original Screenplay

Robert Kaplow, Blue Moon

Jafar Panahi, It Was Just an Accident

Ronald Bronstein & Josh Safdie, Marty Supreme

Eskil Vogt & Joachim Trier, Sentimental Value

Ryan Coogler, Sinners – WINNER

Adapted Screenplay

Will Tracy, Bugonia

Guillermo del Toro, Frankenstein

Chloé Zhao & Maggie O’Farrell, Hamnet

Paul Thomas Anderson, One Battle After Another – WINNER

Clint Bentley & Greg Kwedar, Train Dreams

Animated Feature

Arco

Elio

Kpop Demon Hunters – WINNER

Little Amélie or the Character of Rain

Zootopia 2

Documentary Feature

The Alabama Solution

Come See Me in the Good Light

Cutting Through Rocks

Mr Nobody Against Putin – WINNER

The Perfect Neighbor

International Feature

The Secret Agent, Brazil

It Was Just an Accident, France

Sentimental Value, Norway – WINNER

Sirāt, Spain

The Voice of Hind Rajab, Tunisia

Best Editing

Stephen Mirrione, F1: The Movie

Ronald Bronstein & Josh Safdie, Marty Supreme

Andy Jurgensen, One Battle After Another – WINNER

Olivier Bugge Coutté, Sentimental Value

Michael P. Shawver, Sinners

Cinematography

Dan Laustsen, Frankenstein

Darius Khondji, Marty Supreme

Michael Bauman, One Battle After Another

Autumn Durald Arkapaw, Sinners – WINNER

Adolpho Veloso, Train Dreams

Original Score

Jerskin Fendrix, Bugonia

Alexandre Desplat, Frankenstein

Max Richter, Hamnet

Jonny Greenwood, One Battle After Another

Ludwig Göransson, Sinners – WINNER

Best Casting

Nina Gold, Hamnet

Jennifer Venditti, Marty Supreme

Cassandra Kulukundis, One Battle After Another – WINNER

Gabriel Domingues, The Secret Agent

Francine Maisler, Sinners

Best Production Design

Frankenstein – WINNER

Production Design: Tamara Deverell; Set Decoration: Shane Vieau

Hamnet

Production Design: Fiona Crombie; Set Decoration: Alice Felton

Marty Supreme

Production Design: Jack Fisk; Set Decoration: Adam Willis

One Battle After Another

Production Design: Florencia Martin; Set Decoration: Anthony Carlino

Sinners

Production Design: Hannah Beachler; Set Decoration: Monique Champagne

Best Costume Design

Deborah L. Scott, Avatar: Fire and Ash

Kate Hawley, Frankenstein – WINNER

Malgosia Turzanska, Hamnet

Miyako Bellizzi, Marty Supreme

Ruth E. Carter, Sinners

Best Visual Effects

Avatar: Fire and Ash – WINNER

F1: The Movie

Jurassic World Rebirth

The Lost Bus

Sinners

Best Sound

F1: The Movie – WINNER

Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, & Juan Peralta

Frankenstein

Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke, & Brad Zoern.

One Battle After Another

José Antonio García, Christopher Scarabosio, & Tony Villaflor.

Sinners

Chris Welcker, Benjamin A. Burtt, Felipe Pacheco, Brandon Proctor, & Steve Boeddeker.

Sirât

Amanda Villavieja, Laia Casanovas, & Yasmina Praderas.

