Showbiz
SoundCloud Restructures Artistes’ Royalty Payments System

By Ahmed Rahma
An online audio distribution platform and music sharing website, SoundCloud, has declared on Tuesday that it will become the first streaming service to start directing subscribers’ fees only to the artists they listen to, a move welcomed by musicians campaigning for fairer pay.
Unlike other streaming services like Spotify, Deezer and Apple, which put royalty payments into one big pot and dish them out based on which artists have the most global plays, the company based in Germany is set to direct royalties due from each subscriber-only to the artists they stream from April 1.
Many artists and unions stated that the system used by other music apps is grossly unfair, giving a huge slice of the pie to mega-stars like Drake and Ariana Grande, and leaving almost nothing for musicians further down the pecking order which also means that many fans of more niche artists and genres fund music they never actually listen to.
“Many in the industry have wanted this for years. We are excited to be the ones to bring this to market to better support independent artists,” said Michael Weissman, SoundCloud’s chief executive officer, in a statement.
The company said the new payment system is known as “fan-powered royalties” or “user-centric model” and would empower listeners and encourage greater diversity in musical styles.
“Artists are now better equipped to grow their careers by forging deeper connections with their most dedicated fans,” the statement said.
“Fans can directly influence how their favourite artists are paid,” it added.
Major record labels are thought to have resisted such a move, in part because the current system allows them to generate massive profits through a relatively small number of huge stars.
A study by France’s Centre National de la Musique earlier this year found that 10 per cent of all revenues from Spotify and Deezer go to just 10 artists at the top.
That has allowed the major labels to amass record revenues over the past year, just as most musicians were thrown into crisis by the cancellation of live tours due to the pandemic.
Earlier this year, label bosses told a British parliamentary commission investigating the streaming economy that it may be too complicated for platforms to shift to fan-based royalty payments.
But SoundCloud said this was exactly wrong that its computing calculations took just 20 minutes under the new model, compared with 23 hours under the old one.
“The most important takeaway from SoundCloud’s data is that none of the previous modelling has been accurate, that when you actually run a user-centric system, the rewards to artists that have an audience are significantly improved,” said Crispin Hunt, chair of the British Ivors Academy, which has been running a campaign to “fix streaming”.
“It proves the distortion in value that the existing model delivers,” he said.
Showbiz
Celebrating African Cinema: AMVCA’s Growing Influence in Global Entertainment

The Africa Magic Viewers’ Choice Awards (AMVCA), often compared to the Oscars, has evolved beyond a simple awards ceremony into an influential platform boosting African cinema’s global visibility. As the 11th edition approaches, the AMVCA continues to highlight African filmmakers’ work, helping to position Africa’s cinematic output as a significant force in international entertainment.
Initially established to showcase Africa’s diverse storytelling traditions, the AMVCA has grown from a regional event into one of the most anticipated events on the global film calendar. This increased prominence reflects the growing recognition of Africa’s cinematic quality and originality. The AMVCA brings together a wide range of African filmmaking talents, enhancing the event’s global recognition. As African content expands on streaming platforms like Showmax, the awards provide filmmakers with access to broader international audiences.
While the comparison to the Oscars speaks to its prestige, the AMVCA’s true value lies in showcasing authentic African stories and talent. Celebrating both established and emerging creative voices, it creates a space where African filmmakers receive recognition for their contributions to global cinema. This is particularly important as African stories gain traction on the international stage.
Recognition from the AMVCA extends beyond trophies, opening doors to new opportunities and global collaborations. Past winners have seen their careers blossom through international film festival invitations, co-productions, and global distribution deals. The award serves as a validation that elevates African filmmakers’ work to the international stage.
A key strength of the AMVCA is its recognition of the full spectrum of industry talent. The awards highlight not only actors and directors but also the technical experts- cinematographers, editors, sound engineers, costume designers, and music composers- emphasising African cinema’s diverse talent pool. The addition of the best music score category further acknowledges how original compositions enhance storytelling and emotional impact in African films.
As African films increasingly appear on global platforms and receive critical acclaim, the AMVCA has become an industry cornerstone. With its 11th edition approaching, the awards’ role in recognising and celebrating African cinema remains vital. By recognizing excellence across all filmmaking aspects, from visual storytelling to musical composition, the AMVCA provides a comprehensive platform for honouring the complete artistic vision behind each production.
The global entertainment industry is paying attention, and the AMVCA ensures that African cinema is not just part of the conversation but actively shapes it. This evolution from a regional awards show to a globally recognized institution demonstrates the growing influence of African cinema and the diverse talent emerging from the continent. Through categories like Best Music Score, the AMVCA continues to elevate all components that make African storytelling unique and compelling on the world stage.
Showbiz
Popular Gospel Artist Big Bolaji Dies

By Dipo Olowookere
A famous Nigerian gospel singer, Mr Bolaji Olarewaju, otherwise known as Big Bolaji or Big B, has died after a brief illness.
A statement from his family confirmed the death of the prolific musician on Saturday.
Big Bolaji, who is an ordained Pastor in the Redeemed Christian Church of God (RCCG), was a qualified surveyor while he was alive.
He was known for his energy while performing on stage.
“It is with profound sadness that we announce the passing of Bolaji Olarewaju, affectionately known as Big B, a cherished father, husband, brother, and an esteemed figure in both the church community, an ordained pastor in the RCCG and a giant in the music industry and our community.
“Bolaji left us on Easter Saturday, April 19, 2025, after a brief illness,” the statement obtained by Business Post read.
The death of Big Bolaji is coming a few weeks after four gospel artists died in a road crash in Ogun State.
Showbiz
Spotify Users Experience Technical Glitch Globally

By Adedapo Adesanya
Spotify users in Nigeria and around the world are currently experiencing challenges with the music streaming app.
Checks by Downdetector, which tracks platforms, showed more than 20,000 people reported Spotify was not properly functioning on Wednesday afternoon.
Users are still able to play music they had downloaded onto their device, and were also unable to view artists or use the search function on the app.
Business Post can also independently verify this issue as efforts to search for songs returned no outcome.
After trying to search for music, the app appears to time out and displays a message reading “something went wrong” with a refresh button.
This is not exclusive to Nigeria as thousands more reported issues in the US and parts of Europe, according to reports.
Spotify in a post on X, formerly known as Twitter said, “We are aware of the outage and working to resolve it as soon as possible. The reports of this being a security hack are false.”
Earlier it had said, “the issue with Search has been addressed” as it was rolling out the update to its users.
As of now, it is unclear how long it will be before the app begins working properly again.
Spotify has more than 675 million users worldwide.
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