Best Makeup and Hairstyling

Frankenstein – WINNER

Mike Hill, Jordan Samuel, & Cliona Furey

Kokuho

Kyoko Toyokawa, Naomi Hibino, & Tadashi Nishimatsu

Sinners

Ken Diaz, Mike Fontaine, & Shunika Terry

The Smashing Machine

Kazu Hiro, Glen Griffin, & Bjoern Rehbein

The Ugly Stepsister

Thomas Foldberg & Anne Cathrine Sauerberg

Best Original Song

Dear Me

from Diane Warren: Relentless; Music and Lyric by Diane Warren

Golden – WINNER

from KPop Demon Hunters; Music and Lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon, and Teddy Park

I Lied to You

from Sinners; Music and Lyric by Raphael Saadiq and Ludwig Goransson

Sweet Dreams of Joy

from Viva Verdi!; Music and Lyric by Nicholas Pike

Train Dreams

from Train Dreams; Music by Nick Cave and Bryce Dessner; Lyric by Nick Cave

Best Live-Action Short

Butcher’s Stain

A Friend of Dorothy

Jane Austen’s Period Drama

The Singers – WINNER (TIE)

Two People Exchanging Saliva – WINNER (TIE)

Best Documentary Short

All the Empty Rooms – WINNER

Armed Only With a Camera: The Life and Death of Brent Renaud

Children No More: “Were and Are Gone”

The Devil Is Busy

Perfectly A Strangeness

Best Animated Short

Butterfly

Forevergreen

The Girl Who Cried Pearls – WINNER

Retirement Plan

The Three Sisters.

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Drama Surrounds Igwe on Latest Episode of Heartbeat

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Heartbeat Watch This Weekend on DStv

The latest episode of Africa Magic Heartbeat saw the house adjusting to recent exits and shifting relationships. Sharon’s earlier departure and Henri’s elimination in episode eight left the remaining singles settling into their pairings while trying to understand where everyone truly stands.

Hilda Reflects on Henri’s Exit

Henri’s departure is still fresh in the house, and Hilda admitted she felt bad that her decision ultimately led to him leaving the Love Pad. However, she maintained that she did not regret choosing Bosah. In her view, even if she had chosen Henri, he likely would have remained in the house pursuing other connections.

Queen Latifah Calls Out Igwe

The episode’s biggest moment began when Queen Latifah expressed concerns about Igwe’s intentions toward Shekinah. While speaking with Hilda, she suggested that Shekinah might be allowing herself to be manipulated by Igwe and questioned whether he was truly serious about her.

Queen Latifah later took the conversation directly to Shekinah, recounting how Igwe had previously shown interest in pursuing her and even suggested he was ready to compete with Ken for her attention. According to Queen Latifah, Igwe later dismissed his connection with Shekinah by saying she was “too serious” for him.

The conversation quickly escalated when Igwe walked in mid-discussion. Words were exchanged as tensions rose, and what began as a private conversation eventually turned into one of the episode’s most heated moments.

Igwe Seeks Clarity From Alvin

Following the confrontation, Igwe later pulled Alvin aside to discuss Shekinah. With the house already questioning his intentions, he wanted to know if there was still anything between Alvin and Shekinah.

Alvin made it clear that things had changed since Ceeoni arrived and that he had no intention of pursuing Shekinah if Igwe was serious about her. The conversation appeared to reassure Igwe that there was no competition from Alvin, and he seemed increasingly focused on resolving things with Shekinah.

In a surprising turn, Igwe also acknowledged that the situation had gotten out of hand and attempted to make peace with Shekinah, even reaching out to Hilda, who is close to her, in hopes of smoothing things over.

A Brief Moment of Jealousy Between Kena and Chidera

Even the strongest couples can experience moments of friction. A brief moment of jealousy surfaced when Kena noticed Chidera wearing Alvin’s jacket, something that made him visibly uncomfortable, given that the two are now committed to each other.

The tension was short-lived when Chidera quickly apologised and reassured him, bringing the moment to a calm resolution.

The episode closed on a lighter note with a couples’ game that lifted everyone’s mood and brought energy back into the Love Pad after a day full of tension. One question lingered across the Love Pad as the episode wrapped up: has Heartbeat’s resident playboy finally fallen in love?

Catch new episodes of Heartbeat every Sunday at 9 pm on Africa Magic Showcase, DStv Channel 151, and GOtv Channel 8. You can also catch up via the DStv Stream app or through Catch Up on your decoder.

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